Film Review: Attack the Block (2011)

Release Date: March 12th, 2011 (SXSW)
Directed by: Joe Cornish
Written by: Joe Cornish
Music by: Basement Jaxx, Steven Price
Cast: Jodie Whittaker, John Boyega, Alex Esmail, Franz Drameh, Leeon Jones, Simon Howard, Luke Treadaway, Jumayn Hunter, Nick Frost

StudioCanal, Film4 Productions, UK Film Council, Big Talk Productions, Stage 6 Films, Screen Gems, 88 Minutes

Review:

“No one is going to call you Mayhem if you keep acting like such a pussy!” – Probs

I haven’t watched this film since it initially came out in the States. But revisiting it now, I was reminded of how cool and fun this movie is. In all honesty, this is one of the coolest movies of this decade and it also helped propel the careers of a few of its stars. Plus, Nick Frost is in it and Edgar Wright was involved with the production.

Attack the Block is a fantastic picture, to put it simply. It is imaginative, energetic and a fresh take on the tired alien invasion storyline.

The film starts out with a mugging by a gang of London thugs. However, the victim (Whittaker) gets away when something falls from the sky, smashing a car next to the muggers. Investigating, the muggers discover it is some sort of vicious alien creature. It attacks the leader, Moses (Boyega), and gets away. The thugs then pursue the alien in an effort to kill it. You come to discover that the thugs are just young teenage boys and the film peeks into their lives, humanizing them after committing an atrocious act to kickoff the story. As the film progresses, the boys and the victim discover that they live in the same building and have to come together to survive the invasion and a pissed off drug dealer. Ultimately, it is a coming of age story about Moses having to rise up, become a hero and redeem himself from his bad choices and actions.

The thing that makes this picture special is the style of it. The alien creatures are incredibly original and sort of resemble a hybrid of a big wolf and a gorilla with jet black fur and a glowing neon blue mouth full of sharp teeth. The building where the majority of the film takes place is cold and lifeless but the cinematography and lighting are absolutely superb.

Even though all the kids are little shits, they all become endearing in some way and you can’t help but like them, which is the point, really. You have these asshole kids but they are just kids and despite their bad life choices, they don’t deserve to die. The film does a great job of conveying the right sort of emotions from the victim and the thugs while they learn to trust each other and become not just allies but friends.

I don’t think that the story would have worked as well without the casting being just right. Jodie Whittaker, who is now the first female incarnation of the Doctor from Doctor Who, and John Boyega, a household name now because of Star Wars: The Force Awakens, had a wonderful chemistry and they carried this unique and great picture on their shoulders. Franz Drameh, who would go on to be in Edge of Tomorrow and star in The CW’s The Flash and Legends of Tomorrow, also held his own as a member of Moses’ gang.

The film also benefits from a prodigious score that is actually one of the best from the past decade. It hits the right notes, keeps the energy flowing and just encapsulates the tone and style of the film in an uncanny way. It is a perfect accompaniment to the visuals.

Attack the Block is a damn good motion picture. It is straight to the point, quick moving and builds up the characters just enough without it getting in the way of the excitement. The ending is also extremely satisfying.

 

TV Review: Legends of Tomorrow (2016- )

Original Run: January 21st, 2016 – present
Created by: Greg Berlanti, Marc Guggenheim, Andrew Kreisberg, Phil Klemmer
Directed by: various
Written by: various
Music by: Blake Neely
Cast: Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Franz Drameh, Ciara Renée, Falk Hentschel, Amy Pemberton, Dominic Purcell, Wentworth Miller, Matt Letscher, Maisie Richardson-Sellers, Nick Zano

Berlanti Productions, DC Entertainment, Warner Bros., 33 Episodes (so far), 42-45 Minutes (per episode)

Review:

*originally written in 2016.

With the success of Arrow and The Flash, the CW had to put out another superhero show in that universe. Plus, those worlds were getting too big and they needed a place to ship off some of those characters. So why not make them into a team.

Add in time travel and we’ve essentially got a superhero version of Doctor Who. It also doesn’t hurt that they added a fan favorite actor from Doctor Who lore to lead this team through time and space.

The premise of the show is interesting but ultimately, we are left with the weakest of CW’s DC Comics television series. The show is enjoyable and it has some good moments but it all just feels like filler and the threat, as great as it is, just doesn’t seem that threatening overall.

Vandal Savage, who was introduced in a crossover event on The Flash and Arrow, is the main villain of the series. The problem with the show is that they either kill him or nearly kill him almost every episode but for some reason he keeps coming back or isn’t killed because the writers have to stretch him out over the whole twenty episode campaign. He just feels like a total pushover instead of the immortal evil bad ass he should be. And the characters’ motivation when they don’t finally just pull the trigger is laughable and some of the worst writing ever.

None of these people seem stable or even rational enough to pull off this very important mission. I also find it hard to believe that in all of space and time, this motley crew is the best that Rip Hunter could assemble for a mission that is sold as the most important mission in the entirety of this universe.

I enjoy Arthur Darvill as Rip Hunter and I have always been a fan of Brandon Routh’s Atom and Caity Lotz’s version of the Canary. Even the Prison Break reunion of Wentworth Miller and Dominic Purcell as Captain Cold and Heatwave is pretty enjoyable. Firestorm is okay and Hawkgirl is somewhat interesting but all in all, this crew just doesn’t hold it together as an ensemble.

It feels like a forced union, which it is in reality and in fiction, but there should still be more chemistry. It’s chemistry that has worked so well for The Flash and Arrow. That magic just isn’t recreated here. And maybe the writers, between three shows, are stretched too thin.

This isn’t a show that I plan to give up on. Depending upon what they do for the second season, this show could turn it around. I’d like to see more characters rotated in and out of this group as the show goes on. I think that would work at keeping it fresh. It may also solve the chemistry problem.

Some of these characters are great but after seeing them full-time, they may play better on a part-time basis.

TV Review: The Flash (2014- )

Original Run: October 7th, 2014 – present
Created by: Greg Berlanti, Andrew Kreisberg, Geoff Johns
Directed by: various
Written by: various
Music by: Blake Neely
Cast: Grant Gustin, Candice Patton, Danielle Panabaker, Rick Cosnett, Carlos Valdes, Tom Cavanagh, Jesse L. Martin, Keiynan Lonsdale, Victor Garber, Franz Drameh, Robbie Amell, Dominic Purcell, Wentworth Miller, Peyton List, John Wesley Shipp, Amanda Pays

Bonanza Productions, Berlanti Productions, DC Entertainment, Warner Bros., 69 Episodes (so far), 40 Minutes (per episode)

Review:

*originally written in 2015.

In sixth grade, my favorite television show was The Flash. It was cancelled after one year but it was still the best comic book series put to television at the time. Well, 24 years later, the Flash returned to television again in another self-titled series.

The modern version of The Flash is a spin-off of CW’s Arrow. It goes on to further expand the DC Comics television universe and mythos and has thus, spun-off its own show debuting in the fall called Legends of Tomorrow.

Having now completed the first season of The Flash, I figured it was time to review it.

In short, this is the greatest comic book television show of all-time. Yes, Daredevil, which just debuted a month ago on Netflix is amazing. This however, this is lightning in a bottle – pun intended.

Something about The Flash is just magical. I can admit, maybe I am affected by nostalgia for my love of the original Flash series from years ago. And maybe that is magnified by the fact that the new Flash show features the stars of the original show. The thing is, everyone else I have talked to that has watched this show, regardless of their knowledge of the series from 1990, is pretty much in agreement that this is simply great.

Sure, the acting isn’t always fantastic, there is that typical CW romance thing going on and often times, the villains can be cheesy. But this is a television show based on comic books and if it took itself too seriously, it would be a train wreck like Gotham. (updated 2017 note: Luckily Gotham fixed that.)

The thing this show has going for it is heart. You can’t not care about these characters, their motivations and their world. When I watch Gotham, I really don’t care about anyone on that show. The Flash is the most human and heartfelt superhero show currently on television, if not of all-time.

The story arc of the first season was well orchestrated and ended perfectly. Everything throughout the year was well paced and while it fell victim to the “monster of the week” formula at times, it built a much larger universe and everything had a point to it. There wasn’t a lot of filler unlike a lot of episodes of Arrow this past season.

Where The Flash goes from here is anyone’s guess. I hope the momentum maintains going forward and that the show doesn’t go off the rails, as its predecessor Arrow has recently. I also hope that the quality isn’t effected by the new spin-off series. We shall see but the future looks bright.

Update:

Having now gotten through three seasons, the show unfortunately becomes redundant and derivative of its previous seasons. It sucks that it sort of nosedives, even if you still care about the people on the show. Season four I hope gets back to form. And we really don’t need another speedster as the season’s major villain.

Film Review: Edge of Tomorrow (2014)

Release Date: May 28th, 2014 (London IMAX premiere)
Directed by: Doug Liman
Written by: Christopher McQuarrie, Jez Butterworth, John-Henry Butterworth
Based on: All You Need Is Kill by Hiroshi Sakurazaka
Music by: Christophe Beck
Cast: Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson, Franz Drameh

Village Roadshow Pictures, RatPac-Dune Entertainment, 3 Arts Entertainment, Viz Productions, Warner Bros., 113 Minutes

Review:

Edge of Tomorrow was not a film I went into expecting much. Lets be honest, the trailer was subpar, the action looked over the top and really CGI heavy, plus the last few sci-fi outings from Tom Cruise weren’t that great or memorable. Also, the film was directed by Doug Liman who gave us Swingers and The Bourne Identity but he more recently gave us the abominations Mr. & Mrs. Smith and Jumper. What Liman gave us this time, was probably his best film or, at the very least, a film that was at the level of The Bourne Identity in quality.

Tom Cruise’s character did not start out like you think he would in this film. He is pretty much a pussy and forced into an awful suicidal combat situation. It’s what happens to him in that battle that changes him and moves him forward, evolving into Earth’s top bad ass. Granted, Emily Blunt’s character is probably Earth’s top bad ass but Cruise had to go the extra mile. By the way, Blunt was nothing short of fantastic and really ran with this role. If she was less than perfect, I didn’t notice because she had me mesmerized from the moment she came on screen. No, I wasn’t perving out, I was just captivated and damn it, she’s beautiful with mud on her face and a giant buster sword.

This film was based on a Japanese “light novel”, which is essentially their version of young adult novels. It had a very Manga feel to it, especially with Emily Blunt running around with a sword that looked like it was ripped out of the hands of Cloud in Final Fantasy VII.

The cinematography was superb. The big beach battle in the first act of the film was reminiscent of the Battle of Normandy. Except in this war, it was humans versus some tentacled dog aliens that looked pretty friggin’ bad ass. I liked the aliens a lot and they were different and refreshing and certainly not a disappointment like those horrible aliens from Cowboys Vs. Aliens.

I enjoyed this film a lot more than I was anticipating. It isn’t a masterpiece by any means but it is worth your time if you just want a good sci-fi action epic that isn’t a shoddy CGI festival like those deplorable Michael Bay Transformers movies. Edge of Tomorrow is a really good one-off sci-fi treat. I hope they leave it alone and don’t spin this into a franchise, it doesn’t need to be. It’s great the way it is.

Additionally, I’m glad to see Tony Way in this. I’ve liked him since he started out doing bit parts in BBC comedies like Spaced, Black Books and No Heroics.