Film Review: Creepshow 2 (1987)

Also known as: Dead and Undead: Creepshow 2 (alternative title)
Release Date: May 1st, 1987
Directed by: Michael Gornick
Written by: George A. Romero, Lucille Fletcher (uncredited)
Based on: stories by Stephen King
Music by: Les Reed, Rick Wakeman
Cast: Lois Chiles, George Kennedy, Dorothy Lamour, Tom Savini, Frank Salsedo, Holt McCallany, Don Harvey, Will Sampson, Paul Satterfield, Jeremy Green, Daniel Beer, Page Hannah, Tom Wright, Stephen King (cameo)

New World Pictures, Laurel Entertainment Inc., 92 Minutes, 85 Minutes (UK video)

Review:

“Ooooh, mucho ecological, Poncho! Mucho ecological!” – Deke

While this doesn’t get as much fanfare as the original movie, I like it just as much if not slightly better.

Something about these stories just stuck with me.

To start, the first story about the wooden Indian is fantastic and my second favorite of all the Creepshow tales. It’s surprisingly well acted and chilling and by the time the wooden Indian comes to life, you’re so ready to watch the scumbags get murdered in horrible ways.

I’ve got to especially give props to Holt McCallany for playing the shitty, sadistic gang leader. The guy has had a good career but he showed he had real acting chops here, in only his second role, as he was so good at making you hate him. While the script is written to obviously make you dislike him, McCallany took it to a deeper more convincing level.

I also loved the dynamic between George Kennedy and Dorothy Lamour.

But most importantly, the effects of the wooden Indian were spectacular. Especially for the era and the small budget that this film had.

The second story is the one Creepshow tale that has stuck with me the most over the years and it actually creeped me out as a kid. It’s about these party teens trapped on a raft in the middle of a lake, as a sludge monster is waiting to devour them. Once the creature gets ahold of its human victims, it literally digests them alive as they scream in pain and horror, dissolving before your eyes.

This sequence does a great job of building tension and terror with very little.

I think that it stuck with me the most because I grew up in and around the Everglades. So as I kid, I used to swim in swamp rivers and lakes fairly regularly. And while I wasn’t afraid of alligators or snakes, I was always on the look out for some sort of demon sludge in the water that might show any sign of sentience.

The last story is my least favorite but it is still damn enjoyable.

A woman accidentally kills a hitchiker and then her entire trip is comprised of the ghostly, zombie-like hitchhiker haunting her at every turn. It’s a simple setup with a simple story but it’s still entertaining and I love the practical effects used in this sequence.

Overall, Creepshow 2 is better than I remembered and it probably deserves as much respect and admiration as the original film.

Rating: 8/10
Pairs well with: everything else under the Creepshow banner, as well as other horror anthologies from the same era like Twilight Zone: The Movie and Tales From the Darkside: The Movie.

Film Review: Alien³ (1992)

Release Date: May 19th, 1992 (Century City premiere)
Directed by: David Fincher
Written by: Vincent Ward, David Giller, Walter Hill, Larry Ferguson
Based on: Charcaters created by Dan O’Bannon, Ronald Shusett
Music by: Elliot Goldenthal
Cast: Sigourney Weaver, Charles S. Dutton, Charles Dance, Paul McGann, Brian Glover, Ralph Brown, Danny Webb, Christopher John Fields, Holt McCallany, Lance Henriksen

Brandywine Productions, 20th Century Fox, 114 Minutes (Theatrical), 145 Minutes (Assembly Cut), 138 Minutes (Special Edition)

Review:

“[to the Alien] You’ve been in my life so long, I can’t remember anything else.” – Ripley

Alien was such an incredible movie that it was damn near impossible to follow up while hitting that same level of grandeur and artistry. Aliens happened to achieve this, however. Many people even debate which of the two films is better. So when a third Alien film came along, it couldn’t capture lightning in a bottle for a third time could it?

It didn’t. But that doesn’t mean that the film isn’t good. It is still one hell of a ride and it certainly isn’t short on terror and dread.

Also, this was the directorial debut of David Fincher, a young man who got his start as an assistant cameraman and a matte photography assistant on films like Return of the JediIndiana Jones and the Temple of Doom and The NeverEnding Story.

On paper, this probably looked like it was setup to fail. However, the young Fincher made it work and helped establish his own style enough to whittle out a pretty prolific Hollywood career for himself. He followed this movie up with Se7enThe GameFight Club and since the turn of the millennium he’s done Panic RoomZodiacThe Curious Case of Benjamin Button, The Social NetworkThe Girl with the Dragon Tattoo and Gone Girl. Without Alien³, those other films either wouldn’t have existed or they would have been adapted by people with a very different visual style.

And that’s the thing, Fincher has a unique style. Some love it, some don’t. Regardless of how you feel about it, the Fincher visual style is on full display in Alien³. In a way, it’s kind of impressive because Fincher had his own stylistic stamp out the gate. One could argue that he is an auteur. I wouldn’t quite call him that but you could argue for it and maybe in another decade he will be able to achieve that status.

In this chapter in the franchise, we see Ripley’s escape ship crash land on a prison planet. It picks up from the ending of Aliens, as Ripley, Newt, Hicks and Bishop are still floating in space, asleep. When Ripley comes to, she realizes that everyone else died and soon after that, she comes to discover that an alien xenomorph stowed away on the ship. The rest of the film is about Ripley and the male prisoners trying to kill the alien that wants everyone for lunch. There is one catch, however… Ripley’s body is playing host to an alien queen. It’s almost Shakespearean in how the aliens get the last laugh in regards to Ripley’s fate.

One really cool thing about this film that actually blew my 13 year-old mind was that I saw the xenomorph emerge from a dog as it’s incubator/host. The alien took on characteristics of that animal, making it different and unique. My mind started exploding with ideas as to what would happen if the alien egg was incubating in other creatures. I guess toy makers got a similar idea because in the ’90s, there were a slew of Alien toys featuring all sorts of weird hybrid xenomorphs. My cousin had a really cool xenomorph rhino action figure.

The special effects in this film looked really good for 1992. However, now that this thing has been remastered in modern HD, it’s a mixed bag. Some of the shots that once worked don’t look so hot now but they’re not terrible, they’re just really noticeable. But one of the things I really loved about this picture was the first-person POV used for the xenomorph when hunting prisoners. These sequences are still really cool and it almost feels like a nod to first-person shooter games, which were just becoming the rage in this era. It’s also very similar to playing as an alien in the Alien Vs. Predator games.

Alien³ is not the grand spectacle that Alien and Aliens were. It is still a solid followup and helps enrich the mythos instead of bastardizing it like the fourth Alien film did.

Rating: 7.5/10
Pairs well with: The first two Alien movies.