Also known as: National Lampoon’s Vacation (complete title) Release Date: July 29th, 1983 Directed by: Harold Ramis Written by: John Hughes Based on:Vacation ’58 by John Hughes Music by: Ralph Burns Cast: Chevy Chase, Beverly D’Angelo, Anthony Michael Hall, Dana Barron, Imogene Coca, Randy Quaid, John Candy, Christie Brinkley, Brian Doyle-Murray, James Keach, Eugene Levy, Frank McRae, Jane Krakowski, John Diehl
National Lampoon, Warner Bros., 98 Minutes
“I don’t give a frog’s fat ass who went through what. We need money! Hey, Russ, wanna look through Aunt Edna’s purse?” – Clark Griswald
Full disclosure, I’ve never been a huge Chevy Chase fan. However, the Vacation movies still hold a special place in my nostalgic heart.
I think my reason for liking these films has more to do with John Hughes’ writing and just the bonkers scenarios that the family constantly fall into.
Additionally, I think that these are Chase’s best comedies but Beverly D’Angelo seems to be a perfect balance to his over-the-top shenanigans and every movie did a good job casting the kids. Why do they change every movie? I’m not sure but they’re always pretty good, regardless.
I also enjoy Chase’s scenes with Randy Quaid and they’re the highlight of most of these films for me. In this one, however, I also liked seeing Chase’s scenes with John Candy and Eugene Levy.
I think that this film works pretty well because of Harold Ramis’ direction, though. He got the best out of his cast and he has always had a great sense of comedic timing and how to build a comedic scene. Case in point, look at his great work as one of the creative minds behind the great SCTV sketch comedy television series.
From memory, all of these films are pretty equal and consistent. This is the one I’ve seen the most, though, and it may have the slight edge for being the first. However, I’ll probably review the others in the near future, as it’s been way too long since I’ve seen them and want to see how well they’ve held up.
Rating: 6.75/10 Pairs well with: the other Vacation pictures, as well as other movies by National Lampoon.
Also known as: Universo en fantasía (original Spanish language title) Release Date: July 29th, 1981 (premiere) Directed by: Gerald Potterton Written by: Daniel Goldberg Based on: original art and stories by Richard Corben, Angus McKie, Dan O’Bannon, Thomas Warkentin, Bernie Wrightson Music by: Elmer Bernstein, various Cast: Rodger Bumpass, Jackie Burroughs, John Candy, Joe Flaherty, Don Francks, Martin Lavut, Marilyn Lightstone, Eugene Levy, Alice Playten, Harold Ramis, Susan Roman, Richard Romanus, August Schellenberg, John Vernon, Zal Yanovsky
Canadian Film Development Corporation, Guardian Trust Company, Columbia Pictures, 86 Minutes, 90 Minutes (premiere cut)
“A shadow shall fall over the universe, and evil will grow in its path, and death will come from the skies.” – Narrator
Fuck, this movie is so damn cool!
However, it does lack in the “heavy metal” department, as far as the music goes. That’s not to say the music is bad, this is just a lot less heavy than the title implies. Still, this developed a really strong cult following and for very good reason.
I love the rock and pop tunes in this, though. I mean, where else can you see a sword and sorcery story with sci-fi elements playout to a Devo song? Nowhere!
This entire movie is an animated anthology. The various segments were inspired by some of the stories and art that appeared in the pages of the Heavy Metal comic magazine. This is also a very adult cartoon, as it features nudity, sex and violence. There really isn’t anything here for kids but I saw it as a kid and it blew my mind. The ’80s were a different era, though. Kids today can’t watch Gremlins without needing the light on till they turn thirty.
Anyway, this was produced by Ivan Reitman and it featured a lot of his regular actors in voice roles. It’s kind of neat watching this for the first time in years and hearing John Candy, Harold Ramis, Eugene Levy and Joe Flaherty. It almost needed Bill Murray in there to round it out but it was still pretty dope hearing these comedic legends voices pop up in something like this.
That being said, this is just a really unique experience and it still conjures up a sort of magical feeling when watching it.
Despite the action and violence, the film has a calming, chill vibe to it and I think that has a lot to do with its visual style, tone and the superb use of music to season the already flavorful meal.
Heavy Metal is a weirdly comforting movie that reminds me of a time when filmmakers were still daring and experimental and with that, often times gave us movies that were really interesting, wonderfully eccentric, bizarre and special.
Rating: 7.5/10 Pairs well with: its sequel, as well as other late ’70s and ’80s adult animated films.
Also known as: Laser Orgy Girls (original script title) Release Date: July 27th, 1978 (New York City premiere) Directed by: John Landis Written by: Harold Ramis, Douglas Kenney, Chris Miller Music by: Elmer Bernstein Cast: John Belushi, Tim Matheson, John Vernon, Verna Bloom, Thomas Hulce, Donald Sutherland, Peter Riegert, Stephen Furst, Bruce McGill, James Widdoes, Douglas Kenney, James Daughton, Mark Metcalf, Kevin Bacon, Karen Allen, Sarah Holcomb
Stage III Productions, Oregon Film Factory, Universal Pictures, 109 Minutes
“Christ. Seven years of college down the drain. Might as well join the fucking Peace Corps.” – Bluto
Animal House is a cult comedy that came out before I was born but was beloved by the generation slightly ahead of mine. I grew up hearing older people quote the movie constantly but I never actually saw it until the ’90s in my teen years. It’s also been that long since I’ve seen it, as although I love John Belushi, the film never hit the mark for me.
I feel like I did enjoy it more now, though, but that’s probably also because comedy is dead in the 2020s and everything in this film would be considered grossly offensive by modern snowflakes and “cancel everything” dweebs. Simply watching this felt like an act of defiance against Generation Bitch Made and everything their weak knees wobbly stand for.
Still, I can’t consider this a great movie, even if it spoke to an entire generation of slackers. However, it was never intended to be a great movie. This was made to entertain horny young folks that toked grass and drank a lot of beer. It also helped pave the way for a slew of mindless, funny films that did the same thing. Escapism is important to the human brain and National Lampoon’s Animal House provides solid escapism from your problems and your world for 109 minutes.
The film is also full of a lot of actors that would go on to have long careers, many of whom moved on to bigger and better things.
In the end, Animal House is goofy, obnoxious and reminds me of simpler times when people were still allowed to laugh and enjoy life.
Rating: 7/10 Pairs well with: other John Landis comedies, as well as the films of Ivan Reitman.
Also known as: Cheech and Chong Join the Army (original script title) Release Date: June 26th, 1981 Directed by: Ivan Reitman Written by: Dan Goldberg, Harold Ramis, Len Blum Music by: Elmer Bernstein Cast: Bill Murray, Harold Ramis, Warren Oates, P. J. Soles, Sean Young, John Candy, John Larroquette, John Diehl, Judge Reinhold, Joe Flaherty, Dave Thomas, Bill Paxton
Columbia Pictures, 106 Minutes, 122 Minutes (extended cut)
“Who’s your friend? Who’s your buddy? I am, aren’t I? You’re crazy about me, aren’t you?” – John Winger
This is considered one of the all-time great Bill Murray comedies. While I do like it, it was never really at the top of my list. I’m not quite sure why, as it also features Harold Ramis, John Candy, John Larriquette, Judge Reinhold, Joe Flaherty and Dave Thomas: all comedy legends I love.
Stripes is funny and amusing but from a narrative standpoint, it always felt kind of sloppy and pointless. Sure, these new recruit losers (mainly Murray and Ramis) do rise to the occasion and become heroes for a day, however, things in this movie just sort of happen without much purpose.
I get it, though, this is sort of just a goofy, mindless comedy. However, I guess I hold these guys and director Ivan Reitman to a higher standard because they’ve made much better films.
Without Bill Murray and someone as great as Ramis to play off of in nearly every scene, this would be reduced down to just a run of the mill screwball comedy like Meatballs or Porky’s.
I also know that Reitman probably didn’t have much of a budget to work with but this picture looks more like a television movie than a cinematic one. However, the film’s success did pave the way for the Ghostbusters movies, which are, to this day, my favorite comedy films of all-time.
Stripes is a movie that I still watch about twice a decade, as I can put it on and not think. But ultimately, it’s just never been as beloved by me as it seems to be by many others.
Rating: 6.5/10 Pairs well with: other Bill Murray films of the ’80s, as well as comedy pictures directed by Ivan Reitman and John Landis.
From the Midnight’s Edge YouTube description: December 9th saw the release of the first trailer for Jason Reitman’s Ghostbusters Afterlife, the sequel to the original movies which also negates the original Paul Feig’s remake from 2016.
While he is not in the trailer, Bill Murray is by all accounts in the movie – but there was a lot of back and forth involved in making that happen! Murray always delivers great performances IF he does show up on set, and that is a big “if”.
In this retrospective minidocumentary, we look back at the history of Ghostbusters, and Bill Murray’s troubled relationship with the franchise.
Release Date: June 13th, 1986 Directed by: Alan Metter Written by: Steven Kampmann, Will Porter, Peter Torokvei, Harold Ramis, Rodney Dangerfield, Greg Fields, Dennis Snee Music by: Danny Elfman Cast: Rodney Dangerfield, Sally Kellerman, Burt Young, Keith Gordon, Adrienne Barbeau, Robert Downey Jr., Sam Kinison, Ned Beatty, Paxton Whitehead, Terry Farrell, M. Emmet Walsh, William Zabka, Robert Picardo, Jason Hervey, Edie McClurg, Kurt Vonnegut (cameo), Oingo Boingo (cameo)
Paper Clip Productions, Orion Pictures, 96 Minutes
“Bring us a pitcher of beer every seven minutes until somebody passes out. And then bring one every ten minutes.” – Thornton Melon
I guess I completely forgot how many stars were in this film because it’s been a long time since I’ve seen it. I obviously remembered Rodney Dangerfield but I also recalled Keith Gordon, Robert Downey Jr., William Zabka and Sam Kinison because of that one iconic scene.
But throw in Burt Young, M. Emmet Walsh, Adrienne Barbeau, Sally Kellerman, Ned Beatty, Edie McClurg, Jason Hervey, Robert Picardo, Terry Farrell and Oingo friggin’ Boingo and you’ve got an all-star ensemble! Plus, Harold Ramis was one of the writers. Granted, this had seven writers, so one of them other than Dangerfield probably had to be a big name.
While this is a pretty dated comedy, as are most comedies of the ’80s, it’s still entertaining and in 2019 it’s refreshing, as comedy is dead due to political correct nutsos who spend every waking moment searching high and low for shit to be offended about.
Point being, you couldn’t make this movie today because every joke is (insert label here)-shaming and insensitive.
You see, we didn’t care too much about political correctness in the ’80s. Hell, we didn’t even care about it until like five years ago. And this film goes to show how talented all these people were as they weren’t bogged down by Hollywood wokeness and crybaby pussies on Twitter.
Now this isn’t a superb motion picture by any stretch of the imagination but it is really solid escapism that is amusing and charming in a way that film’s aren’t anymore. And honestly, I think that’s a big reason as to why so many people are nostalgic for ’80s and ’90s shit now. Even the slightly above mediocre stuff is cherished more than it was when it was current.
The plot of Back to School follows a sextagenerian as he goes to college, surprising his twenty-something son, the school professors and his friends. In short time, he takes over, turns the campus into one big party and even saves the day for the college diving team in a ridiculous but satisfactory way that may be goofy but works in a comedy from this era.
Back to School isn’t perfect and it isn’t even close to being the best comedy of its day. However, it’s a lot of fun if you just want to mindlessly escape into something for an hour and a half while having a laugh.
Rating: 6.75/10 Pairs well with: other Rodney Dangerfield comedies, as well as college comedies like PCU, Old School, Animal House, Van Wilder, etc.
For those who haven’t seen these films, you have wasted your time on this planet. In fact, these are films that should be beamed into the brains of unborn babies. This would eliminate any chance of horrible humorless babies coming into the world. America, or the world for that matter, doesn’t need anymore humorless jerks being born to boring parents.
These films are great. The first is much greater but the second is still damn good. So let me get right into these movies.
Release Date: June 7th, 1984 (Westwood premiere) Directed by: Ivan Reitman Written by: Dan Aykroyd, Harold Ramis Music by: Elmer Bernstein Cast: Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Rick Moranis, Annie Potts, William Atherton, Slavitza Jovan, Casey Kasem (cameo)
Black Rhino, Delphi Productions, Columbia Pictures, 105 Minutes
I was five years-old when this came out. I didn’t see it in the theater because my mum thought it was “too intense”. She was wrong, as I saw it when I was six and fell in love with the film and its cast.
My young mind was exposed to Bill Murray, as well as Dan Aykroyd and Harold Ramis. From that point forward, my lifelong allegiance to those three was solidified. Hell, I also had an allegiance to Ernie Hudson, Rick Moranis, Sigourney Weaver and Annie Potts after this film.
Few films, even great comedy ensembles, are able to assemble a cast this good. Originally, John Belushi was set to play Murray’s part but his death changed things. Eddie Murphy was also cast in the role that went to Ernie Hudson while John Candy had Rick Moranis’ part. All things considered, I’m glad the film turned out the way it did. I think Murray is the gel that makes this unit work.
Great cast aside, the film was fun and original. The story sees three failed scientists and a hired fourth guy go against the paranormal forces that are ravaging 1980s New York City. It is a pretty nonstop film that moves fast from the first scene through the climactic final battle with Gozer the Gozerian.
Peter Venkman is Bill Murray’s greatest character, even though many can just say that he’s playing Bill Murray with a bit more intelligence in the realm of science. It is also Ramis’ and Aykroyd’s most iconic roles. The film is a perfect storm of talent, comedy, action and storytelling.
The special effects, for their time, are top notch and well executed. The diversity in the types of ghosts and supernatural characters is pretty astounding. While this film could’ve played as well with typical one-dimensional ghost characters, the filmmakers got insanely creative and took a lot of liberties.
Ghostbusters isn’t a perfect film.. no, actually, it is.
Ghostbusters II (1989):
Release Date: June 16th, 1989 Directed by: Ivan Reitman Written by: Harold Ramis, Dan Aykroyd Music by: Randy Edelman Cast: Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Rick Moranis, Annie Potts, Peter MacNicol, Kurt Fuller, Wilhelm von Homburg, Mary Ellen Trainor, Christopher Neame, Chloe Webb (uncredited), Kevin Dunn (uncredited)
Columbia Pictures, 108 Minutes
It took five years to get a sequel. Many think that it is inferior to the original, and they aren’t wrong. But it is still great and although it doesn’t capture lightning in a bottle a second time, it does retain some of the magic of the first film.
At its worst, it is a continuation of these characters’ lives. With a talented cast, such as this, it is hard to make a bad film, even if a sequel wasn’t necessary.
The entire cast that I mentioned in my write-up about the first movie, returns in this installment. We also get the addition of Peter MacNicol, who was brilliant and really steals the scenes that he is in – a tremendous feat when sharing the screen with Murray, Aykroyd, Ramis, Hudson, Weaver and Moranis. I’m surprised that MacNicol hasn’t done more comedy like this.
This chapter sees the Ghostbusters go against Vigo the Carpathian, who is an homage to Rasputin and Vlad Tepes (the real Dracula). He is in search of a baby to be his vessel for reincarnation. It just so happens that Weaver’s character is now the mother of a baby.
While not as outright funny as the first film, the humor is still top notch, the gags are funny and it is just nice to see these guys together again for another two hour romp.
Ghostbusters II isn’t an example of a bad sequel, it is a good sequel. While it wasn’t needed, we got it. It could have been much worse but I am happy with the finished product, regardless.
Caddyshack was a phenomenon that no one really expected. Panned by critics initially, it went on to be a box office hit and a launching pad for the film careers of Bill Murray, Harold Ramis, Chevy Chase and Rodney Dangerfield. It was the final film for Ted Knight but he quickly followed it up with his hit sitcom Too Close For Comfort – one of my favorite shows, as a kid. The film also starred the Gopher, who should have gone on to star in his own animated series and toy line but someone missed the boat on that one.
This film also spawned a sequel, a fairly awful sequel, but we will get to that after I talk about the original.
Release Date: July 25th, 1980 Directed by: Harold Ramis Written by: Douglas Kennedy, Harold Ramis, Brian Doyle-Murray Music by: Johnny Mandel Cast: Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O’Keefe, Bill Murray, Cindy Morgan
Orion Pictures, Warner Bros., 98 Minutes
The first film is kind of a sentimental piece of art to me.
Reason being, not only does it feature several comedians I adored as a kid of the 1980s, and that I still love and respect, but it was shot near my home. As a kid and teenager, I have been to the golf course and pool used in the film multiple times. Actually, I didn’t even know that the pool I used regularly, was the Caddyshack pool until a few years after the fact.
Personal stories aside, it may not be a flawless film or even a great film but it is still a gem and a classic. It put the spotlight on several actors who went on to achieve greatness. It was a smorgasbord of different comedy styles that meshed well together. It featured two greats from Saturday Night Live, at a time when that show was still breaking ground and changing the television game. It also featured veteran funny men who created iconic characters.
The only people who suffered and maybe didn’t get their proper moment to shine were the regular cast of caddies and club goers. Would it had been a better, more fluid film, had the regular cast been allowed to tell their characters’ stories? Perhaps. But would it have been as beloved?
Caddyshack is a fun movie. It is simple in its execution but stellar in its heart. Whether you even like golf or not, is of no consequence here. The country club is just the backdrop for comedic geniuses at the top of their game.
And I should point out that rock legend Kenny Loggins made one of the best movie themes of all-time for this picture.
Caddyshack II (1988):
Release Date: July 22nd, 1988 Directed by: Allan Arkush Written by: Harold Ramis, Peter Torokvei Music by: Ira Newborn Cast: Jackie Mason, Robert Stack, Dyan Cannon, Dina Merrill, Jonathan Silverman, Brian McNamara, Marsha Warfield, Paul Bartel, Randy Quaid, Chevy Chase, Dan Aykroyd
Warner Bros., 98 Minutes
The problem with Caddyshack II, in my estimation, is that they waited too long to make it. The only cast member that they could lure back was Chevy Chase and he is barely in it.
Replacing Bill Murray, as the gopher hunter, is Dan Aykroyd. Even though he was at the height of his career, Aykroyd’s character was too bizarre for its own good. He kind of took the weird Murray shtick from the first film and turned up the volume a little too high.
You have Robert Stack as the new villain, replacing Ted Knight, who passed away before this film. Stack was not the great comedic bad guy that Knight was. And it was strange watching the guy who was the face of Unsolved Mysteries trying to fill in for the lovable and hilarious Knight.
Jackie Mason, an old comedian that I love, was the sole bright spot of the movie. However, he was chosen to be the Rodney Dangerfield character. While I enjoyed Mason, he just didn’t have the chops Dangerfield had 8 years prior. But I certainly appreciate the enthusiasm he showed in this role.
Jonathan Silverman, was in this too. He was was a non-event here but would go on to star alongside Andrew McCarthy in the classic Weekend At Bernie’s a year later. You can go ahead and ignore Weekend At Bernie’s II though.
The movie also features the talents of Marsha Warfield, Dyan Cannon, Randy Quaid and a favorite of mine, Pepe Serna.
Caddyshack II was just a bad movie. It was barely funny and the gags were just too far out there. It is worth a watch just to see it but don’t expect an urge to revisit it often like the original.