Also known as: Resident Evil: The Movie, Resident Evil: Ground Zero (working titles), Biohazard (Japanese English title), Resident Evil – Genesis (Switzerland)
Release Date: March 12th, 2002 (Los Angeles premiere)
Directed by: Paul W.S. Anderson
Written by: Paul W.S. Anderson
Based on: Resident Evil by Capcom
Music by: Marco Beltrami, Marilyn Manson
Cast: Milla Jovovich, Michelle Rodriguez, Eric Mabius, James Purefoy, Martin Crewes, Colin Salmon, Jason Issacs (narrator/cameo)
Constantin Film, New Legacy Films, Pathé, 100 Minutes
“You’re all going to die down here.” – The Red Queen
I never saw this when it came out and I didn’t have much urge to, as I wasn’t invested in the video game series and it looked like a low budget action horror film that didn’t pay much attention to what the first game was. Based off of my experience playing the original Resident Evil, when I originally saw the trailer for this, I was baffled by it.
However, this has gone on to spawn a half dozen movies and is the most successful film franchise based on a video game, so I figured I’d kill 100 minutes and actually give it a watch, 16 years later.
Well, it’s not terrible but it also isn’t very good. It had some decent bits in it but most of it felt as soulless as the zombies roaming in and out of the picture.
I guess the worst part of it all was the acting. Milla Jovovich was actually pretty decent and Eric Mabius wasn’t bad but everyone else around them delivered their lines like a punch to the gut. Most of these character and the actors portraying them were pretty off putting. Michelle Rodriguez’s line delivery certainly takes the cake for acting cringe in this film.
The special effects are good when they are practical effects. The CGI employed in this is fucking terrible. From what I’ve seen from later films in the series, the creature CGI effects at least improve beyond this film. The Licker creature, which was the big bad of the movie, looked atrocious. The digital monsters looked like something from a SyFy movie but a SyFy movie when it was still 2002.
As far as a positives, I really liked the concept and the idea of the Hive, an underground tech heavy fortress controlled by an evil A.I. called the Red Queen. I felt like there was a lot that they could do with this but it was left pretty unexplored, other than a few key moments like when the task force got sliced to pieces by lasers. But this also felt like it was heavily borrowed from Cube.
This was a fast paced, fun movie. I’ll give it that. I wasn’t bored watching it or waiting for things to pick up. However, I did suffer from my mind going numb due to stupid characters making stupid decisions.
Also, another positive is that I feel like I should watch the other movies as well. I’ve never seen any of these in their entirety. I’ve seen bits and pieces of some of the sequels but I don’t even know which ones. It just seems like these movies are on FX all the time.
Anyway, I guess I’ll follow this up shortly with reviews of the other five Resident Evil movies.
Pairs well with: the pther Resident Evil films, as well as other horror video game films from the same era: the Silent Hill series and Doom.
Release Date: September 10th, 1995 (TIFF)
Directed by: Todd Solondz
Written by: Todd Solondz
Music by: Jill Wisoff
Cast: Heather Matarazzo, Brendan Sexton III, Eric Mabius, Matthew Faber
Suburban Pictures, Sony Pictures Classics, 87 Minutes
“Yo, Weiner, you better get ready, ’cause at three o’clock today, I’m gonna rape you!” – Brandon
I saw this a long time ago. In fact, I was probably about seventeen or eighteen when I got a copy of this at my neighborhood video store and decided to check it out, as I was really getting into American indies at the time.
What I remembered about this is that it starred Heather Matarazzo, who I really liked at the time as DJ’s girlfriend on Roseanne. Also, it left me feeling sad, angry but somewhat hopeful. Well, that effect still works, all these years later.
Welcome to the Dollhouse follows the life of a young middle school girl who is struggling with just about everything. Everyone in the entire film, literally everyone, treats her like she’s an afterthought or just bullies her for no real reason other than she’s awkward and not pretty. She really only has one friend, a younger boy, but eventually the pressure of everything causes her to then treat him like shit.
For anyone who had trouble of some sort while going through middle school, which is most of us, Welcome to the Dollhouse can be a pretty real experience. Granted, I hope no one ever had to go through what Dawn Weiner did in this film but the reality is that kids are pretty cruel to one another at the middle school age. In fact, Dawn’s older brother sums it up when she asks him if high school is any different and he says, “All of junior high school sucks. High school’s better; it’s closer to college. They’ll call you names, but not as much to your face.”
Heather Matarazzo was brilliant in this and she really became the role. You really just go through the film with a growing disdain for nearly every character because of how much Matarazzo is able to make you sympathize with her character. However, as much as you’ll hate the bully Brandon in the beginning, Brendan Sexton III plays that part so well that you feel for him and his situation by the end of the film. All these kid actors are pretty damn great and really carry the picture.
Welcome to the Dollhouse isn’t a great film but it is a much better than average coming of age drama mixed with a bit of comedy. It works because of the cast and because it is pretty real and gets darker than you might expect.
I just re-watched The Crow and all of its sequels. I watch the original film about once a year or so but it has been a long time since I have seen the sequels. Instead of just reviewing one of them, I figured I’d give my two cents on each film.
The Crow (1994):
Release Date: May 13th, 1994
Directed by: Alex Proyas
Written by: David J. Schow, John Shirley
Based on: The Crow by James O’Barr
Music by: Graeme Revell
Cast: Brandon Lee, Ernie Hudson, Michael Wincott, Bai Ling, Rochelle Davis, David Patrick Kelly, Jon Polito, Tony Todd, Jeff Imada, Anna Thomson
Dimension Films, Miramax Films, 102 Minutes
The first film in the series is by far the best, that isn’t even debatable. The cast was pretty fantastic, as director Alex Proyas (Dark City, I, Robot) strung together a nice team comprised of Brandon Lee (Rapid Fire, Showdown In Little Tokyo), the late son of Bruce Lee, as well as Ernie Hudson (Ghostbusters, Oz), Michael Wincott (Robin Hood: Prince of Thieves, Basquiat), Tony Todd (Candyman, Platoon), Bai Ling (Anna and the King, Three… Extremes), David Patrick Kelly (The Warriors, Twin Peaks) and newcomer Rochelle Davis, who has only appeared in one other film.
The tone of the film was perfect, the music was perfect, the casting of Brandon Lee was perfect. There aren’t a lot of negatives that one can find in this near masterpiece. For its time, it was one of the best, if not the best, comic book films of all-time. The only comic book films that one could possibly put in front of The Crow are the Richard Donner Superman films and the Tim Burton Batman films. In 1994, when this movie was released, comic book movies were very scarce.
This is a film that has a strong cult following and deservedly so.
Brandon Lee died on set due to a firearm accident and it had to be finished without him. There was a lot of debate as to whether or not the film should even be released but it was and has had a certain degree of mystique attached to it. The real-life tragedy added to the emotion and darkness of the film in a way that didn’t make light of Lee’s death or try to capitalize off of it. Everything, in my opinion, was done tastefully and in a way that honored the actor and gave people a look at his best work.
The chemistry between Lee and Davis, as well as Lee and Wincott was pretty strong. Brandon Lee gave this his all and it was a good display of his talent, which never got to grow and reach the heights it could have.
Plus, there is a performance by My Life With the Thrill Kill Kult in the film.
The Crow: City of Angels (1996):
Release Date: August 30th, 1996
Directed by: Tim Pope
Written by: David S. Goyer
Based on: The Crow by James O’Barr
Music by: Graeme Revell
Cast: Vincent Perez, Mia Kirshner, Iggy Pop, Richard Brooks, Thomas Jane
Dimension Films, Miramax Films, 84 Minutes
The first sequel in the series was pretty bad, which would become the trend. It starred Vincent Perez (Queen of the Damned) as the title character and I still can’t recall anything noteworthy that I have seen him in besides this. It also starred punk rock legend Iggy Pop (Dead Man, Tank Girl), Thomas Jane (The Punisher, Hung) and Mia Kirshner (The L Word, The Black Dahlia).
Iggy was fantastic and just completely Iggy, which made his character great. Kirshner was angelic and beautiful with a real genuine level of sweetness but she was also more or less a statue propped up in the background to add allure to a very ugly looking film. Tom Jane basically just played a weird pervert and he was unrecognizable in the role.
I would consider this film to be the second to worst in the series. And there really isn’t much one can say about it. It is empty, soulless and an awful rehash of the classic before it.
But again, it features Iggy Pop and I will watch him in anything.
And I love Mia Kirshner, who has never looked better than she does in this.
The Crow: Salvation (2000):
Release Date: January 23rd, 2000
Directed by: Bharat Nalluri
Written by: Chip Johannessen
Based on: The Crow by James O’Barr
Music by: Marco Beltrami
Cast: Eric Mabius, Kirsten Dunst, Jodi Lyn O’Keefe, Fred Ward, William Atherton, Walton Goggins
IMF, Edward R. Pressman Film Corporation, Jeff Most Productions, Pacifica Film Development, Dimension Films, 102 Minutes
The second sequel was better than the first sequel. After the original film, this is the best installment of the series. It starred Eric Mabius (Ugly Betty, Cruel Intentions), Kirsten Dunst (Spider-Man, Melancholia), William Atherton (Real Genius, Ghostbusters), Fred Ward (Tremors, The Right Stuff) and Walton Goggins (The Shield, Justified).
Mabius was much more personable and likable than his predecessor, Vincent Perez. Dunst was good but nothing extraordinary. Atherton and Goggins were both presences in the film but didn’t leave me with anything all that memorable. Fred Ward, one of those lesser-known actors I’ve just always liked for some reason, did a pretty solid job of playing the scumbag evil bastard in this film.
From a storytelling standpoint, this offered so much more than City of Angels. It involved a conspiracy, a cover-up and evil dudes sending an innocent kid off to die for their sins. It wasn’t as straightforward and as simple as the previous films in this series. Granted, it wasn’t a storytelling masterpiece but it had depth and a bit of mystery.
The Crow: Wicked Prayer (2005):
Release Date: June 3rd, 2005
Directed by: Lance Mungia
Written by: Lance Mungia, Jeff Most, Sean Hood
Based on: The Crow: Wicked Prayer by Norman Partridge
Music by: Jamie Christopherson
Cast: Edward Furlong, David Boreanaz, Tara Reid, Emmanuelle Chriqui, Dennis Hopper, Tito Ortiz, Danny Trejo
Dimension Films, 99 Minutes
The final film in the series was god awful, and that might be an understatement. It starred Edward Furlong (Terminator 2, American History X), Tara Reid (American Pie, The Big Lebowski), David Boreanaz (Angel, Bones), Tito Ortiz of UFC fame, Danny Trejo (Machete, From Dusk Till Dawn), Dennis Hopper (Speed, True Romance) and a very brief appearance by singer Macy Gray.
Furlong just looked ridiculous as the Crow. I think the hair had a lot to do with the sloppy shitty look. Also, Furlong by this point, had grown too old and looked like a washed up forty-something Robert Smith wearing his Cure makeup instead of an awesome twenty-something Robert Smith wearing his Cure makeup. Furlong’s acting was horrible but so was everyone else’s.
Boreanaz was deplorable, Tara Reid was annoying and not naked enough, Tito Ortiz was a dipshit and Danny Trejo was the worst I’ve ever seen him and I really love that guy. Dennis Hopper took the cake, however, as he stumbled through some of the worst written lines I have ever heard in a film. It sucks that such a great actor was working on shit like this so late in his career.
Technically speaking, the special effects were disastrous, the cinematography was nightmarish and the editing was shit. There isn’t anything nice I can say about this film.
Release Date: January 25th, 2012 (Sundance)
Directed by: Michael Walker
Written by: Michael Walker
Music by: Matt Kollar
Cast: Parker Posey, Eric Mabius, Annie Parisse, Amy Schumer
IFC Films, 92 Minutes
On a whim, I decided to watch Price Check. I have always been a fan of Parker Posey and this kind of flew under the radar, even in indy film circles.
It was enjoyable, for the most part. Although, nothing about it really stood out. It was carried by Posey’s acting chops and even though her character was truly unlikable, she had a sort of charisma about her where it at least had my interest peaked for most of the picture.
For a film where a lot of things happen, it actually felt like nothing was happening for the majority of the 93 minutes it was on my screen. I don’t have any issue with Eric Mabius but his character was just so damn dull. Mix that in with the other main character being unlikable and the only person I really felt invested in, throughout the whole movie, was Mabius’ wife (played by Annie Parisse). I also enjoyed Amy Schumer a lot. Too bad, Schumer was a minor character that only got a few scenes.
The whole motif of this film is about the price you pay to be middle class. It presents some scenarios where Mabius’ character has his morality tested, all because he is striving to make more money and to have nicer things for his family. Posey’s character is an actual wreck, having been playing the game so long that she is barely a human. In fact, Posey’s Susan really comes off as an authentic “take no prisoners” corporate middle management type.
The ending of the film is a bit ambiguous. While it is easy to assume that everything is fine, it isn’t clearly stated. I’m not sure if the director wanted there to be a mystery about what the future holds for these people or if he just didn’t convey things properly.
Price Check isn’t a bad film but it isn’t something anyone should go out of their way for. Unless they really love Posey or Schumer.