Original Run: January 13th, 2008 – April 10th, 2009
Created by: Josh Friedman
Directed by: various
Written by: various
Based on: The Terminator by James Cameron, Gale Anne Hurd
Music by: Bear McCreary
Cast: Lena Headey, Thomas Dekker, Summer Glau, Brian Austin Green, Garret Dillahunt, Shirley Manson, Richard T. Jones, Leven Rambin, Stephanie Jacobsen, Dean Winters, Dean Norris, Stephany Jacobsen, Busy Philipps, Theo Rossi, Chad L. Coleman
Sarah Connor Pictures, Bartleby Company, C2 Pictures, The Halcyon Company, Warner Bros. Television, Fox, 31 Episodes, 43 Minutes (per episode)
There are nearly a half dozen versions of what happens after Terminator 2: Judgment Day. Having seen all the sequels and reboots, I have to say, this is the best version of a sequel to the first two iconic films.
Now I haven’t seen the new movie that just came out, so I’ll have to see how that measures up once I get around to watching it. But the only real selling point for me is the return of Linda Hamilton as Sarah Connor.
But, if I’m being honest, I really like Lena Headey’s version of Sarah Connor after having finally seen this show.
Additionally, I also like Thomas Dekker’s John Connor, Summer Glau’s Terminator and the inclusion of Kyle Resse’s brother Derek, as played by Brian Austin Green, who I loved in this.
The cast is pretty solid, all around. Richard T. Jones did fantastic, as did Garret Dillahunt, who actually gets better as the show rolls on. I really thought that Dean Winters was a scene stealer in the episodes he was in though. I actually wish we would’ve gotten to see Winters more but then again, I wish this show could have survived beyond just a half season and one full season.
While this is an hour long drama show made for network television, it didn’t get bogged down by too much of the slice of life stuff. That did exist in the show but each episode had a purpose, was well paced and structured and you never felt like the characters were safe. There was always danger, they had to move a lot and thankfully, we didn’t get Summer Glau’s Terminator evolving into a happy homemaker, which was something I worried about before actually watching the show.
The Sarah Connor Chronicles builds off of the established mythos quote well and it explores some really interesting territory that none of the films have explored. There is a rogue liquid metal Terminator (played by Shirley Manson of the band Garbage), who is trying to build an anti-Skynet. You also have multiple timelines and different versions of characters that pop up. There was just a lot of neat angles the show took that we never get a real payoff to, as the second seasons ended on a cliffhanger that was never resolved.
This was a fantastic show that sadly didn’t get the longevity it needed to complete its story. Granted, everything could’ve gone to shit but I think that it probably would’ve been satisfying to see it all play out. Well, at least more satisfying than all the other attempts at a Terminator 3.
Pairs well with: the first two Terminator films.
Original Run: September 10th, 2017 – current
Created by: Seth MacFarlane
Directed by: Seth MacFarlane, various
Written by: Seth MacFarlane, various
Music by: Bruce Broughton, Joel McNeely, John Debney, Andrew Cottee
Cast: Seth MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes, Peter Macon, Halston Sage, J. Lee, Mark Jackson, Jessica Szohr, Victor Garber, Chad Coleman, Norm Macdonald, Jason Alexander, Patrick Warburton, Rob Lowe, Robert Picardo, Larry Joe Campbell, Kelly Hu, Rachael MacFarlane (voice)
Fuzzy Door Productions, 20th Century Fox Television, Fox, 12 Episodes (so far), 44 Minutes (per episode)
I’ve heard nothing but good things about The Orville. I intended to watch it last year, after the first season wrapped up, but life throws curveballs and I didn’t get to it until the current, second season, started.
I wasn’t sure what to expect from a show that looked to be a parody of Star Trek from the man behind Family Guy. I’m not a big fan of that show but I also don’t really dig animated comedies, at least since the earliest days of South Park.
This doesn’t reflect the same sort of humor style or tone of Family Guy, however. It’s just really f’n clever and beyond the comedy, this show is written in a way that makes it very clear that Seth MacFarlane truly is a fan of Star Trek and most notably, Star Trek: The Next Generation.
It feels as if it most directly parodies TNG and some of Voyager. But I can’t really call it a parody, even if it seemed to start out that way.
Yes, there is a lot of humor but it is almost secondary and as the show progresses, it learns to balance itself better between comedy and real drama. In fact, the comedy is used perfectly in how it eases tension and emotions in the right moments.
As of now, having seen about 15 episodes of this show, I can say that it is the best version of Star Trek since Deep Space Nine left the air in 1999, twenty years ago. The Orville is more Star Trek than modern Star Trek. It understands the source material it borrows from better than any of the film or television writers that have tried to resurrect it over the last two decades.
Everything about The Orville just feels right. If it maintains its momentum, I’ll have to adjust the rating and make it higher. I’m skeptical that it can maintain this trajectory over the long haul but I also don’t think that it’ll ever devolve into something terrible.
Thus far, I love this show and I can’t thank Seth MacFarlane enough for plugging a large hole in my fanboy heart.
Pairs well with: Star Trek: The Next Generation and Star Trek: Voyager.
Original Run: October 2nd, 2017 – current
Created by: Matt Nix
Directed by: various
Written by: various
Based on: characters by Stan Lee and Jack Kirby
Music by: John Ottman, David Buckley
Cast: Stephen Moyer, Amy Acker, Sean Teale, Natalie Alyn Lind, Percy Hynes White, Coby Bell, Jamie Chung, Blair Redford, Emma Dumont, Skyler Samuels, Grace Byers, Garret Dillahunt
Flying Glass of Milk Productions, The Donners’ Company, Bad Hat Harry Productions, Kinberg Genre, Marvel Television, 20th Century Fox Television, 13 Episodes (so far), 45-47 Minutes (per episode)
I’m way behind on a lot of shows, especially the superhero stuff but I finally got around to checking out the first season of The Gifted.
This takes place in the X-Men cinematic universe but at the same time it doesn’t. What I mean by that is that this all happens in a different timeline, where the X-Men have essentially vanished and left some young mutants in charge of a group called the Mutant Underground.
The show centers around Stephen Moyer a.k.a. Vampire Bill from True Blood and his family. His two teenage kids are mutants and they are on the run from the Sentinel Services agency and later, Trask Industries.
The only really well known X-Men characters in this are Polaris, Thunderbird and Blink. Other than that, there are some minor comic book characters that show up but the majority of the main cast is comprised of new mutants and thus, this show has more creative freedom.
While this show does do a good job of filling out it’s pocket universe, it doesn’t necessarily feel like the X-Men films that most of us know and love. But it also doesn’t feel like other comic book television shows that are currently on the air. This definitely has a different vibe than the CW DC programs or the Netflix Marvel ones. This is also more family friendly than the harder stuff out there like Gotham.
The first season told a really good story that came to a satisfying conclusion that actually made me want to jump right in to season two, as it leaves off on a bit of a cliffhanger due to the non-heroic actions of one of the main heroes.
This started out a bit shaky for me though. But being that it was only thirteen episodes, I stuck with it and I’m glad I did. It found it’s footing faster than most other comic book TV series and it got really solid over the back half of the season.
I especially loved Garret Dillahunt in this and as his character’s motivations become more clear, the threat gets a lot more serious for the heroes.
All in all, I was pretty happy with season one and gladly anticipate what season two has to offer.
Pairs well with: Other recent Marvel shows: Legion, The Runaways and Cloak & Dagger.
Release Date: March 1st, 2015 – May 6th, 2018 (original run)
Directed by: various
Written by: Will Forte, various
Music by: Mark Mothersbaugh
Cast: Will Forte, Kristen Schaal, January Jones, Mel Rodriguez, Cleopatra Coleman, Mary Steenburgen, Jason Sudeikis, Boris Kodjoe, Mark Boone Junior, Kenneth Choi, Kristen Wiig, Keith L. Williams, Chris Elliott, Fred Armisen, Will Ferrell (cameo), Alexandra Daddario (cameo), Jon Hamm (cameo), Laura Dern (cameo), Jack Black (cameo), Martin Short (cameo)
The Si Fi Company, Lord Miller Productions, 20th Television, Fox, 67 Episodes, 22 Minutes (per episode)
“Oh, farts.” – Phil Tandy Miller
*Written in 2015.
Now that the first season is over, I can give a proper review to Fox’s The Last Man On Earth.
In short, I really like this show.
Will Forte is great as the lead character Phil Miller. Kristen Schaal is fantastic as the fairly neurotic yet very lovable Carol Pilbasian. Add in January Jones, Mel Rodriguez and as the show progresses further, Mary Steenburgen, Cleopatra Coleman and Boris Kodjoe, and you’ve got a pretty diverse and enjoyable cast.
The show starts with Phil traveling the country in search of other human beings. He paints “Alive In Tucson” on billboards throughout the United States and as the show progresses, characters start to show up every few episodes.
Due to the title, I was wondering how Fox would make an ongoing show out of a single character but I’m glad it has expanded. While it isn’t a post-apocalyptic world per se, it has similar themes as The Walking Dead. Sure, there aren’t zombies and the feeling of danger around every corner but it shows human beings trying to govern themselves and reestablish their place in the world.
Forte’s Phil Miller is mostly unlikable but there is a quality to him that has you siding with him and pulling for him, even though his dastardly deeds cause him to continually lose favor with other members of his tiny community despite the fact that he is the reason everyone has come to Tucson. Miller’s faults are easy to understand and relate to and even though he gives into them, he ultimately just wants to find his place and has a need to feel useful and loved – understandable for someone who was alone in the world without human contact for so long.
The show is entertaining, the cast is amazing and without spoiling anything, it looks like the show isn’t afraid to reinvent itself along the way. Based off of some things that happened in the finale, it will be interesting to see how things pan out in season two.
Pairs well with: Well, it’s pretty unique. If you have any ideas, post them in the comments.
Also known as: The Adventures of Batman & Robin, The New Batman Adventures (relaunched direct sequel series)
Original Run: September 5th, 1992 – September 15th, 1995 (original series run), September 13th, 1997 – January 16th, 1999 (sequel series run)
Created by: Bruce Timm, Eric Radomski
Directed by: Kevin Altieri, Kent Butterworth, Boyd Kirkland, Frank Paur, Eric Radomski, Dan Riba, Dick Sebast, Bruce Timm
Written by: Laren Bright, Alan Burnett, Sean Catherine Derek, Paul Dini, Steve Perry, Michael Reaves, Randy Rogel, Brynne Stephens
Based on: Batman by Bob Kane
Music by: Danny Elfman (theme), various
Cast: Kevin Conroy, Efrem Zimbalist Jr., Bob Hastings, Robert Costanzo, Loren Lester, Mark Hamill, Arleen Sorkin
DC Comics, Warner Bros., Fox, 109 Episodes, 22 Minutes (per episode)
*Written in 2014. Also covers the sequel series, which is more or less now considered the final season of the show.
I’ve been revisiting this series lately, as it has been a long time since I’ve watched it in its entirety. Also, I wanted to do a list for this site that counts down the top fifty episodes of the series. That post will come in the near future.
In my estimation, this is probably the greatest animated series of all-time. Many will argue against that but I can’t think of any other that was as entertaining, epic, stylish, consistent, engaging or that had the quality of this series. There were a few hiccups with episodes drawn by lesser quality animation studios but those houses were quickly let go, as the show’s producers felt a necessity to maintain the show’s otherwise impeccable quality.
Bruce Timm and Eric Radomski created a unique world for Batman to play in and Paul Dini (who later went on to write amazing Batman comics) created some amazing scripts. In fact, their legacy and the influence of this show will live on forever, as many of the characters and situations created for the show, went on to live in the comic books.
Without this show, we would not have Harley Quinn, Renee Montoya and the awesome origin of Mr. Freeze, which was so awesome that it propelled him to being the greatest villain in this series and lead to him being featured as the main protagonist in the second animated film based off of this series.
Batman: The Animated Series was also innovative in the way that they produced it visually. As opposed to the industry standard of designing large set pieces and landscapes by coloring in white paper, they instead used light colors painted over black backgrounds. It provided this show with a dark atmosphere but not in a dreary way; it was more of an inviting film-noir style with very complimentary and carefully chosen colors added in.
The voice actors in this series were top notch. Mark Hamill, who was typecast after playing the iconic Luke Skywalker in the original Star Wars trilogy, was given a second life when he was cast to voice the Joker. Kevin Conroy was equally as good as Batman. Both men actually continued to voice these characters for years after this show went off the air. In fact, both voiced these characters as recently as the Arkham video game series and some of the animated movies.
For an American produced animated series, this show is about as perfect as you can get. There are very few shows that can maintain a level of quality this high for over 100 episodes.
Original Run: September 22nd, 2015 – December 20th, 2016
Created by: Ryan Murphy, Brad Falchuk, Ian Brennan
Directed by: various
Written by: various
Music by: Mac Quayle, Heather Heywood, Alexis Martin Woodall
Cast: Emma Roberts, Ariana Grande, Skyler Samuels, Lea Michele, Glen Powell, Diego Boneta, Abigail Breslin, Keke Palmer, Oliver Hudson, Nasim Pedrad, Lucien Laviscount, Billie Lourd, Jamie Lee Curtis, Kirstie Alley, Taylor Lautner, James Earl, John Stamos
Ryan Murphy Productions, Brad Falchuk Teley-Vision, 20th Century Fox, 23 Episodes, 42-44 Minutes (per episode)
*written in 2015.
Scream Queens is a horror comedy series that just debuted on Fox. Well, if you can even call it “horror” or “comedy”. Usually, I wait till at least a whole season of a show has aired before I review it. I’m not waiting that long in regards to Scream Queens because I have no intention of ever eating this shit sandwich again.
This series was made by some of the people who made American Horror Story and some of the people who made Glee. It is a weird mixture that doesn’t seem to work on really any level.
The comedy isn’t funny. I get that it is parody and satire and a commentary on the culture of self-obsessed privileged college kids but this has been done several times over and much better. Even in the realm of horror comedy, this show relies solely on overused cliches and by rehashing gags that we’ve already seen.
In regards to horror, this show was pimped out as being edgy and taking risks that network shows don’t usually have the liberty to take. Well, the gore is tame and goofy, the special effects aren’t effective and it just doesn’t conjure up even a minute feeling of dread or terror. Additionally, the slasher character on the show isn’t frightening or intimidating in the slightest.
It is also hard to give a shit about the horror any of these characters are facing. Everyone on this show, except for one or two people, are completely unlikable. You can’t relate to any of them and you grow to hate them and actually wish they’d all die. Except you can’t root for the slasher because the slasher is moronic and corny. And truthfully, I guarantee a lot of young girls will idolize these shitty horrible people and turn into equally atrocious people because they are too daft to understand the joke here.
Jamie Lee Curtis is in this and that kind of sucks. She plays a somewhat interesting character. I just don’t care enough to continue watching her traverse through this mess. Niecy Nash is also in the show and she is the best thing about it, by far. Sadly, her role is pretty small. Emma Roberts is the star. She was in American Horror Story and is the daughter of Eric Roberts and niece of Julia Roberts. She plays the head asshole of the asshole girls and overreacts the whole time. I don’t necessarily blame her, I think it is bad direction but in any event, it is an over the top performance that is too exhausting for such a flat show.
Scream Queens is an over-exaggerated version of everything I hated about Coven, the third season of American Horror Story. Except, at least Coven had characters I liked and cared about, which distracted from the overly cheesy and ridiculous teen drama that made that season feel like Gossip Girl meets Charmed.
When I first heard that Fox was coming out with a show called Scream Queens, I thought it was going to be a period drama about girls in the days of old school horror who were actual Hollywood scream queens. I would’ve been excited for that. Instead, we’ve got a shitty unintentional homage to that shitty 2001 horror film Valentine. At least I could look at Denise Richards in that movie.
But after reading other reviews out there, it looks like I am the minority here. I’m fine with that. Because catering to the majority is why we have these awful PG-13 horror films and nothing truly memorable in that genre for decades.
Original Run: September 22nd, 2014 – current
Created by: Bruno Heller, Danny Cannon
Directed by: various
Written by: various
Music by: Graeme Revell
Cast: Ben McKenzie, Donal Logue, David Mazouz, Zabryna Guevara, Sean Pertwee, Robin Lord Taylor, Erin Richards, Camren Bicondova, Cory Michael Smith, Victoria Cartagena, Andrew Stewart-Jones, Anthony Carrigan, John Doman, Jada Pinkett Smith, Morena Baccarin, BD Wong, James Frain, Jessica Lucas, Chris Chalk, Drew Powell, Nicholas D’Agosto, Michael Chiklis, Maggie Geha, Benedict Samuel, David Zayas, Cameron Monaghan, Richard Kind, Natalie Alyn Lind, Peyton List, Crystal Reed, Alexander Siddig
Primrose Hill Productions, DC Entertainment, Warner Bros. Television, 66 Episodes (thus far), 42 Minutes (per episode)
*originally written in 2015, near the end of season 1, plus additional updates written later.
I was going to wait until the end of the first season before reviewing this show, as I do with most new shows. I just can’t get that far and don’t think that waiting till the season ends will change my assessment. I’ve tried desperately to get this to work for me. I’ve tried a hell of a lot harder than most of my friends and Batman fans, who all gave up on this a long time ago. I saw some promise here and there but this show fails in just about every way. In short: it is pretty goddamned awful (*note: I no longer feel this way as revealed in the final update).
There are actually only a few things that this show has going for it but I’ll get to those shortly.
If you barely know anything about the Batman mythos and you find pleasure in watching mediocre cookie cutter detective shows, I can see where you might find this watchable. However, if you are a Batman fan and love and respect the franchise, this is a very painful experience.
On one hand, the producers are trying to spoon feed the audience with fan service in every episode but it is forced, poorly executed and unnecessary. In fact, it feels as if the producers read a couple Wikipedia articles about Batman and thought they had an intimate grasp. And the way they handle certain characters, goes to show that they don’t understand them at all. At times it just feels like a cruel joke and it is Fox trolling the shit out of their audience.
For instance, Edward Nygma doesn’t need to speak in riddles every scene, Harvey Dent doesn’t need to display a split personality every other appearance, you don’t need to have constant Joker teases across multiple unrelated scenarios, you don’t need to show a little ginger girl playing with plants every time she’s on screen and Selina Kyle doesn’t need to parkour off of every object whenever she makes an entrance. I also don’t need to be reminded every five minutes about how Jim Gordon is a good cop and every other cop on the force is tainted by something. It is fucking overkill.
The acting is questionable, the writing is more often than not atrocious and despite the over abundance of horribly executed fan service, the show is just plain stupid on its own. It is an obvious attempt at being a cash cow and a ratings grabber and somehow it has worked in that regard, as it is coming back for a second season.
The whole premise of the show makes it a failure from the get-go.
To start, the worst part about most live-action superhero adaptations is the origin. The audience usually finds themselves roughing it through the early bits in an effort to get to the comic book action. Also, how many times has Batman’s origin been told? Now we are given a show that is an overly extended version of the lamest part of Batman’s tale. Who knows how long this could stretch: ten seasons, maybe? Hell, one has been enough.
The other main part of the show, is Jim Gordon trying to “save the city” and destroy corruption. Well, he’s doomed to fail because if he were to succeed, why would Gotham City need the Batman?
As far as characters, Bruce Wayne is okay and I like him being a little shit challenging authority and taking on the evil adults of his world but it isn’t enough to anchor a need for him on this show. Selina Kyle is awful and pretty much a caricature that just happens to look like a young Michelle Pfeiffer. The Poison Ivy character is unimportant and so far useless. All the villains who show up are poorly done and easily defeated. Barbara Kean is the worst character on television. Where did Renee Montoya go? Fish Mooney is sometimes great but mostly terrible. However, I don’t blame these actors, I blame the atrocious writing.
When it comes to positives, Robin Lord Taylor is amazing as the Penguin. In fact, at first, I hated that he was way too skinny to be the Penguin but he’s so good in the role that I don’t care. He is by far, the most interesting part of the show. Almost as good as Taylor is Donal Logue as Harvey Bullock. Then again, when isn’t Logue anything short of great? Ben McKenzie does a solid job as Jim Gordon and I do like Cory Michael Smith as Nygma, the man who will become the Riddler – even though the writers force riddles into every situation he finds himself in. Lastly, Sean Pertwee makes a fine Alfred Pennyworth and is my favorite live action incarnation of the character. Pertwee also looks a lot like his father in his older age and seeing him in action reminds me of the Third Doctor from the classic Doctor Who series.
The show is often times too distracted by its own mess and diverts away from characters with potential to focus on too many small parts in a machine that is too large for its own good. When the show is at its strongest is when the Penguin is on screen, Alfred is kicking ass or when it focuses more heavily on the crime families of Gotham City. The episodes pitting Sal Maroni against Carmine Falcone with a little Fish Mooney and the Penguin mixed in are the best that this series has offered up so far.
I still watch this show because I want to buy into it, I just can’t. The good parts keep me engaged but they are too far and few between. I don’t believe that the show will get better but there is enough good stuff to expand on and save it from being the generally uninteresting mess it is currently. But I probably won’t watch the second season on a weekly basis, as I do now. I’ll wait a year for it to be over with and then binge watch it over a weekend. If it picks up steam and corrects itself, consider me reinvested. If not, I’ll find better ways to spend my time.
Season 2 of Gotham has been infinitely better than the first. The shows is finding its footing and it now knows what it is trying to be. I like that it is creating its own world and veering away from being trapped by the expectations from an already established Batman mythos. The show is doing its own thing and honestly, at this point, I wouldn’t be surprised if Bruce Wayne is killed off before even becoming Batman.
At the end of Season 3, the show has corrected a lot of its early mistakes.
Cameron Monaghan, who plays Jerome Valeska, who may or may not be the Joker but is probably the Joker, is the best version of Batman’s greatest villain I have ever seen in a live-action story. The kid is magnificent and really captures the magic of the comic book version of the legendary character better than anyone I have ever seen. Yes, he’s better than Heath Ledger and he has the same spirit as Mark Hamill who has voiced the character for decades.
Additionally, the show just becomes more interesting as it rolls on, even though it has some dumb plot threads. But when you don’t take this show seriously and just embrace its insanity, it works.
Most of the villains have evolved solidly, especially the Penguin and the Riddler. I also really liked the Mad Hatter story, as well as the plots that focus on Hugo Strange.
Gotham is far from a perfect show but it bounced back, in my opinion. It also works if you just take it for what it is and don’t try to force it into the box that is the already established comic book mythos. I see it now as an Elseworlds Tale, which is a title DC Comics gives to their stories that take place in different realities.
I’m glad I stuck with it as long as I did. For others who have, their dedication has paid off.
Original Run: September 10th, 1993 – May 19th, 2002
Revival Run: January 24th, 2016 – present
Created by: Chris Carter
Directed by: various
Written by: various
Music by: Mark Snow
Cast: David Duchovny, Gillian Anderson, Robert Patrick, Annabeth Gish, Mitch Pileggi, William B. Davis, Nicholas Lea, Chris Owens, James Pickens Jr., Tom Braidwood, Bruce Harwood, Dean Haglund, Laurie Holden, Brian Thompson, Mimi Rogers
Ten Thirteen Productions, 20th Century Fox Television, 208 Episodes, 45 Minutes (per episode)
The X-Files was on television for quite a long time: nine years. In fact, it just recently had a revival series that lasted six episodes and there will probably be some sort of follow up to that. It also spawned two motion pictures and two spinoff television series: Millennium and The Lone Gunmen. It also propelled the careers of stars David Duchovny and Gillian Anderson. It even paved the way to greatness for producer and writer Vince Gilligan, who would go on to create Breaking Bad and its spinoff Better Call Saul. Many don’t realize that The X-Files isn’t just a show, it is a massive franchise.
I hadn’t watched the series in its entirety, even when it was still on television, as I was a teenager at the time and being home on Friday nights wasn’t the cool thing to do. We also didn’t have DVR, On Demand or Hulu back then. But I did catch a lot of episodes and watched through most of the earlier seasons once the show went into syndication.
It wasn’t until recently, in early 2016, that I decided to dedicate some serious time to binge watching the 200-plus episodes.
There are certainly episodes that haven’t aged well in the two decades since the show was on television but there are many that are still pretty chilling and freaky. And many episodes hold up really well today and I can now consider some of them to be classics, as they stood the test of time and still maintain their effectiveness. Season Two was especially nightmarish and it still is at its high points.
For those who don’t know, the show follows FBI Agents Mulder and Scully. Mulder works on the FBI’s secret X-Files cases while Scully is sent in to partner up with him in an effort to be the skeptical voice in Mulder’s conspiratorial goose chases. Of course, Mulder is most often right and Scully is left questioning everything she knows while still maintaining her stance of skepticism until she can’t any longer. It’s actually a great relationship to watch, seeing these arguments happen throughout the show, as it always tries to debunk the weird stuff and usually does a good job of it until the shit hits the fan or a twist pops up near the end.
Duchovny and Anderson were perfect for the roles of Mulder and Scully and their relationship is the driving force of the series. Yeah, it’s cool to see aliens, vampires, monsters, demons and whatever other weird shit they throw at you, but without Duchovny and Anderson, the show doesn’t work. And that was apparent after Duchovny left the show at the end of the seventh season. He made sporadic appearances here and there but the show wasn’t the same. The magic was gone.
The X-Files is one of the greatest pop culture things from the 1990s. Hell, it is one of the greatest franchises out there. It is still eerie, unsettling and it plays well for the most part. And honestly, I would be okay with further miniseries and films until the end of time. Or just as long as Duchovny and Anderson want to keep doing them.
Original Run: August 27th, 1993 – May 20th, 1994
Created by: Jeffrey Boam, Carlton Cuse
Directed by: various
Written by: various
Music by: Velton Ray Bunch, Stephen Graziano, Randy Edelman
Cast: Bruce Campbell, Julius Carry, Christian Clemenson, Kelly Rutherford, John Astin, Billy Drago, M. C. Gainey, R. Lee Ermey (cameo), Tracey Walter
Boam/Cuse Productions, Warner Bros. Television, 27 Episodes, 45 Minutes (per episode)
I have been a huge fan of Bruce Campbell since first experiencing the Evil Dead films in the 80s. However, as much as I love his character Ash, my favorite role Campbell has ever had is Brisco County, Jr. This is, hands down, the greatest thing Campbell has ever been a part of and it still bothers me, over twenty years later, that the show ended after a single season.
In the same vein as The Wild, Wild West (the show, not the atrocious movie), The Adventures of Brisco County, Jr. mixes the western and science fiction genres. It also adds in lighthearted but excellent comedy and a family friendly level of violence, as it isn’t really violent at all.
Bruce Campbell plays the title character, Brisco County, Jr. He is a bounty hunter who is trying to round up all the men who helped murder his father, a U.S. Marshall (played by R. Lee Ermey). He finds himself pitted against John Bly (played by the always enigmatic Billy Drago), as well as Bly’s gang. Gang members, Big Smith (played by M.C. Gainey) and Pete Hutter (played by John Pyper-Ferguson) are fantastic characters that have a lot of depth and make this show even more enjoyable. Pete Hutter is actually one of my favorite comedic villains of all-time. But nothing is as cold, chilling and evil as Billy Dargo’s John Bly. He is still one of the best television and western villains I have ever seen.
On the heroic side, Brisco is joined by the lawyer Socrates Poole (played by Christian Clemenson) and rival/friend bounty hunter Lord Bowler (played by the perfectly casted Julius Carry). The camaraderie between Brisco and Bowler is amazing. They are one of the great all-time buddy pairings. The inclusion of Clemenson rounds out the trio and makes a stellar team. They are also assisted, at times, by Professor Wickwire (John Astin a.k.a. Gomez from The Addams Family) and Dixie Cousins (Kelly Rutherford in her best role).
In addition to apprehending the John Bly Gang, Brisco keeps finding himself involved with a mysterious object called “The Orb”. In fact, it is the one thing that John Bly is after. The Orb brings a supernatural element to the show that is refreshing and new. This show still feels like it is one-of-a-kind, even today, because of things like the Orb and the way that it was always looking to the future and teased technological innovations before their time.
27 episodes weren’t enough, even though the show does leave you with a somewhat satisfying ending. At least the main story arc is closed by the end of the season with a few hints at the future sprinkled in. It would’ve been awesome if it had kept moving forward though.
According to the creators, the second season would have seen Brisco becoming the sheriff of a small town while settling down with Dixie and having a family.