Film Review: Border Incident (1949)

Also known as: Border Patrol, Wetbacks (working titles)
Release Date: October 28th, 1949
Directed by: Anthony Mann
Written by: John C. Higgins, George Zuckerman
Music by: Andre Previn
Cast: Ricardo Montalban, George Murphy, Howard Da Silva, James Mitchell, Charles McGraw

Metro-Goldwyn-Mayer, 94 Minutes

Review:

“What is cheaper than time, señor? Everybody has the same amount.” – Zopilote

This isn’t my favorite film-noir by Anthony Mann but it is still a quality film that rivals his other ones.

A very young Ricardo Montalban is the star here, and man, he shines like a supernova and really carries this badass movie on his shoulders.

What’s unique about this, is that it takes place on the Mexican border and was mostly filmed in the wilderness in the desert areas of Southern California and the northern portion of the Baja Peninsula in Mexico. The location shooting made this majestic and added some gravitas to the already heavy and serious proceedings.

The plot is about a gang that smuggles Mexican farm workers across the border into California. The gang ends up killing the immigrants, which leads to federal investigators going undercover to destroy the gang. With typical noir twists, the agents end up having to fight the gang leader for their own survival.

Montalban and George Murphy were both superb as the agents seeking justice, while Howard Da Silva was a perfect, sinister heavy, out for their blood.

The film is certainly intense and it has a gritty realism to it, even for its time, where many big studio motion pictures had a lot of visual luster and prestige. But Mann was perfect at achieving his vision in a time where his stylistic choices weren’t common.

Border Incident has stupendous cinematography and lighting. Mann was a master of mise-en-scène and this motion picture is just further proof of that. The use of natural lighting was especially impressive in the outdoor scenes. Mann knew how to manufacture doom and gloom, visually.

I really liked this film and I believe that is the last of Mann’s noir pictures for me to review. That’s kind of sad and I put this one off for awhile because of that.

Rating: 7.75/10
Pairs well with: other Anthony Mann film-noir pictures: T-Men, Desperate, He Walked by Night, Raw Deal and Side Street.

Film Review: They Live by Night (1948)

Release Date: August, 1948 (London)
Directed by: Nicholas Ray
Written by: Charles Schnee, Nicholas Ray
Based on: Thieves Like Us by Edward Anderson
Music by: Leigh Harline
Cast: Cathy O’Donnell, Farley Granger, Howard Da Silva

RKO Radio Pictures, 95 Minutes

Review:

“I’ll take steps a block long. Anyone gets in my way, I’ll stomp ’em!” – Chickamaw

While They Live by Night isn’t my favorite Nicholas Ray picture, it was the start of his career and was a much better film than most director’s first efforts.

The film is also a sort of prototype to Bonnie and Clyde, not officially, but it shares a very similar narrative about two lovers on the run from the law. However, the original novel could have been inspired by the real life Bonnie and Clyde, who met their demise in 1934, just three years before the novel Thieves Like Us was published.

The story starts with some prison escapees fleeing towards freedom in 1930s Mississippi. The men decided to rob a bank. One of them, a young man named Bowie, was wrongfully convicted of murder and feels that he can use the money from the bank heist to pay for a lawyer that can prove his innocence.

Things go sideways, Bowie is hurt and finds refuge with the daughter of a gas station owner. The two fall in love and plan to live an honest life away from all the crime and violence. Keechie, the girl, gets pregnant but at the same time, the two men from Bowie’s gang return, demanding his help. Of course, things go sideways again.

The film was well shot and very well directed and it even featured some innovations. For instance, the helicopter shot during the opening credits was pretty unique for 1948 and it kicked this film off with a lot of energy. Also, being a mostly noir picture, it leaves behind the genre’s typical tight interior sets and spends a good amount of time in the wide open spaces of the rural Mid-South, the same geographical region where Bonnie and Clyde committed their robbery spree. They Live by Night is a wide open picture compared to most of the films like it.

The starring duo of Cathy O’Donnell and Farley Granger were pretty much newcomers to the big screen but they held their own and their love for one another seemed genuine. O’Donnell was especially good and you feel nothing but sadness for her, as she is thrown into a heartbreaking and perilous situation.

They Live by Night is a very well made motion picture. There isn’t a whole lot that you can say about it that could be negative. It has a good director, nice cinematography, treads some original ground and has good acting. If you like Bonnie and Clyde, you’ll probably enjoy this too. Nicholas Ray would go on to make some better movies but this one still holds a special place.