Release Date: 2016
Directed by: Nate Adams, Adam Carolla
Chassy Media, Netflix, 99 Minutes
Man, I really wanted to watch this as The 24 Hours of Le Mans is one of my favorite sporting events of the year and the biggest motorsports thing that I care about.
However, this was pretty underwhelming even though it told a great story, which was the Le Mans rivalry that developed between Ferrari and Ford. Since there’s a very well-received and beloved drama film on this very subject, it’s not a true story short on excitement.
I think that the biggest problem with this documentary, though, was the editing. It wasn’t very good and it made this play like a disjointed clusterfuck at times. I don’t want to be too hard on it but it shifted gears in strange ways that left my brain feeling like a speed bag.
It was hard to follow the narrative but I did enjoy the interviews within this. Although, that doesn’t save the film from its issues.
While this is probably more factually accurate than the dramatized motion picture, you’re probably better off just watching that. Plus, it boasts great performances from its A-list cast.
Pairs well with: other documentaries on Le Mans and motorsports in general.
I pre-ordered this and got it late last year. It sort of got lost in the shuffle of my stack of books needing to be read but I finally got around to it and I should’ve sooner because I really wanted to kick back and enjoy this.
I’m glad to say that this big, oversized coffee table book was a really neat read.
Growing up in Florida, it was hard not to be captivated by Disney’s magic, especially when trips to the parks were fairly common in my childhood and ’80s through ’90s Disney theme park stuff always hits me hard in the nostalgia part of my brain.
In fact, I loved riding the monorails as much as I liked riding the actual rides. It was always a cool, fun experience flying along the rail, a dozen or more feet above the beautiful grounds of the Disney parks and resorts.
I suspected that this book would be like many Disney books about the company’s history. It was full of large pictures throughout the decades, showcasing all the different monorails, it’s creation, construction and every other part of the vehicle’s long and colorful history.
This also featured a lot of concept art and promotional material about the monorail system.
The chapters were all really interesting a well-written and alongside all the imagery, helped to paint the full story of this great attraction from Walt Disney’s earliest vision of it to being the easiest way to get around the Disney parks since its inception.
For those that also have a burning nostalgia for the history of Disney’s parks, this is a must-own. Plus, it wasn’t as expensive as one would think. I paid something like thirty bucks for this pristine, thick, hardcover beast.
Pairs well with: other books about the history of Disney parks or theme parks in general.
Published: February 10th, 2010
Written by: Neil Gaiman
Art by: Andy Kubert, Scott McKowen (covers)
Marvel Comics, 246 Pages
This started out as a really cool story and I enjoyed it a lot from the get go. However, it did lose steam after a few issues and wrapped up pretty weakly. I also thought the big reveal/twist was fairly predictable and that this didn’t live up to the high hopes I had for it and the past work of Neil Gaiman.
Still, it piqued my interest enough to make me want to check out some of the other stories that take place in this odd, alternative version of the Marvel universe.
I liked the setting and I really liked most of the character designs. I did, however, feel like too many characters and subplots were forced in for the sake of trying to make this a big deal, big event. A lot of the extra fluff was unnecessary and narratively cumbersome.
I don’t know if that was an issue with Gaiman’s writing or Marvel instructing him to throw in every major old school character. I feel like all the extra characters could’ve been saved for their own interesting spinoffs of this.
Beyond the rickety story, I thought that Andy Kubert’s art was pretty damn impressive. Artistically, this is one of my favorite things that he’s done and the style he used here fit with the story really well.
Also, the covers by Scott McKowen are some of my favorite from this comic’s era. They’re actually framed poster worthy and while staring at them, I thought about seeing if I could buy some.
In the end, Marvel 1602 was a fun experiment and it captivated me early on. But it was too dragged out and overloaded and with that, became more of a chore to read in the back half.
Pairs well with: other Marvel alternative timeline stories, as well as other comics written by Neil Gaiman.