Film Review: Return to House On Haunted Hill (2007)

Also known as: House On Haunted Hill 2 (working title)
Release Date: October 3rd, 2007 (Australia)
Directed by: Victor Garcia
Written by: William Massa
Based on: House On Haunted Hill by Robb White
Music by: Frederik Wiedmann
Cast: Amanda Righetti, Cerina Vincent, Erik Palladino, Tom Riley, Andrew Lee Potts, Jeffrey Combs

Dark Castle Entertainment, Warner Premiere, 79 Minutes, 81 Minutes (unrated)

Review:

“Mansions with their own mental wards. Only in fucking L.A.” – Desmond

I really liked the predecessor to this film. In fact, I reviewed it a few weeks back, after revisiting it for the first time in years. Seeing it made me appreciate it even more and it also motivated me to finally check out this straight-to-DVD sequel that I slept on in 2007 because I heard nothing but shitty things about it.

Well, all the shitty criticism that I heard regarding this film is true. In fact, it may not have been harsh enough, as this is one of the worst films I’ve sat through, so far in 2020.

I mean, I expected this to be much worse than the 1999 film but I was hoping it’d be a 5/10 in that it’d have good atmosphere and be true enough to the film it’s a sequel to that it would’ve helped push it past its flaws. Nope. It’s total and utter shit.

First off, and as should be expected, the acting is horrific. While I expected that for the most part, I did anticipate Amanda Righetti and Jeffrey Combs to at least carry the rest of the cast. They didn’t and that’s probably because RIghetti was dragged down by everyone else and Combs didn’t talk at all and just twitched a lot. I get that Combs is playing the same character he did in the previous film but I had hoped that they would’ve actually let him speak and come to life more, as he could’ve possibly saved the picture if they had expanded his role.

The setup to this film and the overall premise are fucking stupid.

Apparently, the girl who survived the previous movie and got the millions of dollars for doing so, went crazy and killed herself. Her ghost didn’t even closely resemble Ali Larter, which just goes to show how little the creative team gave a shit about the first film. Additionally, her character was pretty uncharacteristic of who she was in that first movie. Also, the Taye Diggs character is nowhere to be found and sort of just forgotten.

So the sister of the dead Ali Larter goes back to the house after being abducted with some thugs and an archaeologist looking for some cursed ancient statue. So the story now, is that the house itself is possessed by this cursed item and that’s why everything there is evil. Why can’t we just stick to the evil, fucked up doctor creating an evil environment where he is trapped with his tortured patients? Now we’ve got to make up some fucking bullshit MacGuffin that’s hidden in the literal heart of the house?! Yes, the house has a physical, organic fucking heart now!

Another massive problem with this festival of cinematic shit is that the house doesn’t even resemble the house of the first movie. I mean, how hard would that have been to pull off? The previous film’s house was mainly just simple fucking corridors with dirt, rust and blood all over the walls. This looks like it was filmed in a random warehouse from a Fallout game and I don’t mean that complimentary.

The only part of the house that looks familiar is the entrance hall but even then, it’s smaller and it is so well lit that it destroys the whole aesthetic.

This film has no redeeming qualities, not a single fucking one. Sure, you could say, “But Jeffrey Combs is in it!” And while that’s true, he’s completely wasted and it wouldn’t have mattered if he returned to play Dr. Vannacutt or if they had cast the fucking Key Grip.

Rating: 1.5/10
Pairs well with: removing duct tape from your face.

Film Review: House On Haunted Hill (1999)

Release Date: October 27th, 1999 (premiere)
Directed by: William Malone
Written by: Dick Beebe, Robb White
Based on: House On Haunted Hill by Robb White, William Castle
Music by: Don Davis
Cast: Geoffrey Rush, Famke Janssen, Taye Diggs, Ali Larter, Chris Kattan, Peter Gallagher, Bridgette Wilson, Max Perlich, Jeffrey Combs, Slavitza Jovan, Lisa Loeb, Peter Graves (cameo), Greg Nicotero (uncredited)

Dark Castle Entertainment, Warner Bros. Pictures, 93 Minutes

Review:

“Dr. Richard Benjamin Vannacutt. He out-butchered Bundy, made Manson look meek.” – Peter Graves

Man, it’s been a really long time since I’ve watched this but for some odd reason, it holds a special place in my dark heart. I’m not sure if it is due to when it came out and the effect of nostalgia or because I actually consider it to be better than the film it is a remake of, which almost feels sacrilegious to type because Vincent Price, that film’s star, is why I fell in love with horror to begin with.

Generally, I’m not a fan of remakes in the same way I’m not a fan of cover songs. I really feel as if these things should only exist if they can justify themselves by being better or at the very least, being an interesting new take on the source material they are borrowing from.

1999’s House On Haunted Hill is a really good example of a film that takes its inspiration from its predecessor and makes it something else without sacrificing what the original vision was. It’s not an easy task to achieve but Dark Castle really started out on a good foot with this, their first of a few classic horror remakes.

Ultimately, this takes the formula from William Castle’s classic haunted house tale and ups the ante in a way that is very ’90s. It’s more extreme, has a fair bit of good gore and it updates the concept into something contemporary for the time. It’s also more of a psychological horror film and goes places that the original one couldn’t. The scene in the hallucination chamber is well done and actually kind of terrifying, even for a horror aficionado like myself.

That being said, there are three key things that make this remake a solid one.

The first is the ensemble cast. For a horror film with slightly more than a half dozen main players, we have an assemblage of some really good talent. Everyone sort of plays a typical horror archetype but they are all really good at it. I like everyone in this, top to bottom, regardless of whether or not they’re playing the innocent and good character thrown into a literal hell or they’re playing the evil, conniving bastard with some sort of dastardly trick up their sleeve.

Frankly, as good as everyone is in their roles, Geoffrey Rush and Famke Janssen steal every single scene they’re in. I can’t say that they outclass and out act every other actor here but they just rise to a different level and they seriously look like they are enjoying hamming it up in this twisted movie.

The second thing that makes this film work is the atmosphere. This isn’t the house from the original film. Instead, we’re trapped with these characters in a burned out art deco styled fortress of the 1930s, which was used as an insane asylum ran by an evil and sadistic doctor that used to butcher his patients.

Beyond that, the sets are incredible and the art direction in this film was magnificent. I really dig the lighting, the visual effects, the general cinematography and just about everything visual. The practical effects are great and even if the CGI feels dated now, it works for what this is and it doesn’t take you out of the picture like some of the CGI you’d see from this era. The Lovecraftian inspired blob of spirits is actually kind of cool and it works tremendously well with the tone of the film.

The third thing that works wonders is the score. The music is a great mix of a classic horror movie soundtrack and ’90s era industrial styled instrumentals. The film even features Marilyn Manson’s “Sweet Dreams”, which adds another level of dread and atmosphere to the already effective presentation of the picture.

I’d like to give credit to the director, William Malone. He managed this project well and I have to give credit where it’s due, especially since I don’t like the other films that I’ve seen of his: Creature, FeardotCom and Parasomnia. But maybe I will give those movies a re-watch soon, as it’s been a long time.

When this came out, it was a film that critics hated but I remember most people enjoying it. It’s got a ’90s campiness to it but it’s far from comedy and I’d say that it’s aged well. It’s certainly better than what the modern standard seems to be in the horror genre.

I think that I’ll revisit Dark Castle’s Thirteen Ghosts remake soon, as it has been a long time since I’ve seen it but I had a good experience with it, back in the day. I may also finally watch the sequel to this film. I heard it’s nowhere near as good but with this fresh in my mind, I’d like to take another trip to the haunted asylum.

Rating: 8/10
Pairs well with: the other Dark Castle remakes of classic horror films, as well as other late ’90s and early ’00s ghost movies.

Film Review: House On Haunted Hill (1959)

Release Date: January 14th, 1959 (San Francisco premiere)
Directed by: William Castle
Written by: Robb White
Music by: Richard Kayne, Richard Loring, Von Dexter
Cast: Vincent Price, Carol Ohmart, Elisha Cook Jr., Carolyn Craig, Alan Marshal, Julie Mitchum, Richard Long

William Castle Productions, Allied Artists, 75 Minutes

Review:

“If I were gonna haunt somebody, this would certainly be the house I’d do it in.” – Lance Schroeder

House On Haunted Hill is one of Vincent Price’s most highly regarded films. Granted, it’s not my favorite and barely cracks my top twenty (see here) but it’s still an entertaining affair that’s full of the great gimmickry that director William Castle was known for.

I also love the fact that the exterior of the mansion was actually the Ennis House, which was designed by Frank Lloyd Wright and was also used in Blade Runner, The Karate Kid Part III, Black Rain and a slew of other films due to it’s odd and iconic look.

The majority of the film takes place indoors and was shot on a sound stage made to look like an opulent mansion but it didn’t feel like it had a cohesive look with the exterior shots, even though the set designers sprinkled in replicas of the Ennis House’s famous building blocks.

The story is kind of hokey, even for 1959 and so are the frights. Still, this movie is kind of cool because of its hokiness and charm.

Overall, the acting is pretty over the top in a lot of scenes but Vincent Price and character actor Elisha Cook Jr. keep things fairly grounded for the most part.

It’s probably a controversial take but even though I enjoy this and love Price in it, I actually prefer the 1999 remake, as it took this concept and gave us something far more frightening and more complex.

Rating: 7/10
Pairs well with: other William Castle pictures, as well as the 1953 version of House of Wax.