Film Review: Fletch (1985)

Release Date: May 31st, 1985
Directed by: Michael Ritchie
Written by: Andrew Bergman
Based on: Fletch by Gregory Mcdonald
Music by: Harold Faltermeyer
Cast: Chevy Chase, Joe Don Baker, Dana Wheeler-Nicholson, Richard Libertini, Kareem Abdul-Jabbar, Tim Matheson, M. Emmet Walsh, George Wendt, Kenneth Mars, Geena Davis, George Wyner, Chick Heam

Vincent Pictures, Universal Pictures, 98 Minutes

Review:

“Why don’t we go lay on the bed and I’ll fill you in?” – Fletch

Because I’m not a big Chevy Chase fan, I hadn’t seen Fletch since the ’80s and even then, I don’t think I ever watched it from start-to-finish until now.

Seeing this as an adult, though, I think my mind has shifted. I actually dug this movie quite a bit and it’s made me rethink Chase and his contributions to cinematic comedy.

If I’m being honest, he was perfect in this, it truly utilized his charm and his comedic style. In fact, I’d even say that his style was enhanced by this script and the situations throughout the movie.

He wasn’t a complete self-absorbed prick like he was in most of the Vacation movies. Sure, he was definitely self-impressed with his own antics but he was actually a heroic character, trying to uncover a mysterious plot and rid the beaches of drug pushers with ties to the local cops. He also had this coolness about him that was similar to the coolness he had in Caddyshack but this even eclipsed that, as he was this film’s focal point and he wasn’t competing for laughs with Rodney Dangerfield and Bill Murray.

The cast is also stacked with lots of great character actors like Joe Don Baker, M. Emmet Walsh, George Wendt, George Wyner and Kenneth Mars. It also featured Tim Matheson and a very young Geena Davis. However, I really liked Dana Wheeler-Nicholson in this, as the female lead. She had good chemistry with Chase and their budding relationship was believable and nice to watch.

I also thought that the Harold Faltermeyer score was solid. I think it’s my favorite score he’s done after his work on the first two Beverly Hills Cop movies.

Fletch might be the perfect Chevy Chase film. I’m going to have to review the sequel in the next few weeks. While I think it’s safe to assume that it’s not as good as this flick, I hope it utilizes Chase’s talent as well as this did.

Rating: 7.5/10

Film Review: House (1985)

Also known as: House: Ding Dong, You’re Dead (video title)
Release Date: December 6th, 1985 (Victoria, Texas premiere)
Directed by: Steve Miner
Written by: Ethan Wiley, Fred Dekker
Music by: Harry Manfredini
Cast: William Katt, George Wendt, Richard Moll, Kay Lenz

New World Pictures, 93 Minutes

Review:

“Hey, it’s great to have a new neighbor. Woman lived here before you was nuts. Biggest bitch under the sun. Just a senile old hag really. Wouldn’t be surprised if someone just got fed up and offed her. Know what I mean?” – Harold, “She was my aunt.” – Roger, “Heart of gold though. Just uh, a saint really. And uh such a beautiful woman, for her age.” – Harold

I never liked this movie. In fact, I remember not being alone in that based off of what other people said about both House films when I was a kid. But in the last few years, I’ve heard people talk it up like it’s a classic or a hidden gem. Being that I hadn’t watched it since the mid-’80s, I wondered if I had missed something as a kid. Was it maybe too adult for my eight year-old sensibilities?

The short answer is “no”.

I still think that this is a pretty bad movie. The main reason is because it is dreadfully dull.

This is like a family friendly horror movie of the worst caliber. It’s like a terrible episode of Amazing Stories and then it’s even worse than that.

The story doesn’t make a whole lot of sense, it’s really just a total fucking mess and it is hard to care about any of the characters because you can’t take any of this seriously enough to connect to anything.

Sure, this has some good comedic actors with William Katt, George Wendt and Richard Moll. Their talents are mostly wasted though. Katt is a wee bit charming but he’s too goofy and thus, it’s hard to sympathize with his turmoil. Wendt has some funny lines but he’s not in the film all that much and he’s sort of just on the sidelines. Moll wasn’t used in a comedic way at all and it’s such a departure from the Moll audiences would have been used to due to his time on Night Court. In fact, I wonder why the cast him in the first place.

The special effects are pretty hokey, even for 1985. Although, I was impressed by some of the matte painting work.

In the end, I still think this movie sucks. I’ll probably watch the second one in order to review it but I’m not enthused about it.

Rating: 4.25/10
Pairs well with: its sequel and other films that Italy merged into a series of unrelated pictures called La Casa.