Also known as: John Carpenter’s In the Mouth of Madness (complete title) Release Date: February 3rd, 1995 Directed by: John Carpenter Written by: Michael De Luca Music by: John Carpenter, Jim Lang Cast: Sam Neill, Julie Carmen, Jurgen Prochnow, Charlton Heston, David Warner, John Glover, Bernie Casey, Peter Jason, Frances Bay, Hayden Christensen, Wilhelm von Homburg
New Line Cinema, 95 Minutes
“God’s not supposed to be a hack horror writer.” – John Trent
I’m actually really surprised that I haven’t watched this in the four years since I’ve started this site. It’s a film I’ve watched at least a dozen times and it’s one of my favorite John Carpenter flicks. Plus, it’s the third and final part to his unofficial trilogy of films he calls the Apocalypse Trilogy. The other two films are The Thing and Prince of Darkness.
While The Thing takes the cake in the trilogy, Prince of Darkness and this movie are still damn good, incredibly fucked up and a lot of fun, especially for fans of John Carpenter’s more fantastical pictures.
This story sees its protagonist try to uncover an “end of days” conspiracy, as he’s sent to go find a famous horror author but discovers that the writer’s written words are telling the true, current and still developing story about humanity’s fall to dark, sinister powers.
In the Mouth of Madness has a very Lovecraftian vibe, which is also pretty apparent by the film’s title, which sounds an awful lot like H.P. Lovecraft’s At the Mountains of Madness. Also, different horror novel titles seen within the film are also homages to Lovecraft’s famous stories.
The one thing this movie does incredibly well is creating an atmosphere that almost feels like a dense, creepy fog that is thickening and wrapping around the two main characters, as the film rolls on and provides more details and plot developments. Also, the small town that they’re in feels like a legit ghost town with a bizarre otherworldly-ness. Even when these characters are out in the open, it feels as if they are confined in a tight box and that box’s walls are closing in.
This is an example of a film that does a lot with very little. Sure, there are effects and actual monsters in the movie but its the unseen stuff that creates the magic. Although, when you see the monsters, it also doesn’t diminish the implied horror, it sort of just legitimizes it and makes you, the viewer, go, “Oh, shit! These things do exist and this guy isn’t fucking crazy!”
In regards to the monsters and the special effects, I dig all of it. This film really achieved some great effects shots and freak out moments. It really pushed the bar for a film that I assume just had a typical early ’90s horror budget.
Sam Neill is really superb in this, as well. While this didn’t boost his bank account like his Jurassic Park movies, it is one of his best performances and it really set the stage for what he could do in the horror realm. In fact, I think that his experience with this picture really allowed him to explore the depths of hell in his own soul in Event Horizon, a few years later. Both of these movies are two of the finest horror films to come out of the ’90s and both have aged tremendously well.
In the Mouth of Madness is a fantastic horror fantasy, through and through. It sort of just seeps into your mind and never lets go of it. I guess that’s why it’s one of the Carpenter films that I revisit the most.
Rating: 8/10 Pairs well with: the other parts of what Carpenter calls his Apocalypse Trilogy: Prince of Darkness and The Thing.
Release Date: December 16th, 2019 (Los Angeles premiere) Directed by: J.J. Abrams Written by: Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow Based on: characters by George Lucas Music by: John Williams Cast: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian McDiarmid, Billy Dee Williams, Harrison Ford (uncredited), Billie Lourd, Greg Grunberg, Dominic Monaghan, Warwick Davis, Denis Lawson, Jeff Garlin, Kevin Smith, James Earl Jones (vocal cameo), Andy Serkis (vocal cameo), Ewan McGregor (vocal cameo), Alec Guinness (vocal cameo), Hayden Christensen (vocal cameo), Ashley Eckstein (vocal cameo), Freddie Prinze Jr. (vocal cameo), Olivia d’Abo (vocal cameo), Frank Oz (vocal cameo), Liam Neeson (vocal cameo), Jennifer Hale (vocal cameo), Samuel L. Jackson (vocal cameo), Angelique Perrin (vocal cameo)
Walt Disney Pictures, Lucasfilm, Bad Robot, 142 Minutes
*There be spoilers here!
“We had each other. That’s how we won.” – Lando Calrissian
Congratulations, Disney and Lucasfilm. You finally broke me to the point that I didn’t have the urge to see a Star Wars movie in the theater. Nope, I waited on this one because the previous few movies left such a bad taste in my mouth that I didn’t want to sit in a crowded theater with a bunch of normies clapping like seals every time there was a weak attempt at a cameo or minor victory. Also, people have been ruining the theater experience for awhile, so this film had that working against it already.
Now I figured I’d go see it once the buzz calmed down and the theaters cleared out a few weeks later but even then, it just wasn’t worth the trip or the money for me to make the effort.
Well, I finally watched it now that it’s available to rent and because this COVID-19 bullshit has us all trapped in our houses with nothing to do.
Anyway, as much as I anticipated not liking this, it was the best film of the three from the Disney produced Sequel Trilogy. Some of the more angry fans out there may think that’s crazy of me to say but I respect the effort of J.J. Abrams trying to fix the abortion that Rian Johnson created with The Last Jedi, especially with the weak skill set that Abrams has.
Honestly, they should have called this Star Wars: Episode IX – MacGuffins and Mystery Boxes but I guess that would require Abrams, Kathleen Kennedy, Bob Iger, Disney and Lucasfilm to actually understand humility and that they aren’t the great storytellers that they think they are.
Now this movie had a lot of weird shit that made certain sequences hard to get through. If I’m being honest, there aren’t really any sequences that didn’t have issues. I’ll list out some of my gripes from memory at the end of the main part of this review, as I did for some of my other Disney Star Wars reviews.
If I’m going to talk about what I liked about this film, I guess it’s that it tried really hard to give good fan service. Not so much, soulless, cheap attempts at winning me back but more like an admission that the series fucked up with the previous Rian Johnson stinker and that Abrams felt sorry and embarrassed that his larger vision for this trilogy was skull fucked in the eye by Johnson.
Rian Johnson cared more about his own ego and career than being the trusted custodian of something much larger than himself, which was created by others who were a lot more talented than he will ever be. If that’s harsh, I don’t care. Johnson didn’t care about the responsibility he signed up for, so he can deal with the repercussions of that from the fans who felt betrayed by his piss pigeon performance.
I’m glad that J.J. Abrams kicked Johnson in the nuts though. And his disdain for Johnson’s wreckage was made abundantly clear in the short scene where Luke returns, stops Rey from throwing her lightsaber away and states, “I was wrong.” Then he goes on to tell her what we all needed him to tell her in the previous film. For Luke Skywalker and Mark Hamill’s sake, I’m glad that the character didn’t go out like a weak piece of shit and was somewhat salvaged.
While on the subject of Rey, though, I still don’t understand how she is just simply the best at everything. She has an insanely weak character arc, hasn’t had anywhere near the level of adversity that Luke and Anakin had and you barely see her train at all and then she can barely deal with a fucking tiny laser drone. It’s like these modern filmmakers don’t think beyond what looks cool on the screen in a shot.
Anyway, this movie is a mess, narratively speaking. It’s really two movies wedged into one, as Abrams had to try and course correct while also coming up with a satisfying ending. That being said, he does okay in trying to achieve this but maybe this should have been longer or released as two parts. But I guess he is stuck with the numbering system and being tight within the framework of a trilogy.
Unfortunately, while we do get to see the main three characters spend some time together, it is hard to buy into their bond, as they spent the first two movies apart. I want to believe in it and I actually like the actors but this is something that needed to be done in every film. This is why people love the trinity of Luke, Leia and Han so much. But for whatever reason, Abrams, Kennedy and Iger don’t understand what worked about previous Star Wars films.
As much as my brain was picking things apart, I still found this to be the most palatable of the Disney Saga films. It’s hard to peg why but I think that Abrams genuinely wanted this to make up for the damage that’s been done and he did put his heart into it. But that also doesn’t mean that he was the right guy for the job way back when they announced him for The Force Awakens. He wasn’t and I had reservations about it back then.
In the end, I don’t know if I’ll ever watch any of these films again. If I do, it won’t be for a very long time. Maybe they’ll work better as a larger body of work but I doubt it with Rian Johnson’s big lame turd sitting smack in the middle of it. Honestly, it’s like a cat jumped on the table, took a shit in the middle of a mediocre pizza and you just decided to eat around it.
Assorted notes and gripes:
Watching the film, I was bombarded with a lot of WTF moments, these are the ones I remember. Maybe I should’ve taken notes.
-The opening crawl, immediately revealing Palpatine’s “resurrection” was cringe and the worst written opening crawl in the franchise.
-Who the fuck is manning all of Palpatine’s Star Destroyers?
-Why would the Star Destroyers break through thick ice to reveal themselves? There are hundreds of them and this seems like it would cause a lot of damage? And they’re already on a very hidden planet to begin with.
-Since Palpatine’s appearance isn’t explained but cloning is implied, am I just to assume that there’s only one Palpatine and not like 364?
-Lightspeed skipping? Really? And they land safely within a different planet’s atmosphere with every skip? Really? I’m no astrophysicist but I’d assume a planet’s atmosphere is a small percentage of a planet’s total structure and that planets themselves take up an insanely small amount of actual space in the universe, as a whole.
-“Hey Rose… you coming on the mission?” “Nah… I’m good, bro!”
-The group goes to outer space Burning Man… really?
-Don’t get me started on the jetpack trooper scene. That’s a clusterfuck of cringe and stupidity.
-I’m alright with the healing power but shouldn’t it drain Rey, even just a little bit. I mean, it fucking kills Kylo like two hours later.
-The Rey v. Kylo’s TIE Fighter scene was absolutely, unequivocally stupid. Just crush that shit with the Force, hoe!
-I guess Abrams views Droids as abused house pets.
-Gurl 1: “Not that you care but I think you’re okay.” Gurl 2: “I care.” Girl power! No lesbian kiss.
-So did C-3PO have red LED lights installed this whole time? Where were they when he was attempting to murder Jedi in Attack of the Clones?
-Rey doesn’t feel Chewie “die” on a ship that’s right in front of her. But then Rey feels that Chewie is alive when he’s much further away.
-Where’s Phasma? Is she really dead now? I thought she was Star Wars‘ version of Kenny from South Park.
-Are the Knights of Ren just laser sword thugs who don’t actually answer to Kylo Ren? Sith in training? Palpatine super soldiers? What the fuck are they?
-How does a billion year-old dagger line up with the wreckage of a Death Star that was built well after the dagger. And how was Rey lined up at the right angle and altitude to make it work? This was just a ripoff of the medallion from The Goonies and it was just stupid.
-I’ve lost count of the number of MacGuffins. I think there were five… maybe six? Is this a G.I. Joe miniseries from 1983? Nah… those were much better written.
-Weak as fuck lightsaber duels. Maybe the weakest in the entire franchise.
-Did Leia die because she called out to Kylo or was that just a perfect timing plot convenience?
-Harrison Ford? Why?
-Luke in 30 seconds was the Luke I wanted in the previous movie.
-Rey in a tiny X-Wing had to navigate through tight, dangerous, moving space corridors to reach the Palpatine planet but the Rebels’ big ass warships simply followed her path? It’s space, can’t they fly around that shit? What about the massive fucking armada of “regular people” that just shows up conveniently to win the war?
-Also, a militia of citizens overthrows a corrupt government by force. When did Hollywood become so blatantly pro-Second Amendment? I kid, Hollywood is just stupid.
-When they’re riding horses on the deck of a Star Destroyer, why doesn’t the ship just turn fucking sideways? It would’ve ended the war. One simple maneuver.
-The teleporting physical objects Force power is another lame plot convenience.
-What’s this random fucking Force Dyad thing? Abrams still thinks he’s making up stories with his toys in the bathtub.
-If Palpatine created Anakin and Anakin created Luke and Leia and Leia created Kylo Ren, all the while Rey is Palpatine’s granddaughter, isn’t their attraction kinda incest-y?
-I’d watch a Lando & Chewie in the Falcon movie.
-Why bury the lightsabers? A safe would be more secure.
-Why even take the Skywalker name and why did it take her so long to say it? Maybe because a part of her knew it was wrong to just take their name, their personal shit and Luke’s childhood home. Bitch, you ain’t in the will, that shit all goes to the state!
Rating: 6/10 Pairs well with: the other Disney era Star Wars movies.
I haven’t watched these films in a few years. I catch glimpses of them from time to time as I am flipping through channels on cable but it has been at least five years since I’ve sat down and watched this trilogy in its entirety.
It is universally agreed upon that this trilogy was not on par with the original trilogy and many people have griped about these three films for well over a decade now. I knew they weren’t as good but I used to try and defend them, as I could look passed their faults because at least they were new Star Wars movies.
Having had a lot of time away from this series and being less enthusiastic than I probably should be about the upcoming Disney films, I can no longer defend the prequels in good conscience. They are what essentially killed the Star Wars magic inside of me, even if I didn’t want to see it at the time.
But let me address each one individually.
Star Wars: Episode I – The Phantom Menace (1999):
Release Date: May 25th, 1999 Directed by: George Lucas Written by: George Lucas Music by: John Williams Cast: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Anthony Daniels, Kenny Baker, Pernilla August, Frank Oz, Samuel L. Jackson, Ahmed Best, Ray Park, Terence Stamp, Keira Knightley, Peter Serafinowicz, Sofia Coppola, Warwick Davis
Lucasfilm Ltd., 20th Century Fox, 133 Minutes
“I have a bad feeling about this.” – Obi-Wan Kenobi
The Phantom Menace is a bad film, plain and simple.
There are only a few good things even worth mentioning as positives.
To start, Liam Neeson and Ewan McGregor were great as Qui-Gon Jinn and Obi-Wan Kenobi. Also, Darth Maul is the most bad ass looking Sith of all-time. Unfortunately, Darth Maul has little screen time and meets his demise before this film is over and Qui-Gon and Obi-Wan have to share most of their scenes with any combination of the characters Jar Jar Binks, Anakin Skywalker and Padmé Amidala. All three of those characters, in this film and really all of the films, were mostly unbearable.
This installment into the Star Wars mega franchise was too full of political nonsense and pointless babble about stuff no one cares about. Sure, we’d like to know how the Galactic Empire came to be and how the Sith rose to power and conquered the Jedi but we didn’t need endless diatribes about details no one even remotely wanted to follow.
Also, take into account what this franchise was before this movie. You have now replaced terrifying and cool Storm Troopers with anorexic and bumbling Battle Droids. You replaced Rebel soldiers with thousands of Jar Jars and armed them with bubbles. You replaced X-wing Starfighters and TIE Fighters with awfully designed Naboo Starfighters and Vulture Droids. You replaced desolate and wild worlds with the Singapore Botanical Gardens. Everything about this film was wrong: in tone, in characters, in design, in total execution.
It was corny, cheesy, way too child friendly and full of more annoyances than things that are actually cool.
Fuck pod racing. Fuck midichlorians.
There really is nothing I like about this film other than the few things mentioned around paragraph two. And even then, they certainly aren’t enough to save this movie.
Rating: 6.5/10 Pairs well with: This specific Star Wars trilogy of films.
Star Wars: Episode II – Attack of the Clones (2002):
Release Date: May 12th, 2002 (Tribeca) Directed by: George Lucas Written by: George Lucas, Jonathan Hales Music by: John Williams Cast: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, Frank Oz, Jimmy Smits, Temuera Morrison, Joel Edgerton, Rose Byrne, Ahmed Best, Pernilla August, Liam Neeson
Lucasfilm Ltd., 20th Century Fox, 142 Minutes
“I’ve got a bad feeling about this.” – Anakin Skywalker
Attack of the Clones may be even worse than The Phantom Menace.
This film offers up a lot of the same as the previous. Luckily though, Jar Jar Binks has pretty limited screen time, as the backlash of that character was tremendous. In fact, I’ll be shocked if future Star Wars films even remotely show a Gungan.
The cool thing about this film is the inclusion of Jango Fett and the origin of his son, the uber popular and awesome Boba Fett. Also, Christoper Lee, one of my three favorite actors of all-time, shows up as the Sith Lord, Count Dooku.
This film should have been awesome. Well, for the first time ever, we get to see what happens when an army of Jedi fights together. While it was visually cool to see a bunch of Jedi light up a few dozen lightsabers, it happened against Battle Droids. You know, those clumsy metal comedians that the idiotic Gungans beat in the previous film. Somehow, now, they present a challenge to the best Jedi in the galaxy. Am I missing something here?
Also, one thing that has always bothered me about the Star Wars films was the ambiguous travel times. Never is it as much of a continuity problem, as it is here.
Look at the timeline of people traveling to Geonosis. Yoda shows up five minutes after Mace Windu, even though they both left Coruscant at the same time and Yoda had to make a pit stop at Kamino to pick up the Clone Army. Anakin and Padmé got there not too long before Windu because they knew Windu would not make it in time to stop Kenobi’s execution. However, Windu walks up just as the attempt at execution is going down. And Windu was walking casually slow. Had he tried not to look so cool, he could’ve probably beat the clock for sure.
This movie is a mess. Hayden Christensen and Natalie Portman’s acting during the Anakin and Padmé romance scenes was beyond painful to watch.
Rating: 5.5/10 Pairs well with: This specific Star Wars trilogy of films.
Star Wars: Episode III – Revenge of the Sith (2005):
Release Date: May 15th, 2005 (Cannes) Directed by: George Lucas Written by: George Lucas Music by: John Williams Cast: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Baker, Frank Oz, Jimmy Smits, Peter Mayhew, Ahmed Best, Temuera Morrison, Joel Edgerton, Bruce Spence, Keisha Castle-Hughes, James Earl Jones, Bai Ling (scenes cut)
Lucasfilm Ltd., 20th Century Fox, 140 Minutes
“Oh, I have a bad feeling about this.” – Obi-Wan Kenobi
The third and final movie in the prequel trilogy is the best of the three. However, it still isn’t very good by Star Wars standards.
In this one, we see Anakin’s destiny reach full climax as, by film’s end, he becomes the iconic Darth Vader. Of course, the path to full Vaderdom is just more of the same bullshit that we’ve had to endure over multiple films now. And Hayden Christensen continues to give a wooden performance accented by Natalie Portman, who doesn’t even want to be there and Ewan McGregor, who is trying to be passionate with the shitty lines George Lucas gave him to speak.
This film solidifies just how stupid the Jedi Council is or just how bad of a writer that George Lucas is. Why are only two Jedi sent to rescue the Supreme Chancellor who is held hostage over Coruscant, the capital of the galaxy? I mean, there is a Jedi Temple full of Jedi below, even if many are off fighting on other planets. And why did Yoda and Obi-Wan not tag team Palpatine and then Anakin? And somehow, Yoda and Obi-Wan fought their battles at the same time, even though they took off for them simultaneously but one was down the street and the other was on the other side of the galaxy. Again, ambiguous travel times.
Count Dooku dies too early. General Grievous is a dumb villain and it is clear that instead of having long lasting iconic bad guys like Darth Vader, Lucas would rather give us Maul then Dooku then Grievous in an effort to sell more toys. Sacrifice the story, sell more shit.
Fuck this movie too.
Rating: 7.5/10 Pairs well with: This specific Star Wars trilogy of films.