Documentary Review: Bloodsucking Cinema (2007)

Release Date: October 26th, 2007
Directed by: Barry Gray
Written by: Barry Gray
Music by: Don MacDonald
Cast: Uwe Boll, John Carpenter, David S. Goyer, Corey Haim, John Landis, Kristanna Loken, Leonard Maltin, Cheech Marin, Greg Nicotero, Joel Schumacher, Stephen Sommers, Stuart Townsend, Stan Winston, Len Wiseman, Marv Wolfman

Insight Film Studios, Vamp Productions, 56 Minutes

Review:

This has been in my Starz queue for a long ass time, so I figured I’d give it a watch to clear out some of the stuff that’s been there for too long.

Overall, this was a pretty boring documentary with a lot of talking head interviews edited together pretty sloppily.

There didn’t seem to be a clear direction or objective about this short documentary other than having a bunch of actors and directors talking about vampire films they’ve been apart of.

Frankly, this felt random as hell and features a slew of films that no one cared about when they came out and certainly don’t care about now. While they talk about some solid films like Lost Boys, From Dusk Till Dawn and Vampires, they also spend a lot of time talking about shit movies like Van Helsing, BloodRayne and Queen of the Damned.

I wouldn’t call this informative or entertaining. It’s a pointless, shitty production that only barely scratches the surface on the history of vampire cinema and would rather showcase Uwe Boll and Stephen Sommers rambling about their atrocious movies.

Rating: 3.5/10
Pairs well with: sniffing hobo farts.

 

TV Review: Fear the Walking Dead (2015- )

Original Run: August 23rd, 2015 – current
Created by: Robert Kirkman, Dave Erickson
Directed by: various
Written by: various
Based on: The Walking Dead by Robert Kirkman
Music by: Atticus Ross, Paul Haslinger, Danny Bessi, Saunder Jurriaans
Cast: Kim Dickens, Cliff Curtis, Frank Dillane, Alycia Debnam-Carey, Elizabeth Rodriguez, Mercedes Mason, Lorenzo James Henrie, Rubén Blades, Colman Domingo, Michelle Ang, Danay García, Daniel Sharman, Sam Underwood, Dayton Callie, Lisandra Tena, Maggie Grace, Garret Dillahunt, Lennie James, Jenna Elfman

Square Head Pictures, Circle of Confusion, Skybound Entertainment, Valhalla Entertainment, AMC, 48 Episodes (so far), 43-65 Minutes (per episode)

Review:

The Walking Dead really didn’t need of a spinoff. But as these things go, when you’ve got a cash cow, you’ve got to milk it until the teets come off.

What made this spinoff intriguing, however, was that it started when the zombie outbreak started. In The Walking Dead, we follow Rick Grimes, as he wakes up from a coma and enters a zombie infested world, months after the outbreak. Fear the Walking Dead starts on any given normal day and then the shit hits the fan. The first season shows society crumbling and how the main characters respond to it.

That rookie season was good but a somewhat unsatisfying origin story for The Walking Dead world. But once the show moved beyond the initial chaos, it got more interesting.

The sophomore season was broken into two halves, like a typical season of The Walking Dead. This show would follow that formula going forward. And while that season was a bit rocky, it found it’s footing in the second half, once our characters got off of the boat they lived on for eight episodes.

Season three switched things up quite a bit and by this point, a lot of the main characters were already wiped out.

But season four, the current season, is where the show really reinvented itself in a bold way. By the time you get through the first half of the season, only one person from the pilot episode is still alive. Additionally, Morgan from The Walking Dead comes on the show, officially crossing over, connecting this show directly to the events of the more popular parent show.

The fourth season also brings in a bunch of new and interesting characters and to be honest, it’s a completely different animal than what Fear was when it started out.

I’ve had a love/hate relationship with this show, which I have also had with the regular Walking Dead series, but it’s moving in a really cool direction.

It’s hard to tell where this will end up but I find it to be the more enjoyable of the two shows, right now. But being that this is The Walking Dead, that could change at the drop of a hat.

Rating: 8/10
Pairs well with: The Walking DeadDeadwoodSons of Anarchy and Hell On Wheels.

 

TV Review: The Walking Dead (2010- )

Original Run: October 31st, 2010 – current
Created by: Robert Kirkman, Frank Darabont
Directed by: various
Written by: various
Based on: The Walking Dead by Robert Kirkman
Music by: Bear McCreary
Cast: Andrew Lincoln, Jon Bernthal, Sarah Wayne Callies, Laurie Holden, Jeffrey DeMunn, Steven Yeun, Chandler Riggs, Norman Reedus, Lauren Cohan, Danai Gurira, Michael Rooker, David Morrissey, Melissa McBride, Scott Wilson, Michael Cudlitz, Emily Kinney, Chad L. Coleman, Lennie James, Sonequa Martin-Green, Jeffrey Dean Morgan, Alanna Masterson, Josh McDermitt, Christian Serratos, Seth Gilliam, Ross Marquand, Robin Lord Taylor, Alexandra Breckenridge, Austin Amelio, Khary Payton, Tom Payne, Katelyn Nacon, Steven Ogg, Pollyanna McIntosh, Corey Hawkins, Audrey Marie Anderson, Denise Crosby, Samantha Morton

Idiot Box Productions, Circle of Confusion, Skybound Entertainment, Valhalla Entertainment, AMC, 115 Episodes (so far), 42-67 Minutes (per episode)

Review:

Do I even need to review The Walking Dead, at this point? Everyone in the world has seen it by now, right? Everyone already has their own opinion of it, yes?

Well, there are a lot of people that quit years ago and it seems like the ratings have been going down the last couple of seasons. Granted, it is still AMC’s biggest show and rakes in higher numbers than nearly anything else on cable but it’s been on for eight friggin’ seasons, which is a whole hell of a lot in this day and age where decent shows get cancelled all the time.

It’s hard to review the show for the fact that it has been on for so long and that it hasn’t been very consistent from season to season. But at least the show mixes it up and tries new things, reinventing itself every 2-3 seasons. The gist of it is really the same but it’s done a decent job of evolving with the timeline in which the show is set.

However, it sort of ignores some of the real world threats that would be happening in a post-apocalyptic United States. Things that a simple comedy like The Last Man On Earth was smart enough to explore. Things like explosions at unattended nuclear power plants, spewing really bad shit into the air.

I have stuck with this show through thick and thin because as cheesy as it sounds, you grow to know these characters as if they were real people and you care about their story, especially if you’ve toughed it out through the good and bad points of the show.

There have been moments during this show’s run that I thought about giving it up but there isn’t much else to do on a Sunday night and their eight episode half seasons are pretty quick to get through. If this show had 23 episodes a year like most programs, I couldn’t stay committed to it. Plus, there was that part of me that was just waiting for the war with Negan to start. That war wasn’t what I had hoped it would be but I was satisfied with how it wrapped up and am interested in what’s to come in the upcoming season, as there are a lot of changes and a time jump happening.

For the most part, The Walking Dead has been a good show. Sometimes it feels as if it has already ran its course but for whatever reason, I can’t seem to walk away from it like some others have. But that could change with Rick, the main character, leaving the show soon.

In the end, The Walking Dead isn’t a show about zombies, it’s a show about exploring human nature and that’s more interesting than the undead.

Rating: 8.25/10
Pairs well with: Fear the Walking DeadDeadwood and Hell On Wheels.

Film Review: Day of the Dead (1985)

Release Date: July 19th, 1985
Directed by: George A. Romero
Written by: George A. Romero
Music by: John Harrison
Cast: Lori Cardille, Terry Alexander, Joe Pilato, Richard Liberty

Dead Films Inc., Laurel Group, United Film Distribution Company, 100 Minutes

Review:

“What kind of progress? What are you talking about, “make them behave?” What does that mean?” – Captain Rhodes

While Dawn of the Dead is regarded as the closest thing director George A. Romero has to a masterpiece, I consider its follow-up (and the third film in Romero’s Living Dead series) Day of the Dead to be a slightly superior film. I know that some agree with me but that the majority are probably against me.

Maybe it’s because the outside areas of the film where shot in downtown Fort Myers, a city in my county or maybe it is because when this film came out, I was incredibly impressionable and saw it first. I think the real reason however, is that this has the most compelling story of the first three films in Romero’s zombie arsenal. In fact, it has the most compelling story out of any film that Romero has done.

This is the first time, at least to my knowledge, where a filmmaker delved into the zombie psyche and experimented with the idea of how their brains might work. In this film, there is one zombie in particular, named Bub, who shows increasing improvement in his mental functions, in that he recognizes people, likes music, learns how to fire a gun, remembers how to use a phone and builds up an almost father/son relationship with the scientist that is studying him.

To this day, Bub is one of the most iconic zombie figures in the history of film. I would even go on to say that he is the most iconic. That alone, puts this film on a higher level than the other Romero zombie flicks. A lot of credit should also go to the actor who played Bub, Howard Sherman. He didn’t speak but his facial expressions made it so he didn’t have to. His performance is what made Bub the first lovable zombie character in cinema history.

As far as style, this film takes the cake in the Romero zombie world. From the sunny and historic Florida streets to the cavernous and haunting mine underground to the brightly lit zombie lab, this film has a good palate of contrasting tones that go on to shape the emotional narrative of the film.

The great effects of its predecessor, Dawn of the Dead, were once again on display but perfected even more for this film. The death of the character named Rhodes is one of the most gruesome yet awe-inspiring scenes of all-time for a special effects junkie.

Yes, the acting can be a bit cheesy and overly boisterous at times but that adds to the fun of this film. The violence, while there is a lot and it might seem gratuitous to some, never really pushes the bar so high that this becomes some low budget gore fest. There is a pretty stark political and social message in this film and it isn’t lost by a filmmaker inadvertently distracting his audience with shock value tactics.

Romero delivered in every way and this is, in my opinion, his best film.

Film Review: Grindhouse (2007)

While I have seen both Robert Rodriguez’s Planet Terror and Quentin Tarantino’s Death Proof multiple times, I never got to see the full-length version of Grindhouse until now.

When it came out in 2007, only one theater near me carried it and it wasn’t there very long, so I missed it. Also, the films were released separately, as expanded editions, when they hit store shelves. There wasn’t a full version of Grindhouse available after its theatrical run.

When I subscribed to Starz via my Amazon Fire Stick, I saw that the full version of the movie was available and thus, I could finally rectify this cinematic injustice. I’m really glad that I did because these films actually play much better in this format, as double-billed companion pieces to one another.

Plus, I finally got to see the trailers, as a part of this overall experience, even though I have seen them on YouTube multiple times since 2007.

Robert Rodriguez’s trailer for Machete was a highlight of the film and it was so good that it became its own motion picture and then expanded into a franchise. Rob Zombie’s Werewolf Women of the SS trailer was interesting enough, as a trailer, but doesn’t seem like something that will work as a full-length feature. The same can be said for Edgar Wright’s Don’t. Now Eli Roth’s Thanksgiving should be made into a full-length slasher film in the same vein as Machete. Roth has hinted at making it and I hope he eventually does.

This film also spawned a contest for fans to make fake trailers in the grindhouse style. This lead to the full-length feature Hobo With A Shotgun, which was a hell of a lot of fun. I need to re-watch it and review it in the near future.

Moving beyond the fake trailers, we have the two big films that make up the bulk of the Grindhouse experience. So let me get into each film and discuss them on their own.

Planet Terror (2007):

Release Date: April 6th, 2007
Directed by: Robert Rodriguez
Written by: Robert Rodriguez
Music by: Robert Rodriguez
Cast: Rose McGowan, Freddy Rodriguez, Michael Biehn, Jeff Fahey, Josh Brolin, Marley Shelton, Stacy Ferguson, Bruce Willis, Naveen Andrews, Electra Avellan, Elise Avellan, Quentin Tarantino, Tom  Savini, Michael Parks

Rodriguez International Pictures, Troublemaker Studios, Dimension Films, 103 Minutes

Review:

“Now you’ve got a gal in your wrecked truck with a missing leg? A missing leg that’s now missing?” – Sheriff Hague

Planet Terror has always been my favorite of the two movies in Grindhouse. That still stands, as I love just about everything about it. It may even be my favorite Robert Rodriguez picture but it is a close race between this, From Dusk Till Dawn, Machete and Once Upon A Time In Mexico.

The film is essentially a zombie outbreak movie but it is really gross, even for that genre. People’s faces start bubbling into puss and there is a lot of blood and other strange bodily fluids oozing out of people throughout the movie. There are also lots of severed testicles and a melting penis. It’s a gross movie but it is still well done and it doesn’t overtake the picture making it a mindless gore festival.

Planet Terror has a lot of depth and character development for a movie loaded with a ton of people. Everyone has an interesting story and it is cool seeing it all play out as these people eventually come together in an effort to escape the growing threat of a zombie apocalypse.

It also really fits the old school 1970s exploitation style of horror pictures that populated grindhouse theaters in big cities. The cinematography really captures the right vibe and kudos to the extra graininess and inconsistent look of different shots in the same sequences.

The practical effects also work well in making this film fit the grindhouse mold. Sometimes there is obvious CGI and it is a reminder that this isn’t a true 70s grindhouse picture but it isn’t a distraction and it serves its purpose well enough.

The cast is also phenomenal. I remember that when I first saw this, that I hoped it would open up doors for Freddy Rodriguez. He’s still not anywhere close to being a household name but his character of El Wray should reappear in some way, in some other Rodriguez picture. He’s a guy too cool to just be confined to this one movie.

This is also my favorite thing that Rose McGowan has ever done. Plus you get a very evil Josh Brolin, an enchanting Marley Shelton, a bad ass Michael Biehn, plus Michael Parks, Tom Savini, Bruce Willis, Lost‘s Naveen Andrews and Quentin Tarantino as his most despicable character to date. Jeff Fahey, who is always stellar, really kills it in this movie as J.T. the Texas B-B-Q king. Also, Fergie from the Black Eyed Peas has never looked better.

Planet Terror is unique, even for a film in a tired genre. It takes the zombie formula and ups the ante in every way possible. Rodriguez made a fine picture that should be mentioned alongside other great zombie classics.

Death Proof (2007):

Release Date: April 6th, 2007
Directed by: Quentin Tarantino
Written by: Quentin Tarantino
Music by: Rachel Levy, Jack Nitzsche, Mary Ramos
Cast: Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, Zoe Bell, Eli Roth, Quentin Tarantino, Michael Parks, James Parks, Marley Shelton

Troublemaker Studios, Dimension Films, 114 Minutes

Review:

“Because it was a fifty fifty shot on wheter you’d be going left or right. You see we’re both going left. You could have just as easily been going left, too. And if that was the case… It would have been a while before you started getting scared. But since you’re going the other way, I’m afraid you’re gonna have to start getting scared… immediately!” – Stuntman Mike

When I first saw Death Proof, it didn’t resonate with me. I mean, I enjoyed it enough but it just didn’t compare to the work that Quentin Tarantino did before it. I still feel this way but I have more of an appreciation for the film now. Also, seeing it in the Grindhouse format, which is more condensed, serves the film better.

The problem I initially had with the film, and some of Tarantino’s other pictures, is that it is way too talky. Sure, he writes great dialogue but sometimes it can run on for far too long. Death Proof in its longer running time falls victim to this. The condensed Grindhouse version, however, is better balanced.

Another problem with the film, is that many of the characters just aren’t likable. This is especially true for the first group of girls we meet. At least the second group felt more like friends and their conversations came across as more natural and authentic.

Kurt Russell initially knocks it out of the park as the killer driver, Stuntman Mike. However, as the film and his character evolves, he completely loses the cool bad ass shtick and becomes a giant whining weeny. His character transformation isn’t a bad thing, it is just how it is executed that makes it a problem.

The one thing that really makes this a cool picture, however, is the cars and the stunts. Tarantino selected some seriously bad ass automobiles that were homages to films that influenced him. The stunt work and action was amazing and the sequence of the first major accident was shot and executed stupendously.

The problem with the film, being that it is supposed to be a grindhouse throwback, is that it needed more balls-to-the-wall mayhem and less chit chat. The fact that this has a lot more dialogue than Robert Rodriguez’s Planet Terror but somehow can’t develop characters as well is pretty baffling. Tarantino would just rather focus on cool conversations on subjects that directly interest him than to have any sort of meaningful character development. You just don’t care about these people in the same way you care about those in Planet Terror.

Regardless of my criticisms, I do still like this movie. But to be honest, I still think it is the worst film in Quentin Tarantino’s oeuvre. Granted, that doesn’t mean much, as everything he’s done has been fairly great in some way.

In the end, this is still entertaining as hell and who doesn’t love muscle car chaos and kick ass chicks?

Additional directorial credits:

Robert Rodriguez – Machete trailer
Rob Zombie – Werewolf Women of the SS trailer
Edgar Wright – Don’t trailer
Eli Roth – Thanksgiving trailer

Additional acting credits from the fake trailer segments: Danny Trejo, Nicolas Cage, Sheri Moon Zombie, Cheech Marin, Udo Kier, Tom Towles, Sybil Danning, Bill Moseley, Will Arnett, Nick Frost, Jason Issacs, Simon Pegg, Peter Serafinowicz

Film Review: ‘The Evil Dead’ Film Series (1981-2013)

The Evil Dead film series is something I watch quite a lot. I probably have a mini-marathon about once a year or so. With the Evil Dead revival TV series making waves at Starz, I figured I’d rewatch the films again. I have had a strenuous few weeks with work, travel and helping people move. So I needed a nice relaxing weekend to veg out and soak in some good film watching. Well, what’s better than a series of classic horror comedies to get lost in for several hours?

The Evil Dead (1981):

Release Date: October 15th, 1981
Directed by: Sam Raimi
Written by: Sam Raimi
Music by: Joseph LoDuca
Cast: Bruce Campbell, Ellen Sandweiss, Hal Delrich, Betsy Baker, Sarah York

Renaissance Pictures, New Line Cinema, 85 Minutes

Review:

“Thank you. I don’t know what I would have done if I had remained on those hot coals, burning my pretty flesh.” – Shelly

If you have never seen the original The Evil Dead, then you have done yourself a disservice.

First off, this film introduced the world to Bruce Campbell – one of the greatest horror icons of all-time and a good actor who has the comedic timing and presence of some of Hollywood’s greatest comedians.

Secondly, it introduced the world to director Sam Raimi – a man who has gone on to make some pretty amazing films, the most notable (after the Evil Dead trilogy) being Spider-Man 2. We’ll ignore Spider-Man 3.

The Evil Dead follows some friends who go to a cabin in the woods, a formula that wasn’t redundant at the time. There they discover an evil book and some tape recordings that release some demonic evil on the group. Their horrible misfortune becomes our violent, frightening yet very hilarious entertainment. Never has a film offered up so much disturbing dread and still nailed it with comedy. Well, except Evil Dead II.

The most amazing thing about this film is that it was well below even being low budget. I don’t think there was really any budget at all and that is where the filmmaking skill of the young Raimi came through. He was able to create a world full of high quality practical effects for next to nothing. Filmmaking like this is truly a lost art for the most part. The Evil Dead is a standard bearer of what can be done when money is non-existent but passion far exceeds limitations.

Evil Dead II (1987):

Release Date: March 13th, 1987
Directed by: Sam Raimi
Written by: Sam Raimi, Scott Spiegel
Music by: Joseph LoDuca
Cast: Bruce Campbell, Sarah Berry, Dan Hicks, Kassie Wesley, Richard Domeier

Renaissance Pictures, Rosebud Releasing, Embassy Communications, De Laurentiis Entertainment Group, Palace Pictures, 84 Minutes

Review:

“Groovy” – Ash Williams

Evil Dead II is an interesting follow-up to the original. The first ten minutes are a condensed loose remake of the first film while the following hour and fifteen minutes continue where that story left off.

This film is superior to the first in that there is a slightly higher production value and that allowed Sam Raimi’s ingenuity to be that much better. They still had a shoestring budget but that extra cash improved the look of the practical effects, as well as the sets, costumes and overall use of gore. Everything was more refined and cleaner than its predecessor.

From a story standpoint, this is the strongest of the films. It is also the fan favorite, as it is the quintessential Evil Dead movie. It is bookended with a rehash of the first film and the introduction to the world of the third film. It is a perfect bridge, tying the trilogy together. As the centerpiece of the three films and adapting elements of each chapter, this one also allows the tale to evolve the most and it plays like The Empire Strikes Back of this gore-filled, hilarious horror trilogy.

Evil Dead II is everything that made the first film great but done more masterfully. It is an amped-up successor that is one hell of an insane ride.

Army of Darkness (1992):

Release Date: October 9th, 1992
Directed by: Sam Raimi
Written by: Sam Raimi, Ivan Raimi
Music by: Joseph LoDuca, Danny Elfman
Cast: Bruce Campbell, Embeth Davidtz

Renaissance Pictures, De Laurentiis Entertainment Group, Universal Pictures, 81 Minutes (US), 88 Minutes (International)

Review:

“Alright you Primitive Screwheads, listen up! You see this? This… is my boomstick! The twelve-gauge double-barreled Remington. S-Mart’s top of the line. You can find this in the sporting goods department. That’s right, this sweet baby was made in Grand Rapids, Michigan. Retails for about a hundred and nine, ninety five. It’s got a walnut stock, cobalt blue steel, and a hair trigger. That’s right. Shop smart. Shop S-Mart. You got that?” – Ash Williams

The third film isn’t even called Evil Dead. It also takes the most liberty of all three of the original films, as it deviates from the environment established over the course of the first two chapters – bringing our hero into the Middle Ages where he must find a way back home while combating the evil forces once again unlocked by the evil book, the Necronomicon.

This film is the least terrifying and has the most comedy. Although, it is still dark, twisted and can be frightening at times. It is also the only one that I saw in the theater when it came out, as I was too young and unaware of these films when the previous ones were released.

Where Evil Dead II is the quintessential Evil Dead movie, Army of Darkness is the quintessential Bruce Campbell movie. Never has he been better and more bad ass. By this point, Campbell was really comfortable with the role and played it so naturally, that he and Ash Williams have become one. He’s tough as nails, even more hilarious and this is probably where audiences most fell in love with him.

The Middle Ages setting is refreshing and gave this series a much needed curveball while still being true to the heart and spirit of the great films before it.

Evil Dead (2013 remake):

Release Date: March 8th, 2013 (SXSW)
Directed by: Fede Álvarez
Written by: Fede Álvarez, Rodo Sayagues
Based on: The Evil Dead by Sam Raimi
Music by: Roque Baños
Cast: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore, Bruce Campbell (post-credits cameo)

Ghost House Pictures, FilmDistrict, TriStar Pictures, 92 Minutes

Review:

“Mia’s not here, you fucking idiot! Your little sister’s being raped in Hell!” – Mia

The remake isn’t really a remake but more of a retelling that happens in the same universe to a different group of people. While it takes certain liberties to differentiate itself from the original films, each film in the original series also found ways to deviate from the established plot. It may be hard to figure out where this fits exactly but that isn’t much different from how the second film fits with the first, as it treads the same water but alters the original’s back story.

This film is the first to not be directed by Sam Raimi, although he produced it, oversaw its production and gave it his blessing. Also, the addition of Bruce Campbell in a cameo after the credits adds credence to the film.

Evil Dead is different in tone in that it focuses a lot more on horror and is truly terrifying from start-to-finish. The cinematography is top notch, the acting is better than one would typically get in a horror film and the characters are mostly likable. Plus, this film had a nice budget.

Compared to the original trilogy, this film isn’t as good. Compared to modern horror, it could very well be a masterpiece. It isn’t some PG-13 CGI fest with nothing but jump scares and irritating teenagers. In a sea of “found footage” horror schlock, this movie is refreshing and kind of groundbreaking. It doesn’t really give anything new to the genre, it just reinvigorates it and reminds us of what true cinematic terror can be.

I like this film a lot, as I have been a huge horror fan my entire life and this, at least, sets itself apart from the mediocre shit that modern horror has become.

Film Review: Wes Craven’s New Nightmare (1994)

Release Date: October 14th, 1994
Directed by: Wes Craven
Written by: Wes Craven
Based on: characters by Wes Craven
Music by: J. Peter Robinson
Cast: Robert Englund, Heather Langenkamp, John Saxon, Miko Hughes, Tracy Middendorf, David Newsom, Fran Bennett, Wes Craven, Robert Shaye, Marianne Maddalena, Sam Rubin, Sara Risher, Nick Corri, Tuesday Knight

New Line Cinema, 112 Minutes

Review:

Wes Craven’s New Nightmare is a sequel of sorts to the original series but it is also a standalone film. Reason being, it is supposed to exist in the real world, as Freddy Krueger evolves from being a monster on the screen to manifesting in the real world to terrorize Heather Langenkamp, the actress who played Nancy in the first and third films in the series.

The film is a reinvention of the Freddy Krueger mythos. This is why I am reviewing it as its own thing.

Freddy enters our world, after being killed off in the film series. He needs fear to exist and if no one is making movies, he will evolve beyond them. The premise is bizarre but it gives the franchise a bit more originality and energy to give the audience something compelling and new.

For some reason, Freddy has evolved physically, as well. His scars are very different, he sometimes wears a trench coat and he no longer wears a glove, as his claws have grown organically out of his hand. Additionally, he now has a razor on his thumb. He looks more primal overall but I’m not a big fan of the trench coat.

The film also feels more serious than any of the previous chapters. The ante is upped creatively and it brings more realism to a horror fantasy.

Langenkamp was great, playing herself and having to deal with her child being terrorized and her husband being murdered. Her husband in the film was played by her real life husband.

As for the kid, Miko Hughes was stellar. He was a good child actor in a time when many weren’t. Also, he is the youngest potential victim Freddy has ever gone after on screen.

There are less deaths than normal but the real world feel adds more to those scenes. There is just something sinister and wrong in the scene where the young kid sees his babysitter dragged across the ceiling and gutted by Krueger. Robert Englund as Freddy, was at his evil best.

Watching Heather have to protect her very young son from a monster she unknowingly helped create, is more interesting and emotional than watching another slasher film full of mostly unlikable teens getting slaughtered for the umpteenth time.

I don’t know if a sequel to this could have ever materialized and been as good. It was best that this formula only lasted for a single film. And ultimately, it was a really good film.