Also known as: Conan the Conqueror (working title) Release Date: August 29th, 1997 Directed by: John Nicolella Written by: Charles Edward Pogue Based on:Kull of Atlantis by Robert E. Howard Music by: Joel Goldsmith Cast: Kevin Sorbo, Thomas Ian Griffith, Tia Carrere, Litefoot, Harvey Fierstein, Karina Lombard, Roy Brocksmith, Pat Roach
Universal Pictures, 96 Minutes
“[with corpses around the throne] My heirs challenged me for the throne. So I’ve spared all my children any future disappointment!” – King Borna
This was originally written to be the third Conan film but the De Laurentiis family couldn’t get Arnold Schwarzenegger to commit to it. So after several years, they locked up Kevin Sorbo, star of Hercules: The Legendary Journeys. However, Sorbo didn’t want to play a character that was already made famous by another actor, so the filmmakers retooled the Conan script and decided to use a different but similar Robert E. Howard barbarian character, Kull of Atlantis.
To be frank, I was really excited to see Kull get his own movie. While I love Conan, when I was a kid I read a few of the Kull stories and loved him as well. He was definitely a character worth exploring. Plus, his comics from Marvel were also in abundance in my collection.
For the most part, this is just an okay movie. It’s lighthearted, fun but it’s cheap and it shows. The story also isn’t very good but I guess it’s as good as the plot of Conan the Destroyer or other mid-tier sword and sorcery pictures.
What makes this film more enjoyable than it would otherwise be is the charisma of Kevin Sorbo and the vastly underappreciated Thomas Ian Griffith, who I have been a fan of since first seeing him in The Karate Kid, Part III. These two guys absolutely carry this movie on their backs. The opening scene between them is fantastic, as is every other scene that they share.
But in the end, I really wanted more from a Kull movie. Hopefully, someday, we can get a resurgence in sword and sorcery films and actually see Kull return to the big screen, preferably with a decent budget and stronger script.
Rating: 5.5/10 Pairs well with: other movies based on Robert E. Howard creations: the Conan films, Red Sonja and Solomon Kane, as well as the Beastmaster film series.
Also known as: ID4 (promotional abbreviation) Release Date: June 25th, 1996 (Westwood premiere) Directed by: Roland Emmerich Written by: Dean Devlin, Roland Emmerich, Alessia Duval Music by: David Arnold Cast: Will Smith, Jeff Goldblum, Bill Pullman, Margaret Colin, Randy Quaid, Robert Loggia, James Rebhorn, Harvey Fierstein, Mary McDonnell, Judd Hirsch, Vivica A. Fox, Adam Baldwin, Brent Spiner, James Duval, Harry Connick Jr., Mae Whitman, Ross Bagley, Lisa Jakub, Giuseppe Andrews, Dan Lauria, Erick Avari, Leland Orser, Lyman Ward, Frank Welker (voice), Tracey Walter (uncredited)
Centropolis Entertainment, 20th Century Fox, 145 Minutes
“I saw… its thoughts. I saw what they’re planning to do. They’re like locusts. They’re moving from planet to planet… their whole civilization. After they’ve consumed every natural resource they move on… and we’re next. Nuke ’em. Let’s nuke the bastards.” – President Thomas Whitmore
This is still one of the greatest blockbusters ever made. It really was the Star Wars of the ’90s and nothing from that decade can top it as far as massive popcorn movies go. It set out to be as epic as possible and it succeeded.
Granted, it also birthed a string of films that had to be bigger and larger in every conceivable way and the whole formula got watered down and ineffective pretty quickly but it all started here and this is still the best massive disaster movie ever made.
Sure, this isn’t a perfect film. Blockbusters very rarely are. They aren’t made to win Oscars, well except for visual effects and sound, and they certainly aren’t acting clinics for up and comers in Hollywood that see themselves as the next generation’s Daniel Day-Lewis. These films aren’t supposed to be high art, they are supposed to be incredibly fun escapism where a crowded room of dozens can cheer and stuff their faces with triple buttered, quadruple salted popcorn and sodas the size of Hulk’s fist. Independence Day knew exactly what it was and exactly what it needed to be. Honestly, it is the most Spielberg movie not directed by Spielberg.
This movie works so well because it had such a talented and solid cast and everyone just had chemistry with each other. It didn’t matter which two or three people were on screen at the same time, they all just fit well together. The various personalities and characters meshed and complimented one another, giving every major player a purpose. Hell, Will Smith is the top billed star and he doesn’t even come into the film until the 26th minute. There is such a good balance between all the core people and their tasks.
That being said, this is so well written in how it handles a large ensemble cast and how it also moves through time leading up to the initial alien attack. The first 45 minutes of this movie are great. You don’t even get action until this thing’s been running for almost an hour but you are at the edge of your seat with every sequence in the first act. And then when the aliens do attack, it is a sight to behold and frankly, the special effects still look magnificent by modern standards.
I also love how patriotic this film is. It takes American ideas and American Exceptionalism and puts them on a global scale. “Yo, America figured out how to kill these unkillable aliens! Let’s pony up and follow their lead!” And this was made by a German dude, Roland Emmerich. But I think it is clear that this taps into what America was founded on and why those things are important. The burning desire for freedom and liberty and having the stones to step up to the plate when those things are being taken away.
Speaking of which, President Whitmore, through the magic of Bill Pullman, gives one of the greatest speeches of all-time, which still fires me up and gets me all emotional every friggin’ time I hear it. I’d vote for the guy.
After seeing this and having already experienced Stargate and Universal Solider, I really thought Roland Emmerich was going to be the director of the future. Well, he immediately dropped the ball with his Godzilla movie and really hasn’t been the same since. But this was the greatest film he ever directed and that’s okay. This would be an incredibly hard picture to top and that is even more apparent after its sequel came out a few years back and sort of missed the mark.
Look, I just love this film. Within the context of what it is supposed to be, it is nearly perfect. It has some flaws and some convenient plot developments but I don’t care about that stuff when it comes to a movie like this. Could Jeff Goldblum really hook up his Apple laptop to an alien mothership? Who gives a shit. Logic and common sense don’t need to get in the way of the fun I’m having.
Rating: 9.25/10 Pairs well with: It’s sequel, even though that one didn’t live up to the hype. Also, other epic disaster movies from the era but this one is ultimately the king.