Release Date: September 26th, 2006 (New York City premiere)
Directed by: Martin Scorsese
Written by: William Monahan
Based on: Infernal Affairs by Alan Mak, Felix Chong
Music by: Howard Shore
Cast: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, Ray Winstone, Vera Farmiga, Alec Baldwin, Anthony Anderson, Kevin Corrigan, Mark Rolston, Robert Wahlberg
Media Asia Films, Vertigo Entertainment, Initial Entertainment Group, Plan B Entertainment, Warner Bros., 151 Minutes
“My theory on Feds is that they’re like mushrooms, feed ’em shit and keep ’em in the dark” – Dignam
I probably would’ve enjoyed this movie a lot more had I not seen the Hong Kong film Infernal Affairs first. Reason being, this is an American remake of that film and frankly, it’s nowhere near as good but I’ll explain why.
To start, the acting is superb as fuck and really, that should go without saying if you look over the cast list. And really, I think that’s the one part of this film that possibly exceeds the original. DiCaprio is solid. Damon is solid. Nicholson is solid. Frankly, so is everyone else and there isn’t really a weak link in this chain of talent.
I think that for the lesser known actors and those with smaller parts, working with these other legends really helped them rise to the occasion. But some credit for that obviously has to go to Martin Scorsese’s direction. Scorsese, time and time again, always pulls the very best out of his actors from top-to-bottom in every production.
But this doesn’t discredit the acting in the Hong Kong film, which was also top notch and pretty damn close to this one even with the language barrier and having to experience it through subtitles.
One thing I’m not super keen on about this version is that it feels like the least Martin Scorsese film that the man has ever made… or, at least, that I’ve seen. It’s like Scorsese really wanted to replicate the tone and style of the original and while he did a fine job in replicating it, it sort of loses his patented touch. I would’ve rather seen him really take this story and make it his own.
Speaking of the story, I found this harder to follow than its source material. The Hong Kong film developed the characters better, especially the backstories. This movie lacked a lot of the extra context we got in the original between the Jack Nicholson and Matt Damon characters. I think that context was pretty important and maybe those scenes were filmed but ended up on the cutting room floor.
What’s strange is that this movie is a whopping fifty minutes longer… fifty! Yet it feels like it has less story and the story that is present is a bit complicated. I feel like they tried to add extra layers into this where they didn’t need to be. While I don’t remember every detail of Infernal Affairs, as it’s been four years since I’ve seen it, but it did feel more streamlined and focused in spite of all the characters it had to balance.
It may seem like I’m shitting on The Departed but I don’t mean to. It’s just that I found a lot more value in the original.
This is still a damn engaging movie with characters you like, even the bad ones. It mostly moves at a brisk pace and as I’ve already stated, it’s a movie that’s greatly enhanced by its performances.
It was kind of cool seeing guys like DiCaprio, Nicholson and Damon come together in the same picture. It truly feels like a once-in-a-lifetime team-up and these guys worked together wonderfully.
Also known as: Supertroepen (Netherlands)
Release Date: June 25th, 1982
Directed by: Hal Needham
Written by: James Whittaker, Albert S. Ruddy, Hal Needham, Andre Morgan, Robert S. Kachler
Music by: Jerrold Immel
Cast: Barry Bostwick, Michael Beck, Persis Khambatta, Edward Mulhare, George Furth, Henry Silva
Golden Harvest Company, Northshore Investments, 99 Minutes
“It’s all on the wheel, it all comes around.” – Ace Hunter
Megaforce is a really bad movie but it’s a really bad movie that I enjoy because the over-the-top performances are wonderful and the film doesn’t appear to be taking itself too seriously.
This was an international co-production with the US and Hong Kong super studio Golden Harvest, who were known primarily for their martial arts films and especially those starring Jackie Chan.
The premise is pretty simple. It’s just a mix of being a Mad Max clone with Japanese tokusatsu influences, as it features a super task force with cool vehicles and uniforms that very much look like a product of their very dated time.
The film stars an interesting trio of leads between Barry Bostwick, Michael Beck and Indian actress and goddess, Persis Khambatta.
At the time Bostwick was an up and coming leading man mostly known for his roles in television and the cult classic film The Rocky Horror Picture Show. Beck was mostly known for his leading role in The Warriors. Khambatta was mostly known by American audiences for being the bald alien woman in Star Trek: The Motion Picture and her appearances in many high profile pageants like Miss Universe.
This film is really a mixed bag of coolness and hokiness. Additionally, it’s special effects are also a mixed bag. In their case, they’re a mix of solid miniature work, solid action shots and then really awful greenscreen sequences like the flying motorcycle scene. I think the positives actually outweigh the negatives but man, that motorcycle scene really diminishes the great effects work that the film showcases in most effects heavy sequences.
Megaforce is goofy but also endearing in spite of its faults. If you feel like you want to check it out, there is a RiffTrax version, which you may find more enjoyable.
Pairs well with: other ’80s dystopian future/post-apocalyptic movies.
Also known as: The 7 Brothers Meet Dracula (US poster title), The Last Warning (UK alternative title)
Release Date: July 11th, 1974 (Hong Kong)
Directed by: Roy Ward Baker, Chang Cheh
Written by: Don Houghton
Music by: James Bernard
Cast: Peter Cushing, David Chiang, Julie Ege, Robin Stewart, John Forbes-Robertson
Shaw Brothers, Hammer Films, 89 Minutes, 75 Minutes (American edit)
“I need your mortal coil. I need the form of your miserable carcass. I need your vile image. I need to walk this Earth again, free from these walls, free from this mausoleum. I will return to your temple, in your image Kah. I will recall the Seven Golden Vampires, as my own host. Tools of my vengeance on mankind. I will take on your appearance, your image.” – Dracula
I saw this years ago and while I mostly liked it, I didn’t expect to love it as much as I did, revisiting it now.
This film was a co-production between the UK’s Hammer Films, known for their iconic gothic horror pictures, and Hong Kong’s Shaw Brothers studio, the masters of classic kung fu flicks.
Somehow, this unusual movie came together like a perfect marriage between the two studios’ very different styles and the end result was something really entertaining, especially for fans of both companies.
I’m not surprised that Christopher Lee didn’t come back to play Dracula once again but I still wish he had, as it would’ve added something extra to the movie. But at least Peter Cushing returned to play another version of the Van Helsing character. I do like the actor that did play the traditional Dracula, however, even if the role was rather limited.
That intro between Dracula and Kah, the Chinese baddie that became his mortal host, was really damn enjoyable: the perfect kind of old school cheese.
Once the story gets to China, it’s really energetic and cool. I love the tone of the film, the martial arts action and the ideas explored in this were really neat and fresh.
I especially love how vivid and almost giallo-esque some of the lighting was in the more surreal horror scenes. However, at times, the movie also looks like what one would expect from a traditional Shaw Brothers kung fu movie.
There’s just a lot of awesome stuff in this film and if you just sit back and enjoy the show, it’s a lot of fun and a great attempt at trying to bring two very different things together in a well-crafted package.
Pairs well with: other Hammer Dracula films, as well as other Shaw Brothers kung fu pictures.
Also known as: Mission: Impossible 5 (working title), MI5 (informal title)
Release Date: July 23rd, 2015 (Vienna premiere)
Directed by: Christopher McQuarrie
Written by: Christopher McQuarrie, Drew Pearce
Based on: Mission: Impossible by Bruce Geller
Music by: Joe Kraemer
Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Ving Rhames, Alec Baldwin, Rebecca Ferguson, Sean Harris
TC Productions, Bad Robot Productions, Skydance Media, Paramount Pictures, 131 Minutes
“I can’t protect you, that’s why I need you to leave.” – Ethan Hunt, “That’s not your decision to make, Ethan! I am a field agent, I know the risks! More than that, I am your friend, no matter what I tell the polygraph every week! Now you called me because you needed my help! And you still do! So I am staying! And that is all we are gonna say about that!” – Benji Dunn
Man, I was a fool for quitting this series after the pretty terrible second film. Each movie since then has gotten better and better and frankly, I’m incredibly impressed by these stupendous movies! I shouldn’t have ignored the hype, I should’ve bought in and just enjoyed these on the big screen. Well, thankfully there are two more installments currently being filmed.
Getting into this particular chapter of the franchise, all my favorite surviving members of the series are back and it’s great seeing them pick up where the fourth film left off while also adding in Alec Baldwin and Rebecca Ferguson, who I absolutely fucking loved in this. I’m glad they chose to let her stick around for more films after this one, as she hit it out of the park and became the best female in this series almost immediately. Although, I was curious about Paula Patton’s absence and hope that her character appears at some point again, in the future.
This chapter also establishes a great villain and villain group that our heroes have to face. It’s sort of like Ethan Hunt having to face his own version of James Bond‘s SPECTRE but a lot less hammy and a bit more scary, as these film’s tend to veer more towards realism than the classic SPECTRE stories in the earliest Bond movies.
And while this might easily be brushed off as a rehash of that idea or other similar stories with villainous, secret terrorist groups like Hydra or Cobra, this group feels more plausible in the real world.
As is customary with these awesome flicks, the movie is full of incredible stunts and action sequences. While I think the previous film edges out this one in that regard, this is a slightly better movie, overall. That has a lot to do with the story but also in how this expands the mythos in a cool new way while building up from the franchise’s very strong foundation (excluding M:I-2 of course).
In the end, this was near-fucking-perfect for what it is. It gives me hope for the sixth film, which I still haven’t seen, as well as the two sequels yet to come. If the series maintains its quality beyond this chapter, it may become my favorite franchise of the modern era, post-2000.
Pairs well with: the other Mission: Impossible films.
Also known as: Mad Monkey (Germany)
Release Date: October 5th, 1979 (Hong Kong)
Directed by: Lau Kar-leung
Written by: Ni Kuang
Music by: Eddie Wang
Cast: Hsiao Ho, Lau Kar-leung, Lo Lieh, Kara Hui, Ching Chu
Shaw Brothers, 116 Minutes
This was one of my favorite kung fu movies that used to pop up on cable when I was a kid. I’d watch it every time I came across it and my cousins and I would often times try to replicate what we saw in the film.
It’s also one of the pictures that led to us actually taking up martial arts. We wanted to be as cool as the heroes in this film, as well as the heroes in other innovative martial arts flicks like it. Then as the ’80s rolled on, we got more into ninja shit but it all really started with the clever and amusing Shaw Brothers films like this gem.
Watching it now, it all sort of came back to me. Honestly, I barely remembered the movie and a lot of the kung fu pictures of that era sort of blended together in my head. But certain scenes and sequences just triggered that nostalgia bug in my brain.
For what this is, it has aged really well and the film has this cool, youthful energy about it that makes it a lot of fun to watch, even as an adult with back problems that can’t do 1/10th of the martial arts that he thought he could do well as a kid.
As much as I enjoy Lo Lieh’s work, I actually forgot he was in this. It was cool seeing him get to ham it up while also being a total badass.
This is one of those kung fu classics that is really the perfect type of late ’70s/early ’80s drive-in action movie. It’s got just about everything you’d want in a Shaw Brothers film and just a wee bit more.
Pairs well with: other Shaw Brothers kung fu flicks.
Also known as: Carquake! (UK)
Release Date: July 6th, 1976
Directed by: Paul Bartel
Written by: Paul Bartel, Donald C. Simpson
Music by: David A. Axelrod
Cast: David Carradine, Bill McKinney, Veronica Hamel, Gerrit Graham, Robert Carradine, Belinda Balaski, Mary Woronov, James Keach, Dick Miller, Paul Bartel, Joe Dante, Allan Arkush, Jonathan Kaplan, Roger Corman, Don Simpson, Martin Scorsese (uncredited), Sylvester Stallone (uncredited)
Cross Country Productions, Harbor Productions, New World Pictures, 90 Minutes
“I thought this car could beat anything on the road.” – Linda Maxwell, “This car’s a winner.” – Coy ‘Cannonball’ Buckman
A year after Paul Bartel directed the cult classic Death Race 2000, he made a very similar film with a lot of the same core cast members, as well as producer and B-movie legend, Roger Corman.
In this film, take the Death Race 2000 concept and strip away the futuristic sci-fi setting, the slapstick uber violence and the plot to assassinate a corrupt president and you’ve essentially got the same film.
Granted, Cannonball! isn’t as good and I kind of blame that on stripping away the things that made Death Race 2000 so unique. This is still really enjoyable, though, and fans of that more beloved flick will probably dig this one too.
The race car driving hero is still David Carradine and he’s re-joined in the cast by Mary Woronov, Paul Bartel (the director), Sylvester Stallone in an uncredited cameo, as well as some of the other bit players.
Like Death Race, the film follows a cross-country auto race, all the wacky characters involved and all the crazy shenanigans of racers trying to sabotage and outperform one another.
I like a lot of the new additions to the cast like the always great Gerrit Graham, Robert Carradine, Bill McKinney, Belinda Balaski and the inclusion of Dick Miller, Joe Dante, Allan Arkush, Jonathan Kaplan, Roger Corman (the producer), Don Simpson and Martin Scorsese, who is also uncredited for his appearance here.
The action is good, the comedy still works and this film has that unique Paul Bartel charm.
In the end, this isn’t quite a classic but it did help pave the way for all the other movies like it that followed for years to come.
Pairs well with: Paul Bartel’s Death Race 2000, as well as other cross-country racing movies of the ’70s and ’80s like the Cannonball Run films, The Gumball Rally and Speed Zone.