From the Midnight’s Edge YouTube description: While Halloween wasn’t the first slasher film, it was the first smash hit slasher and along with ‘The Texas Chainsaw Massacre’s’ Leatherface, ushered in a whole era of masked and deformed boogie men at the cinema and video store throughout the 80’s and 90’s. But beyond the 1978 masterpiece, the franchise quickly became a mess. With its creator trying to change its purpose to an anthology series and quickly giving up, to a series that was rebooted and rebooted time and again with an increasingly large list of colorful characters involved in production. Including the 2018 movie, the franchise has been restarted no less than five times. In this video, we will examine the history of Halloween, the many behind the scenes fights, and what future the most recent franchise rebirth will bring.
I never knew there was an Atari 2600 game based on John Carpenter’s Halloween. That could be due to the age I was when this would’ve come out but it’s surprising that I still never got wind of it over the years.
Like most Atari 2600 games, it’s pretty basic. But that’s not a bad thing, as this game is at least really amusing and surprisingly violent and comical.
You play as Laurie Strode (I’m assuming) and you need to evade Michael Myers while trying to save Tommy Doyle (or some other little brat). If Michael catches the kid, the little shit is stabbed to death. If Michael catches Laurie, he decapitates her, which leads to her running around headless with blood spurting from her neck stump.
It’s pretty nutty that this was a mainstream video game and probably sold to kids. However, ’80s kids weren’t pussies and video games didn’t have fascist ass ratings back then. Also, life was better and people weren’t so miserable and overly sensitive.
Anyway, that’s about all there is to do in the game. But it’s still a cool game to mess around with.
Also, the 4-bit Halloween theme is badass.
Rating: 7/10 Pairs well with: other old school horror movie video games like the original Nintendo’s Friday the 13th and A Nightmare On Elm Street.
Release Date: September 8th, 2018 (Toronto International Film Festival) Directed by: David Gordon Green Written by: Jeff Fradley, Danny McBride, David Gordon Green Based on: characters by John Carpenter, Debra Hill Music by: John Carpenter, Cody Carpenter, Daniel Davies Cast: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Toby Huss, Virginia Gardner, Nick Castle
Miramax, Blumhouse Productions, Trancas International Films, Rough House Pictures, Universal Pictures, 105 Minutes
“There’s a reason we’re supposed to be afraid of this night.” – Hawkins
Well, the highly anticipated Halloween is here.
This film is a direct sequel to the first movie and thus, ignores everything that came after the original film. So no hospital movie, no Michael hunting little Jamie, no Paul Rudd fighting a weirdo cult, no LL Cool J as a poor security guard and no Busta Rhymes karate moves. Most importantly though, none of that white trash Rob Zombie crap. Although, I did like Malcolm McDowell.
I guess the coolest thing about this isn’t bringing back Jamie Lee Curtis and John Carpenter (in some capacity), it’s actually getting Nick Castle back to play the Shape, as he was the original Michael Myers. Side note: did you know that the Shape a.k.a. Michael Myers directed The Last Starfighter?
Anyway, jumping right in, I thought that the first half hour or so of the movie was slow. All of that could have been condensed down to ten minutes, really. This is a slasher film and doesn’t need to give us giant spoonfuls of exposition. Just give us the quick rundown of where the story is and go for it.
After that first half hour, things really pick up but I felt that the middle act of the picture almost went too fast. Michael starts killing and he kills a lot. However, once you get to the big finale at the Strode house in the woods, it slows to a crawl again.
I get that this final act was an attempt at building tension, which it does do well, but as Laurie carefully moved through her house looking for Michael, I was just sitting in my chair thinking, “Hurry it up, already.” I mean, if she was so prepared for Michael coming for her, she should of lived in a one room cabin and not a maze full of mannequins and junk store trinkets.
As far as the kills go, it was a mixed bag. Too many kills happen off screen, which I hate in a slasher film. Commit to the f’n bit and show it! Show it all! What’s more baffling is that the kills that they do show are pretty brutal. So why give us a mixture of violent kills and off screen kills? Were the filmmakers teetering on making this PG-13?
One thing about this movie that really got me into it though was the use of John Carpenter’s music. He did the score for this one and kept it very traditional and tapped into the themes of the original. However, as the film rolls on, those famous tunes start to evolve and Carpenter did some really neat stuff musically. I’ll probably buy this film’s score on vinyl if I come across it at my local record shop.
Another positive is the psychology of this film. I don’t mean to spoil anything but this starts out like a typical Halloween film once Michael gets free but eventually you come to see that the hunter is actually the hunted. Laurie Strode wanted him outside again so that she could finally kill him and finally close this long, dark chapter of her life. Laurie becomes a badass and spends decades preparing for this night in an effort to deal with her PTSD. It’s ruined her life, her marriages, her family and she just wants to put this MFer to bed, once and for all.
However, even though I prefer this movie to H2O, I preferred the other version of Laurie Strode better. Also, that film had that great iconic moment where Laurie and Michael come face to face through a small window. That really was a great moment and gave that film more meaning than it should have had. This new film didn’t have that sort of confrontation, which would’ve actually done more to build tension than Laurie slowly walking through a dark house with a shotgun. Having Laurie and Michael look into each others eyes is something that needed to happen, it froze me in my seat when I saw that in H2O. Nothing about this Halloween came close to having that effect on me.
In the end, I was really happy with the movie. It hits the right notes, most of the time. It was also a great homage to the original film and a few other horror classics. We haven’t had a good slasher film in quite awhile and this at least satisfied the part of me that’s been yearning for a real throwback to my favorite era and subgenre of horror.
Rating: 7/10 Pairs well with:Halloween 1, 2, 4, 5 and 6.
Release Date: July 12th, 2002 Directed by: Rick Rosenthal Written by: Larry Brand, Sean Hood Based on: characters by John Carpenter, Debra Hill Music by: Danny Lux Cast: Busta Rhymes, Bianca Kajlich, Thomas Ian Nicholas, Ryan Merriman, Sean Patrick Thomas, Katee Sackhoff, Daisy McCracken, Luke Kirby, Tyra Banks, Jamie Lee Curtis,
“You failed, Michael. Want to know why? Because I’m not afraid of you. But what about you? Are you afraid of me? Are you afraid to die, Michael?” – Laurie Strode
This chapter in the Halloween franchise is the bottom of the barrel. Well, at least until Rob Zombie came along to make two films in his white trash reboot.
The only positive thing about this picture is the first fifteen minutes that show the final confrontation between Michael Myers and his sister, Laurie Strode. Jamie Lee Curtis returned for this small part and really, the build up to this fifteen minute intro should have been a film with this as the finale. Everything after their final confrontation is absolute garbage.
Don’t get me wrong, I’ve liked Busta Rhymes going back to his days in Leaders of the New School. I also thought he did a decent job with his small role in John Singleton’s Higher Learning. However, watching him imitate Bruce Lee while using kung fu moves to best Michael Myers is just about the most ridiculous thing I have ever seen and I’ve watched some pretty shitty movies in my day. At least Busta looked like he was trying to make the best out of an atrocious script and a stupidly written character.
The basis of this film, after the decent fifteen minute intro, is about a half dozen college students that go on a reality show to “investigate” the infamous Myers house. However, Michael is there and still alive so college kids start getting shish-kababed with sharp objects galore.
The premise is dumb, the characters are even dumber and the whole idea of how a show like this would work makes no sense whatsoever. It was just an excuse to use cheaper cameras and to showcase a lot of the action with shitty head mounted webcams. It is like half normal movie and half found footage. The choppy editing between the two is a distraction and most of the webcam shots are a jumbled mess.
Fuck this movie. There really isn’t much else to say about it. Watch the first fifteen minutes and then turn it off.
And yes, this turd is getting tossed into the Cinespiria Shitometer. The results read, “Type 1 Stool: Separate hard lumps, like nuts (hard to pass).”
Rating: 3/10 Pairs well with: the other Halloween films.
Release Date: August 5th, 1998 Directed by: Steve Miner Written by: Robert Zappia, Matt Greenberg Based on: characters by John Carpenter, Debra Hill Music by: John Ottman Cast: Jamie Lee Curtis, Adam Arkin, Michelle Williams, Adam Hann-Byrd, Jodi Lyn O’Keefe, Janet Leigh, Josh Hartnett, LL Cool J, Joseph Gordon-Levitt
“Mom, I am not responsible for you. That’s it, I’ve had enough. I can’t take it anymore mom. He’s dead. Michael Myers is dead.” – John
When this film came out, I didn’t even want to see it. It looked awful, I assumed it was awful and when I did see it on video, a year later, I was left unimpressed. However, my tune has changed somewhat, seeing it almost twenty years later.
It isn’t wholly awful and in fact, it has some pretty strong positives.
On the negative end of the spectrum, the opening segment is decent but then the film drags and drags until you finally get to see Michael Myers hunt down his sister. You don’t really get some good Myers action until the last twenty minutes or so of the picture.
Then there is the issues with the Myers action itself. That issue being that half the killing, if not most of it, happens off screen. The majority of the film shows people getting cornered and then it cuts away. A few minutes later, someone stumbles across their dead friend. I assumed this had to be rated PG-13 but nope, it has an R rating but apparently no balls. Strangely, even though it cuts away from real violence and gore, the film is capped off with a decapitation that is actually shown. The way violence is handled in this movie is really friggin’ baffling.
Also, there are just so many bullshit jump scares that it was more irritating than surprising.
The cast in this is also pretty weak. There are really well-known stars in the film but this was before most of them broke out. Michelle Williams would go on to be nominated for four Academy Awards and receive lots of other awards nominations but in this, she’s just teenie bopper eye candy. LL Cool J didn’t seem to have much to do and Josh Hartnett didn’t serve much of a purpose other than being the son of Laurie Strode (Curtis) and giving her a reason to finally hunt down Michael Myers herself.
But lets get to the positives.
Jamie Lee Curtis kills it in this. This is her best outing as Laurie Strode and twenty years later, she finally gets that Ellen Ripley moment, where she has had enough, grabs a weapon and hunts the hunter trying to kill her and her child. The final showdown between her and Myers is absolutely fantastic and it is the best final battle out of any Halloween film. She truly was Michael’s match in this and it was damn cool to see. It actually makes up for the boredom I felt for the first two-thirds of the picture.
Also, we get a nice cameo from Janet Leigh, Jamie Lee Curtis’ real life mother. She’s even got a car like the one from Psycho.
Halloween H20 may have an incredibly stupid name and fall victim to being a standard 1990s slasher, lacking the gravitas of the films from the previous two decades, but that final act is stellar. The moment where Laurie and Michael come face-to-face for the first time in twenty years is actually chilling. I wish they wouldn’t have wasted that shot by putting it in the trailer.
So I no longer have a severe dislike of this film, I actually like it a lot. Especially the final moment between Laurie and her murderous brother.
Rating: 7.25/10 Pairs well with: the other Halloween films.
Release Date: September 29th, 1995 Directed by: Joe Chappelle Written by: Daniel Farrands Based on: characters by John Carpenter, Debra Hill Music by: Alan Howarth, Paul Rabjohns Cast: Donald Pleasence, Paul Rudd, Marianne Hagan, Mitch Ryan
“I’ve wanted to believe it. But I’ve felt Michael’s presence, behind these walls, just like all those years ago. Plotting, staring, Staring. Waiting for some signal. I can’t go through this again, not alone. Please, as my colleague, as my friend. Help me.” – Dr. Loomis
For those that don’t know, there are two different versions of the film Halloween 6: The Curse of Michael Myers. There was the theatrical cut and then there was a producer’s cut, which was lost and never to be released.
In the late 90s, The Producer’s Cut started to circulate at horror conventions on a crappy bootleg VHS tape. The quality was generally poor on every copy in circulation but the fans who did get to see it, considered it a far superior version of the film.
Recently, it was released commercially as an added bonus to the Halloween Blu-ray box set. After demand increased and people didn’t want to have to buy all the movies again, just to access The Producer’s Cut, it was released on its own. I was able to rent it on Amazon.
So is it truly “a masterpiece” as some have said?
No, not really. It is an enjoyable slasher flick if you are a fan of the genre and especially if you like Michael Myers. The problem with it, is that the gist of the plot that made up the theatrical version is still intact. In fact, this version expands on it further. What I’m specifically referring to is all the stuff surrounding Michael’s origin and the cult that commands him.
Yes, apparently Michael Myers has been controlled by a cult all this time. I’m not really sure how it all works and the film attempted to explain some things but it did a poor job of it.
What makes these films work is the mystery of who Michael Myers is. We know he killed his sister when he was 6 years-old and we know he shows up on Halloween to murder his family members but we didn’t need an over bloated explanation. Knowing how the trick works destroys the magic.
I thought that the approach and story they wanted to tell was ambitious and maybe it could have actually added something good to the mythos. The execution was just bad in either version of the film. Yes, I love the Halloween mythos and you have to try and offer up something new with each picture. I’m not against the cult idea, I just don’t like how it panned out.
It was interesting to see a very young Paul Rudd in this film, his debut, but with the stardom he has now reached, he becomes more of a distraction in this tale. But at least you get to see Ant-Man versus Michael Myers – a dream match no one asked for.
The ending in both versions of the film are different. They are also both pretty bad. At least the theatrical film ended with some action, where The Producer’s Cut ended with (*spoiler alert*) Paul Rudd dressing up like a warlock and putting runes on the floor, which basically just turned Michael Myers off – allowing the good guys to escape. I thought Michael Myers was really just Rain Man and he was counting runes like Dustin Hoffman counted toothpicks.
Additionally, The Producer’s Cut has less gore than the theatrical version. I don’t really care about that either way but the studio wanted an overabundance of violence and that was added to the film after re-shoots. Also, the character of Jamie Lloyd lived longer and had more of a story in The Producer’s Cut.
It was cool to finally see this version of the film but it wasn’t the over-hyped magnificent Michael Myers magnum opus that horror snobs who saw it, bragged about. I was left disappointed by what I was anticipating but pretty satisfied with what the film was overall. And, at least, it is better than any Halloween film that came after it, except for H2O, which is better than I remembered but I’ll review that one next.
Rating: 6/10 Pairs well with: the other Halloween films.
Release Date: October 13th, 1989 Directed by: Dominique Othenin-Girard Written by: Michael Jacobs, Dominique Othenin-Girard, Shem Bitterman Based on: characters by John Carpenter, Debra Hill Music by: Alan Howarth Cast: Donald Pleasence, Danielle Harris, Ellie Cornell, Beau Starr, Wendy Kaplan, Tamara Glynn
Magnum Pictures, Klasky Csupo, Trancas International, Galaxy Releasing, 97 Minutes
“No, of course you don’t forget. How could you? You never looked into his face, did you? You never saw his eyes. You never saw that- that nothing, no expression, blank. My memory goes back twelve years to the night I offered… I’m gonna show you- show you something. Look. [lifts up his burned hand] Look at this, look at that. I prayed that he would burn in Hell, but in my heart I knew that Hell would not have him.” – Dr. Loomis
After the success of Halloween 4, the fifth installment was quickly pushed out. It follows the events of the fourth film but picks up a year later.
While not quite as good as 4, Halloween 5 still captures the same tone and utilizes the strengths of the returning cast members.
I always really liked the opening sequence of this one. It shows how Michael Myers survives the ending of the fourth film, after being blasted to bits and falling down a mine shaft. This film even puts an extra cherry on top by having the town mob throw some dynamite down the well, which wasn’t seen in the finale of the fourth film.
This is also the first film to show Michael maybe express some empathy when he is about to murder his young niece and she asks to see his face and a tear is revealed. It can possibly be assumed that he isn’t really in control of himself, which is something that will be answered in the next film. However, this also sort of cheapens the long held idea that Michael is nothing other than evil personified.
Danielle Harris really ups the ante in this one and cemented herself as a scream queen and not just some one-off screamy kid in a sole slasher film. Donald Pleasence also returns and is at his best. He even gets some good shots in on Michael, after he’s been beaten, battered and slashed by the monster.
Also, this film is the first to show Michael’s tattoo, which would be significant to the plot of the sixth film. It also introduces a mysterious character, at the end, that assists in Michael’s escape from the police station. This also sets up the sixth film. Really, this is the first film that felt like it was actually planning to move forward, even if the sixth installment didn’t come for another six years.
If you like Halloween 4, there really isn’t a reason to dislike Halloween 5. It’s more of the same and might not be as good but it makes up for its small drop in quality with some new and interesting plot developments.
Rating: 6/10 Pairs well with: the other Halloween films.
Release Date: October 21st, 1988 Directed by: Dwight H. Little Written by: Alan B. McElroy, Danny Lipsius, Larry Rattner, Benjamin Ruffner, John Carpenter, Debra Hill, Dennis Etchison Based on: characters by John Carpenter, Debra Hill Music by: Alan Howarth Cast: Donald Pleasence, Danielle Harris, Ellie Cornell, Michael Pataki, Carmen Filpi
“Six bodies, Sheriff! That’s what I’ve seen between here and Ridgemont! A filling station in flames! I’m telling you Michael Myers is here, in this town! He’s here to kill that little girl and anybody who gets in his way!” – Dr. Loomis
After Halloween III confused audiences for being a film completely unrelated to the Michael Myers story, the franchise returned to its big moneymaker for Halloween 4. Michael Myers was back! Dr. Sam Loomis was back! Laurie Strode was not back, however.
To keep the story alive without the presence of Jamie Lee Curtis, the plot moves ahead ten years, bringing it up to 1988, the year it was actually released.
In 1988, Laurie is nowhere to be found but her young daughter similarly lives with a foster family. While she knows the dark family secret and knows who her mother is, she and her new family have to contend with the return of Michael Myers, her killer uncle.
Halloween 4 is a pretty standard slasher movie. The slasher shows up, bodies get stabbed and the young heroine has to try and survive the night. This one has a nice twist at the end, however.
It was great seeing Donald Pleasence return to the role of Dr. Loomis. He was still a madman but he wasn’t as batshit crazy as he was in Halloween II.
I like the tone of this picture and Danielle Harris was absolutely dynamite as the young and terrified Jamie Lloyd, the daughter of Laurie Strode. In fact, I like the duology of Halloween 4 and 5 almost as much as I like the duology that was parts 1 and 2. The people behind these two films did a pretty decent job, overall.
Rating: 6.75/10 Pairs well with: the other Halloween films.
Release Date: October 22nd, 1982 Directed by: Tommy Lee Wallace Written by: Tommy Lee Wallace Music by: John Carpenter, Alan Howarth Cast: Tom Atkins, Stacey Nelkin, Dan O’Herlihy, Nancy Loomis, Jamie Lee Curtis (uncredited voice), Tommy Lee Wallace (uncredited voice)
Dino De Laurentiis Corporation, Debra Hill Productions, Universal Pictures, 98 Minutes
“I do love a good joke and this is the best ever: a joke on the children.” – Conal Cochran
*written in 2015.
Prepare to be scared shitless. Okay, maybe not shitless. But prepared to feel really uncomfortable, unsettled and really creeped out by this unique and bizarre film that truly is one of a kind.
This film currently has a rating of 4.4 on IMDb. That’s some bullshit and I think that the only reason it rates so low is because it is a film with the name Halloween on it and Michael Myers is nowhere to be found. Had this been its own film with its own name, it would probably not have some weird stigma or Michael Myers fanboy backlash. Then again, had it been called something else, it might not have survived as long as it has, simply because its existence is an enigma.
So why is this a Halloween film when it doesn’t feature Michael Myers or anything related to those stories?
Well, back in the day, John Carpenter didn’t even want to do the Halloween II that we got. His original plan for the series was to have a different story each year for each new film in the series. The studio however, wanted more Michael Myers and an agreement was reached that Carpenter would give them more Michael Myers and he would be allowed to make a third film in the series any way he saw fit. What resulted was confusion. Confusion that led to a big hiatus between this film and the fourth film, which ultimately, brought Michael Myers back to the franchise and saw him go on to star in every sequel and remake thereafter. In the end, this film gets an unfair bad rap and is usually skipped over by those having a Halloween marathon or sneered at when it pops up on AMC during the MonsterFest season. In fact, AMC may be ignoring it now too, as I haven’t seen it in the TV listings this year.
The thing is, this film is great. It is actually one of my favorite horror movies of all-time. I can’t come upon the Halloween season and not pop this into the DVD player. Actually, I’m sure I will catch shit for this, but I prefer this movie over all other films in the Halloween series. Yes, even more so than the 1978 classic that introduced the world to Michael Myers.
This film has the absolute best atmosphere of any film in the series. It is beyond creepy and as a kid, this terrified me much more than some guy in a mask walking around silently and slowly with a knife. There is just something more sinister to a child viewer (me) seeing another child in a film put on a Halloween mask that turns their head into a pile of bugs, worms and venomous snakes in a very painful way. Sorry, this is way more effective than another slasher film. And no, despite claims from everyone, Michael Myers was not the first slasher and the concept of Halloween was lifted from the original Black Christmas and what its director wanted to do with his plan for sequels – an anthology of films all associated with different holidays.
Tom Atkins plays the lead in Halloween III and is as great as always. He’s never a likable character really, he is just a solid actor that doesn’t try to be a hero, he is usually just a typical human male caught up in an inhuman or extraordinary situation.
Dan O’Herlihy (best known as the head of OCP in the original Robocop) is awesome as the evil Conal Cochran, the man who wants to kill the world’s children and pretty much everyone else. His tool of destruction is his best-selling Halloween masks. And although his motivations are never really made clear and his sinister plot never really explained in a way that makes much sense, you know that you are looking at pure evil and he embodies an almost satanic presence.
This film almost has a Lovecraftian vibe to it, mixed with that magic John Carpenter touch and a bit of dark science fiction. Even though Carpenter only produced this film, it promotes his visual style well and it is only enhanced by his majestic and eerie soundtrack.
4.4 on IMDb? People have no fucking taste.
Rating: 8.75/10 Pairs well with: the other Halloween films.
Release Date: October 30th, 1981 Directed by: Rick Rosenthal Written by: John Carpenter, Debra Hill Music by: John Carpenter, Alan Howarth Cast: Donald Pleasence, Jamie Lee Curtis, Charles Cyphers, Lance Guest
De Laurentiis Entertainment, Debra Hill Productions, Universal Pictures, 91 Minutes
“He was my patient for fifteen years. He became an obsession with me until I realized that there was nothing within him, neither conscious nor reason that was… even remotely human. An hour ago I stood up and fired six shots into him and then he just got up and walked away. I am talking about the real possibility that he is still out there!” – Dr. Loomis
Picking up immediately where the first film left off, Halloween II is a perfect continuation of Halloween, In fact, although I am in the minority, I like it a bit better than the first, even though they are both pretty much on par, as far as quality.
In this film, Jamie Lee Curtis’ Laurie Strode is carted off to the hospital after she has been stabbed by Michael Myers in the previous film. She is sedated and put into immediate danger because of that. Lance Guest a.k.a. the Last Starfighter a.k.a. the last guy to kill Jaws is a paramedic that develops a crush on her and vows to keep her safe.
Donald Pleasence returns as Dr. Sam Loomis and he is still on the hunt for Myers and has pretty much gone batshit crazy, at this point. I love Loomis’ insanity in this, even though he is supposed to be a psychologist and there is no way the cops would let this crazed madman run around town on Halloween with a loaded gun, which does actually lead to a teen being killed (in the most awesome way possible) and Loomis still packing heat.
The hospital setting is a good twist on the story and it takes it out of the typical suburban setting that slasher films always seem to take place in, if not at a summer camp. Besides, the place was practically empty (not sure why but who cares?) and it allowed the staff to do that sex stuff that always gets characters snuffed out in a proper slasher pic.
Michael Myers went on to show that he is even more indestructible than the ending of the first film implied. It also expanded the cool Halloween mythos, which I like in the original film series even if a lot of fans prefer the completely random seeming killing spree of this film’s predecessor. It is also really damn cool that this is literally the same night as the first movie.
Curtis is heralded as a scream queen and one of the best and she certainly gets her screams in here. She is more of a damsel in distress, once again, but at least in her later appearances in the film series, even though those films are shit, she grew some iron balls and took on Michael head on.
This film doesn’t build suspense as well as the first but it ups the gore quite a bit, which isn’t a bad thing in these types of pictures. The gore level certainly isn’t something that just takes over the film and makes it a pointless blood feast. Everything still works in this outing.
While Jamie Lee Curtis would leave the franchise for 17 years after this chapter, it was a good use of her character and helped develop where things would go when Michael Myers would return in Halloween IV. He skipped out on Halloween III because that film, an awesome picture, was its own unrelated story.
Rating: 7.5/10 Pairs well with: the other Halloween films.