Documentary Review: Shadowing the Third Man (2004)

Release Date: October 11th, 2004
Directed by: Frederick Baker
Written by: Frederick Baker
Cast: John Hurt (narrator)

Media Europe, NHK, BBC, 95 Minutes

Review:

The Third Man is a movie that I discovered fairly recently but it instantly became one of my favorites. I couldn’t get enough of it, honestly, and I watched it three times over the course of a month.

So when I came across this documentary about the film, I had to check it out. This is streaming on the Criterion Channel for those of you interested in watching it.

This goes into great depth about the film, looking at how it was made, as well as being a love letter to Vienna and the iconic locations where the film was shot.

What’s really cool about this, is that it shows you the same locations in Vienna now, in modern times. Not much has changed in these locations but it’s really neat seeing them in full color, compared to the shots of the film.

This documentary is narrated by the great John Hurt and he adds a certain bit of eloquence to the presentation, as he guides the viewer through this film’s genesis, it’s execution and the impact it had after its release.

Another great thing about this film is that it shows interviews with most of the key people involved in the film. The stuff featuring Orson Welles is compelling stuff.

Rating: 7/10
Pairs well with: The Third Man and any Carol Reed or Orson Welles film.

Documentary Review: Moebius Redux: A Life In Pictures (2007)

Release Date: 2007 (Germany, France)
Directed by: Hasko Baumann
Written by: Hasko Baumann
Music by: Aaa
Cast: Jean Giraud (Moebius), H.R. Giger, Stan Lee, Jim Lee, Mike Mignola, Dan O’Bannon, Alejandro Jodorowsky, Philippe Druillet, Enki Bilal

Arte France, Avanti Media, Morag Loves Company, 68 Minutes

Review:

I’ve admired Moebius’ artwork for years. However, I sadly didn’t know much about the man until this documentary.

Sure, I knew that he was an artist’s artist and that he has been praised longer than I’ve been alive but I never delved beyond just his art. But I guess that’s my crime and I missed out on not knowing more about Jean Giraud, the man behind the pseudonym.

This short film interviews a lot of iconic people from Alejandro Jodorowsky to Stan Lee to H.R. Giger to Jim Lee to Mike Mignola and they all give their two cents on Moebius and the impact of his work on the comic book and film mediums, as well as his influence on their own work.

Most importantly though, this spends a lot of time with Giraud, as he gives his story, in his own words. He talks about his influences and how Moebius evolved over time, working in the western genre and then sci-fi, fantasy and other styles that come with their own sets of tropes.

This was just a cool documentary about a guy that’s cooler than most people.

Moebius is an extremely talented artist and on top of that, his life is compelling and fascinating.

I’d say that this is definitely a must see for those who love the comic book medium and intriguing creatives with a hell of a lot of passion and imagination.

Rating: 7.75/10
Pairs well with: other comic artist documentaries. I’ve reviewed a ton of them here, already.

Film Review: Roundhay Garden Scene (1888)

Release Date: October 14th, 1888 (UK)
Directed by: Louis Aimé Augustin Le Prince
Cast: Annie Hartley, Adolphe Le Prince, Joseph Whitley, Sarah Whitley

Whitley Partners, Original length 4.33 seconds, 52 frames at 12fps

Review:

How do you review something that is less than five seconds long? Let alone something completely devoid of plot? Well, you can’t.

The reason I am talking about this film though is due to its historical significance.

It is the oldest surviving film, at least that anyone knows about. Maybe there are some other experimental pieces buried in a European cellar somewhere but who’s to say?

Now some people may say that 1877’s Sallie Gardner at a Gallop is the first “motion picture” but it wasn’t shot with a single camera, it was shot with multiple cameras with each photo frame being used like a flip book or animation.

Louis Le Prince, this film’s director, was a French artist and inventor and this short clip was a test of his newly invented motion picture camera. While his invention and this film are significant, Le Prince didn’t have a direct influence on what would become the motion picture industry.

Le Prince also made a few other short film clips but two years after this experiment, he vanished… literally. No one knows what happened to him but it’s suspected that he committed suicide due to impending bankruptcy.

Some have thought that this film may be cursed. Because in addition to Le Prince’s disappearance, Sarah Whitley, one of the people in the scene, died ten days after filming. Le Prince’s son, Adolphe, was also shot to death. However, that happened a few years after he testified in court in defense of his fahter’s inventions against Thomas Edison. But some people like to connect all of this to the film clip like it’s some 1880s Poltergeist.

Anyway, the clip is pretty basic and straightforward, as you can see for yourself below. It’s not really reviewable but it is worth shedding some light on for its place in early motion picture history.

Rating: NR/10
Pairs well with: other very early and experimental films.

Documentary Review: Road to Wasteland (2017)

Release Date: June 24th, 2017 (France – TV)
Directed by: Sébastien Antoine, Vivien Floris
Written by: Sébastien Antoine, Vivien Floris

AB Productions, 53 Minutes

Review:

I’m glad that I watched this documentary simply for the fact that it made me aware of this subculture within Mad Max fandom, as well as the annual Wasteland event that sees these people come together to show off their Mad Max inspired vehicles.

This was a pretty straightforward documentary with typical talking head interviews but everyone had a good story, a cool vehicle and expressed their love of this weekend festival with convincing passion.

No one here seemed like they were overselling or that they weren’t genuinely in love with this event. It’s the kind of the passion that rubs off and makes you want to experience it as well.

This was only 53 minutes, as it was made for television but this could have been longer and been just as interesting.

I’ve seen about a billion documentaries about different types of fandom and they are all pretty much the same. But few are this cool.

If you are a fan of the Mad Max films or even a part of some subculture born out of that, you’ll probably find great enjoyment in this.

Rating: 6.75/10
Pairs well with: other documentaries about specific fandoms.

Film Review: Commando Ninja (2018)

Release Date: November 18th, 2018 (Effets Stars Film Festival – France)
Directed by: Benjamin Combes
Written by: Benjamin Combes
Music by: Thomas Cappeau
Cast: Eric Carlesi, Philippe Allier, Stéphane Asensio, Anaëlle Rincent, Charlotte Poncin, Thyra Hann Phonephet, Cécile Fargues, Thémann Fagour, Olivier Dobremel

Benjamin Combes, Melbas 801, 68 Minutes

Review:

“50% Commando, 50% Ninja, 100% American” – tagline

Like Kung Fury before it, as well as some other similar films, this was a crowdfunded motion picture. I didn’t contribute to it or even know about it until a week ago but once I got wind of it, I had to check it out, as it is certainly something that is right up my alley.

Commando Ninja draws its inspiration from ’80s American action films, even though it is a French production. It works as an homage to CommandoPredator, the American Ninja series, Rambo: First Blood Part II, The Terminator and just about anything put out by Cannon Films.

This was a hell of a lot of fun for fans of ’80s action. It really seemed to understand the source material and is a solid parody and homage to it all. Watching this churned up the same sort of feelings I had renting Cannon movies as a kid.

The acting in this is pretty funny. It’s not good acting but it’s not even trying to be and doesn’t need to be. The actors intentionally ham it up and it works in a similar fashion to Samurai Cop or any of the films by Amir Shervan.

For what this film intended to be, it is near perfect. And I’m sure it is something I will revisit on a semi-regular basis.

Between this and Kung Fury, I’m glad that the Europeans still have a love for these type of films, as here in the United States, our culture has gotten too sensitive and would put up a big stink if someone where to actually put out a film like this in 2019. Hell, even Hobo With a Shotgun and Turbo Kid weren’t American production either and they hit very similar notes with quite a bit of success.

Mark my words, this will be a cult film years from now.

Rating: 9/10
Pairs well with: Kung Fury, Hobo With a Shotgun and Turbo Kid.

Film Review: Beastmaster II: Through the Portal of Time (1991)

Release Date: June 8th, 1991 (Japan)
Directed by: Sylvio Tabet
Written by: Jim Wynorski, R.J. Robertson, Sylvio Tabet, Ken Hauser, Doug Miles
Based on: The Beast Master by Andre Norton, characters by Don Coscarelli, Paul Pepperman
Music by: Robert Folk
Cast: Marc Singer, Kari Wuhrer, Sarah Douglas, Wings Hauser, James Avery, Robert Z’Dar, Michael Berryman

Les Films 21, Republic Pictures, New Line Cinema, 107 Minutes

Review:

“He who defies Arklon, shall be destroyed… by Arklon!” – Arklon

This is such a shitty movie but it is a wonderfully entertaining shitty movie.

Where the original Beastmaster is truly a sword and sorcery classic, this film is pretty much just a “fish out of water” comedy with some sword and sorcery elements.

I’m not sure what the filmmakers were thinking with this. It wasn’t like they rushed out a sloppy sequel because this came nine years after the original. But it is very cheaply made and it completely lacks the superior craftsmanship of the previous film’s director, Don Coscarelli.

What saves this film, at least in my eyes, is the over the top performances of its cast. Marc Singer is dry when compared to his cast mates but he’s still enjoyable as Dar and I’ll always be a fan of his version of the character.

However, Singer is pretty much overshadowed by the energetic cuteness of Kari Wuhrer in one of her earliest film performances. He’s also usurped by the charismatic Wings Hauser, as his evil brother Arklon. Plus, you have Sarah Douglas as a sorceress and she’s always fantastic. But the real scene stealer is James Avery, who isn’t in this as much as the other actors but you’re always locked on him when we walks on screen. Avery is used as comedic relief and he’s a master of that but I can’t discount the fact that this entire movie really is comedy.

This lacks the edge and darkness of its predecessor and if I’m being honest, I would have preferred a proper sequel. However, I still like this strange movie for all of its batshittery. It’s a very smudged up gem but it’s still a gem. But you also have to be the right sort of film fan for this movie to click for you. The average person isn’t going to find much value in the picture and that’s fine. All this shit is subjective, anyway.

Beastmaster II already had its work cut out for it, as the first film casts a big shadow. But all things considered, this is bizarre and unique enough to justify its existence and at least it wasn’t just a rehash of the previous movie.

Rating: 5/10
Pairs well with: other sword and sorcery movies of the time, most notably the Conan films. It’s also fun to watch with the other films within its own series.

Film Review: Solomon Kane (2009)

Release Date: September 16th, 2009 (TIFF)
Directed by: Michael J. Bassett
Written by: Michael J. Bassett
Based on: characters by Robert E. Howard
Music by: Klaus Badelt
Cast: James Purefoy, Max von Sydow, Rachel Hurd-Wood, Pete Postlethwaite, Mackenzie Crook, Alice Krige

Davis Films, Czech Anglo Productions , Wandering Star Pictures, Metropolitan Filmexport, Optimum Releasing, 104 Minutes

Review:

“If I kill you, I am bound for hell. It is a price I shall gladly pay.” – Solomon Kane

At times, this felt like two different films. I liked a lot of the stuff in this movie but it had issues with pacing and tonal shifts.

Still, this had some real badass moments and I loved the character design between Solomon Kane and the two big villains, Malachi and the Masked Rider.

The opening ten minutes or so of this film were great and got me excited for what was to come. However, after the intense and fantastic opening, things slowed to a crawl for quite awhile. The energy didn’t really pick back up until the Masked Rider appeared and started doing some evil shit. Man, he just looked sinister and cool as hell, almost like a powerful Sith thrown into a Robert E. Howard story.

Malachi also added a lot to the picture and was a nice antagonist for Solomon Kane, a hero that walks the line with one foot in Hell and the other on the side of God.

The ghouls were also pretty cool and provided a lot of intense moments, as did the ghosts in the mirrors and the big demon beast in the big finale.

I thought that the cinematography was good and the film is very well shot. It looks great, even in the moments were CGI is very prevalent.

I just wish that the film wasn’t bogged down by some of its inconsistencies.

Every part in the picture was well acted, though and that certainly boosted the overall quality of the film. James Purefoy was perfection as Solomon Kane and even if he’s not a widely known star, I can’t think of a bigger one that would’ve pulled off the character as well as he did. Frankly, I wish this had done better because I would’ve liked to have seen him return to the role for other movies. And maybe it’s not too late but it’s been almost a decade since this came out and I haven’t heard anything about a follow up. It’ll probably be rebooted sometime in the future.

I wasn’t sure what to expect before watching this. On one hand I was pleasantly surprised and on the other, I was bored for half the film. But the positives definitely outweigh the negatives.

Rating: 7/10
Pairs well with: other films featuring Robert E. Howard heroes: all the Conan movies, Kull the ConquerorRed Sonja and other sword and sorcery films.