Comic Review: Wonder Woman/Justice League Dark: The Witching Hour

Published: October 3rd, 2018 – October 31st, 2018
Written by: James Tynion IV
Art by: various

DC Comics, 145 Pages

Review:

This picks up right after the recent Justice League Dark arc The Last Days of Magic.

This was a big crossover event that was stretched over five issues: Wonder Woman/Justice League Dark – The Witching Hour #1, Wonder Woman #56, Justice League Dark #4, Wonder Woman #57 and Justice League Dark/Wonder Woman – The Witching Hour #1. The way it was organized was a clusterfuck but it was worth hunting down all five issues, all of which came out over the course of October.

In a way, this felt like Wonder Woman starring in her version of the X-Men‘s famous Dark Phoenix story arc.

The reason I say that, is that Wonder Woman has essentially been possessed by this powerful force that takes control of her body and makes her evil and incredibly powerful. However, this doesn’t quite commit to the bit like Dark Phoenix did, as she doesn’t really cause that much damage overall and she also sort of wills herself good again with the help of her friends and allies.

The force in this is Hecate, an ancient witch that actually came into contact with Wonder Woman when she was still a child. So, essentially, this Hecate thing has been in her this whole time. This seems incredibly ambitious and somewhat suspect but I have really enjoyed James Tynion’s writing, so I went with it. Plus, DC’s continuity is incredibly confusing at this point.

The biggest highlight of the previous Justice League Dark story was the cast of characters coming together to fight magical evil. While those characters are here and even more are added, this put more emphasis on Wonder Woman’s journey and lacked the great camaraderie I enjoyed before this. I hope that comes back in the next story arc. The Detective Chimp and Man Bat stuff was great in The Last Days of Magic.

In the end, this wasn’t as iconic as the Dark Phoenix tale but it didn’t need to be. However, the build up made this feel like it was going to be a darker, bigger event than it turned out to be. It really didn’t have any effect on anything in the larger DC Comics universe.

This could have been a good mega event, as it had a much better premise than the current one: Heroes In Crisis.

Rating: 8/10
Pairs well with: the current Justice League Dark series.

TV Review: Cloak & Dagger (2018- )

Original Run: June 7th, 2018 – current
Created by: Joe Pokaski
Directed by: various
Written by: various
Based on: Cloak & Dagger by Bill Mantlo, Ed Hannigan
Music by: Mark Isham
Cast: Olivia Holt, Aubrey Joseph, Gloria Reuben, Andrea Roth, J. D. Evermore, Miles Mussenden, Carl Lundstedt, Emma Lahana, Jaime Zevallos

Wandering Rocks Productions, ABC Signature Studios, Marvel, Disney-ABC, Freeform, 10 Episodes (so far), 42-49 Minutes (per episode)

Review:

I watched this right after I quit watching Runaways in the middle of its inaugural season. Sadly, this is pretty cringeworthy too and I couldn’t finish it. But at least I got further before my body couldn’t physically hit the “play” button around episode 7 or so.

Cloak & Dagger is lame as hell. Where is the superheroing? 7 episodes into this and they’ve barely explored their powers. This is just teen drama crap that feels more like it belongs in the Twilight franchise than the Marvel Cinematic Universe, where it is supposed to take place.

The acting isn’t terrible but it’s nothing to praise. I mostly like the characters but if I’m being honest, they do not feel like the Tandy Bowen or Tyrone Johnson that I’ve gotten to know in the comics over three decades.

Also, why is this in New Orleans? I mean I love New Orleans but these characters are from New York City and often times cross paths with Spider-Man, Daredevil and other street level heroes of the Big Apple. Honestly, this feels completely separate from the larger universe it is supposed to be a part of.

The writing is slow, dull and I don’t care about the story one friggin’ iota.

The writing is also the biggest source of this show’s cringe. The dialogue is rough, unrefined and sounds like it was written by an intern that won’t get hired by the studio after graduation. Also, this gets pretty sociopolitical, not that that’s a bad thing but the show tends to hit you in the face with Mjolnir when trying to make those statements.

I have no urge to finish this or to watch a second season. I doubt that the show will last much longer and this is just further proof that the MCU is stretching itself way too thin, regardless of each project having its own filmmakers or showrunners. It’s just becoming so tiresome and this put me past the point of exhaustion. I wouldn’t call it “superhero fatigue”, as some people have called this market over saturation of superheroes, I would just call it a lack of the right people to steer these multiple ships.

Rating: 4.75/10
Pairs well with: Marvel’s Runaways, as both are mind numbingly bad and nearly unwatchable.

Comic Review: X-Infernus

Published: December 3rd, 2008 – March 25th, 2009
Written by: C.B. Cebulski
Art by: Giuseppe Camuncoli, Jesse Delperdang

Marvel Comics, 96 Pages

Review:

I have always loved Magik and this series has one of my two favorite covers that she’s ever been on. Just ten years ago, heroines could still look super sexy and display the ideal form. Nowadays, the ideal female form is being pushed out of comic books, even though it’s been a very important staple in art throughout history, as well as escapism entertainment. Nowadays, we aren’t supposed to look at things that attract us because that’s implied rape or something. Also, I’m going to excuse the Papyrus typeface on the cover because the art distract from it. But c’mon, Marvel… fucking Papyrus, really?!

This is one of the better stories centered around Magik and her association with Limbo. Although, it isn’t as good as the original Magik miniseries from the early ’80s, it really brought me back to that special place. C.B. Cebulski weaves a good story here but on the flipside of that, his dialogue can induce a bit of cringe sometimes. For instance, here’s an actual quote from Pixie, immediately after she thinks she stabbed Nightcrawler to death:

“Oh my god Dr. McCoy I don’t know what happened Mr. Wagner asked to see my soul dagger so I pulled it out and then it was like it had a mind of its own and the next thing I know I’m all evil and like GRRRR and then it all goes black and Mr. Wagner’s on the ground with my soul dagger plunged into his–“

Yeah, wow… is that bad or am I just crazy? It’s the world’s longest unpunctuated string of dialogue ever but I guess you’re supposed to interpret that as her being scared, nervous and in shock. But really, did she need to say “GRRRR”? Who talks like this?

Apart from that, I don’t have any gripes with this story, except that it felt a bit too short. But the original Magik miniseries was the same length. That one just felt like it had more in it though.

When this starts, Magik is a demon ruling over Limbo. She discovers that Belasco, the demon warlock that made her what she is, has a daughter named Witchfire. While this isn’t Witchfire’s first appearance, it’s the first time that she and Magik have crossed paths.

The X-Men intervene to bring Magik back to the light and to help stop Withfire, who has grown extremely powerful in her quest to rule Limbo and to be more powerful than her underworld peers: Hela, Dormammu, Mephisto, Blackheart and Satannish.

I love Magik and the world of Limbo because these tales bring something really cool to the Marvel universe. They feel like ’80s Dungeons & Dragons stories.

Now this isn’t as good as the Magik miniseries but it’s a great continuation of the things that were established by it.

I also can’t end this without giving props to the art. I loved the look of this book, the character design and the atmosphere of Limbo. Overall, this was a fun, dark read.

Rating: 7.5/10
Pairs well with: other Magik-centric stories: the Magik miniseries, the classic New Mutants stuff and the more recent New Mutants: Dead Souls but that one was pretty weak.

Film Review: Ghoulies IV (1994)

Also known as: Ghoulies 4 (Germany)
Release Date: August 17th, 1994
Directed by: Jim Wynorski
Written by: Mark Sevi
Based on: characters by Luca Bercovici, Jefery Levy
Music by: Chuck Cirino
Cast: Peter Liapis, Barbara Alyn Woods, Stacie Randall, Raquel Krelle, Bobby Di Cicco, Tony Cox, Arturo Gil

Cinetel Films, 84 Minutes

Review:

“[after shooting an armed robber] Clean up on aisle 4.” – Jonathan Graves

Ghoulies IV isn’t really a Ghoulies movie if you take into account that there aren’t any actual Ghoulies in the picture.

Instead, we get two troll characters that don’t really have much to do with the overall plot and pretty much just crack bad jokes and break the fourth wall. It’s like Deadpool stole their whole shtick.

Now this is related directly to the first film because the main character is the same. However, Jonathan Graves (again, played by Peter Liapis) is no longer some twenty-something warlock. He is now a detective for some strange reason. He also tries to act like Sly Stallone’s Cobra character but is really unconvincing.

Graves’ ex-occultist girlfriend from Hell comes back to steal some magic gem from his necklace. She’s trying to resurrect some dime store Satan guy and nothing is really ever that clear in this movie. It’s crazy shenanigans, has no Ghoulies and is pretty boring, overall.

This is the worst of the Ghoulies films by a landslide. All of the other ones had things that made them enjoyable and entertaining. This one lacks all of that but it also isn’t so horrible that it’s unwatchable. But you don’t need to see it, even if you like the first three movies.

Rating: 4/10
Pairs well with: The other three Ghoulies films, the Munchies films, Hobgoblins and Sorority Babes In the Slimeball Bowl-O-Rama.

Comic Review: The New Mutants: Dead Souls

Published: March 14th, 2018 – August 29th, 2018
Written by: Matt Rosenberg
Art by: Adam Gorham, Ryan Stegman (covers)

Marvel Comics, 136 Pages

Review:

I had trouble rounding up the six issues in this miniseries, as the first few sold out quickly at my local comic shop and then the last few seemed to have not been ordered. But now that I got all six issues, I was able to finally read this. I was anticipating this greatly, as I am a long time New Mutants fan and I also love Magik.

But man, this was a mixed bag.

Had I bought and read these from the beginning, I would have quit this series after the second issue. As much as I like these characters, this miniseries started out really f’n bad.

To start, don’t let the nice covers fool you because the interior art is pretty unimpressive. In fact, Magik looks like a blonde wannabe of Lisbeth Slander from those Girl With the Predictable Yet Easily Triggered Goth Attitude books and movies.

Go look at the cover of X-Infernus because that’s how Magik should look in the modern age: all woman. I mean, is she a teenager again or supposed to be? Did I miss some moment in recent years where she reverted back to her younger age? Because she grew into one heck of a badass demon women wielding a magic sword and wearing armor like some sexy Red Sonja villain. Now she looks like my neighbor’s pissy daughter, Chloe. I said “hi” to her once and she just starred at her phone, chewing gum and looking like she was cosplaying as Negasonic Teenage Warhead cosplaying as Axl Rose. I just call her “Chlobot” now and her reaction is the same.

Anyway, the story was pretty unimaginative, at least in the beginning. It started out as a New Mutants versus zombies tale but then it evolved into a mish mash of what felt like random shit. It went from The Walking Dead to fighting a frost giant at the North Pole to a bad plane ride to a funeral to I don’t know, it was all over the place.

However, it did pick up and seem more cohesive as it went on. The part about the funeral and it being some mind games from the villain was an interesting twist. I wouldn’t call it original and the twist felt like a cop out, as they couldn’t commit to the more interesting bit but at least it pulled me into the story.

There is a whole side plot about Warlock, which culminates in the big ending of this story but that ending was problematic because it was a non-ending and showed that this six issue miniseries was just a tool to setup something else in the future. The problem with this, is that a miniseries should be pretty self-contained and this wasn’t. It ends in the middle of a larger story arc and I have no idea where this is supposed to pick up or if it even started or not.

Another big issue was the writing and I don’t mean the story, I just covered that. It was the dialogue. Man, it was terrible. These kids talk like every generic and uninteresting Marvel character being written today. They all have the same personality with just minor tweaks. It’s all snark, no likability and it’s a lot of forced humor. You know how some people aren’t funny but try to be funny? That’s just about every character in this book.

I really wanted to like this because I miss the experience I had reading The New Mutants. Sadly, this doesn’t cut the mustard. But I can just go back and pick those old books up anytime, I guess.

Rating: 5.25/10
Pairs well with: I guess the recent X-Men stuff, which has all been pretty weak if not outright terrible. I’d like to say classic New Mutants but this just doesn’t live up to those great stories.

Comic Review: Elvira: Mistress of the Dark, Issue #1

Published: July 4th, 2018
Written by: David Avallone
Art by: David Avallone
Based on: the Elvira character by Cassandra Peterson

Dynamite Entertainment, 32 Pages

Review:

This has been sitting on the shelf in my local comic book shop for months. I figured I’d wait to grab a handful of issues when new ones came out, as I prefer binge reading single issues. However, I guess that since no one bought it at my store, the follow ups were never ordered.

I ended up buying this last week, as it’s Halloween time and because I have enjoyed Elvira since I was a kid whether it was her horror show hosting, her cardboard cutouts in the grocery store or her ’80s movie Elvira: Mistress of the Dark.

I ended up liking this more than I thought I would and I think that I’m going to track down more issues now and possibly several of the umpteen variants. If I ever meet Cassandra Peterson, it’d be cool to have her sign some of these.

Anyway, this was actually a lot of fun. I actually laughed out loud at several of the jokes and quips. David Avallone did a really good job of capturing the character of Elvira and translating Cassandra Peterson’s humor style to the comic. I wish she had some input though, as Joel Hodgson is involved in the writing of his Mystery Science Theater 3000 comic.

The art was really good and I hope that Dynamite Entertainment is able to do more of these in the future and that Elvira sticks around in this incarnation because this felt so pulpy and so right. Maybe Dynamite can get together with other publishers and do some neat crossovers. How about Elvira Meets Batman ’66 or Elvira Meets Archie or Sabrina or whomever. Elvira Versus the Planet of the Apes? Yes, please! Get on it, Dynamite!

Rating: 7.5/10
Pairs well with: other Elvira stuff, Vampirella, the horror themed Archie comics and the Mystery Science Theater 3000 comic.

TV Review: Legion (2017- )

Original Run: February 8th, 2017 – current
Created by: Noah Hawley
Directed by: various
Written by: various
Based on: Legion by Chris Claremont, Bill Sienkiewicz
Music by: Jeff Russo
Cast: Dan Stevens, Rachel Keller, Aubrey Plaza, Bill Irwin, Jeremie Harris, Amber Midthunder, Katie Aselton, Jean Smart, Navid Negahban, Jemaine Clement, Hamish Linklater

26 Keys Productions, The Donners’ Company, Bad Hat Harry Productions, Kinberg Genre, Marvel Television, FX Productions, 20th Television, 19 Episodes (so far), 44-68 Minutes (per episode)

Review:

With two seasons in the bag, that bag is a mixed one.

Legion is a mindfuck of biblical proportions. And while that works for the show, it also works against it.

The problem with Legion is that if you zone out or miss something for five minutes, you’re totally lost and it’s hard to reel yourself back in.

This show has some very strong positives, however. The cast, for the most part, is f’n stellar. Dan Stevens and Aubrey Plaza are exceptionally fantastic in this. But I can’t dismiss the work of Rachel Keller, Jean Smart and the always entertaining Jemaine Clement. All the other players deliver as well.

Legion also has great cinematography, set design and sort of exists in a very vivid world that is one part fantastical and one part realistic. There is a balance in the show in storytelling, style and overall tone between the fantastical and the real. It works quite well, as long as you don’t get lost in the details and the weirdness of what’s unfolding on screen.

But with all those positives, the show is also hard to watch at times. For me, it gets too strange at certain parts and the narrative gets lost in the weirdness, just as the viewer might.

Point being, this can be a very confusing show and sometimes details come so fast that you might not grasp them all. What may look profound on paper, in this case the script, might not translate well to screen. It doesn’t matter that the screen is littered with a visual smorgasbord of incredible and creative images. It almost feels like all that stuff distracts from the most important thing that this show needs: story. And not just story but a coherent story that flows at a proper pace and doesn’t come across as some dreamlike clusterfuck.

I wish that this show would find a way to tighten up it’s superficial bullshit and be a bit more accessible because ultimately, it can continue to be a total mindfuck but it won’t maintain an audience and generate the ratings it would need to continue.

Legion isn’t beyond fixing but after two seasons, I kind of don’t care about it anymore. With season one, I was able to look past the flaws because it was so nice to look at but season two was tough to get through and every time a new episode popped up, it felt like a chore I had to push through.

This should be better and it can be better but it almost feels pretentious in a lot of ways and I hate saying that but it’s definitely putting art over substance and that doesn’t work too well in television, where people have to be enticed to keep coming back.

Rating: 6.5/10
Pairs well with: Other recent Marvel shows: The GiftedThe Runaways and Cloak & Dagger.