Published: May 10th, 2017 Written by: Kevin Eastman, Tom Waltz Art by: Mateus Santolouco, Dave Wachter Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird
IDW Publishing, 127 Pages
While I like that the IDW Teenage Mutant Ninja Turtles comic book series is in new territory, by this point, and trying fresh things for the franchise, I also question whether or not it’s ran its course and is just running on fumes after the defeats of Shredder and Krang.
Don’t get me wrong, I like that it’s sort of changed its tone and there are new villains but it’s starting to feel a lot less like the traditional TMNT I grew up with and more like it’s trying to figure out where to go, charting new, unknown territory even for original creator Kevin Eastman.
Splinter being in charge of the Foot Clan just seems damn odd, even if he’s trying to make them a force for good. He’s still doing things that seem really out of character and the Turtles, his sons, recognize this. It’s been going on for a few volumes in this series now and I’m kind of waiting to see if there’s a real reason for it that will somehow make sense in a big, stunning reveal.
The series is just in a place of uncertainty in regards to where it’s going and the core characters’ lives and direction. I still like it, I’m still invested but something has to happen and soon.
The art is still on par with the previous volumes and as the series rolls on, it gets a wee bit better even with each chapter.
As I said, I’m still enjoying this, sixteen volumes deep, but I really feel like something big needs to go down much sooner, rather than later.
Rating: 7.25/10 Pairs well with: the rest of IDW’s Teenage Mutant Ninja Turtles run.
Release Date: August 22nd, 1987 (New York City premiere) Directed by: Rod Amateau Written by: Rod Amateau, Melinda Palmer Based on:Garbage Pail Kids by John Pound, Topps Music by: Michael Lloyd Cast: Anthony Newley, Mackenzie Astin, Katie Barberi, Phil Fondacaro, Debbie Lee Carrington, Leo Gordon
Topps Chewing Gum Company, Atlantic Entertainment Group, 100 Minutes
“You wanna see a dog wanking off into a garbage pail?” – Girl #2
While I know this film’s awful reputation, I did enjoy the hell out of it when I was a little kid. I haven’t seen it since way back then and I’ve always wanted to revisit it to see how bad it truly is. However, it never streams anywhere so I had to finally just track a DVD copy down. Luckily it was like four bucks.
So, yeah, this is a terrible movie in just about every regard. Although, I do like the practical effects, even if the Garbage Pail Kids characters look hokey, clunky and not at all real. I’m honestly fine with it considering the limitations of the time, this film’s small budget and because it’s definitely not the worst flaw this film has.
Plus, most of the costumed actors were good in these roles and the voice work was decent. I also liked most of the characters used for the film and they’re supposed to gross you out and they effectively do. So mission accomplished in that regard.
The only really known actor in the movie is Mackenzie Astin and you probably only really know him if you’re a fan of the ’80s sitcom The Facts of Life and watched the last few seasons of it. I liked him on that show and in this. Seeing this now, though, he’s better than most kid actors and he did fine even though the movie and its script were very subpar.
There’s not a whole lot to say about this other than it fails in every way outside of the two positives I already mentioned.
The other actors are a mixed bag but most of the performances are pretty bad. The film looks like shit and it just comes off as incredibly cheap and slapped together. Hell, the sequence where the Garbage Pail Kids are basically in a prison for ugly people is so damn cheap and ridiculous.
Although, I really liked the idea of a prison for ugly people and thought that could’ve been a cool concept and a more solid gag had they explored it a bit more. Plus, Leo Gordon, a legendary character actor, pops up in this sequence as a prison guard.
All in all, yes, this is shit. It’s enjoyable shit if you’ve got the stomach for it and feel nostalgic for the source material but I wouldn’t force anyone to watch it.
Rating: 2.5/10 Pairs well with: other really bad, ’80s “kids” movies like Mac & Me, Munchies, etc.
Published: January 13th, 2016 Written by: Andrew Dabb, R.A. Salvatore Art by: Tim Seeley, Tyler Walpole Based on:Dungeons & Dragons by TSR, characters by R.A. Salvatore
IDW Publishing, 142 Pages
Each chapter in this series seems to get better. While this one wasn’t a well defined story collected into one volume, it introduced a few different plots and characters that helped greatly with the world building. I felt like I needed that having never read anything featuring Drizzt Do’Urden until I picked up this comic series.
This pretty much has the same art as the previous books and while it’s okay, it still feels like a step down from the level I’ve seen Tim Seeley work at before. It’s a bit basic and the colors aren’t superb but it’s fine for an indie comic about dark elves and monsters. There’s certainly much worse out there, even from publisher IDW.
This chapter is fairly action packed but it’s more about developing the character of Drizzt, as well as those he comes in contact with. Many of the characters in this have their preconceived biases against dark elves but Drizzt proves that he doesn’t quite fit the stereotype.
All in all, this isn’t great or all that memorable, but the series does feel as if it is improving and it gives me some hope for the final three volumes now that I’ve reached the mid-point.
Rating: 7.25/10 Pairs well with: other Dungeons & Dragons comics, specifically those with the Forgotten Realms banner and more specifically, those featuring Drizzt Do’Urden.
Also known as: Super Mario Brothers: The Movie (original script title) Release Date: May 28th, 1993 Directed by: Rocky Morton, Annabel Jankel Written by: Parker Bennett, Terry Runte, Ed Solomon Based on:Mario by Nintendo Music by: Alan Silvestri Cast: Bob Hoskins, John Leguizamo, Dennis Hopper, Samantha Mathis, Fisher Stevens, Fiona Shaw, Richard Edson, Mojo Nixon, Dana Kaminski, Lance Henriksen, Frank Welker (voice), Dan Castellaneta (narrator)
“[bathing in mud] Do you know what I love about mud? It’s clean and it’s dirty at the same time.” – King Koopa
Super Mario Bros. was one film in a string of a few that helped to build the reputation that video game movies suck. Looking at the picture in comparison to the video game series it’s based on, I get it. And frankly, it irked the shit out of me when I saw it in 1993.
However, seeing it with pretty fresh eyes nearly three decades later, I have a very different view of the film now. Especially, when I just look at it as its own weird body of work apart from the video game franchise.
Removing the source material from the equation, I can still see why this would be viewed as a bad film by most but for me, a lover of really weird shit, everyone in this cast and late ’80s/early ’90s cyberpunk shit, this is kind of a feast of awesomeness!
Additionally, the Alan Silvestri score is great, lively, playful and boisterous. It reminds me of his score to Honey, I Shrunk the Kids, which was, honestly, what really set the magnificent tone for that movie. Here, Silvestri’s work is just as effective and man, I miss scores like this.
This movie also feels like a time capsule into the heart of the ’90s. It embraces the wonky tropes of the decade and it completely misses the mark it should’ve been aiming for. Although, in retrospect, I really like that this just did whatever the hell it wanted to and provided the world with something so damn bizarre and zany.
I really liked the bond between Mario and Luigi, even if trying believe that Hoskins and Leguizamo are supposed to be real brothers is maybe the most unbelievable thing in the film. That kind of doesn’t matter, though, as nothing in this needs to make any sort of logical sense. It’s actually cooler that it doesn’t. Now that’s something I’d typically be highly critical of but this movie with its flaws is still so much fun and overly ridiculous that it adds to its charm.
I guess Dennis Hopper was miserable working on this due to behind the scenes clusterfucks and severe delays but honestly, it probably worked to the movie’s benefit, as he truly comes off as an insufferable prick and it just makes his character that much more sinister and entertaining to watch.
Additionally, I really liked Samantha Mathis in this, as she played Princess Daisy, the apple of Luigi’s eye. Her and Leguizamo had nice, believable chemistry and she really was a highpoint of the picture. In fact, her final scene where she returns as a gun toting badass really made me wish a sequel had been made.
That being said, I actually wouldn’t be opposed to having more things made from this version of the Super Mario IP. I get it, it was a bomb and most people hated it but it’s also unique and kind of special in its own odd way. Plus, it’s developed a good cult following over the years and I think many people are like me, where seeing this decades later really allows you to separate from what it should of been and wasn’t to seeing it as its own cool thing.
Rating: 5.75/10 Pairs well with: the other few ’90s movies based on video games, as well as other early ’90s cyberpunk films.
The first volume of this book series covered issues 1-51 of the original Marvel Comics Conan the Barbarian series. This volume covers issues 52-100.
These two books are written by Roy Thomas, the legend that wrote the Conan comics. These basically serve as his commentary on his stories.
In fact, when I go back and read old issues, I’ve picked these books up to read his insight before revisiting them.
Thomas has always been one of my favorite comic book writers and the Conan franchise has always been one of my favorite IPs. So having these books is pretty damn cool and I’m actually pretty thankful that something like this was written, compiled and published.
I already reviewed the first one and all the positives I had to say about it also ring true for this volume.
All in all, these are great, resourceful books that allow you to understand Thomas’ inspiration, his stories and these characters on a level much deeper than just the comic book page.
Rating: 9/10 Pairs well with: Roy Thomas’ historic run on Marvel’s Conan the Barbarian.
Published: August 9th, 2017 Written by: Amy Chu Art by: Carlos Gomez Based on:Red Sonya by Robert E. Howard, Red Sonja by Roy Thomas and Barry Windsor-Smith
Dynamite Entertainment, 197 Pages
In the spirit of all those Conan the Barbarian stories that sent the title character into modern times, as well as the awful but enjoyable film Beastmaster 2: Through the Portal of Time, we have finally gotten a Red Sonja tale that sends her into the future a.k.a. our present.
Granted, this did come out in 2017. I just got around to reading it though, as I’ve read through a lot of other Red Sonja runs since I started this site and started reviewing comics.
I liked that this story really just got right into it and sent Sonja to present day New York City pretty much immediately while she was in a major scuffle with the evil sorcerer, Kulan Gath.
For the most part, I enjoyed the story, most of the characters Sonja meets and the art was pretty damn good.
My only real complaint was that there was a lot of things that were done for plot convenience. In comics, I can look away once or twice but there was just too many instances of it that I was like, “Oh, c’mon!”
Still, I liked this in spite of that. I just feel like this would have been a much better experience than it ended up being had those conveniences been less common and figured out within the story in a logical, believable way.
I still plan to read the other volumes in this series, anyway, as I love Red Sonja and this is a fun, fresh take on it.
Rating: 7/10 Pairs well with: other Red Sonja stories from Dynamite, as well as the Conan comic book stories that put him in the modern world and the second Beastmaster movie that sent the hero to 1990s Los Angeles.
This second book in the ’90s Indiana Jones novel series was better than its predecessor and Rob MacGregor seems to have found his groove a bit more with this one.
Like its predecessor, it feels more like an episode of The Young Indiana Jones Chronicles, as opposed to feeling like a story as epic as the film series. That’s fine but I hope these start to get more grandiose in scale.
This book also goes to less places than its predecessor, as the entire story is confined to the United Kingdom, only seeing Indy in London, rural Scotland and Stonehenge.
That being said, if you ever wondered what it’d be like for Indy to have a story take place around Stonehenge, well… this is it!
Even more than the first book, I liked the characters in this a lot. Especially, Indy’s returning college buddy, who got to be much more involved this time around. I also liked the love interest and her role in the bigger picture.
What I really liked, though, was the villain. He was a young, ambitious but evil member of British Parliament. He had his eyes set on unlocking the secrets of Stonehenge and Merlin in an effort to rule the world.
This story takes place after Indy has left college as a student and started his first teaching job in London. This aspect of the story was cool, as you get to see him uncomfortable and a bit out of his element, even though it’s well-known that he becomes a successful archeology professor. It’s these parts of the books I like though, as they serve to enrich the character and fill in some of the blanks from his long, adventurous life.
All in all, this was a lighthearted and exciting read.
Rating: 6.5/10 Pairs well with: other Indiana Jones novels from Bantam Books’ run in the ’90s.
This is the first of three collected editions of Robert E. Howard’s Conan the Cimmerian tales. I’m reading these as they’re numerically numbered and I assume there’s at least a loose chronology to the placement of the stories over the three volumes.
This one features several of the famous Conan short stories that I’ve also read but about 40 percent of it was new to me.
Covering nearly 500 pages, this is packed full of a dozen or so stories, as well as alternate draft versions of many. The main part of the book has The Frost-Giant’s Daughter, The Tower of the Elephant, The Phoenix and the Sword and Queen of the Black Coast just to name a few.
Overall, this was a hell of a lot of fun to both revisit and discover stories I hadn’t yet read. Some of these were also stories I knew from the comics but hadn’t actually experienced the source material for myself.
All in all, a great, beefy book packed full of sword and sorcery adventure, heroism and monsters. What the hell isn’t there to love?
Rating: 9/10 Pairs well with: other Robert E. Howard collections.
Published: August 19th, 2015 Written by: Andrew Dabb, R.A. Salvatore Art by: Tim Seeley, Tyler Walpole Based on:Dungeons & Dragons by TSR, characters by R.A. Salvatore
IDW Publishing, 150 Pages
I thought that the first volume of this series was both fairly enjoyable but also pretty weak. This volume kicks things up a bit, as it moves on passed all the origin shit and gets Drizzt Do’Urden out into the world, where he has to survive without the help and protection of his own people, who are now hellbent on making him pay for his betrayal.
In this, Drizzt makes a friend and the two of them have to work together to survive the storm that’s coming. In the end, Drizzt has to basically fight a zombie version of his father, who trained him to be the warrior he is.
Beyond the story, the art is just okay.
I generally like Tim Seely’s work, as I loved the earliest Hack/Slash stuff a lot. However, when I see these Drizzt comics, it looks like he was either rushed by the publisher or he was stretched too thin over multiple projects and couldn’t give this series his full attention.
Overall, this is better than the previous installment but it’s also not living up to what I hoped this could be.
Rating: 6.75/10 Pairs well with: other Dungeons & Dragons comics, specifically those with the Forgotten Realms banner and more specifically, those featuring Drizzt Do’Urden.
Original Run: September 13th, 1974 – March 28th, 1975 Created by: Jeff Rice Directed by: various Written by: various Based on:The Kolchak Papers by Jeffrey Grant Rice Music by: various Cast: Darren McGavin, Simon Oakland, Jack Grinnage, Ruth McDevitt
I’ve wanted to work my way through all the classic Kolchak material for quite some time. After reviewing the two television movies, I knew it was time to watch the television series, which only ran for a single season of twenty episodes.
Overall, I prefer the two films but the show is where the character and his world really come to life and start to develop its own mythos.
The show is a mixed bag of some great and some mediocre episodes. None of them are bad but some are a bit slow and felt like they were interesting concepts or ideas that didn’t live up to the level of the franchise at its best.
The episodes I dug most I truly loved, though.
Darren McGavin was born to play the role of Carl Kolchak and it’s hard to envision anyone else in the part, even though it was rebooted thirty or so years later with Stuart Townsend. I’ve never seen that version but I may track it down in order to review it. That show failed pretty quickly though and has less episodes than the original.
I think that the quality of the episodes being a bit shaky didn’t have so much to do with the monsters featured but had more to do with the creative teams that worked on them. Some stories felt rushed, some felt slow and the craftsmanship was sometimes lacking. For instance, in one episode the cinematography could look superb for 1970s television while in the following episode, it could look really pedestrian and half assed.
That’s not to say that the show didn’t have a consistent look and feel, it did. It’s just to say that it really stood out when a director would go the extra mile or when a writer took time crafting a solid, more fleshed out script. You could gauge which episodes were made with actual passion and love for the material.
Faults aside, I dig the hell out of this show and the two main characters within it. I love McGavin and Simon Oakland brought an extra level of gravitas. Plus, the two men have incredible chemistry.
While this is a franchise that seems almost forgotten in the early part of the 2020s, it is still historically significant. Without it, we probably wouldn’t have gotten other great, similar shows like The X-Files.
Rating: 7.75/10 Pairs well with: the Kolchak movies before the show, as well as the reboot and The X-Files.