Published: June, 2020 Written by: Mark Poulton Art by: Jon Malin, Anthony George
Haunted Pizza, 48 Pages
It’s been awhile since the first Graveyard Shift came out but these crowdfunded comics take time.
While I mostly liked the original, I was expecting more out of this one, after the setup. However, I also wasn’t expecting this to be the end of the story, as I know more volumes are planned.
However, this is the end of this story arc, which in totality, comprises about the length of four regular floppy comic book issues.
That being said, while I also enjoyed this one, the plot felt a bit rushed, as I don’t feel like we really got to know these characters well enough in the limited time we had. Add in all the action and cool stuff and the story just didn’t have enough room to breathe and properly develop.
I think that it needs more balance between developing the characters, especially this early, and the big action sequences.
Granted, I would like to read more of these and get to know these characters better. And I hope that they are explored more in the future.
Apart from the story, which I don’t want to spoil for those who haven’t read it yet, I thought that the art was a bit of a step up. Jon Malin didn’t deviate from his style but it feels more polished and refined, here. I’m not sure if he spent a little more time on this volume or if he’s just improved since last year’s release.
Ultimately, this was a fun, great looking read. It’s not my favorite series out of the crowdfunded stuff I’ve supported over the last few years but I would put it in the upper echelon.
Rating: 6.5/10 Pairs well with: other recent Comicsgate books like Richard C. Meyer’s Jawbreakers, which Malin also worked on.
Published: June, 2020 Written by: Mike S. Miller Art by: Mike S. Miller. J. Nanjan Jamberi Based on:Jawbreakers by Richard C. Meyer, Graveyard Shift by Mark Poulton, Jon Malin
Blacklist Universe, 24 Pages
I never really wanted to back the original Lonestar comic, as Mike S. Miller rubbed me the wrong way. Eventually, I relented and backed it after hearing his sob story and because it was pushed pretty heavily by Ethan Van Sciver on his YouTube show, Comic Artist Pro Secrets.
I was fairly surprised by it though and I gave it a pretty positive review. I wasn’t 100 percent sure if I’d back the second volume but I did want to back this project, as it was a crossover one-shot featuring characters from different creators within the Comicsgate circle. Well, that is until Mike S. Miller had his forty-third emotional meltdown and left the group because his grapes were sour and his neighbor had kumquats he needed to steal.
You get what you pay for, though, and I knew that this was a soulless cash grab where Mike wanted to ride on the coattails of his peers with more success. I only bought it because it used characters from these other creators. It also took an ungodly amount of time for this to reach my mailbox.
The final result, is a comic that looks good but falls flat and underwhelms. It doesn’t really add anything to any of the franchises it mashes up. It only added pity dollars and swindle duckets to Mike’s bank account.
I wanted to see beyond the disingenuous shuckster that ran this campaign and I wanted this to be as cool as my initial feelings back when Image and Valiant came out with the Deathmate crossover in the early ’90s. This ended up being more of a disappointment than that one though, as it really just throws these characters together, kind of aimlessly, sees them fight a bunch of monsters and then abruptly ends.
In all fairness, I think Mike was limited in how he could use these characters, as they’re all in their own series doing their own thing and this couldn’t really explore them as characters.
Honestly, this just felt kind of weird and sloppily thrown together. Yes, the art is really good and it’s some of the best I’ve seen from Miller but it quickly became obvious that this was what I feared it would be and that’s just a cash grab, piggyback project by a dishonest opportunist.
Rating: 5/10 Pairs well with: the other comics featuring Lonestar, the Jawbreakers and characters from Graveyard Shift.
Published: February, 2019 Written by: Mark Poulton Art by: Jon Malin, Anthony George, Eric Weathers
Haunted Pizza, 46 Pages
*The featured image is from the interior. I couldn’t find a JPG of the cover.
Man, this comic book is so ’90s! Which is a great thing for some people and a not so great thing for others. Being that I’m a fan of the ’90s, I found this mostly enjoyable.
What sold me on the project is that it was said to be like X-Men mixed with the Universal Monsters franchise. While that’s not quite the vibe I got from it, I do like the idea of there being a superhero team comprised of classic literary monsters, even if it’s not a wholly original idea.
Also, the series’ title isn’t that original, as Image Comics already had a series called Graveyard Shift just a few years ago from 2014 through 2015.
While I enjoy Malin’s art for the most part, the criticisms I had in my Jawbreakers review still apply here. The characters still look overly sleek and svelte with elongated limbs and uncomfortable looking poses. Now I’m not talking about the dynamic motion stuff, that’s all fine; I’m talking about the poses that see them just standing around. He definitely has his own anatomical style but it doesn’t always work for me. That being said, Malin is still better than what the industry standard is in 2019. Most of his women look the same though, throughout all of his work. They just have variances in hair color, hair length and skin tone.
I was also critical of how the action flowed in Richard C. Meyer’s Jawbreakers and I saw that as maybe an issue with the writing on Meyer’s part but having now read Graveyard Shift, I see similar problems. Sometimes I can’t tell what’s happened from panel to panel without having to go back and examine the previous one harder.
There is also some nonsensical stuff thrown in, which I guess is writer Mark Poulton’s sense of humor. Some of it feels odd, out of place and the gag doesn’t always work. There is one panel with a pregnant news reporter in the background with her bare belly exposed and half of her tits hanging out. In the next panel, there is a massive explosion behind her and we see her screaming as her belly bursts open, ejecting the fetus from within it. I don’t get it, man. That’s some hardcore ’90s edgy boi shit but it made me stop reading and I had to stare at it, baffled, distracted and completely dumbfounded by the whole thing. It was random as shit, added nothing to the story and hurts the book, overall. I wasn’t offended by it, I was just puzzled by it. And from a physics standpoint, it makes no sense.
Additionally, the cover for this was weak. I’m glad that Malin didn’t use the cover to promote this on Indiegogo because it’s not a true reflection of the good art inside the book. It’s just a green glowing logo on a black background. If this were on a shelf, I wouldn’t see this moving into the consumers’ hands with that cover.
Getting back to the writing, there is a ton of shit wedged into just 46 pages. A lot happens and the book jumps around in time, here and there. If you’re not paying close attention, it may be a bit confusing. But with so many characters and time shifts in this book, I don’t feel like I really got to know any of the core people other than a few surface traits. There needs to be more depth for the primary characters and this almost feels as if it was too much, too soon.
That all ties into one of my criticisms of these crowd funded indie projects. It’s as if the creators feel like they need to tell as much of the story as possible because they can only do one to two releases per year. If this was drawn out a bit more and properly paced, the story might not conclude for years. And by that point, a lot of the initial audience will move on. This is why I prefer the monthly model of mainstream comics or the idea of doing a full, proper graphic novel that tells a single, self-contained story. Most of these Comicsgate projects end with a “To Be Continued”. Well, when? Six months from now? A year from now? Oh, you have three more projects on your plate before coming back to this?
It probably sounds like I’m shitting on this and I don’t mean to. But if I can’t objectively review it and hold it to the same standard that I do every other comic, then I’m just being dishonest. I’m not Comicsgate, as the creators of this book are. But Comicsgate claims that they want better comics. Well, if they aren’t criticized and held to the same standard as mainstream comics, then they’ll never produce better comics. Those who review these books and praise them without being objective and honest, don’t actually want better comics. The criticism should be constructive, fair and honest or else it isn’t valid. I want good comics, not the Christian rock version of comics.
That being said, this has promise. It’s a cool concept and it looks great for the most part. I’m interested in seeing where this can go but I’m also not going to care two years from now.
Rating: 6.75/10 Pairs well with: Other recent Comicsgate books like Richard C. Meyer’s Jawbreakers, which Malin also worked on.