From Filmento’s YouTube description: 2019’s IT Chapter 2 is the highly anticipated continuation to 2017’s success story IT, and it completely drops the ball, joining The Curse of La Llorona in the losers club of the worst horror movies of 2019. This “movie” has a bunch of problems, but the most noticeable of them all is that for a horror film… it’s not scary, there are no competent scares whatsoever. So, let’s compare Chapter 2 to Chapter 1 and see how to fail at constructing good scares. If you want clowns, stick to Joker.
Release Date: August 26th, 2019 (Los Angeles premiere) Directed by: Andy Muschietti Written by: Gary Dauberman Based on:It by Stephen King Music by: Benjamin Wallfisch Cast: Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, Bill Skarsgård, Sophia Lillis, Jaeden Martell, Finn Wolfhard, Chosen Jacobs, Jeremy Ray Taylor, Jack Dylan Grazer, Wyatt Olef, Stephen King (cameo)
KatzSmith Productions, Lin Pictures, Vertigo Entertainment, Double Dream, Rideback, Mehra Entertainment, New Line Cinema, Warner Bros., 170 Minutes
“For 27 years, I dreamt of you. I craved you… I’ve missed you!” – Pennywise
The adult half of the story to It was never as interesting or as engaging as the child half, so I probably shouldn’t have expected this film to be as good as its predecessor. However, it falls short in other aspects despite just being less interesting.
To start, it’s just too damn long and way too drawn out. The first two acts are slow as hell and I actually found it baffling that this wasn’t something that was fixed in editing.
The worst of it all, was the middle act of the film where all the characters had to go off on their own journeys to deal with their personal demons. I felt like each of these segments was too long and frankly, they could’ve somehow been edited together into one overlapping sequence, as opposed to multiple ones that just felt like their own separate chapters in the story. They felt more like side quests in a video game while taking a break from the main story. That works in a game but it definitely doesn’t work in a motion picture with limited time to tell its story.
Another major negative was the horror itself. I found many parts of the first film to be pretty damn disturbing. In this film, everything came off like this was the diet version of the previous installment. Pennywise wasn’t nearly as terrifying and most of the murders and violence were basic bitch shit. Pennywise pretty much just goes clown piranha and bites people in half. There’s no real creativity to any of it.
Additionally, the final monster was just a giant Pennywise with crab-like limbs. While I’ve knocked how the monster looked in the 1990 TV miniseries, it was at least more imaginative than just making a CGI crab monster with a clown head.
That’s really part of the problem here too. You see, almost every evil entity in the film has to be clown themed. The original novel and TV miniseries deviated from this, as the monster takes many forms. It isn’t specifically a fucked up clown. Pennywise (or It) is a shape-shifting alien from another dimension. He’s also thousands (if not millions) of years old. The MFer predates clowns and really just uses that form to lure in modern children… not adults.
Moving past all the faults working against this film, it is well acted and the cast did a pretty superb job, all things considered. It’s also well shot and visually consistent with its predecessor.
Still, the negatives severely impact the movie as a whole and I just don’t think that I’ll ever want to sit through this again, which is sad, as I really dug the first picture and typically enjoy film adaptations of Stephen King’s work.
Rating: 6.25/10 Pairs well with: its predecessor and other recent Stephen King adaptations for the big screen.
Original Run: July 15th, 2016 – current Created by: The Duffer Brothers Directed by: various Written by: various Music by: Mac Quayle, Heather Heywood, Alexis Martin Woodall Cast: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, Matthew Modine, Noah Schnapp, Joe Keery, Sadie Sink, Dacre Montgomery, Sean Astin, Paul Reiser, Maya Hawke
I became a really big fan of Stranger Things the moment I watched the first episode, last year. I wanted to review it after season one but I decided to wait until after the second season, at least. Reason being, as great as this was from the start, greatness has a really hard time maintaining over the long haul. I wanted a larger sample size but now I’ve gotten it.
So now that I have seen season two and know that I’m halfway through the series, as The Duffer Brothers have said it will end with season four, I thought now was a good time to talk about what is currently one of my favorite shows. In fact, out of what’s on TV in 2017, this and Mr. Robot are the only shows that I really even care about on more than a casual level.
The thing is, Stranger Things, at least by the end of season two, has done the impossible. The show has maintained its greatness. The high precedent set by the first season was not a fluke, Stranger Things 2, as they call this season, is on the level. It may even surpass it, to be honest.
A quality that the show has that others don’t, is that it doesn’t constantly churn out a set number of episodes. The Duffer Brothers don’t want to be confined in that way. They write the story and however many episodes they need to tell it, is what they make. It isn’t a show bogged down by filler episodes or dragging its ass because more episodes mean more advertising revenue. I hope all other streaming shows follow suit and realize that this is probably the best way to present a show. I mean imagine if a movie just introduced a random character out of nowhere and then distracted you for a significant amount of time, disrupting the overall narrative? (*cough – Matt Damon in Interstellar)
I’ve never been a big fan of kid actors, especially in ensembles. It barely ever works out but the 1980s were a strange decade where a lot of child ensemble films just worked. This show is a true throwback to that because these kids are magic together. And maybe we’re coming into some child actor renaissance, as It also featured a great young ensemble cast. That film also featured Finn Wolfhard from this show, so maybe he is a magic ingredient.
Stranger Things is three parts 80s Stephen King, two parts John Carpenter, one part The Goonies, one part Monster Squad, one part E.T. with a John Hughes floater. This is probably why it is such a popular show with people my age, those of us who were the age of these kids in the same decade it takes place. The show also resonates with a younger generation too but that’s probably because this is a real 80s throwback and the 80s were infinitely cooler than today’s pop culture. Hopefully, the show’s popularity has inspired younger people to look at this show’s influences because I’d rather watch anything this is an homage to than Scream Queens or the television remakes of Teen Wolf or Scream.
This is a stupendous show. Really, it’s fucking amazing and even that feels like an understatement. It was a breath of fresh air that entered our pop culture scene a year ago and hopefully, stays fresh over its upcoming final two seasons. If not, I’ll have to adjust my rating and express my loss of enthusiasm. But, at the midway mark, it deserves the benefit of the doubt.
Release Date: September 5th, 2017 (TCL Chinese Theatre) Directed by: Andy Muschietti Written by: Chase Palmer, Cary Fukunaga, Gary Dauberman Based on:It by Stephen King Music by: Benjamin Wallfisch Cast: Jaeden Lieberher, Bill Skarsgård, Wyatt Oleff, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Chosen Jacobs
New Line Cinema, Ratpac-Dune Entertainment, Vertigo Entertainment, Lin Pictures, KatzSmith Productions, Warner Bros., 135 Minutes
“When you’re a kid, you think that you’ll always be… protected, and cared for. Then, one day, you realize that’s not true. If you open your eyes, you will see what we’re going through. ‘Cause when you’re alone as a kid, the monsters see you as weaker. You don’t even know they’re getting closer. Until it’s too late.” – Stanley Uris
I was a few weeks late, in seeing this. That’s not my fault, it is the fault of Hurricane Irma, who decided to bring her own version of horror, darkness and a lot of water. An inconvenient but impressive attempt at stealing It‘s thunder away from the residents of Florida.
Anyway, I can’t say that I was super excited about It. I was not a fan of the original adaptation and I’m not a huge Stephen King fan, from a literary standpoint. While I do like some of his work and have enjoyed some of the cinematic adaptations, over the years, a good King film is really hard to come by. Plus, I still can’t get rid of the foul taste that The Dark Tower left in my mouth, just last month.
It surprised me. In fact, it shocked me how good it was. Now we have a film fighting for a spot in the Holy Trinity of Stephen King Movies. Granted, it won’t usurp The Shining – the 1980 one, The Shawshank Redemption or The Green Mile but it is probably the best King adaptation outside of that perfect trinity.
While Tim Curry’s Pennywise the Dancing Clown was the only real highlight of the original It, Bill Skarsgård doesn’t try to recreate that magic. Skarsgård makes the role wholly his and gives us a version of Pennywise that is even darker and more terrifying. In fact, Skarsgård’s version of the character could feasibly reach the iconic heights of Robert Englund’s Freddy Krueger, Christopher Lee’s Dracula or Boris Karloff’s version of Frankenstein’s Monster. Skarsgård absolutely takes over this picture and doesn’t let go for a second. It isn’t often that you see an Oscar caliber horror performance but this is worthy of that distinction. I haven’t been this frightened and intimidated by a Hollywood monster since John Carpenter’s The Thing.
The kids in this movie are also great. While most children can tend to get annoying in films, these are kids that feel real and are real. Their horror and terror is greatly captured, feels authentic and keeps you invested in them. Also, their gravitas and their bravery on screen is astounding. It reminds me of the kids from E.T. the Extra-Terrestrial, Stand By Me, The Goonies and The Monster Squad but with an extra dose of realism and chutzpah. It probably didn’t hurt that they pulled in Finn Wolfhard from the super popular King inspired Netflix series Stranger Things.
The film is just perfectly cast, from top to bottom.
The cinematography, the sound, the attention to detail, everything visually and audibly just felt right. I was the same age as these kids at the time that this film takes place. I felt like I was reliving a part of my own existence minus creepy clowns, scary flute ladies, disease-ridden hobos, zombies and a rapist father.
The team behind this pulled off magic. It is quite literally lightning in a bottle. While it isn’t perfect, it is pretty damn close.
For those who might not know, the film just covers the timeline when our heroes are kids. It ends with “Chapter One” displayed across the screen. One can assume that Chapter Two, which should follow the adult half of the story, is still to come. Once I looked into it, the director has confirmed that production will most likely begin in the spring of 2018.