Published: November 17th, 2016 Written by: Chris Claremont Art by: Bret Blevins, Sal Buscema, Alan Davis, Jackson Guice, Rick Leonardi, Kevin Nowlan
Marvel Comics, 229 Pages
This collection of New Mutants stories was kind of all over the place. Also, none of them really grabbed me like most of the previous arcs leading up to this point.
I guess, by now, the series had been running for quite awhile and where it once felt like it was always building towards something and had an idea of where it wanted and needed to go, most of this felt like aimless filler.
I can clearly see the series running out of steam and I guess this is why everything got reinvented and soft rebooted not too long after this and the massive Inferno crossover event, which completely changed the dynamic of the team and its mission.
Now this isn’t bad by any means, it’s just that each story feels somewhat random and they don’t support each other and the progression of a larger arc as well as previous volumes have.
I guess the highlight for me was where this focused on Magik, her power struggle with S’ym and how things were changing in the realm of Limbo. This sort of sets up things that would happen in the big Inferno story.
Apart from that, everything else was entertaining enough but none of it seemed to matter, based off of where these characters’ lives were going to go. I guess, none of this really sticks or is all that memorable.
The art in this volume was also a mixed bag. A lot of different artists contributed to this stretch of issues and honestly, that just sort of adds to none of this really being memorable or sticking.
Published: September 8th, 2016 Written by: Chris Claremont Art by: Arthur Adams, Jackson Guice, Rick Leonardi, Keith Pollard, Mary Wilshire
Marvel Comics, 269 Pages
This follows the Demon Bear Saga, the first Legion story and the short arc just after that.
This volume in The New Mutants starts with a two-part annual issues crossover with The Uncanny X-Men. The story sees the two mutant teams swept away to Asgard for some trickery and shenanigans involving Loki, the Enchantress and Hela. Frog-Thor, the Warriors Three and Surtur also make appearances.
I really dug the Asgard story, though, and I finally know how Dani Moonstar became a Valkyrie because it was always a bit of a mystery to me, as one day she wasn’t and then one day she was. I had never read these annuals, so I wasn’t sure how it all went down and why.
After that, we get a story that involves The Beyonder, as well as one that sees Magneto take over the team in place of Professor X. That is the more interesting plot thread, as it sees Emma Frost with help from one of her Hellions, convince Magneto to let her take over the New Mutants training, essentially merging them with the Hellions.
While with the Hellions, the New Mutants form some bonds with the teens they’re used to fighting. For those who have read X-Force, it’s pretty apparent which Hellions member will eventually align with the New Mutants once Cable comes in to lead them into adulthood.
Overall, this is a damn good collection and the Asgard and Hellion stories are two of the best arcs I’ve read thus far in the series.
Rating: 9/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: July 10th, 2019 Written by: Chris Claremont Art by: Bill Sienkiewicz, Sal Buscema, Bob McLeod
Marvel Comics, 504 Pages
Man, oh man… I forgot how great the Demon Bear story was! It was one of my favorite New Mutants stories when I first discovered this comic series, as a young kid. But I hadn’t actually read it for probably thirty years now.
This beefy Epic Collection release doesn’t just cover that story, though, as it features the events leading up to it and the story after, which is the debut of Legion.
Every story arc in this collection is pretty damn cool. There really wasn’t a dull moment and you get to see these great characters develop even more while also seeing their bond strengthen quite immensely.
This stretch of issues also feature the art of Bill Sienkiewicz, a comic book artist that truly had a unique style that I’ve always thought was one of the most impressive, expressive and coolest. It’s this series that introduced me to Sienkiewicz’s work, which I couldn’t get enough of. In fact, I bought all of his Elektra and Moon Knight stuff that I could find at my local comic shop circa 1990.
This stretch of issues was always one of my favorite runs on any comic book series. Revisiting it for the first time in eons, I still feel that way.
Rating: 9.5/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: March 8th, 2017 Written by: Chris Claremont, Bill Mantlo Art by: John Buscema, Sal Buscema, Ron Frenz, Bob McLeod, Frank Miller, Paul Smith
Marvel Comics, 520 Pages
As big of a fan of The New Mutants as I am, it’s been a damn long time since I’ve read the original graphic novel and their earliest stories. I got into the series around it’s midpoint and because of that, didn’t have all of the earliest issues until more recently. This collects that first year of the regular comic books series, as well as the characters’ appearances before it started.
This was neat to revisit and it brought me back to where I was in the late’80s, as a young kid just discovering comics. Back then, I really liked the youth superhero teams like Teen Titans and New Mutants.
This collection had a few stories I hadn’t read before. It kicked off with Karma’s debut story, which happened in Marvel Team-Up and featured Spider-Man and the Fantastic Four.
Additionally, I had never read the story that served as the debut of the Hellfire Club’s Selene and New Mutants member Magma.
Everything else here I’ve read but it was nice checking it out again and refreshing my memory, as my brain gets older and forgets more than it remembers now.
I loved the art style of this series, early on, and the Chris Claremont and Bill Mantlo stories were solid.
Now I do have to say that this isn’t as good as the series would become. This is early on and it hasn’t found its grove, here.
However, this is the foundation of this group and they would eventually be faced with some really intense, life-altering storylines that would take this from just being a “Junior X-Men” comic to something unique and very much its own series, standing on its own strong legs.
Rating: 7/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Release Date: May 25th, 2011 (New York City premiere) Directed by: Matthew Vaughn Written by: Ashley Edward Miller, Zack Stentz, Jane Goldman, Matthew Vaughn, Sheldon Turner, Bryan Singer Based on:X-Men by Stan Lee and Jack Kirby Music by: Henry Jackman Cast: James McAvoy, Michael Fassbender, Rose Byrne, January Jones, Oliver Plat, Kevin Bacon, Jennifer Lawrence, Nicholas Hoult, Jason Flemyng, Lucas Till, Edi Gathegi, Caleb Landry Jones, Zoe Kravitz, Michael Ironside, Ray Wise, James Remar, Hugh Jackman (cameo)
Marvel Entertainment, Dune Entertainment, The Donners’ Company, Bad Hat Harry Productions, Ingenious Film Partners, Twentieth Century Fox, 131 Minutes
“I can’t stop thinking about the others out there, all those minds that I touched. I could feel them, their isolation, their hopes, their ambitions. I tell you we can start something incredible, Erik. We can help them.” – Professor Charles Xavier
While I haven’t seen this picture since it was in the theater, it left a great impression on me and gave me hope for the future of the X-Men franchise in film. Granted, we’d get two pretty good movies and two mostly poopy ones, but the weak whimpering farts of the second half of the prequel series of films didn’t take away my satisfaction with this one and its followup, Days of Future Past.
It was nice to revisit this, all these years later, as it holds up fairly well, even if I’m not as optimistic about the franchise now.
To start, this was much better than the last of the first run of films, X-Men: The Last Stand. That movie left such a bad taste in my mouth that anything better would have made me happy. Luckily, this was a lot better but I think that my original impression was a bit over-inflated due to the precedent set before it.
That’s not to say that this isn’t solid, it is. This is, in fact, a damn good superhero film and one of the best in the schizophrenic X-Men series.
What really sets this one on a pedestal is that the story was pretty good and the acting, at least from the core actors, was convincing and impressive. I didn’t know much about Michael Fassbender, before this, and I wasn’t yet sold on James McAvoy, but this picture cemented both men as two of my favorites over the last decade.
On the flip side of that, you also had some really weak performances from January Jones, who felt out of place and awkward, as well as the younger actors in the cast. A few of them would become better actors over time but they all mostly felt green, here.
I did like the inclusion of Kevin Bacon and Oliver Platt in this, as well as character actors Michael Ironside, James Remar and Ray Wise. While the character actors had small roles, they added an extra level of legitimacy and coolness to the picture.
I loved that this took place in the ’60s, tied to the Cuban Missile Crisis and also went back into Nazi Germany to establish the relationship between Magneto and Sebastian Shaw. The general look and aesthetic of the film were really good and it actually fits with the previous X-Men films, despite those being set over thirty years later. One thing Fox did well, while they managed the X-Men movie franchise, was that they kept everything sort of visually consistent.
My only real gripe about the film is that there isn’t enough emphasis on the actual “first class” of students, which this film is named after. They all felt generic and disposable, cast to play archetypes and nothing more. Sure, some of them are major comic book characters but they didn’t feel that way in this movie.
Overall, this was a good, fresh, soft reboot of the series. It eventually ties to the older films and the series becomes an even bigger continuity clusterfuck but at least this generation of the franchise started out on the right foot.
Rating: 8.25/10 Pairs well with: the other Fox X-Men films.
Published: 1988 Written by: Chris Claremont, Peter David, Louise Simonson, Steve Englehart, Mark Gruenwald, Ann Nocenti Art by: Marc Silvestri, Todd McFarlane, Bret Blevins, June Brigman, Kerry Gammill, Jon Bogdanove, Kieron Dwyer, Keith Pollard, John Romita Jr., Walt Simonson
Marvel Comics, 803 Pages
This was a story so big that it was collected into two massive volumes. But I figured I’d read both and give the whole thing a single review, as one body of work.
But that may have not been the best approach, as this crossover doesn’t really crossover in a way that makes one big story. This is more like an anthology of events that were going on in all the different X-books at the same time. And weirdly, this isn’t collected in chronological order but as separate stories without much overlap or characters meeting.
This big event also has some short stories focused on Hulk, Captain America, Daredevil, Black Widow and the Fantastic Four. In those tales, it shows what they’re up to during the events of what is happening in some of the X-books.
The Fall of the Mutants takes place between Mutant Massacre and Inferno. It is also the last of the ’80s X-Men crossovers that I hadn’t read in its entirety.
Out of all the tales here, I thought the X-Factor one was probably the best as it concludes the Apocalypse and Angel storyline, as it introduces Archangel for the first time. Also, the X-Factor arc showcases Cameron Hodge turning on the team, revealing his true agenda to set up what would eventually be the superb crossover event X-Tinction Agenda.
The New Mutants part was the weirdest but it also featured Hodge’s heel turn and kind of sets things in motion for X-Tinction Agenda and Inferno. This is also where the New Mutants dump Magneto as their teacher and return to the ways of Charles Xavier.
Ultimately, this was kind of a mess when read as one body of work. But it does do a proper job of bridging the gap from Mutant Massacre and the next two big events to follow.
Rating: 5.5/10 Pairs well with: other major X-Men crossover events from the ’80s and ’90s.
Published: 1986 Written by: Chris Claremont, Louise Simonson, Walter Simonson, Ann Nocenti Art by: John Romita Jr., Walter Simonson, Sal Buscema
Marvel Comics, 319 Pages
Well, not all giant X-Men crossover events can be created equal.
This one started off with a bang though. Sadly, it withered away in the second half, as it crossed over into non-X-Men-related titles and became a narrative clusterfuck that slowed down the story’s momentum to a complete halt.
The main reason I wanted to read this was to have a bit of background context before jumping into the following big event The Fall of the Mutants. While I had never read either crossover in their entirety, I had read parts and I knew that the stories had a very close association.
The focal point of the story shows the Marauders invading the Morlocks’ sewer hideout where they murder the shit out of them. Only a few actually survive and that’s mostly due to the X-Men, X-Factor and the New Mutants involving themselves in the ordeal.
As this collection rolls on, the story spins off into issues of Thor, Daredevil and Power Pack. This is where the narrative starts to become a mess. And once we get to this point, a lot of the issues rehash some of the same shit, over and over.
What I was excited to see was Apocalypse show up and the actual breaking of Angel. I thought that he would actually be turned into Archangel in this story but I guess that happens just after, which was kind of disappointing, as I’ve never got to read that actual story. I assumed it would happen here once Angel had his wings destroyed and was nailed to the sewer wall with about half the story left.
There were a lot of deaths in this but none that really hold any weight or matter to the bigger picture.
But I guess this helped plant the seed for The Fall of the Mutants and the introduction of both Archangel and Mister Sinister.
Rating: 6.25/10 Pairs well with: other big X-Men crossover events from the ’80s and ’90s.
Published: June 24th, 2019 – October 9th, 2019 Written by: Jonathan Hickman Art by: Pepe Larraz
Marvel Comics, 400 Pages
Let me preface this review by saying that this is the best new comic book story that I have read in ten years.
That’s absolutely a bold statement but let’s be honest, Marvel and DC haven’t really been bringing their A game for awhile, other than a few things, here and there.
Overall, modern comics just aren’t great anymore. But this is in a league of its own, as Sean Gordon Murphy’s recent Batman work at DC Comics is also on its own plane of existence when compared to what else is coming out from its publisher the last few years.
That being said, it’s been a really long time since I’ve been engaged by X-Men stories. That’s kind of depressing, as the X-Men pocket of the larger Marvel universe is one of my favorite franchises of all-time.
Jonathan Hickman has made me care again.
In fact, this made me care so much that I added every new X-comic to my pull list, as I am hoping that this carries over into something larger, richer and more spectacular. This sort of prologue to the larger X-universe is going to be a hard thing to beat or live up to over the long haul but it’s obvious that Hickman has a plan and I want to see how this all unfolds.
There are some things in this story that seem weird and out of place and I believe that these things are intentional. Primarily, many of the characters are acting uncharacteristic. I don’t think it’s an oversight or the product of a writer that doesn’t know what he’s actually writing about, as many modern writers seem to do.
If I’m wrong, I’ll be pissed and heartbroken but there is real intelligence to this writing and Hickman has a fantastic track record.
Also, this is a great jumping on point. You don’t really need to read what happens before. This is a true starting point for new readers or old readers that tapped out on the X-Men books long ago.
Plus, Pepe Larraz’s art is some of the best I’ve seen in a long time.
Rating: 10/10 Pairs well with: old school X-Men mega crossover events.
Published: 1991 Written by: Chris Claremont, Jim Lee, Fabian Nicieza, Whilce Portacio, Peter David, Len Kaminski Art by: Jim Lee, Whilce Portacio, Kirk Jarvinen, Tom Raney, Terry Shoemaker, Paul Smith, Andy Kubert, Jerry DeCaire, Ernie Stiner, Steven Butler, Art Thibert
Marvel Comics, 437 Pages
I’m pretty excited for the current Jonathan Hickman run on the X-Men titles. I haven’t started reading them because the two miniseries that are coming out are doing so just about weekly. So I want to wait to have all twelve issues before giving it a read. But from what I’ve heard, it’s absolutely solid and quite refreshing.
However, before getting into the new stuff, I wanted to travel back to the height of my time reading and buying X-books: 1991.
The reason I wanted to go back there was because it was a transitional period, as the original X-Factor team came to an end, the New Mutants became X-Force and two new X-Men teams formed, each with their own ongoing monthly series. It was also a transition from the Chris Claremont era into the era of Jim Lee.
This thick trade paperback collects multiple story arcs but all of the arcs are unified in their purpose, which was to end an era and to create a new one.
Here we have the final stories of the first X-Factor team, as well as stories involving the newly formed X-Force and New Warriors, Freedom Force and the X-Men team as it existed when Claremont moved on from the series.
This almost feels like an omnibus.
It also features a lot of great creatives on the writing side and art side.
Ultimately, this was a hell of a fun read that flew by despite its meaty 437 pages.
We get dozens of heroes and a whole slew of major X-villains like Magneto, Apocalypse, the Shadow King, Proteus and Fabian Cortez, just to name a few.
While a lot of the ’90s comics I go back to don’t have the same effect on me as they did when I was twelve, this is a solid f’n read. Seriously.
And what’s really surprising is that it has all these creatives working on it and it still turned out to be a really well managed and fully realized vision that brought an era to its end, quite epically, and generated real excitement and enthusiasm for what was to come.
Rating: 10/10 Pairs well with: other major X-Men crossover events from the era: X-Tinction Agenda, X-Cutioner’s Song, etc.