Release Date: April 16th, 1946 (Baltimore premiere)
Directed by: George Marshall
Written by: Raymond Chandler
Music by: Victor Young (uncredited)
Cast: Alan Ladd, Veronica Lake, William Bendix, Howard Da Silva, Doris Dowling
Paramount Pictures, 96 Minutes
“Just don’t get too complicated, Eddie. When a man gets too complicated, he’s unhappy. And when he’s unhappy, his luck runs out.” – Leo
While not the first film to pair up Alan Ladd and Veronica Lake, this is probably the most famous one and the one that is considered the best. Although, I’d say that I like This Gun For Hire quite a bit more. I still haven’t seen their earliest film, The Glass Key, but I plan to watch it within the week.
The plot of the film revolves around an ex-serviceman, Johnny, who is wanted for the murder of his wife, who he had a severe falling out with once returning home from World War II. He finds out that she killed their son while driving drunk and that she has been having an affair with the owner of the Blue Dahlia nightclub. During their argument, Johnny pulls a gun on his wife but doesn’t use it. However, a witness saw this so when she is killed after Johnny leaves, he is the prime suspect.
In typical noir fashion, the rest of the film follows Johnny trying to clear his name while also trying to discover who the killer is.
The film is written by Raymond Chandler, who is probably known more for the film adaptations of his crime novels than his actual screenwriting but the story here is on par with his others and the dialogue is pretty well written. But it’s the talents of Alan Ladd, Veronica Lake, as well as the smaller parts of Doris Dowling and Howard Da Silva that gave the script real life. But I also can’t discount George Marshall’s direction.
The cinematography is decent but nothing extraordinary. Paramount made good looking noir pictures but they lack the visual panache of the noirs put out by RKO. But no one knew what film-noir was when they were making these films and the cinematography feels more like the crew sticking to Paramount’s tightly controlled standard than actually trying to give this some artistic flourish.
The Blue Dahlia is a beloved film for most noir lovers. I definitely enjoyed it but I can’t really put it in the upper echelon of the style’s best pictures.
Pairs well with: other film-noir pictures pairing Veronica Lake and Alan Ladd.