Published: October 8th, 2013 Written by: Geoff Johns, Richard Donner Art by: Adam Kubert
DC Comics, 252 Pages
I wanted to read this because it was the first official comic book appearance of General Zod, the made-for-the-big-screen villain from the first two Superman movies by Richard Donner.
What makes this even cooler is that Donner worked on this story with Geoff Johns.
This collection is actually two separate stories. However, they both feature Zod with the first one being primarily about the character and his introduction into DC Comics canon. The second story primarily features Brainiac as the antagonist.
Ultimately, this was a really good read and one of my favorite Superman trade paperbacks of recent memory. Both stories were solid and they actually connect in a way that makes wedging both of them together, a more enjoyable, overall narrative.
I thought that Donner and Johns came up with a pretty satisfying story to introduce Zod and his family. I also thought that the Adam Kubert art was top notch but I’ve also always loved all the Kuberts.
If you grew up with the two Donner Superman films like I did, this should definitely peak your interest. It’s a worthwhile story that was both engaging and entertaining while also being a great homage to Donner’s Superman film work.
Rating: 7.75/10 Pairs well with: other Superman comics featuring General Zod.
Published: 2005-2006 Written by: Geoff Johns Art by: Phil Jimenez
DC Comics, 241 Pages
I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.
It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.
DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.
If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.
Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.
Rating: 5/10 – because of the art more than anything else. Pairs well with: other massive DC Comics events that are overloaded with characters.
From Comic Tropes’ YouTube description: Over 30 years after its publication, Watchmen is still regarded as one of the all-time greatest comic book stories. Recently, DC finished publishing a sequel story, Doomsday Clock. This episode compares and contrasts the two stories by very different writers, Alan Moore and Geoff Johns respectively, and looks at their different goals. The original Watchmen told a complete story but now characters like Dr. Manhattan and Rorschach exist side-by-side with Batman and Superman.
Published: November 22nd, 2017 – December 18th, 2019 Written by: Geoff Johns Art by: Gary Frank, Brad Anderson Based on:Watchmen by Alan Moore
DC Comics, 456 Pages
Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.
Now that it’s all out, I finally read it: binging through it in two days.
I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.
I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.
They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.
Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.
Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.
This is one of those stories where it feels like a lot happened but also like nothing happened.
It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?
Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.
The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.
In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.
Rating: 6/10 Pairs well with:Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.
Published: December 26th, 2017 Written by: various Art by: various
DC Comics, 219 Pages
Out of all the Batman Arkham collections, this was the one I was least enthused about reading and I was kind of confused as to why Joker’s Daughter even got a greatest hits trade paperback when there were other more deserving Bat-villains worthy of a collection first. Hell, this came out before the Penguin one!
Anyway, she’s never been a major villain and I wouldn’t even rank her as a C-list character. She had an interesting run in the ’70s, disappeared, then reappeared more recently because… well, I don’t know. She’s just not that interesting.
While I feel like she could be made interesting, she just hasn’t been given anything worthwhile to do since her ’70s run where she had the schtick of playing the daughter of all the main Bat-villains. She’s also not actually the Joker’s daughter, she’s Duela Dent, the daughter of Two-Face.
This collection features just about every story with the character, as there aren’t that many to begin with. The only thing from memory that this was missing was her appearances in the Red Hood/Arsenal series.
It was kind of cool, however, seeing her earliest stories because it was very much a product of its time. None of this was great or all that good but if you have a thing for really obscure characters, it’s worth checking out, I guess. But there are so many other volumes in this collection that really make this one seem unnecessary.
Rating: 5.5/10 Pairs well with: Other Batman Arkham collections.
Release Date: November 26th, 2018 (London premiere) Directed by: James Wan Written by: David Leslie Johnson-McGoldrick, Will Beall, Geoff Johns, James Wan Based on:Aquaman by Paul Norris, Mort Weisinger Music by: Rupert Gregson-Williams Cast: Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Nicole Kidman, Temuera Morrison, Djimon Hounsou, Julie Andrews (voice), John Rhys-Davies (voice)
Warner Bros. Pictures, DC Films, The Safran Company, Cruel and Unusual Films, Mad Ghost Productions, 143 Minutes
“You think you’re unworthy to lead because you’re of two different worlds? But that is exactly why you are worthy!” – Mera
People talked this movie up quite a bit when it came out but I didn’t see it in the theater because the holidays are busy for me and this is not a Tolkien movie.
But I had high hopes as several people I tend to trust told me that I’d like it. Well, they were wrong. I mean, I didn’t hate it and if you are comparing this to the other DCEU films, it’s actually the second best. However, that’s not a high threshold to try and beat.
First off, I like Jason Mamoa and I like Jason Mamoa in this movie. However, he’s basically playing Jason Mamoa and not Arthur Curry a.k.a. Aquaman. Well, at least not how Aquaman has been written for decades. And couldn’t he have gone blonde? He could’ve kept the long hair and beard, as Aquaman has had that look before but I guess Arnold Schwarzenegger did a good job of once playing Conan without brunette locks.
But the thing is, he doesn’t feel like Aquaman and he really just feels like a badass buff dude with similar powers to Aquaman.
I thought that Amber Heard was pretty on point as Mera, though. She needs a bit more confidence if she’s to be the tough as nails future queen but this was a good start, assuming they make more of these, which they probably will.
Most importantly, though, Mamoa and Heard had damn good chemistry and that’s what had to carry this movie and it was certainly a strength when everything else around it felt like aquatic Candyland.
Other than a handful of good actors, mainly Willem Dafoe, Nicole Kidman, Dolph Lundgren, Patrick Wilson and Temuera Morrison, the rest of the film was pretty lackluster and underwhelming.
It had action, it was fun for the most part, but a lot of the film felt too dragged out once you got to the middle. It had really good pacing for about 45 minutes but then the plot just seemed to be a mixture of different genres and this didn’t have a clear identity as to what it was. Some of these genre twists seemed like they were more in conflict with the film as a whole than being a collection of interesting ingredients there to make the dish taste better.
I didn’t like how Black Manta was handled and he’s just sort of a henchman and an afterthought in this film. He’s much more badass than that. Read Dan Abnett’s first few story arcs on his run of the Aquman comic. There, Black Manta was a dangerous terrorist that had Aquaman and Atlantis in the palm of his hand. I know that they introduced him in this film to build him up for later but I just don’t feel like they did it effectively and it’ll be hard to take him seriously as the big baddie when he was just portrayed as Mr. Laserface and then get knocked down a cliff. Plus, with his helmet on, the effect they used on his voice mixed with the actor’s line delivery, reminded me of Dark Helmet from Spaceballs.
Patrick Wilson was pretty good as the Ocean Master but the way he was written was confusing. He’s willing to do pure evil to maintain his throne but he doesn’t seem to commit to the bit and he just sort of accepts his fate when his mom shows up and tells him to love his brother.
This film is an example of something being fun and entertaining but not being good and not being something that I particularly like. I don’t think I’ll ever watch it again and that goes for all the films in the DCEU. But that also doesn’t mean that I won’t watch the sequel, I probably will but I doubt I’ll see that one in the theater either.
Rating: 5.75/10 Pairs well with: other recent DC Comics movies within the same shared universe.
Published: October 8th, 2013 Written by: Geoff Johns Art by: Andy Kubert
DC Comics, 166 Pages
This is the best Flash event that I’ve ever read. Granted, I’m not a hug Flash fan in the comics and I haven’t read a lot of his big events but this wasn’t bogged down by too much Speed Force bullshit, which is typically a bone of contention with me, as it’s used to explain every random ass weird thing that happens in modern Flash stories. It’s also why I lost interest in the TV show, which started out pretty damn good.
The Speed Force does play a factor here but it doesn’t make this a mental clusterfuck like the plot of The Flash: Rebirth.
And while The Flash does fight another speedster, this isn’t just about a guy with speed fighting another guy with speed because that shit also gets tiresome and is another reason why I stopped watching the show.
There are a lot of characters and the fact that this takes place in an alternate reality where things are different enough to make the world interesting, makes this feel different than the standard Flash event.
Granted, I wish this featured more of the regular rogues that aren’t speedsters but when most of those villains have become jokes, that was probably for the best. At least we get small cameos from Captain Cold and the Pied Piper, even if they don’t have much to do with the story.
The thing that makes this so good, is that it just grabs you and holds on. It’s a quick read, as it takes place over just five issues but there is a lot to absorb. But in the end, this will hit you in the feels from a few different angles and frankly, that took me by surprise. But the final moments in this made this whole journey worth it.
Geoff Johns is one of my favorite writers of the last decade or so and this is the first Flash story that I felt was on the same level as his best Green Lantern work. Plus, Andy Kubert’s art was incredible and it wasn’t too far of a departure from the style I’ve come accustomed to seeing in Johns’ biggest stories, which were mostly drawn by Ethan Van Sciver.
Flashpoint is an action packed and legitimately emotional ride through two men’s tragic journeys. It was well executed and a visually stunning piece of work.
Rating: 9/10 Pairs well with: the Geoff Johns era of The Flash, as well as other major Flash events.
Also known as: Teen Titans (informal title) Original Run: October 3rd, 2018 (New York Comic Con) – current Created by: Akiva Goldsmith, Geoff Johns, Greg Berlanti Directed by: various Written by: various Based on: characters from DC Comics Music by: Clint Mansell, Kevin Kiner Cast: Brenton Thwaites, Anna Diop, Teagan Croft, Ryan Potter
Weed Road Pictures, Berlanti Productions, DC Entertainment, Warner Bros. Television, 11 Episodes (so far), 40-50 Minutes (per episode)
I finally got DC Universe, as it became available on the Amazon FireStick after months of dealys. So that being said, I have now checked out Titans, the streaming service’s first big attempt at original content.
While this wasn’t a total waste of time and shows some promise, it was still a pretty drab attempt at getting me excited for spending $7.99 per month on yet another video-on-demand service.
The biggest issue for me is that the characters don’t really act like the characters in the comics. Dick Grayson a.k.a. Robin a.k.a. Nightwing just straight up murders people the first time we see him confront some thugs. Then everyone else in the show kills or maims people pretty quickly and it’s fairly easy to see what we have here, which is another live action DC Comics property giving itself fully over to their gritty, edgy boy formula that only worked for Christopher Nolan, ten years ago, and Zack Snyder once with Watchmen, also ten years ago.
Also, Gotham does a good job of being gritty but it takes tremendous creative liberties and took awhile to really find its footing.
So Titans could definitely improve, as Gotham did. In fact, there are signs of better things within this first season. However, there isn’t much here to make me care about the main characters. Dick and Rachel, who will become Raven, are emo to the point of cringe but at least Starfire is interesting and Gar, who will become Beast Boy, is charismatic and could potentially be the best thing on the show.
The real problem with Titans is that the best episodes are the ones where the title characters aren’t the focal point. My two favorite chapters out of the eleven here are the one that’s all about introducing Doom Patrol and the one that serves as the origin story for Hawk & Dove. So what does it say when I’m more interested in secondary characters with minor screen time or characters who are getting their own spinoff?
I’m actually excited about Doom Patrol based off of what I saw here. And if I’m being honest, I’m not all that interested in a second season of Titans, even though I will watch it in hopes that things improve.
The season also suffers from not telling a good, self contained story. We get the season’s cliffhanger ending in the second to last episode and then the final episode, which should have been a resolution to the ten episodes before it, is nothing but a hallucination that ends leaving us exactly in the same spot that the previous penultimate episode did. It’s an absolutely terrible conclusion to a mostly mediocre season.
On the positive side, at least this moves more briskly than the Netflix Marvel shows and even though it has its filler episodes, they at least have action and progress the story in some way.
Rating: 6.5/10 Pairs well with: the upcoming live action DC Universe shows, as well as the DC Comics shows on the CW and Fox’s Gotham.
Published: October 8th, 2013 Written by: Geoff Johns Art by: Ethan Van Sciver
DC Comics, 158 Pages
I love Geoff Johns work at DC Comics and I have always loved his collaborations with artist Ethan Van Sciver. Their work on Green Lantern got me back into comics during a time when I had sort of faded away from the medium due to no longer being as engaged by it.
Green Lantern: Rebirth was one of my favorite comic book stories of all-time. It made me love Hal Jordan and I was pulled in by Johns’ writing and Van Sciver’s wonderful art. Since I also liked Johns’ Flash stuff, I figured that The Flash: Rebirth would be something that I would also love. But sadly, it just didn’t do it for me.
The biggest problem that I have with Flash stories is the damn Speed Force. Also, in recent years, the Flash pocket of the larger DC universe is overloaded with too many characters with the same lame set of powers. There are so many damn speedsters that it’s really f’n redundant.
In an era where people are screaming for diversity, even though it has existed in comics for decades, maybe there should be a call for diversity in powers in the Flash titles. I mean, if you’re going to cram a dozen heroes and villains into a plot, why are they all similar? And why is that exciting? And to be frank, this is why I lost interest in The Flash TV show, which I loved when it started.
Anyway, the art in this is damn good but Van Sciver hits the right note stylistically speaking when it comes to how this era of DC felt. He was a premiere architect in DC’s visual style from 2007-2014 or so. This book lives up to the standard one should expect from his work but apart from that, there wasn’t much here for me to enjoy.
The premiere villain is the Reverse Flash, another f’n speedster. And really, this is all about the weird, mystical Speed Force that is capable of anything a writer needs it to do. I don’t know, Speed Force heavy stories bore me to tears and they’re hard to keep up with because it’s all pseudo-science mumbo jumbo made up on a whim to explain random ass shit. I prefer stories where one Flash takes on one of his many awesome rogues that aren’t speedsters.
This is probably really good if reading about a dozen speedsters and Speed Force stuff is your thing. For me, it numbed my brain and made it hard to get through.
And fuck… this had so many damn cameos. I felt like it partially existed just to wedge in as many characters as possible.
Rating: 5.5/10 Pairs well with: The Geoff Johns era of The Flash, as well as his era of Green Lantern.
Release Date: October 25th, 2013 Directed by: Scott Devine, J.M. Kenny Written by: Scott Devine, Jack Mulligan Music by: Kris Dirksen (as Methodic Doubt) Cast: Christopher Lee (narrator), Neal Adams, Clancy Brown, Kevin Conroy, Guillermo del Toro, Dan Didio, Paul Dini, Richard Donner, Marc Guggenheim, Geoff Johns, Jim Lee, CM Punk, Michael Shannon, Scott Snyder, Zack Snyder, Peter Tomasi, Marv Wolfman
DC Comics, mOcean, Warner Bros., 99 Minutes
This was just a really cool documentary accented by the narration of the legendary and superb Christopher Lee. It also had a fantastic cast of interviewees.
A great retrospective on the darker half of DC Comics’ long history, Necessary Evil was delightful. I enjoyed it so much and wish that it was actually a lot longer. The DC mythos and it’s rich history could easily fill up a season of a documentary series. I could sit through a Ken Burns’ Baseball length documentary on this subject and maintain the same level of excitement. Assuming its as well produced as this is.
You can’t have a great hero without a great villain and this does a fantastic job at making the audience understand how these characters truly are a “necessary evil” in how they make the heroes better and how they make these stories last for decades. Comic books are America’s mythology and a good villain with a good story is at the forefront of the most memorable moments in these epic tales.
This film analyzes a lot of key villains in the DC universe. Unfortunately, you can’t cover every villain in 99 minutes and frankly, this probably only touches on like one percent of them, as there have been so many in the 80 years since the first Superman comic was published. One of the interviewees mentioned that DC’s villain count was into the thousands and really, that doesn’t seem too far fetched in the grand scheme of things.
I really enjoyed hearing from Jim Lee, Geoff Johns and Scott Snyder. These guys have been at the forefront of many of the stories I’ve enjoyed since the ’90s. We also get to see movie directors Richard Donner, Zack Snyder and Guillermo del Toro chime in.
A lot of comic book documentaries are done on the cheap and can’t round up a very solid cast of people to interview. In the last few years, we’ve gotten some really good documentaries on the subject, though. This is one of the best out there and really, who doesn’t love the f’n villains?
Rating: 9/10 Pairs well with: Other recent comic book documentaries: The Image Revolution, Chris Claremont’s X-Men and Neil Gaiman: Dream Dangerously.