From The Critical Drinker’s YouTube description: Since people have been asking me to review this film ever since I covered the 1982 original, I decided to oblige. Let’s take a look at Blade Runner 2049.
From Filmento’s YouTube description: 2017’s Denis Villeneueve cyberpunk film Blade Runner 2049 is a remarkable experience… but still ended up flopping in the box office and losing a big bunch of money. We’ve been talking about bad and mediocre box office flops recently like John Carter and The Lone Ranger, but today let’s look at the same topic from the other side of the fence — why a great movie ended up losing money. It’s not the biggest box office flop of all time but still. They have Villeneuve making Dune for Warner Bros now, so here’s a few things to keep in mind for that.
Taken from Justin Whang’s YouTube description: The ending of Indiana Jones: The Kingdom of the Crystal skull is different from how people remember it. Many recall Indy saying “In Your Dreams Kid”as he takes his hat back from Shia Labeouf’s character, Mutt, but the line is not there. Is this a case of the Mandela effect, or was it edited quickly after release?
Release Date: December 16th, 2019 (Los Angeles premiere)
Directed by: J.J. Abrams
Written by: Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow
Based on: characters by George Lucas
Music by: John Williams
Cast: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian McDiarmid, Billy Dee Williams, Harrison Ford (uncredited), Billie Lourd, Greg Grunberg, Dominic Monaghan, Warwick Davis, Denis Lawson, Jeff Garlin, Kevin Smith, James Earl Jones (vocal cameo), Andy Serkis (vocal cameo), Ewan McGregor (vocal cameo), Alec Guinness (vocal cameo), Hayden Christensen (vocal cameo), Ashley Eckstein (vocal cameo), Freddie Prinze Jr. (vocal cameo), Olivia d’Abo (vocal cameo), Frank Oz (vocal cameo), Liam Neeson (vocal cameo), Jennifer Hale (vocal cameo), Samuel L. Jackson (vocal cameo), Angelique Perrin (vocal cameo)
Walt Disney Pictures, Lucasfilm, Bad Robot, 142 Minutes
*There be spoilers here!
“We had each other. That’s how we won.” – Lando Calrissian
Congratulations, Disney and Lucasfilm. You finally broke me to the point that I didn’t have the urge to see a Star Wars movie in the theater. Nope, I waited on this one because the previous few movies left such a bad taste in my mouth that I didn’t want to sit in a crowded theater with a bunch of normies clapping like seals every time there was a weak attempt at a cameo or minor victory. Also, people have been ruining the theater experience for awhile, so this film had that working against it already.
Now I figured I’d go see it once the buzz calmed down and the theaters cleared out a few weeks later but even then, it just wasn’t worth the trip or the money for me to make the effort.
Well, I finally watched it now that it’s available to rent and because this COVID-19 bullshit has us all trapped in our houses with nothing to do.
Anyway, as much as I anticipated not liking this, it was the best film of the three from the Disney produced Sequel Trilogy. Some of the more angry fans out there may think that’s crazy of me to say but I respect the effort of J.J. Abrams trying to fix the abortion that Rian Johnson created with The Last Jedi, especially with the weak skill set that Abrams has.
Honestly, they should have called this Star Wars: Episode IX – MacGuffins and Mystery Boxes but I guess that would require Abrams, Kathleen Kennedy, Bob Iger, Disney and Lucasfilm to actually understand humility and that they aren’t the great storytellers that they think they are.
Now this movie had a lot of weird shit that made certain sequences hard to get through. If I’m being honest, there aren’t really any sequences that didn’t have issues. I’ll list out some of my gripes from memory at the end of the main part of this review, as I did for some of my other Disney Star Wars reviews.
If I’m going to talk about what I liked about this film, I guess it’s that it tried really hard to give good fan service. Not so much, soulless, cheap attempts at winning me back but more like an admission that the series fucked up with the previous Rian Johnson stinker and that Abrams felt sorry and embarrassed that his larger vision for this trilogy was skull fucked in the eye by Johnson.
Rian Johnson cared more about his own ego and career than being the trusted custodian of something much larger than himself, which was created by others who were a lot more talented than he will ever be. If that’s harsh, I don’t care. Johnson didn’t care about the responsibility he signed up for, so he can deal with the repercussions of that from the fans who felt betrayed by his piss pigeon performance.
I’m glad that J.J. Abrams kicked Johnson in the nuts though. And his disdain for Johnson’s wreckage was made abundantly clear in the short scene where Luke returns, stops Rey from throwing her lightsaber away and states, “I was wrong.” Then he goes on to tell her what we all needed him to tell her in the previous film. For Luke Skywalker and Mark Hamill’s sake, I’m glad that the character didn’t go out like a weak piece of shit and was somewhat salvaged.
While on the subject of Rey, though, I still don’t understand how she is just simply the best at everything. She has an insanely weak character arc, hasn’t had anywhere near the level of adversity that Luke and Anakin had and you barely see her train at all and then she can barely deal with a fucking tiny laser drone. It’s like these modern filmmakers don’t think beyond what looks cool on the screen in a shot.
Anyway, this movie is a mess, narratively speaking. It’s really two movies wedged into one, as Abrams had to try and course correct while also coming up with a satisfying ending. That being said, he does okay in trying to achieve this but maybe this should have been longer or released as two parts. But I guess he is stuck with the numbering system and being tight within the framework of a trilogy.
Unfortunately, while we do get to see the main three characters spend some time together, it is hard to buy into their bond, as they spent the first two movies apart. I want to believe in it and I actually like the actors but this is something that needed to be done in every film. This is why people love the trinity of Luke, Leia and Han so much. But for whatever reason, Abrams, Kennedy and Iger don’t understand what worked about previous Star Wars films.
As much as my brain was picking things apart, I still found this to be the most palatable of the Disney Saga films. It’s hard to peg why but I think that Abrams genuinely wanted this to make up for the damage that’s been done and he did put his heart into it. But that also doesn’t mean that he was the right guy for the job way back when they announced him for The Force Awakens. He wasn’t and I had reservations about it back then.
In the end, I don’t know if I’ll ever watch any of these films again. If I do, it won’t be for a very long time. Maybe they’ll work better as a larger body of work but I doubt it with Rian Johnson’s big lame turd sitting smack in the middle of it. Honestly, it’s like a cat jumped on the table, took a shit in the middle of a mediocre pizza and you just decided to eat around it.
Assorted notes and gripes:
Watching the film, I was bombarded with a lot of WTF moments, these are the ones I remember. Maybe I should’ve taken notes.
-The opening crawl, immediately revealing Palpatine’s “resurrection” was cringe and the worst written opening crawl in the franchise.
-Who the fuck is manning all of Palpatine’s Star Destroyers?
-Why would the Star Destroyers break through thick ice to reveal themselves? There are hundreds of them and this seems like it would cause a lot of damage? And they’re already on a very hidden planet to begin with.
-Since Palpatine’s appearance isn’t explained but cloning is implied, am I just to assume that there’s only one Palpatine and not like 364?
-Lightspeed skipping? Really? And they land safely within a different planet’s atmosphere with every skip? Really? I’m no astrophysicist but I’d assume a planet’s atmosphere is a small percentage of a planet’s total structure and that planets themselves take up an insanely small amount of actual space in the universe, as a whole.
-“Hey Rose… you coming on the mission?” “Nah… I’m good, bro!”
-The group goes to outer space Burning Man… really?
-Don’t get me started on the jetpack trooper scene. That’s a clusterfuck of cringe and stupidity.
-I’m alright with the healing power but shouldn’t it drain Rey, even just a little bit. I mean, it fucking kills Kylo like two hours later.
-The Rey v. Kylo’s TIE Fighter scene was absolutely, unequivocally stupid. Just crush that shit with the Force, hoe!
-I guess Abrams views Droids as abused house pets.
-Gurl 1: “Not that you care but I think you’re okay.” Gurl 2: “I care.” Girl power! No lesbian kiss.
-So did C-3PO have red LED lights installed this whole time? Where were they when he was attempting to murder Jedi in Attack of the Clones?
-Rey doesn’t feel Chewie “die” on a ship that’s right in front of her. But then Rey feels that Chewie is alive when he’s much further away.
-Where’s Phasma? Is she really dead now? I thought she was Star Wars‘ version of Kenny from South Park.
-Are the Knights of Ren just laser sword thugs who don’t actually answer to Kylo Ren? Sith in training? Palpatine super soldiers? What the fuck are they?
-How does a billion year-old dagger line up with the wreckage of a Death Star that was built well after the dagger. And how was Rey lined up at the right angle and altitude to make it work? This was just a ripoff of the medallion from The Goonies and it was just stupid.
-I’ve lost count of the number of MacGuffins. I think there were five… maybe six? Is this a G.I. Joe miniseries from 1983? Nah… those were much better written.
-Weak as fuck lightsaber duels. Maybe the weakest in the entire franchise.
-Did Leia die because she called out to Kylo or was that just a perfect timing plot convenience?
-Harrison Ford? Why?
-Luke in 30 seconds was the Luke I wanted in the previous movie.
-Rey in a tiny X-Wing had to navigate through tight, dangerous, moving space corridors to reach the Palpatine planet but the Rebels’ big ass warships simply followed her path? It’s space, can’t they fly around that shit? What about the massive fucking armada of “regular people” that just shows up conveniently to win the war?
-Also, a militia of citizens overthrows a corrupt government by force. When did Hollywood become so blatantly pro-Second Amendment? I kid, Hollywood is just stupid.
-When they’re riding horses on the deck of a Star Destroyer, why doesn’t the ship just turn fucking sideways? It would’ve ended the war. One simple maneuver.
-The teleporting physical objects Force power is another lame plot convenience.
-What’s this random fucking Force Dyad thing? Abrams still thinks he’s making up stories with his toys in the bathtub.
-If Palpatine created Anakin and Anakin created Luke and Leia and Leia created Kylo Ren, all the while Rey is Palpatine’s granddaughter, isn’t their attraction kinda incest-y?
-I’d watch a Lando & Chewie in the Falcon movie.
-Why bury the lightsabers? A safe would be more secure.
-Why even take the Skywalker name and why did it take her so long to say it? Maybe because a part of her knew it was wrong to just take their name, their personal shit and Luke’s childhood home. Bitch, you ain’t in the will, that shit all goes to the state!
Pairs well with: the other Disney era Star Wars movies.
Also known as: Empire of Dreams (shortened title)
Release Date: September 12th, 2004
Directed by: Kevin Burns, Edith Becker
Written by: Ed Singer
Music by: John Williams
Cast: George Lucas, Mark Hamill, Harrison Ford, Carrie Fisher, Anthony Daniels, Kenny Baker, Peter Mayhew, James Earl Jones, Billy Dee Williams, Warwick Davis, Frank Oz, Lawrence Kasdan, John Williams, Joe Johnston, Ralph McQuarrie, Alan Ladd Jr., Irvin Kershner, Steven Spielberg, Walter Cronkite
Prometheus Entertainment, Lucasfilm, 20th Century Fox, A&E, 151 Minutes, 120 Minutes (TV Edit)
“I think George likes people, I think George is a warm-hearted person, but… he’s a little impatient with the process of acting, of finding something. He thinks that something’s there. “It’s right there, I wrote it down. Do that”. You know, sometimes you can’t just “do that” and make it work.” – Harrison Ford
I can’t believe that it’s been fifteen years since this documentary came out. It was the selling point of getting me to buy the original Star Wars trilogy on DVD though, as I had already owned the movies several times over, in all their incarnations, but wanted to have this documentary to keep and rewatch over the years.
It’s been quite awhile since I’ve seen it but it’s available on Prime Video, as well as Disney+ now.
Seeing this again sparked something in me that I hadn’t felt since Revenge of the Sith came out in 2005. It was that feeling of wonder, excitement and childlike awe. Disney is incapable of generating that sensation in me since they took over the Star Wars franchise and honestly, it’s mostly dead to me.
Empire of Dreams brought me back to where I was though from my childhood and into my twenties when I had a deep love for everything Star Wars. But most importantly, this showed me how much better the original movies were compared to Disney’s schlock and the shoddy prequels.
If Disney tried to make an Empire of Dreams followup about their new trilogy, would anyone care? Well, anyone with actual taste that was alive when the original Star Wars phenomenon was still alive and strong? I mean, how interesting would that documentary even be? And do you really even care about seeing any of the modern Star Wars actors and filmmakers talking about these new movies?
Empire of Dreams does a stupendous job of delving deep into the creation of one of the greatest film franchises of all-time. But seeing it with 2019 eyes, it more importantly shows you just how magical the Star Wars brand once was before Disney retrofitted it for an audience of wine moms and broke social justice warriors who can’t afford to buy the merch in the first place.
Pairs well with: the original Star Wars trilogy and other Star Wars documentaries.
From The Rageaholic/Razörfist’s YouTube description: To celebrate a Decade of Rage, Razör’s favorite film of all time finally gets the Noirchives treatment: Film Noir and Sci-Fi collide, creating an example of the best of both.
But is it truly Noir? And how did on-set struggles and behind-the-scenes conflict inform this apocalyptic masterpiece?
We need the old Blade Runner. We need the magic.
Minty Comedic Arts looks at Blade Runner and goes through ten things that most fans might not know.
Cecil ruins Indiana Jones and truly breaks him down to his dark, dirty core.