Film Review: Batman: Hush (2019)

Release Date: July 19th, 2019 (SDCC)
Directed by: Justin Copeland
Written by: Ernie Altbacker
Based on: Batman: Hush by Jeph Loeb, Jim Lee
Music by: Frederik Wiedmann
Cast: Jason O’Mara, Jennifer Morrsion, Geoffrey Arend, Jerry O’Connell, Maury Sterling, Rebecca Romijn, Rainn Wilson, Sean Maher, Peyton List (I), Peyton List (II), Vanessa Williams, Tara Strong

Warner Bros. Animation, DC Entertainment, 81 Minutes

Review:

“Riddle me this – “The less of me you have, the more I am worth”… what am I? Answer – A Friend.” – The Riddler

The DC Comics animated films are really hit or miss for me.

Mostly, I enjoy them but there are usually things that don’t click in the right way or the films claim to be adaptations of a famous story but then take tremendous liberties and are really only those stories in name only. Look at Gotham by Gaslight for an example of that.

For the most part, this takes a lot of liberties while still holding on to the spirit of the original Hush story.

The biggest difference here, is that Hush is not Thomas Elliot like in the comics but is actually someone else. Thomas Elliot appears in this film but he’s just a red herring. I won’t spoil the plot and tell you who Hush is though but I thought it was worth mentioning for those who would prefer a beat-by-beat adaptation.

I thought that the animation was some of the best DC has had, thus far. A lot of care was given to the character design, the actual motion in the film, as well as the visual tone.

The film also benefits, in my opinion, by not being cast with more well-known stars. Sometimes famous voices can be distracting in these films. Here, the main characters weren’t played by famous distinct voices. The more famous actors who were in this actually just blended in nicely and didn’t detract from the proceedings.

Overall, this is in the upper echelon of DC’s animated features. It’s not perfect but it’s definitely got a lot more positives than negatives.

Rating: 8.5/10
Pairs well with: other recent DC Comics animated movies.

Comic Review: Batman: The Dark Prince Charming

Published: 2017
Written by: Enrico Marini
Art by: Enrico Marini

DC Comics, 136 Pages

Review:

While not specifically labeled an Elseworlds tale, that’s what this is, as it is Enrico Marini’s take on Batman and the Joker with its own twists that don’t exist within the normal DC Comics continuity.

In this world, Batman apparently fathered a little girl after a one night stand. The Joker kidnaps the girl, thinking that he can blackmail Bruce Wayne into bidding on a fancy gem that Harley Quinn wants. Man, the story sounds really stupid now that I’m typing it out.

Overall, the plot is lame, not all that engaging and this seems to fit so far outside of the box of who these characters are that I couldn’t wrap my brain around it.

Hell, Jim Gordon is even seen vaping in this.

There is also a lot of humor thrown in but most of it isn’t funny and the jokes fall flat, immediately.

I’m not sure what the tone of the book is supposed to be as it feels all over the place.

However, I did enjoy the art. Marini has a cool style, even if he took some liberties with the looks of the characters.

I’m all for new creatives taking on the Batman mythos and doing their own version of it. It worked incredibly well when Sean Gordon Murphy did it with White Knight. However, here, it just feels like some edgy boi bullshit.

The art saves this from being a complete waste though.

Rating: 5.25/10
Pairs well with: other Elseworld tales featuring Batman.

Comic Review: Joker

Published: 2008
Written by: Brian Azzarello
Art by: Lee Bermejo

DC Comics, 130 Pages

Review:

When this came out in 2008, I thought it was pretty badass. It hasn’t aged well though.

But I guess my changed feelings on it now is because I’ve aged as a comic book reader and the character of the Joker just doesn’t feel right in this. Also, the plot is very thin and this mostly just follows a regular guy who finds himself pulled into the Joker’s orbit on the day that the criminal madman is released from Arkham Asylum.

I know that this came out at the same time as 2008’s The Dark Knight and that it was made to capitalize off of that highly anticipated movie. In fact, the actual look of the Joker here, is much more in tune with Heath Ledger’s Joker than the regular comic book Joker.

The story does not tie to the movies though and it exists within Brian Azzarello’s own version of the Batman universe. But in an era where comic book franchise constantly get rebooted, what the hell is canon anymore?

I do like the art style and the character design is good for most of the key characters. Although, the look of the Riddler is more cringe than the current Tom King Riddler, who I absolutely hate.

Reading this now, this just feels like some edgy boy shit that’s trying too hard to be hardcore and extreme but never actually has the balls to cross the line like DC Comics did at the height of its classic Vertigo titles.

I think that this story ties into Azzarello’s current Batman: Damned series but I’m not 100 percent sure on that, as I’m waiting to read that series once all the issues come out.

Rating: 6.75/10
Pairs well with: other Brian Azzarello comics, especially the recent Batman: Damned series.

Comic Review: Suicide Squad: Black Files

Published: November 7th, 2018 – April 3rd, 2019
Written by: Mike W. Barr, Jai Nitz
Art by: Phil Briones, various

DC Comics, 260 Pages

Review:

I didn’t really know what this miniseries was going to be about when it came out, I just knew that it was full of a lot of characters, many of whom were new to the Suicide Squad.

What this is, is a miniseries where each double-sized issue is broken into two halves, telling two six issue story arcs. Although, they are somewhat joined as this serves to closeout the Suicide Squad team that’s been around for a few years while introducing the readers to a new team, who seem to be in line for an upcoming series of their own.

While this series was going on, the regular, monthly Suicide Squad comic came to an end with it’s 50th issue.

The two stories here were pretty decent but nothing exceptional. Between the two plot threads, I preferred the one centered around the newer team. So I guess that’s good, considering that they seem to be taking over as the primary Suicide Squad soon.

But I don’t know if this miniseries was enough to entice me to buy the new team’s books. I may give it a whirl and see how I feel about it after a few months but I was getting burnt out on the regular Suicide Squad title before it even got to it’s 50th issue finale.

If anything, the new team feels kind of like the Suicide Squad equivalent to the Justice League Dark. I’m kind of getting bored with Justice League Dark too, even though it started with a mighty bang.

Ultimately, it just feels as if a lot of the DC titles seem aimless, as of late. I don’t know where any of them are going and I’m not sure that there’s much of a cohesive plan by editorial.

Rating: 6.5/10
Pairs well with: the regular Suicide Squad series before it and I’m assuming an upcoming Suicide Squad Black series to follow up with the events here.

Comic Review: Red Hood and the Outlaws, Vol. 3: Bizarro Reborn

Published: April 24th, 2018
Written by: Scott Lobdell
Art by: Joe Bennett, Tyler Kirkham, Dextor Soy

DC Comics, 188 Pages

Review:

Out of all the volumes of the Red Hood comic that focus on the trio of Red Hood, Artemis and Bizarro, this is my favorite.

Man, this story was solid as hell and it was also a pretty emotional due to how we see Bizarro die, come back to life as a super-genius and then find out that he is still going to devolve into a dumb brute again.

For long-time fans of Jason Todd, this is especially emotional, as we see him finally find a sense of family that has eluded him for so long. He’s no longer alone, he’s with people he loves but you get the sense that it’s all going to be taken away from him in the near future. Re-reading these issues now, it certainly adds more context to his more recent stories.

Scott Lobdell has done such a fantastic job with this series and even though my pull list from my local comic shop keeps shrinking, this is a series I just don’t want to give up. It’s much better than the industry standard in modern times and it is awesome that there is top tier talent working on a book that mainly features B or C level characters.

This volume actually collects three short story arcs, which see cameos from a lot of cool characters like the modern Suicide Squad, Nightwing, the modern Bat-family, Lex Luthor and others.

I’m also now a big fan of Dexter Soy’s art style. I didn’t know much about him before this series but the issues he works on just look fantastic.

Red Hood and the Outlaws is one of the best DC Comics titles of the last few years. I wish more people would read it, even if the most recent stuff is a bit different due to Jason Todd being alone, once again. But I feel as if that’s leading to him reuniting with his Outlaw family.

With DC cancelling a bunch of titles in the very near future, I really hope that this isn’t one of them.

Rating: 8.75/10
Pairs well with: the other Red Hood and the Outlaws collections post-Rebirth. Also, the recent Bat-family titles: NightwingBatgirl and also the current runs on Suicide Squad and Deathstroke.

Film Review: Batman Ninja (2018)

Release Date: March 24th, 2018 (Anaheim premiere)
Directed by: Junpei Mizusaki
Written by: Kazuki Nakashima
Based on: Batman by Bob Kane, Bill Finger
Music by: Yugo Kanno
Cast: Tony Hale (English dub), Tara Strong (English dub), Kōichi Yamadera, Wataru Takagi, Ai Kakuma, Rie Kugimiya, Hōchū Ōtsuka

DC Entertainment, Kamikaze Douga, Yamatoworks, Barnum Studio, Warner Bros., 85 Minutes

Review:

“This is madness.” – Batman

Yes… yes it is, Batman.

The only reason I checked this out is that it’s on the DC Universe app, which I now have and am trying out. Other than that, I didn’t have much interest in this.

However, some of the character designs looked cool and I thought that this might just be bonkers enough to be enjoyable. The problem is that I only made it about twenty minutes into the film before I regretted hitting the play button.

Cool and interesting character designs don’t mean much outside of a sketchbook of conceptual art. You have to apply these cool looking characters in an engaging and dynamic way and this anime fails to do just that.

This movie is a clusterfuck of biblical proportions and I’m pretty sure that the creators behind this had no idea what the hell they wanted to do apart from throwing a bunch of cool looking shit on screen just for the sake of throwing a bunch of cool looking shit on screen.

The story is all over the place, makes little sense, I can’t tell what the hell is happening through most of the film and there’s a big mecha battle because this is Japanese and it can’t exist without a big mecha battle.

This is a bunch of cool, unrelated shit thrown into a blender without little care as to whether or not it would blend well and be enjoyable, let alone remotely palatable. I had an uncle that had throat cancer and for awhile, he had to blend up every meal. His face while drinking his meals was similar to mine while trying to drink in this movie.

Batman Ninja is abhorrent and it should not have been made. It’s existence reminds me of the most famous of all of Dr. Ian Malcolm’s quotes: “Your scientists creators were so preoccupied with whether they could, they didn’t stop to think if they should.”

Rating: 3.75/10
Pairs well with: terrible to subpar anime.

Comic Review: Injustice vs. Masters of the Universe

Published: July 18th, 2018 – January 2nd, 2019
Written by: Tim Seeley
Art by: Freddie E. Williams II, Jeremy Colwell
Based on: Masters of the Universe by Mattel, Injustice by NetherRealm Studios

DC Comics, 153 Pages

Review:

I haven’t played the Injustice video games or read the comic books. I get the gist of it though, so being a long-time fan of Masters of the Universe, I thought that the idea of seeing He-Man and his world mix it up with the DC Comics universe was a cool idea.

However, I did have to go into this with some skepticism, as most comic book crossovers of unrelated intellectual properties usually don’t leave us with great results.

This one was pretty good though. I can’t say that it was completely compelling but the story did a good job of wedging in a lot of characters while managing multiple plot threads. This had many layers to it and all of them kept me engaged.

I think the thing that I liked most about this was the art. It just felt perfect for a Masters of the Universe story, as it reminded me of the art of the old comics they used to package with the toys. It just drummed up nostalgia on a pretty high level and it was very effective.

This lasted for six issues but I feel like it could have been better if it was a bit longer. While it works well in the space it was given, I felt like some confrontations were rushed through and some of the action suffered a bit. There were just some cool ideas here that could have been explored just a little bit more than they were but I don’t want to spoil the story details for those who want to read this.

Overall, this was pretty damn good. Tim Seeley told a fun story within two very different worlds that I love and the art was perfect for what this project was trying to convey.

Rating: 7.75/10
Pairs well with: other Masters of the Universe crossovers and the Injustice comics, as well as regular Justice League stories.