Comic Review: Logan’s Run

Published: 1977
Written by: Gerry Conway, David Kraft, John Waner
Art by: George Perez, Al Milgrom, Klaus Janson, Paul Gulacy, Tom Sutton, Terry Austin, Gil Kane
Based on: Logan’s Run by William F. Nolan, George Clayton Johnson

Marvel Comics, 160 Pages

Review:

I’ve been collecting a lot of Marvel’s movie adaptations from the late ’70s and early ’80s. I was inspired to round as many up as I could after really loving Jack Kirby’s 2001: A Space Odyssey comic series. And like that one, the story in this adaptation goes beyond the movie.

This series only gave us seven issues, as it was cancelled prematurely and didn’t even get a proper conclusion. However, it really comes alive in the final two issues, where it moves on beyond the film.

The first five issues are a direct adaptation of the Logan’s Run movie from 1976. Even though the story is pretty much a replay of the picture, there are some “deleted scenes” sprinkled in that give some parts of the story more context and more plot and character development. There are a few minor deviations from the finished film but this may have been made with an earlier draft of the script and with some of the cut scenes left in. Also, this probably had to do things somewhat differently due to the time and space constraints of wedging the plot into just five thin comics.

I really dug this though, as I love the film and seeing it play out in a different medium was a cool treat. Plus, I love George Perez’s art and this has his patented flair while still being true to the style cues of the film.

It’s issue six that really peaked my interest though, as it starts where the movie’s plot stopped. Everything wasn’t fine once the people discovered the truth behind their existence. In fact, everything goes to shit almost immediately and the now free citizens turn against the Sandmen, especially Logan-5.

The Sandmen are imprisoned but they are released shortly after when the free people of the city don’t know how to solve all the new problems they are faced with. Logan takes it upon himself to try and bring peace and to set in motion a better world but then the series ends… on a cliffhanger.

So that was like a punch in the gut but I enjoyed the comic nonetheless. I just wish Marvel, knowing they were going to cancel it, at least did another issue to wrap things up, even if it came across as rushed. But I guess I’ll have to use my imagination to come up with my own ending like so many television shows that were cancelled on cliffhangers.

Anyway, if you dig the movie, you’ll probably dig this. Just be forewarned that it leaves you hanging like a drunk significant other passing out prematurely.

Rating: 7.5/10
Pairs well with: other sci-fi comic book adaptations by Marvel in the late ’70s and early ’80s.

Comic Review: Vigilante by Marv Wolfman, Vol. 1

Published: 1983-1984 (original single issues run)
Written by: Marv Wolfman
Art by: Keith Polland, George Perez, various

DC Comics, 318 Pages

Review:

I remember seeing copies of the Vigilante on shelves and in long boxes back in the day when I used to spend every dollar of my allowance on comics. I never knew much about the character other than he always had comics with striking covers. At the time, I think I just assumed he was one of a million Punisher or Deathstroke ripoffs and never really gave him a shot. But now that I am an adult with some disposable income, I wanted to see what was beyond the great covers that always adorned this comic book series.

Seeing that Marv Wolfman created the character and wrote this series was a big selling point, as this came out when Wolfman was writing some of his best work. I’m primarily talking about his run on The New Teen Titans, which is also where Vigilante debuted – in the second annual, to be exact.

This collection starts with that first appearance and then collects the first 11 issues of the Vigilante comic.

I guess the thing that’s most cool about Vigilante is that while the hero is a gun carrying vigilante out for justice in an effort to correct a flawed system, his backstory certainly isn’t cookie cutter. While he loses his family in a similar way to Frank Castle a.k.a. The Punisher, it’s almost as if he is a cross between Castle and Harvey Dent. Although, he luckily avoids getting half of his face melted off with acid.

The Vigilante is Adrian Chase, an attorney that has tried to stop the mob for years but constantly sees a corrupt legal system fail, again and again. The murder of his family is the final straw. But his origin, once you get to that issue, is really weird and even has some mystical elements to it.

The Vigilante is probably the best good guy out of all the other characters that embody the “vigilante” trope. While he breaks the law, trying to uphold the law, he is often times at odds with himself and second guessing his tactics. After the first 11 issues of his series, he’s still not settled on what way is the right way or if he’s even doing what’s best for society.

There are a lot of layers and Marv Wolfman gave us a really dynamic series here. Frankly, this is vastly underappreciated and sadly, mostly forgotten.

Adrian Chase got new life in modern times as a character on the TV show Arrow but that incarnation was called Prometheus and he was a straight up villain out to make Green Arrow suffer.

If you like these type of characters, this will most assuredly be a refreshing read for you. It is not a retread of dozens of similar characters. It’s a unique take on the genre and it’s much more intelligent than most of the titles you can compare it to.

Plus, the art is strikingly beautiful and the Vigilante has a really cool costume that’s one part retro and two parts badass.

Rating: 8.5/10
Pairs well with: Marv Wolfman’s run on The New Teen Titans, as well as ’80s stories featuring Deathstroke.

Comic Review: The New Teen Titans, Issue #2 – First Appearance of Deathstroke

Published: November 30th, 1980
Written by: Marv Wolfman
Art by: George Perez, Romeo Tanghal, Adrienne Roy

DC Comics, 26 Pages

Review:

If you’ve been reading Talking Pulp for awhile, it’s no secret that I’m a big fan of Deathstroke. That being said, I have never read his first appearance. The main reason is because this single issue is pretty expensive nowadays, as Deathstroke has gone on to get more and more popular over the years. Especially, after appearing in live action form in the Arrow TV series as well as the recent Justice League movie.

I read this digitally. This single issue is still on my bucket list for comics I want to own before I die but I really wanted to read this simply because it was the first time the world got to see Deathstroke, the Terminator.

On a side note, it also features Grant Wilson’s first time out as Ravager. He is the son of Deathstroke, which isn’t much of a spoiler, as this story is almost 40 years old.

Anyway, this adds a lot of background context to the events of the more famous New Teen Titans story arc, The Judas Contract. We understand more about Deathstroke’s motivations because of this first appearance.

Like The Judas Contract, this story was written by Marv Wolfman and the art was done by George Perez. They were one of the best tandems in comics history and it’s pretty apparent that they were writing this story with the long game in mind.

Perez designed Deathstroke in the same year that he designed Taskmaster for Marvel in Avengers issues 195 and 196. I mentioned in my review about that story arc that the two characters have very strong design similarities. Also, both are at the top of my list as favorite characters under the banner of their publishers.

This was a really exciting read for me. I have a strong bias towards Deathstroke but Wolfman wrote some of the best team superhero comics ever. Perez’s art is fluid and mesmerizing. The two together are pure dynamite.

This issue also reminds me of a time when single issue comics could tell a self contained story with limited space but cover a lot of ground.

Rating: 7.75/10
Pairs well with: other Teen Titans stories from the Marv Wolfman and George Perez era.

Comic Review: The Avengers, Issues #195-196 – First Appearance of Taskmaster

Published: May, 1980 – June, 1980
Written by: David Michelinie
Art by: George Perez

Marvel Comics, 36 Pages

Review:

The Taskmaster is the shit! Which is why the two issues that make up his first appearance have been on my comic book bucket list for years. Recently, I tracked down affordable copies and finally gave his first little story arc a read.

Well, I wouldn’t call this great but if you like Taskmaster, this is still worth a look. Plus, it also has his origin wedged into the story, as he describes his abilities and history to the Avengers through flashbacks.

I think the thing that really stands out about this story and this era in Avengers history is the art of George Perez. In fact, since this is all about Taskmaster, I should point out the visual similarities between him and another George Perez creation, Deathstroke. He would create both of these iconic villains just a few months apart in 1980.

Anyway, the story sees the Avengers try to rescue the Wasp, who has been captured and is being experimented on in a castle. The Scott Lang Ant-Man and Hank Pym, as Yellow Jacket, infiltrate the castle and reach the Wasp. Once they are inside and have a scuffle, the Taskmaster makes his presence known with a big final page reveal.

In the second issue, the Taskmaster takes on the Avengers and nearly beats them. He also tells his origin story, explaining his unique skills that give him an advantage over all of the Avengers he’s observed in the past. However, we quickly discover his Achilles heel, at least in this story, as he doesn’t know how to defeat an Avengers teammate he’s never seen before.

The story is enjoyable and there is a lot of action. The real highlight is the George Perez art, though. Man, he really was one of my favorite artists from this era.

While these single issues aren’t cheap, due to them being a first appearance, you can read them on Comixology for just a few bucks.

Rating: 7.25/10
Pairs well with: other Avengers stories circa 1980.

Comic Review: Marvel Premiere Featuring Man-Wolf

Published: December, 1978 – February, 1979
Written by: David Anthony Kraft
Art by: George Perez, Frank Giacoia, Ricardo Villamonte

Marvel Comics, 38 Pages

Review:

I’ve been picking up old issues of Marvel Premiere lately. Mainly, because this anthology series predates the era where I first started reading comics and because Marvel’s ’70s fantasy stuff is pretty rad.

This Man-Wolf story was released over two issues, starting in the month I was born. Also, the Man-Wolf character is pretty damn cool when used in the right sort of story. This is definitely one of those stories, as this is where he becomes the super powerful Stargod.

The thing that really sold this for me though, was the George Perez art. His style has always resonated with me and his art was one of the factors that really got me into comics. When I first started drawing, I mimicked Perez a lot.

I think the thing that makes this a pretty cool story though, is the fantasy setting. Man-Wolf ends up in a weird place and becomes a god to a crew of barbarian type heroes. When you see him unleash his raw power, it’s absolutely ridiculous.

On the other hand, he was almost too powerful for this story and when the big showdown with the baddies happens, it felt a bit lazy in how easy it was for him to basically just turn into a friggin’ magic bomb. But I’m not complaining because the badassness of it is stronger than how convenient it was. Plus, it works for the narrative, as this was more about Man-Wolf becoming Stargod than fighting generic fantasy villains.

This was a really cool story to pick up. I think it would have been better though, if it was spread out over four issues and gave us a bit more depth and character development for Man-Wolf’s allies.

But comics are supposed to be fun escapism and that’s exactly what this is.

Rating: 7.5/10
Pairs well with: other Man-Wolf stories from the era, most notably the issues that feature him in another Marvel anthology series, Creatures On the Loose.

Comic Review: The New Teen Titans: The Judas Contract

Published: January 31st, 1984 – June 30th, 1984
Written by: George Perez, Marv Wolfman
Art by: George Perez, Romeo Tanghal

DC Comics, 192 Pages

Review:

This is one of the biggest stories in Teen Titans history. Many say that this is the biggest and best tale. I haven’t read this since around 1990 or so but I loved it back then. But does it measure up for me now, decades later, and no longer having an elementary school level brain?

Yes!

In fact, I enjoyed this now much more than I did as a kid where some of the emotional weight of the plot didn’t have as much context. I also don’t think that I was mature enough to really understand this very human tragedy and the significance of the characters’ relationships and trials.

The only down side of this collected edition was the inclusion of the Brother Blood story. I know that it is tied in to the bigger picture and is also sandwiched by Robin and Kid Flash leaving the Titans and then the actual four-part Judas Contract storyline but it just feels like filler wedged in. But it isn’t a complete waste of time as it helps to develop Terra and also adds more depth to Dick Grayson’s transformation from Robin into Nightwing.

And yes, this story is the first appearance of Nightwing, which makes it even cooler, as Nightwing is one of my all-time favorite characters, even if his earliest outfit was a bit goofy.

The biggest theme in this story is betrayal and it manifests nicely, which is due to the skill of writers George Perez and Marv Wolfman. In a lot of ways, it feels like this story was a major influence on Marvel’s New Mutants stories several years later, especially when the team started to grow into adults and started to question their place in the world.

The absolute highlight for me is Deathstroke. Here, he was still mostly referred to as the Terminator. The name sort of got phased out after the success of the unrelated Terminator film series that kicked off just after this story arc.

Deathstroke was still a complete and total villain when this tale was written. It introduces members of his family though and if you are reading the current Deathstroke comic series, a lot of these characters are relevant again and this story arc is good for adding more context to Deathstroke’s current run.

This may be a comic book about a bunch of teens but it is more adult than most of the adult heroes’ books from the same era. Honestly, I forgot about how hard of an edge the old school Teen Titans stories had.

If you are a fan of any of the characters in this book, this is definitely a must read.

Rating: 9.5/10
Pairs well with: The most current run of Deathstroke, as they share a lot of the same characters and plot threads related to Deathstroke’s personal life and family.

Comic Review: The Infinity Gauntlet

Published: September 28th, 2011
Written by: Jim Starlin
Art by: George Perez, Ron Lim

Marvel Comics, 256 Pages

Review:

Since the new Avengers movie is coming out very shortly and it is about Thanos and the Infinity Gauntlet, I wanted to revisit those stories in their original comic book format. This is the first of The Infinity Trilogy, which also features The Infinity War and The Infinity Crusade.

This was the biggest Marvel mega crossover event of my most formative years. I had read Secret Wars I and II, as well as some of the major X-Men centered mega events before this but this one, at least when I was a preteen, seemed like it was legitimately for all the marbles like nothing else that came before it. Therefore, when it was revealed several years ago that the Marvel Cinematic Universe was building towards Thanos and his acquisition of the Infinity Stones, I knew that the third Avengers movie was going to be the biggest cinematic event in the history of comic book movies.

But how does the original body of work stack up now, two and a half decades later?

Well, it’s still really damn good and was a heck of a read.

The story is comprised of six beefy oversized issues. The first three serve to set up the final three, which cover the massive space battle between Thanos and everything the Marvel Universe could throw at him. The first half is a bit slow but it is necessary to understand what is happening. The fourth issue throws Earth’s heroes at Thanos, the fifth issue throws Marvel’s cosmic entities and gods at Thanos and the sixth and final issue sees Nebula acquire the Infinity Gauntlet, causing Thanos to have to reassess his place in the order of the universe.

I think that the biggest difference between this classic version and the upcoming film adaptation is that the build will be much different and it should be.

Here, Thanos is motivated by the petty idea that he can use the Gauntlet to win over the heart of Death. While it does work for the comics, it isn’t something that could really work on film, at least not with a lot more narrative work than the Marvel screenwriters will have time for if they also need to focus on wedging every cinematic hero into the film. By modern standards, Thanos’ motivation seems cheesy but I’ll buy into it because it isn’t something that I couldn’t see the character doing. He’s flawed and egomaniacal, and he would be driven to win over what he feels he cannot have.

I liked where this story went, how it challenged the heroes, how the writers worked it so that Thanos wasn’t “omnipotent” and how it all panned out in the end.

The Infinity Gauntelt is still a great Marvel mega crossover event that deserves the recognition and legendary status it has.

Rating: 8.25/10
Pairs well with: Its sequels The Infinity War and The Infinity Crusade.