Comic Review: The Incredible Hulk: Last Call

Published: June 5th, 2019
Written by: Peter David
Art by: Dale Keown

Marvel Comics, 33 Pages

Review:

I’ve never been a massive fan of The Incredible Hulk, except for the Peter David and Dale Keown era. It was the era that I read when I really started getting into superhero comics beyond just Batman, Spider-Man and X-Men titles.

This one-shot is the first of several that Marvel is doing, which feature the reunification of some of the most iconic creative teams on the books where their work was most beloved.

What I really dug about Last Call was that it channels a lot of the material from the David/Keown era. The story is about Banner on a suicide hotline, talking to a girl that Betty Ross knew. Banner is suicidal but there is a part of him that doesn’t want to follow through, as he’s trying to find some resolution for his soul and all the trauma he’s endured due to the chaos he feels responsible for. Unlike Mister Miracle, there is enough historical context to understand why the Hulk is in this state of mind.

Ultimately, he finds some peace within the 33 pages of this short story. The girl on the other end of the phone helps him get some clarity and a brief scuffle with Mr. Hyde also helps him put it all into perspective.

Despite the subject matter, this doesn’t come off as a depressing read, by the end. It gives you hope for the Hulk and the tortured Banner that feels as if he has no control over the green man’s rage.

As far as the art goes. I enjoyed seeing Keown return to the Hulk but this does look rushed and I feel like it was, as this one-shot had four different inkers on the book. It lacks the great detail that Keown was known for on The Incredible Hulk and Pitt but it still hits its mark in the right way. I just wish that these guys had more time to give us something more refined.

Rating: 8/10
Pairs well with: the classic Peter David and Dale Keown run on The Incredible Hulk, as well as the current title, The Immortal Hulk by Al Ewing.

Comic Review: World War Hulk

Published: May 7th, 2008
Written by: Greg Pak
Art by: John Romita Jr.

Marvel Comics, 197 Pages

Review:

Planet Hulk is one of my favorite story arcs of the ’00s. I never read the followup, World War Hulk until now though. I think the reason behind that is because Planet Hulk was so perfect, I didn’t want to diminish its impact on me by jumping right into the next big chapter in the Hulk’s life.

That being said, I’m glad that I did finally read this as it was a lot of fun. Sure, it doesn’t live up to what Planet Hulk was but those were big shoes to fill and this is still a worthwhile followup that shows the Hulk finally make it home with a serious chip on his shoulder.

At its core, this is a revenge tale. But there are a lot of layers and a dark secret that comes out at the end that really shakes the foundation of what this era’s Hulk stands for.

You see, the Hulk is not only mad that his friends (Mr. Fantastic, Iron Man, Doctor Strange and Black Bolt) sent him away against his will, marooning him on a terribly violent planet, but now he wants revenge because his wife and unborn child were killed by what he believes was the fault of these same former friends. So the Hulk returns to Earth with his allies from Planet Hulk ready for a showdown with his old teammates in the heart of New York City.

This story is full of epic destruction and incredible action. It’s also nice seeing John Romita Jr. do the art for this, as I’ve been an avid fan of his work since I first discovered him in the pages of Daredevil in the late ’80s.

World War Hulk is full of a ton of Marvel superheroes, all trying to stop the Hulk’s war against Earth’s mightiest. While it isn’t on Planet Hulk‘s level, it’s still a worthy sequel and changes the Marvel landscape going forward.

Rating: 7.75/10
Pairs well with: the story that precedes this one, the near perfect Planet Hulk.

Film Review: Captain Marvel (2019)

Release Date: February 27th, 2019 (London premiere)
Directed by: Anna Boden, Ryan Fleck
Written by: Anna Boden, Ryan Fleck, Geneva Robertson-Dworet, Nicole Perlman, Meg LeFauve
Based on: Captain Marvel by Stan Lee, Gene Colan, Carol Danvers by Roy Thomas, Gene Colan
Music by: Pinar Toprak
Cast: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law, Kelly Sue DeConnick (cameo)

Marvel Studios, Walt Disney, 124 Minutes

Review:

“You are Carol Danvers. You were the woman on that black box risking her life to do the right thing. My best friend. Who supported me as a mother and a pilot when no one else did. You were smart, and funny, and a huge pain in the ass. And you were the most powerful person I knew, way before you could shoot fire through your fists.” – Maria Rambeau

This was the first Marvel Cinematic Universe movie that I didn’t see in the theater. Frankly, it looked boring and unimaginative and it really has nothing to do with the controversies surrounding the film regardless of what side of the argument your fanboy/girl heart lies on.

Seeing it now, I wasn’t wrong.

This is a drab, mostly pretty boring film. Also, it looks cheap compared to other Marvel movies. This looks more like an episode of a CW superhero show than a film produced by Disney and Marvel. And it’s kind of underwhelming and depressing, really. Especially since this had its fair share of outer space stuff, which Marvel has handled exceedingly well with Thor: Ragnarok and both Guardians of the Galaxy outings.

I think part of the problem is that this film had too many creatives trying to steer the ship. It had two directors and five writers. Fuck, guys… just pick a team of a few people like your best movies and let them make the magic happen. Films made by committees rarely wow anyone.

In regards to Brie Larson, she is, as I’ve said in reviews of other films, a charisma vacuum. She makes charismatic actors around here give uncharismatic performances. Sam Jackson and Jude Law are typically very charismatic and fun to watch. Here, they’re about as entertaining as sleeping dogs.

Throughout this entire film, Brie was told that she’s too emotional yet she barely shows any actual emotion and just delivers her lines with a blank face in monotone. She also does this juvenile smirk all the time that just makes her look like a middle aged soccer mom thinking that she’s still youthful, cute and wishes she was still in high school so she could cozy up to the mean girls.

If this film wasn’t part of the larger MCU canon, it would have come and gone and been completely forgotten already. It’s not even bad to where people can talk for years about how much of a shitshow it was like Catwoman. But this is the future that Disney apparently wants and between this dead on arrival, boring ass film and the slapped together, clusterfuck that Avengers: Endgame was, makes me think that the MCU‘s expiration date was 2019, just a year after it celebrated it’s 10th anniversary.

Usually for a film of this caliber, I’d have a lot more to say. But there isn’t much to talk about with this one. It’s a waste of time, it carries an obvious agenda with it and like things that are trying to be political statements, it fails at conveying that message in a meaningful or genuine way.

Plus, everyone and their mother has torn this film apart already. I don’t think it’s as bad as many people do but it’s certainly a soulless, unemotional, pointless film more concerned with its place in history and trying to challenge societal ideals in the laziest way possible than it is trying to be a fun, escapist piece of entertainment.

But hey, this isn’t as bad as Joss Whedon’s Avengers: Age of Ultron, which still takes the cake as Marvel’s worst. I would put this in my bottom two or three though.

Rating: 5.5/10
Pairs well with: Everything else in the MCU, I guess.

Comic Review: Hank Johnson, Agent of Hydra – One-Shot

Published: August 26th, 2015
Written by: David Mandel
Art by: Michael Walsh, Amanda Conner (cover)

Marvel Comics, 22 Pages

Review:

Marvel is not good at comedy. Well, at least not in modern times and this comic was just a stark reminder of that. Modern Marvel’s comedy is about as cringe as Vince McMahon’s.

Anyway, I thought the premise sounded amusing, so I figured I’d give this a read, as it is just a one-shot.

The plot is about a guy who works for Hydra but this mostly shows his home life and how being an agent for Hydra conflicts with his duties as a husband and father.

The wife loves Hydra too but she’s annoyed by her husband’s life being ruled over by the organization. Their kids wear superhero t-shirts and go out on Halloween dressed up as heroes that made their father piss blood but that’s supposed to be funny.

We also get to see a funeral presided over by M.O.D.O.K., Madame Hydra sexually harassing the main character and Baron Zemo on stage emceeing a “guess how many marbles are in the fishbowl” game. Oh yeah, and Hydra kids have a little league game against S.H.I.E.L.D. kids because, you know, comedy.

This obviously exists in its own reality apart from the regular Marvel continuity but even as a standalone comedy, it doesn’t work. It’s way too absurdist and none of the jokes hit in the way that they are intended.

The art sucks too.

I’m glad I only wasted a buck on this.

Rating: 3/10
Pairs well with: I guess modern Marvel comics that try to be funny.

Comic Review: Planet Hulk

Published: April 2nd, 2008
Written by: Greg Pak
Art by: Gary Frank, Aaron Lopresti, Takeshi Miyazawa, Carlo Pagulayan

Marvel Comics, 401 Pages

Review:

I read The Incredible Hulk comics as a kid. But I wasn’t really a Hulk fan until Planet Hulk came into my hands in 2008. By the time I got to the end of it, I realized that I had just experienced one of the absolute best comic book stories of that decade.

A lot of the story would go on to be used in the film Thor: Ragnarok because a live action adaptation of the story wasn’t possible with all the issues regarding which studio owns the controlling rights over the character. But I loved what they did use in that Thor film between Hulk being a gladiator and the inclusion of Korg, as well as some other minor details.

It had been awhile since I read this story though and I thought that I needed to see how it has held up.

Well, this is still absolutely incredible. It is, most definitely, my favorite Hulk story of all-time. But I also probably enjoy it for the fact that it has some sword and sorcery elements to it and really just feels like Hulk the Barbarian.

Greg Pak did a stupendous job writing this though. For something so lengthy and beefy, the whole thing is engaging, there aren’t any dull moments and each issue builds off of the ones before them. This is what comic book writing should be. This has perfect pacing, every panel matters and it hits you right in the feels just when it needs to.

Planet Hulk had multiple artists work on it, which is common when a story arc is this long. But what’s great about it was that the style was consistent and you don’t immediately notice that it’s different. It all just fits together very cohesively. Sometimes different artists have styles that can conflict and be almost jarring when reading a collection. This does not suffer from that at all.

After jumping back into this 11 years later, I really want to read the followup World War Hulk now, which I missed back in 2008.

Rating: 10/10
Pairs well with: World War Hulk and the Peter David run on The Incredible Hulk.

Film Review: Avengers: Endgame (2019)

Release Date: April 22nd, 2019 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown

Marvel Studios, Walt Disney Studios, 181 Minutes

Review:

“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Here we are… the end.

Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.

But anyway, how was this film? The big, badass finale to a 22 movie franchise?

It was good but it wasn’t anything close to stellar.

My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.

Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.

The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.

I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.

Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.

Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.

Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.

Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.

Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.

Rating: 7.75/10
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.

Comic Review: Spider-Man: The Revenge of the Sinister Six

Published: 1991-1992
Written by: Erik Larsen, Terry Kavanagh
Art by: Erik Larsen, Scott McDaniel

Marvel Comics, 165 Pages

Review:

I was really digging re-reading all the earliest Sinister Six storylines. But then I got to this one, the third of the three I wanted to re-experience and it really took the wind out of my sails.

This was a complete clusterfuck, narratively speaking.

I guess there is a big difference between the skill level of David Michelinie and Erik Larsen when it comes to writing. The two teamed up for the storyline, The Return of the Sinister Six, a year earlier in The Amazing Spider-Man. In this arc, Larsen took the reigns pretty much solo, as he had been moved to the Spider-Man title while Michelinie was still working on The Amazing Spider-Man with artist Mark Bagley. While that great duo were introducing us to Carnage, Larsen gave us this mess.

The biggest problem with this miniseries, is that it seemed like Larsen was using it as a way to feature and draw all the characters he wasn’t able to touch before this. This is a cameo bonanza in the worst way and many of these characters enter the story just for the hell of it and don’t serve much purpose to the overall narrative. It’s like Larsen just wanted to draw splash pages of the Hulk, Ghost Rider, the Fantastic Four, and a billion different villains. We also get a small and incredibly pointless cameo from Sleepwalker, one of my favorite ’90s characters.

Larsen’s art here was pretty damn solid, I have to give him that. He has a very distinct style and people either love it or hate it, similar to the style of Rob Liefeld. I have mostly liked Larsen’s style and this was interesting to see, as he did this right before jumping ship to Image Comics and his own creation, The Savage Dragon.

I do have to say that Larsen’s writing improves once he goes to Image and I’m thinking that he knew he was leaving when he took on this project and he felt that it was the only chance he would get to draw a lot of these characters.

To put it bluntly though, this story is ’90s as fuck and I don’t mean that complimentary. It’s trying really damn hard to be edgy. In fact, in the final battle all the villains are shooting machine guns like common street thugs while Spider-Man is wearing all this expensive, over the top, ’90s style tech. Hell, Spidey even gets a cyborg arm in this.

Also, the Sinister Six isn’t really even fully formed. Sandman is not on the team and is trying to get the other villains to stop Doctor Octopus. So really, this is the Sinister Five but then they bring in the giant beast Gog. So is he the sixth member now? It’s not really clear and it’s just one of many things that makes this story total chaos.

This was bad, dreadfully bad. I remembered liking it when it originally came out but I was also thirteen years-old and way more into the visual side of comics over having a coherent plot.

Rating: 4.75/10
Pairs well with: Stan Lee and Steve Ditko’s original Sinister Six story, as well as the prequel to this one, The Return of the Sinister Six. Also, anything from the Michelinie and Larsen run on The Amazing Spider-Man.