Comic Review: X-Men: The Age of Apocalypse – The Complete Epic

Published: 1995-1996
Written by: Scott Lobdell, Jeph Loeb, John Francis Moore, Mark Waid, Warren Ellis, Fabian Nicieza, Larry Hama, Howard Mackie, Terry Kavanagh
Art by: Roger Cruz, Terry Dodson, Steve Epting, Andy Kubert, Adam Kubert, Carlos Pacheco, Joe Madureira, Tony Daniel, Salvador Larroca, Chris Bachalo, Ken Lashley, Steve Skroce, Ian Churchill, Joe Bennett

Marvel Comics, 1462 Pages

Review:

I’ve really only heard great things about The Age of Apocalypse storyline since it started back in 1995, an era where I wasn’t really reading comics for awhile, except for Dark Horse’s Star Wars stuff.

In fact, the last major X-Men related event that I had read before this was X-Cutioner’s Song, a pretty good epic. But shortly after that, I got pretty burnt out once the top Marvel guys went off to form Image and then those comics were constantly hindered by delays and irregular schedules.

Based off of all the praise I heard, I always wanted to read this but it was such a massive story, spread over multiple collected volumes that I never really wanted to fork out the over $100 it would cost to buy the whole shebang. So, all these years later, I took advantage of a massive X-Men sale on Comixology and got the entire saga with its prelude for about $20.

Now that I’ve read it, I’m glad I only spent $20 because like Game of Thrones, all my friends and all the critics lied to me about how great this was. It’s not, it’s a clusterfuck of biblical proportions showcasing a lot of the things that were wrong with mid-’90s comic book art from the major publishers.

I’ll start with the art and just come out and say that this was mostly an eyesore to look at. The biggest reason was the colors, which relied so heavily on what I assume are digitally created gradients and overly vibrant colors that this was like staring into the asshole of a tropical fruit salad for hours. Everything is too busy, every single issue collected is made to be overly grandiose and if everything is larger than life and overly vivid, then that becomes the norm and thus, makes everything kind of boring.

Additionally, there is such a mix of different artistic styles that it becomes jarring as these collections jump from issue to issue every twenty pages or so. Some of the artists had great pencils but many of them illustrated in a style that didn’t feel like Marvel and instead felt like the artists were trying to emulate indie comics from Image and Valiant. Besides, the stuff that was illustrated well, ended up being wrecked by the primitive gradients and crazy colors that looked like a giallo film puked all over a box of Prismacolor markers.

When it comes to the narrative side of this, that’s also a mess.

This suffers from trying to be way more ambitious than it needed to be. The whole story is comprised of about seven or eight different subplots that are and aren’t intertwined. Some of them merge towards the end into the bigger story but some stuff just happens within this new timeline. But the story jumps around so much that it makes the whole thing hard to follow as a singular body of work. This is the same problem I have, right now, with all the new X-Men related titles that are tied to a bigger narrative but don’t feel connected as much as they should. But this is what happens when you have a half dozen different titles and different writers, all of whom want to explore different territory in their own way while being trapped within a common framework.

In fact, the only plot I actually enjoyed was the one that dealt with the characters that aren’t tied to the X-Men.

There was a two issue miniseries called X-Universe, which focused on what other Marvel characters were up to during this event. We check in on this timeline’s version of Gwen Stacy, some of the Avengers, Fantastic Four, Doctor Doom and a few others. I found this more interesting and it showed me that this alternate timeline could provide the right sort of environment for cool and refreshing takes on old characters.

While I should probably feel the same way about all the X-Men related characters and their stories, it is hard to focus on any of them because of how this jumps around so much. When I got to the non-X-Men characters, it felt like a nice break from the X-clusterfuck I was pushing myself through.

Ultimately, I was really disappointed in this. I kept powering through it because I was hoping that all these subplots and characters would unify into something coherent that clicked at the end but that didn’t happen. We eventually get to a resolution but it’s not all that satisfying.

On a side note (and spoiler alert): the way that Magneto kills Apocalypse is pretty f’n badass.

Rating: 5/10
Pairs well with: other big X-Men crossovers of the ’80s through ’00s.

Comic Review: Spider-Man: Life Story

Published: March 20th, 2019 – August 28th, 2019
Written by: Chip Zdarsky
Art by: Mark Bagley

Marvel Comics, 200 Pages

Review:

When I first heard about this miniseries, I was pretty stoked for it.

The concept is that it starts in the ’60s when Spider-Man debuted and it follows him over the six decades he’s existed but it does that in real time. Basically, instead of Spider-Man only aging fifteen years (or so) since his debut, this story covers his entire life span, as he ages accordingly from decade to decade.

Each of the six issues represents a decade. But that is also kind of a problem with the story too.

You see, you can’t wedge a whole decade into twenty or thirty pages of a comic. So each issue just focuses on some sort of event in Spider-Man’s life from that era.

The total package of this series is really cool and interesting but it almost feels as if each decade could’ve been a miniseries of its own and that this is a comic that could have lived on for several years. And with the team of Chip Zdarsky and Mark Bagley, it could’ve been like a Spider-Man renaissance.

But ultimately, each chapter was pretty damn good. I only thought that the last one was a bit weak but I wasn’t too keen on how it ended. I felt like Spider-Man’s fate was kind of predictable, as this was his “life story”.

The thing is, it was hard investing into the weight of the finale, when you haven’t lived through the emergence of the massive threat that they face to end the series. And that just gets back to my feeling about there needing to be more time devoted to each decade than just single issues.

However, I’m hoping that this is just a framework or a road map and that Marvel at least has some plans to expand on this story in the future. If that’s the case, I really hope it is brought to us by Zdarsky and Bagley, once again.

If not, well… this was still one of the best comic book miniseries to come out this year.

Rating: 8.5/10
Pairs well with: the recent Symbiote Spider-Man miniseries by Peter David and Greg Land.

Film Review: Spider-Man: Into the Spider-Verse (2018)

Release Date: December 6th, 2018 (Singapore sneak preview)
Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman
Written by: Phil Lord, Rodney Rothman
Based on: Spider-Man by Stan Lee and Steve Ditko, Miles Morales by Brian Michael Bendis and Sara Pichelli
Music by: Daniel Pemberton
Cast: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, John Mulaney, Kimiko Glenn, Nicolas Cage, Liev Schreiber, Chris Pine, Lake Bell, Marvin Jones III, Stan Lee (cameo), Cliff Robertson (archive recording), Oscar Issac (cameo), Donald Glover (cameo)

Columbia Pictures, Sony Pictures Animation, Marvel Entertainment, Arad Productions, Lord Miller Productions, Pascal Pictures, Sony Pictures Releasing, 117 Minutes, 143 Minutes (Alt Universe Cut)

Review:

“That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero.” – Stan Lee

I intended to see this in the theater but the holidays are really busy for me and I didn’t get around to it or any other movies around that time. I heard great things about this movie though, so I rented it as soon as it was available.

Full disclosure, I’m not a huge fan of animated films. At least I haven’t been in my adult life. I still love a lot of the old cartoons and anime I watched as a kid but due to the overwhelming positive fan response to this and my love of Miles Morales, I wanted to give this a chance.

Overall, it’s a mighty fine motion picture and the best Spider-Man movie since Spider-Man 2.

I thought that the CGI animation was really well done. I prefer traditional animation and have never found CGI animation to be that interesting but this shows how great this animation style can be when pushed to the max and utilized for its strengths while being meticulously crafted with heart.

The story doesn’t really follow the comics but how many comic book film adaptations do? Still, it was engaging, it captured who Miles is and it examined a lot of different aspects of heroism. I absolutely love how it presented and handled the life of an aged Peter Parker. And ultimately, the bond between Miles, Peter, Gwen Stacy and the other heroes was strong and everything human and emotional felt natural.

I was really excited to see Spider-Gwen and Spider-Ham, especially. I loved Gwen’s earliest stories and I’ve been a Spider-Ham junkie since childhood.

This also features a lot of villains and even does a gender bending twist to Doctor Octopus that worked for me.

I think that this movie definitely did exactly what it set out to do which was to launch Miles Morales into the minds of normal moviegoers and kids that don’t pick up the comics while incorporating a nice array of other Spider-heroes in a fun and unique way. It also humanizes the vilest villain and makes this a more emotional and touching movie than most of the live action Spider-Man adaptations.

I’m definitely excited for the multiple sequels and spinoffs that Sony seems to have planned for the very near future.

Rating: 8.75/10
Pairs well with: I’d assume, the future sequels and spinoffs. As well as Miles Morales Spider-Man comics.

Vids I Dig 004: Comic Tropes: Did Peter Parker Marry Gwen Stacy in the Mexican ‘Spider-Man’ Comics?

From Comic Tropes’ YouTube description: In the ’60s and ’70s, Mexican publisher La Prensa not only got the rights to reprint Marvel’s The Amazing Spider-Man title but also got permission to create their own original issues that they would insert between the reprints. These issues have never been translated into English or reprinted here in the United States. This episode looks at their history, the techniques of their artist, José Luis González Durán. These books focused heavily on Peter Parker’s girlfriend, Gwen Stacy.

Comic Review: Spider-Man: Blue

Published: July 27th, 2011
Written by: Jeph Loeb
Art by: Tim Sale

Marvel Comics, 137 Pages

Review:

Other than the Hulk one, I’ve really loved the color themed series of titles that Jeph Loeb and Tim Sale did for Marvel. This is the last of the four that I have read and am now reviewing.

Spider-Man: Blue was damn good. It really captured the spirit of classic Spidey and even though it had a good amount of action and superhero fun, the focal point of this story was Peter Parker’s love for Gwen Stacy but also his blossoming love for his eventual wife, Mary Jane Watson.

This throws a good array of villains at the hero and all of them serve more than a superficial purpose. Kraven the Hunter is the big bad by the end of the story and his threat and how it grows throughout the pages of this miniseries flows really well with the narrative surrounding Peter Parker’s personal life.

Loeb and Sale are just a spectacular team and their talents are on full display here. While I still prefer their Batman work, all of which are real classics in the medium, these Marvel books are some of the best works to come out of the publisher in the last decade or so.

These stories understand the characters, their motivations and the art style makes them feel like you are going back to yesteryear.

Spider-Man: Blue is a fine read and it may even hit you in the feels.

Rating: 9/10
Pairs well with: The other color themed books that Jeph Loeb and Tim Sale did for Marvel.

Comic Review: Spider-Gwen, Vol. 6: Life of Gwen Stacy

Published: September 19th, 2018
Written by: Jason Latour
Art by: Robbi Rodriguez

Marvel Comics, 111 Pages

Review:

I wasn’t too enthused going into this but I’ve gotten this far and this is the last chapter in the Spider-Gwen saga.

This series started out really good, I liked it, I was engaged by it and even if I didn’t like some of the alternate dimensional weirdness I really liked this Gwen Stacy and her story.

The fifth volume really took the wind out of the series’ sails though. This went for a Venom story because you can’t have a Spider-Person comic go on for too long and not have that obligatory Venom story. Well, that story didn’t end and it carries over into this final chapter.

But then there is even more alternate dimensional weirdness. And then things get so convoluted and reality skews so much that it’s hard to follow and a massive clusterfuck. This gave me a headache and it was really tough to get through even though it was fairly short at 111 pages.

I just finished reading this and I don’t even remember what happened other than timey wimey bullshit, multiple Gwens, Gwen going to prison, cameos out the ass and more confusion.

Also, I don’t know if Robbi Rodriguez stopped giving a shit but the art is worse than it was at the beginning of the series: significantly worse. I don’t know if he was rushed, trying to experiment or was just too busy sending pictures of his asshole out to people’s Twitter timelines.

I don’t know what this was. It ended this fun voyage like the iceberg that murdered the Titanic. And frankly, I don’t give a shit about this character anymore, even though I really dug her for the first three or four volumes.

Gwen has gone on to have a new series called Ghost Spider but I don’t even want to read it, even though its done by a new creative team.

Rating: 4.25/10
Pairs well with: Other Spider-Gwen collections.

Comic Review: Miles Morales: The Ultimate Spider-Man, Vol. 2: Revelations

Published: June 10th, 2015
Written by: Brian Michael Bendis
Art by: Dave Marquez

Marvel Comics, 145 Pages

Review:

This picked up right where the previous volume left off, which was good as volume one ended on a cliffhanger and didn’t closeout the story arc of Miles Morales and Peter Parker against the Green Goblin.

However, that arc does actually end in the first third of this collection and then we go right into two smaller arcs, which makes this volume less cohesive and consistent than the previous one.

This is still really good, however, it just felt like it wrapped up the Goblin stuff pretty abruptly and then the other two stories felt rushed due to how drawn out the Goblin plot was.

Miles finds himself in some serious trouble here, as his girlfriend is not who she seems. Also, his father returns with secrets that redefine Miles’ world.

Overall, this is a great collection of issues that develop Miles’ character and give him a lot more drama to contend with. This is where he really has to start growing up in an effort to become a man and a true hero.

That being said, it’s not the most entertaining chapter in Miles’ long story but it is maybe the most important.

Ultimately, this is still a good, fun read and I’m still on board with Miles’ journey.

Rating: 8/10
Pairs well with: The other early Mile Morales Spider-Man stories. Also, Spider-Men I and II and Spider-Verse.