Comic Review: Frankenstein Alive, Alive! – The Complete Collection

Published: October 10th, 2018
Written by: Steve Niles
Art by: Bernie Wrightson, Kelley Jones
Based on: Frankenstein by Mary Shelley

Marvel Comics, IDW Publishing (reprint), 84 Pages

Review:

Originally released by Marvel Comics in 1983, this version of the Frankenstein story has stood the test of time because of the absolutely astounding art by Bernie Wrightson. In fact, if there were any original comic book art pieces I could own (not counting Jack Kirby or Steve Ditko), it’d be something from this visual masterpiece.

That being said, the story is also damn good and really compelling, as it serves as a sequel to the original Mary Shelley Frankenstein novel. It even exists in a world where that story is known, as more of a legend, and the monster is initially seen as portraying the legendary monster while carnival-goers believe it’s just a show and even point out that he doesn’t resemble the Karloff version of the monster (never mind that the 1931 film wouldn’t have existed in this story’s time).

Anyway, the story sees the monster have a final conversation with his creator before the monster is buried alive. He is eventually found by another doctor, who treats him well and tries to make him feel more human. That is, until this doctor’s wife discovers the monster and her reaction to him makes the monster remember that he’s an abomination and possibly born of evil.

This is a pretty dramatic and emotional character piece that shows the world through the eyes of the monster. It’s a unique and really cool take on the story and it most likely inspired a lot of the Frankenstein stories that came after, whether they were told in other comics, novels, films and television programs.

I love this comic and honestly, I just wish it was longer.

Rating: 9.5/10

Comic Review: Avengers: Citizen Kang

Published: 1992
Written by: Roy Thomas
Art by: Larry Alexander, Geof Isherwood, Herb Trimpe, Dan Panosian (cover)

Marvel Comics, 223 Pages

Review:

Citizen Kang wasn’t just an Avengers story, it spanned four different annuals in 1992 and also featured the Fantastic Four quite heavily, as well as some characters from the Inhumans and Eternals.

It’s a damn cool story if you are a fan of Kang the Conqueror, as I am. Back when this was current, I loved the story because it gives you the full backstory of Kang up to this point in his history. A lot of the pages collected here are flashback stuff but it’s not by any means boring, even if you know Kang’s previous stuff. Reason being, Kang’s a complicated character with multiple versions of himself running around. So this served to give you the CliffsNotes version of that complicated history.

But this isn’t just a condensed history of Kang, that’s just a small part of this total package. This actually sees Kang try to take down his enemies, be they actual heroes or other villains that have caused him problems.

This was an ambitious and big story and I thought that Roy Thomas delivered. Being that he had been at Marvel for a few decades at the time that he wrote this, he knew a lot of these characters and their histories together very well.

Also, being that this is four annuals collected into one volume, it also includes all the extra side stories and supplemental material. My only gripe with this release was how it was all organized. It just pieced the four annuals together as they were printed. I would have rather had the main story flow in order and then tack on all the extras at the end, instead of having them feel like roadblocks between each main chapter.

Still, everything in this was entertaining and hit its mark.

Rating: 8/10

TV Review: 100 Years of Horror (1996-1997)

Original Run: 1996 – 1997
Created by: Ted Newsom, Dante J. Pugliese
Directed by: Ted Newsom
Written by: Ted Newson, Jeff Forrester (uncredited)
Cast: Christopher Lee (presenter), Roger Corman, Hugh Hefner, Fred Olen Ray, Richard Denning, Bela Lugosi Jr., Hazel Court, Robert Wise, Beverly Garland, Gloria Talbott, Sara Karloff, Dick Miller, Caroline Munro, John Agar, Ralph Bellamy, John Carpenter, Richard Matheson, Linnea Quigley, various

Multicom Entertainment Group, 26 Episodes, 22 Minutes (per episode)

Review:

I’m glad that this documentary television series was made when it was, in the mid-’90s, as it allowed for the children of multiple horror icons to be involved and to tell stories about their fathers, their careers and their personal lives outside of the public eye.

Additionally, I love that this was able to include a lot of the filmmakers, writers and actors that were involved in a lot of classic horror films. Had this been made today, a lot of these people wouldn’t have been able to tell their stories in their own words, as they’re no longer with us.

Also, I love that Christopher Lee was the presenter of this series, as there wasn’t a more perfect choice available.

This series features 26 episodes, roughly 22 minutes apiece. Each episode tackles a different subject, be it a type of monster or a legendary horror actor. Plus, each episode covers a lot of ground for its running time, jumping through history and trying to show the audience everything it possibly can on the subject.

There really isn’t a dull episode, as there are so many different things that can be covered. There could’ve been more episodes and there still would’ve more topics to explore.

I like that this just dives right in and delivers so much. In fact, every episode showed me something I wasn’t aware of and helped me expand my list of old school horror movies that I still have left to watch and review.

All in all, this was pretty great and classic horror fans will probably find themselves lost in each episode, traveling through time and seeing things they still haven’t seen before.

Rating: 7.5/10

TV Review: Abbott and Costello Meet the Creature From the Black Lagoon (1954)

Also known as: The Colgate Comedy Hour
Release Date: 1954 (originally aired)
Cast: Bud Abbott, Lou Costello

Colgate-Palmolive-Peet, NBC, 59 Minutes

Review:

I bought this pretty sure that it had never actually been a movie. I was right. But considering that I love the Gillman more than any monster to come out of the Universal Monsters franchise, I had to buy it.

Plus, I also love Bud Abbott and Lou Costello and every time they cross paths with horror icons, it makes for really good results.

This is actually an episode of the comedy/variety show The Colgate Comedy Hour, which was a very early variety show in the earliest days of television.

You have to sit through about forty minutes of comedy skits, interviews, ice skating and dancing routines but you do eventually get to the section that stars Abbott and Costello.

Their segment is less than fifteen minutes and while it is rather funny, it only features the Gillman for maybe five seconds. The segment actually features more of Frankenstein’s Monster than it does the “creature” from the Black Lagoon. While that’s underwhelming and disappointing, the skit is still funny.

I wouldn’t call this a waste of money, by any means, as it was like five bucks. However, it’s packaging and title are pretty misleading and I can see where most people will end up with a product that pisses them off. For me, it’s just some weird novelty that’s been added to my classic horror collection.

Rating: 6/10
Pairs well with: the Abbot and Costello monster movies.

Film Review: Abbott and Costello Meet Frankenstein (1948)

Also known as: The Brain of Frankenstein (working title)
Release Date: June 15th, 1948
Directed by: Charles Barton
Written by: John Grant, Robert Lees, Frederic I. Rinaldo
Based on: characters by Mary Shelley, Bram Stoker, Curt Siodmak, H.G. Wells
Music by: Frank Skinner
Cast: Bud Abbott, Lou Costello, Lon Chaney Jr., Bela Lugosi, Glenn Strange, Lenore Aubert, Jane Randolph, Frank Ferguson, Charles Bradstreet, Vincent Price (voice, uncredited cameo)

Universal International Pictures, 83 Minutes

Review:

“Young people making the most of life – while it lasts.” – Dr. Lejos/Dracula

I’m actually surprised that I hadn’t yet reviewed any of the Universal Monsters pictures with Abbot and Costello in them. I have an immense love of both things and having them come together, which they did a handful of times, was really cool.

Overall, this one was always my favorite but I like all of them.

In this one, we don’t just get Frankenstein’s Monster, we also get Dracula, the Wolf Man and a little cameo by the Invisible Man. With that, we also got Bela Lugosi, Lon Chaney Jr. and a voice cameo by the legendary Vincent Price.

Unfortunately, Boris Karloff didn’t come back to play Frankenstein’s Monster but we did get Glenn Strange, who had already played the monster twice before this and who is really underappreciated in that role.

The only problem with this is one that doesn’t actually effect the film itself but instead, effects the ones that followed. You see, they blew their nut really early by cramming a ton of monsters into this one, so the following movies felt a bit underwhelming after the precedent this one set. But honestly, it’s why this particular one is the best of the lot.

Abbot and Costello are both hilarious per usual and their camaraderie was so solid by this point that they could’ve entertained in their sleep.

All in all, this was a really good horror comedy that took the best parts of two very different things and merged them together very well, not diminishing the performances of the two comedic legends or the coolness of the classic monsters and the legends who played them.

Rating: 7.75/10
Pairs well with: the other Abbot and Costello monster movies.

Film Review: The Horror of Frankenstein (1970)

Release Date: November 8th, 1970 (UK)
Directed by: Jimmy Sangster
Written by: Jeremy Burnham, Jimmy Sangster
Based on: characters by Mary Shelley
Music by: Malcolm Williamson
Cast: Ralph Bates, Kate O’Mara, Veronica Carlson, David Prowse

EMI Films, Hammer Films, 95 Minutes

Review:

“I’m going to make a person!” – Victor Frankenstein

It seems like Hammer fans are split on this movie. Many seem to dig it’s somewhat fresh and slightly more tongue and cheek take on Frankenstein while others outright hate it and think it was a failure that missed its mark.

I’m on the side of liking it but I also just find it entertaining and amusing and I’m not wholly in love with it.

What works for me is Ralph Bates. He’s good in this and it’s cool seeing him get his chance to actually star in a Hammer horror film, as opposed to just being a supporting player or low tier villain. I think that his humor comes through and even with how subtle he is about it, his timing and facial expressions are impeccable.

Bates’ performance is a bit understated and it works for me but I can see how it doesn’t resonate with many Hammer fans, who might not enjoy his sort of dry wit.

I also like that David Prowse got to play this film’s version of the Monster, as he’s a good physical actor that can convey a lot without seeming like he’s doing much at all. I wouldn’t call his performance as good as it was in Frankenstein and the Monster From Hell or the original Star Wars trilogy, where he was Darth Vader, but he actually creates a version of the monster that feels unpredictable and legitimately dangerous.

Additionally, we get the enchanting Veronica Carlson, who is sweet and looks like a million bucks. Add in Kate O’Mara and you’ve got a solid, well-rounded cast. Some people may know O’Mara as The Rani from the Tom Baker years on Doctor Who.

The plot sort of reboots 1957’s The Curse of Frankenstein. It’s nowhere near as good as that movie but it’s still interesting seeing another team get to tackle the material while still having this visually fit within the Hammer style. But ultimately, this wasn’t as successful as Hammer had hoped, as it didn’t get a sequel and the studio went back to making more movies with Peter Cushing as Victor Frankenstein.

Rating: 6.5/10
Pairs well with: other Hammer Frankenstein films, as well as the Hammer Dracula and Mummy series.

Comic Review: The Tomb of Dracula – The Complete Collection, Vol. 2

Published: October 3rd, 2018
Written by: Gerry Conway, Chris Claremont, Gary Friedrich, Tony Isabella, Roy Thomas, Len Wein, Marv Wolfman
Art by: Gene Colan, Ross Andru, John Buscema, Dick Giordano, Don Heck, Mike Ploog, Gil Kane (cover)
Based on: Dracula by Bram Stoker, Frankenstein by Mary Shelley

Marvel Comics, 512 Pages

Review:

Over the last few months, I’ve been reading a lot of the ’70s Marvel Comics stuff. I dabbled in some of these stories when I was a kid but they were before my time and weren’t as easy to get when I really started collecting comics circa 1990. Plus, my attention, at that time, was focused on superhero stuff, as well as G.I. Joe.

I enjoyed the first volume in this massive collections of The Tomb of Dracula, so naturally I wanted to check out this one too. In the end, I liked this one even more. I think a lot of that has to do with this taking place more in the modern world, which allowed Marvel’s incarnation of Dracula to interact with some of Marvel’s famous superheroes.

In this collection we get to see Dracula meet Spider-Man, Werewolf by Night and Marvel’s version of Frankenstein’s Monster. We also get a small cameo by the Human Torch, as well as the debut of Dracula’s daughter, Lilith. This even had a swashbuckling tale in it.

Now this had a ton of different writers and artists, as it bounces around to different titles that featured Dracula, at the time. Despite this, the book feels consistent, which is a testament to how great Marvel’s editorial was in the ’70s. As far as that company has fallen in recent years, they wouldn’t be able to pull this feat off in 2020.

Most of the stories here were good, it was an energetic read with great art by several legends and it is a fantastic example of ’70s Marvel horror at its finest.

Rating: 7.5/10
Pairs well with: the other Marvel Dracula stories, as well as other ’70s Marvel horror titles.

Comic Review: The Monster of Frankenstein

Published: 1973-1974
Written by: Gary Friedrich, Bill Mantlo, Doug Moench
Art by: Bob Brown, John Buscema, Val Mayerik, Don Perlin, Mike Ploog
Based on: Frankenstein by Mary Shelley

Marvel Comics, 533 Pages

Review:

After reading the first big collection of Marvel Comics’ The Tomb of Dracula, I wanted to check out some of their other horror titles that are based off of classic monsters. So naturally, their ’70s Frankenstein series seemed like the next one I should read.

From the start, this was a pretty cool series. It initially starts way back in the original era of Frankenstein’s Monster but it moves through time with each story arc, bringing the lovable brute into more modern times by the end.

My favorite arc within the series was near the middle and it featured the Monster meeting Dracula. Now I wasn’t 100 percent clear as to whether I was supposed to interpret the character as Marvel’s Dracula or not. I’d assume so, despite the ending making me question it. But the reason why I see him as the same character is because Frankenstein’s Monster also crosses over with the Marvel superhero universe, which links the characters and puts both of them in Marvel canon, officially.

The only real down side to this series was that it switched artists and writers a lot. Now most of the stories were good and the art was always cool but it felt like it lacked cohesion and fluidity because of this. Three writers and five main artists over just eighteen issues is a lot.

Still, if ’70s Marvel horror is your thing and you haven’t read these comics yet, you might want to pick them up at some point.

Rating: 7/10
Pairs well with: Marvel’s Tomb of Dracula series, as well as Werewolf by Night and The Living Mummy comics.

Film Review: Frankenweenie (1984)

Release Date: December 14th, 1984 (Los Angeles premiere)
Directed by: Tim Burton
Written by: Lenny Ripps, Tim Burton
Music by: Michael Convertino, David Newman
Cast: Barret Oliver, Shelley Duvall, Daniel Stern, Joseph Maher, Paul Bartel, Sofia Coppola, Jason Hervey

Walt Disney Productions, 29 Minutes

Review:

“I guess we can’t punish Victor for bringing Sparky back from the dead.” – Ben Frankenstein

There was a time when Tim Burton was my favorite director. That was mainly due to a string of movies from the mid-’80s through 1999’s Sleepy Hollow. Things went a bit sideways in the ’00s but I still have a lot of love for his first few decades as a director, especially his two early short films: Vincent and this one, Frankenweenie.

This would go on to be remade by Burton, years later, into a feature length animated film. While I’ve never seen that one, I can’t imagine it captured the magic and charm of this original live action short film. I’ll probably give it a watch in the near future though, as I’ve been meaning to for quite some time.

Focusing back on this film though, it’s a lighthearted and heartwarming piece that showcases how damn good Barret Oliver was as a child actor. While he doesn’t get as much time in this as he did in The NeverEnding Story and D.A.R.Y.L., this is my favorite performance of his and he’s definitely the glue that keeps this movie together, even though Shelley Duvall and Daniel Stern are also wonderful in this.

The story is an homage of the classic Frankenstein story by Mary Shelley. However, in this, Frankenstein is a boy and he uses the power of lightning to resurrect his bull terrier, who was hit by a car in the opening of the film.

Initially, this was made to be paired up with the theatrical re-release of Snow White and the Seven Dwarfs but upon seeing it, Disney executives thought it was too dark for little kids. They were wrong, as I would have loved this as a kid just as I had loved Gremlins earlier that same year. I was five years-old at the time but I think us ’80s kids weren’t total pussies like the kids today… but I digress.

Frankenweenie plays like an episode of an anthology television series; Steven Spielberg’s Amazing Stories immediately comes to mind. It’s a really good length, covers a lot of ground but also has enough time to develop these characters in a way that makes you care for them.

Tim Burton showed tremendous talent with this short film and I’m sure it played a big part in him getting his first feature film gig, directing the original Pee-wee Herman movie, Pee-wee’s Big Adventure.

Rating: 7.5/10
Pairs well with: the feature length animated remake, as well as the Tim Burton short film Vincent and his animated feature The Corpse Bride.