Film Review: Invasion of Astro-Monster (1965)

Also known as: Godzilla vs. Monster Zero, Monster Zero (alternative US titles), Battle of the Astros, Invasion of Planet X, The Great Monster War (alternative Yugoslavian titles)
Release Date: December 19th, 1965 (Japan)
Directed by: Ishirō Honda
Written by: Shinichi Sekizawa
Music by: Akira Ifukube
Cast: Akira Takarada, Nick Adams, Kumi Mizuno, Akira Kubo, Jun Tazaki, Keiko Sawai, Yoshio Tsuchiya, Yoshifumi Tajima

Toho Co. Ltd., 93 Minutes, 74 Minutes (re-issue)

Review:

“[about the victory over King Ghidorah, while Godzilla is outside dancing] A happy moment.” – Controller of Planet X

This is the last Godzilla film of the Shōwa era that I had left to review. While I didn’t watch the movies in order, I did save one of my favorites for last. But honestly, I like all these movies and don’t think there is a bad one in the bunch. Nope, not even All Monsters Attack a.k.a. Godzilla’s Revenge.

What I liked about this film is that it is a true follow up to its predecessor Ghidorah, the Three-Headed Monster and also features the same lineup of monsters, minus Mothra. This also introduces the Xiliens from Planet X, who were (and still are) the best alien villains in Godzilla lore. In fact, they should’ve been regular antagonists throughout the Shōwa pictures but Toho decided to introduce new hostile aliens with almost every movie after this one. Although, I did like the ape and the cockroach aliens, somewhat. But leaving the Xiliens behind, after this film, was a mistake.

Anyway, the plot in this one is interesting, as it sees the Xiliens bring two Earth astronauts to their planet in an effort to get them to agree to let them borrow Godzilla and Rodan due to King Ghidorah being a major nuisance. It’s all a trap, however, as the aliens take control of Godzilla and Rodan and force them, along with Ghidorah, to attack Earth, leaving it defenseless. I guess King Kong, Mothra and Anguirus were taking naps on Monster Island.

Despite its hokiness, I really like the set designs and costumes in this chapter. Everything just looks really unique and seeing just one frame of this film lets avid Godzilla fans know which movie it is. Especially, in regards to any scenes involving Planet X or its people.

The special effects are great and consistent with the other films where Eiji Tsuburaya handled them.

All in all, this is just another really fun chapter in the franchise during its greatest run.

Rating: 7.75/10
Pairs well with: other Shōwa era Godzilla movies.

 

Film Review: Mothra vs. Godzilla (1964)

Also known as: Mosura tai Gojira (original Japanese title), Godzilla Against Mothra (Japanese English title), Panik in Tokyo (Germany), Godzilla Fights the Giant Moth (Worldwide English title)
Release Date: April 29th, 1964 (Japan)
Directed by: Ishirō Honda
Written by: Shinichi Sekizawa
Music by: Akira Ifukube
Cast: Akira Takarada, Yuriko Hoshi, The Peanuts, Hiroshi Koizumi, Yu Fujiki, Kenji Sahara, Jun Tazaki, Yoshifumi Tajima

Toho Co. Ltd., 89 Minutes

Review:

“I’m not as afraid of Godzilla as I am of the editor… he’s meaner.” – Reporter Jiro Nakamura

While not my favorite Godzilla movie of the Shōwa era, this one still holds a pretty special place in my heart, as it pits Godzilla against Mothra for the first time. Granted, they’d become solid allies after this movie, as Godzilla would evolve into a hero and Earth’s protector once King Ghidorah shows up in the picture following this one.

This is still a fun film that merges the two monsters into the same franchise, this being Godzilla’s fourth movie and Mothra’s second after 1961’s simply titled Mothra.

The story sees one of Mothra’s eggs get taken from Infant Island, the kaiju’s tropical Tiki-esque home, and put on display in Japan. Godzilla shows up, the egg hatches and we get some great kaiju action. In fact, the battles and the effects are some of my favorite in the series, so hats off, once again, to effects maestro Eiji Tsuburaya.

And while I’m mentioning Tsuburaya, his miniatures in this are some of the best he’s done. The vehicles looked and performed superbly.

The film also stars some of Toho’s regular actors from the tokusatsu genre, which I always consider a good thing despite familiar faces appearing multiple times throughout the franchise as different characters. In this one, we get Kenji Sahara, who I always enjoy, and Hiroshi Koizumi.

Mothra vs. Godzilla has a simple story but it works. This is a kaiju movie from the best kaiju studio from the best era in the kaiju genre. It brings together two of the most popular characters in film history and it is pretty much exactly what you would expect it to be while slightly exceeding those expectations.

This doesn’t have much of anything wrong with it and its just enjoyable through and through: a true tokusatsu classic.

Rating: 8.25/10
Pairs well with: other Shōwa era Godzilla movies.

Book Review: Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishirō Honda’ by Peter H. Brothers

Not all books on kaiju motion pictures are considered equal. There are some good and some bad. This one, specifically focusing on the work of Ishirō Honda, is in the upper echelon, however.

I really enjoyed this, as it is well researched, covers a lot more ground with a lot more detail than I thought possible and it still finds room to include a lot of great photos.

For those unaware, Honda is the director of the original Godzilla film, as well as many of its sequels. He would also go on to be the number one tokusatsu (Japanese sci-fi) director at Toho, who were the top studio for those style of films.

This book covers Honda’s life and the bulk of his filmmaking career, looking at his kaiju films, as well as other sci-fi and horror pictures he did.

The book’s title is in reference to the atomic age that birthed kaiju cinema, as well as the mushroom men that starred in one of his greatest and most bonkers films, Matango a.k.a. Attack of the Mushroom People.

If you’re into Honda’s work or even just the genre he was the godfather of, this is certainly a worthwhile read.

Rating: 8/10
Pairs well with: other books on Toho Co. Ltd., Godzilla and kaiju film in general.

Film Review: Godzilla vs. Hedorah (1971)

Also known as: Godzilla vs. The Smog Monster (US recut version)
Release Date: July 24th, 1971 (Japan)
Directed by: Yoshimitsu Banno
Written by: Yoshimitsu Banno, Takeshi Kimura
Music by: Riichiro Manabe
Cast: Akira Yamauchi, Toshie Kimura, Hiroyuki Kawase, Keiko Mari, Toshio Shiba

Toho Co. Ltd., 85 Minutes

Review:

“There’s no place else to go and pretty soon we’ll all be dead, so forget it! Enjoy yourself! Let’s sing and dance while we can! Come on, blow your mind!” – Yukio Keuchi

This is probably the weirdest Godzilla movie of the original Shōwa era. There are a few reasons as to why and I’ll get to that.

But first, I have to admit that this is one of my favorite films in the franchise. It’s also pretty divisive, as people either seem to love it or hate it. My reasons for liking it is its weirdness and because its visually striking, does things outside of the box, creatively speaking, and it is very musical.

The film also carries an environmental message, which is important. Especially, to the Japanese people of the time, as there was a lot of industrial pollution that was creating problems and having an adverse effect on the natural beauty of the country.

What makes this movie so unique is the fact that it had a very different creative team than the other films. This was a Shōwa era film that wasn’t directed by either Ishirō Honda or Jun Fukuda. In fact, out of the fifteen Shōwa films, only one other was directed by someone else: 1955’s Godzilla Raids Again, which was helmed by Motoyoshi Oda. The reason why this is significant is due to that rarity, as well as Honda and Fukuda both having a consistent style.

This film’s director Yoshimitsu Banno made some creative changes that set this film apart. However, I wouldn’t say that this movie becomes inconsistent, it just has some neat artistic flourishes, such as hand drawn animated scene transitions, switching from black and white to color in an effort to emphasize liveliness and music, as well as a heavy use of music itself while showcasing the Japanese club scene of the early ’70s. In its own way, this is probably the most hip Godzilla picture of the Shōwa period.

The film is also visually darker, as both major battles between Godzilla and Hedorah, the Smog Monster, happen at night amidst a pretty smoggy atmosphere. But I like the tone and it still doesn’t deter from the upbeat and lightheartedness of the youthful, hippie-like characters and the pop music.

I also really love the monster in this and he’s gone on to become one of my favorite kaiju baddies of all-time. Additionally, I like that the monster has different stages of evolution throughout the film, which I feel somewhat inspired the new Godzilla in the Shin Godzilla reboot from a few years ago.

This movie also has a cheeky sense of humor to it and it could really be looked at as the stoner’s Godzilla movie between the music, the club scene, the outdoor party and Hedorah vegging out on top of a factory, inhaling the smoke stacks like a hookah. I guess the cool animated scenes would add to this as well.

Banno was slated to direct a sequel to this film but the heads of Toho hated the final product and ended up only working with Honda and Fukuda for the remainder of the Shōwa series.

After this film, we were going to get a picture called Godzilla vs. Redmoon. That was scrapped and eventually became the film Daigoro vs. Goliath. Then the studio switched gears and planned Godzilla vs. The Space Monsters: Earth Defensive Directive, which would have been similar to the style of the Ultraman television series. That was also canned and retooled to The Return of King Ghidorah, which was also cancelled and then further retooled into the actual followup, Godzilla vs. Gigan. Luckily for Ghidorah fans, he returned in that film anyway.

As for Hedorah, the monster wouldn’t be seen on the big screen for another 33 years, as one of dozens of monsters in the over the top Godzilla: Final Wars. Despite his lack of big screen love, he’s grown to become a cultural icon and has appeared in tons of video games, comics and television, primarily featured multiple times in Godzilla Island from 1977-1998.

Rating: 7.5/10
Pairs well with: Other Godzilla movies from the ’70s: Godzilla vs. MegalonGodzilla vs. Mechagodzilla, Terror of Mechagodzilla and Godzilla vs. Gigan.

Book Review: Famous Monsters – Ack-ives, Vol. 1: Godzilla

I recently picked up and read the Famous Monsters – Ack-ives on Hammer Horror. While reviewing it, I noticed that it was the second volume in Famous Monsters new Ack-Ives magazine specials. So when I looked it up and saw that the first one was focused on all things Godzilla, I had to track down a copy of it.

Like the Hammer one, this is basically full of a book’s worth of material in a large, colorful, photo heavy magazine format.

There is a lot here and I really enjoy these releases by Famous Monsters and I hope they keep doing more.

Essentially, these are collected archives of past articles focused on the specific subject. I think that this one was released to tie in and help promote the recent American Godzilla sequel.

Ultimately, this magazine was a treasure trove of Famous Monsters’ best articles on the top kaiju franchise in the world.

For fans of kaiju movies, especially those featuring the King of Monsters, this is definitely worth picking up and adding to your collection.

Rating: 8.5/10
Pairs well with: other classic horror magazines.

Vids I Dig 096: Filmento: ‘Godzilla: King of the Monsters’: The Second Side of Evil

From Filmento’s YouTube description: Godzilla: King of the Monsters is yet another big blockbuster flop of the year 2019, even with everyone’s favorite Millie Bobbie Brown at the front. And that’s actually sad to hear, because this movie is the perfect example of how to properly make these massive Hollywood monster creature movies. In today’s family friendly PG episode of Youtube’s favorite show Film Perfection, let’s see how Godzilla 2 handles its ancient titan monsters and ties them into its human characters, in a way that results in one unified experience. Now I just need a movie about that Leviathan titan monster, Titanus Leviathan or whatever.

Comic Review: Godzilla vs. Barkley

Published: December, 1993
Written by: Mike Baron, Alan Smithee
Art by: Jeff Butler, Keith Aiken, James Sinclair, Dave Dorman (cover)
Based on: Godzilla by Toho Co. Ltd.

Dark Horse, 22 Pages

Review:

I have this weird obsession with collecting product tie-in comic books. This one is based off of the famous Godzilla vs. Charles Barkley Nike commercial.

Here we have a story that was penned by Alan Smithee, meaning that it was written by someone that didn’t want their real name on it. However, comic book great Mike Baron left his name in the credits, as he wrote the dialogue and did the fine tuning.

While this isn’t Baron’s best work, his humorous side comes out and it seems as if he enjoyed the project and made the best of it, giving us a pretty amusing tale with some charismatic characters, despite the ridiculous premise.

I thought that the art was also good. Charles Barkley’s likeness was captured well and the action panels of Barkley and Godzilla going head-to-head on the court were pretty dynamic and fun to look at.

The story is about a boy that’s given a special coin. The coin has magical properties that make Charles Barkley grow to kaiju size when he touches it. Frankly, this is all the plot that you really need because you don’t buy something like this for a compelling story, you just want to see these two behemoths throw down.

I’ve wanted this comic for awhile, so I’m glad that I finally got my hands on a copy. No buyer’s remorse here and I was pretty satisfied seeing my favorite monster go up against one of the greatest sports personalities of the last few decades.

Rating: 6/10
Pairs well with: other product tie-in comics, as well as all the other Godzilla comics put out by various publishers over the years.