Published: August 7th, 2014 Written by: Stan Lee Art by: Jack Kirby
Marvel Comics, 248 Pages
This right here is the volume I’ve been waiting to get to! This is the collection of the Stan Lee/Jack Kirby run on Fantastic Four where everything changes and the Marvel universe expands exponentially!
This edition of the Masterworks series covers issues 41 through 50, as well as the third annual.
Within this collection, we get a great Frightful Four story, the marriage between Mr. Fantastic and the Invisible Girl, the full debut of the Inhumans, as well as the first appearances of Silver Surfer and Galactus! There are also cameos from just about every hero and villain from the Marvel universe of the 1960s! This chapter in the saga literally has everyone and everything!
What’s even better than that, is that Stan Lee is absolutely on his A-game with these stories and scripts and Jack Kirby’s art was on-point.
If you can only ever read oneFantastic Four collection, graphic novel or trade paperback, it should be this one.
This is quintessential Fantastic Four at its finest. It’s the epitome of what was so damn great about ’60s Marvel and the work of Lee and Kirby.
Just buy it, read it, read it a dozen more times and cherish it forever.
Rating: 10+/10 Pairs well with: the other Marvel Masterworks collections.
Published: March 4th, 2015 Written by: various Art by: various
Marvel Comics, 458 Pages
This was a comic book series that I had wanted to read for a long time. I was collecting all of the single issues, in an effort to get the whole shebang before reading any of them, as I wanted the full experience.
However, I found the beefy collected edition at Ollie’s Bargain Outlet for like $4.95. So I couldn’t pass up that deal and because tracking down the whole series, as well as its crossovers was taking some time.
Anyway, this wasn’t exactly what I had hoped it was but it was still a really fun comic, especially as a fan of Doctor Doom, who is mostly the main character, alongside Namor, throughout the series’ run.
What I had hoped (or assumed) this was, was a book that put two villains together like a tag team in an effort to see them fight their regular nemeses. I expected more of a mix up of villains but the vast majority of this pairs Doom and Namor. And honestly, most of the time, they’re at odds with each other, so “team-up” isn’t all that accurate.
Other villains come into the series towards the end. We get to see Red Skull, Arnim Zola, The Hate-Monger, Magneto and a few others. But most of this is Doom having schemes that typically involve Namor. It pits them (well, mostly Doom) against superhero teams like The Avengers, the Fantastic Four and the ’70s version of The Champions but it also sees Doom come into conflict with other major villains.
For the most part, this is a really fun and energetic series that highlights what was great about ’70s Marvel. However, the series kept switching writers and artists and some of the issues aren’t nearly as great as the more solid ones.
It’s definitely better written in the first few issues, as those duties were handled by the great Roy Thomas. Towards the end, the book gets more exciting, as a lot of characters get wedged in but the earliest stories were just better written tales.
All in all, this is definitely worth picking up for those out there that are into ’70s Marvel and/or Doctor Doom. If you can find the collected trade paperback for as cheap as I got it, you should definitely pick it up and give it a shot.
Rating: 7.5/10 Pairs well with: the Avengers and Fantastic Four comics of the ’70s.
Published: March 20th, 2019 – August 28th, 2019 Written by: Chip Zdarsky Art by: Mark Bagley
Marvel Comics, 200 Pages
When I first heard about this miniseries, I was pretty stoked for it.
The concept is that it starts in the ’60s when Spider-Man debuted and it follows him over the six decades he’s existed but it does that in real time. Basically, instead of Spider-Man only aging fifteen years (or so) since his debut, this story covers his entire life span, as he ages accordingly from decade to decade.
Each of the six issues represents a decade. But that is also kind of a problem with the story too.
You see, you can’t wedge a whole decade into twenty or thirty pages of a comic. So each issue just focuses on some sort of event in Spider-Man’s life from that era.
The total package of this series is really cool and interesting but it almost feels as if each decade could’ve been a miniseries of its own and that this is a comic that could have lived on for several years. And with the team of Chip Zdarsky and Mark Bagley, it could’ve been like a Spider-Man renaissance.
But ultimately, each chapter was pretty damn good. I only thought that the last one was a bit weak but I wasn’t too keen on how it ended. I felt like Spider-Man’s fate was kind of predictable, as this was his “life story”.
The thing is, it was hard investing into the weight of the finale, when you haven’t lived through the emergence of the massive threat that they face to end the series. And that just gets back to my feeling about there needing to be more time devoted to each decade than just single issues.
However, I’m hoping that this is just a framework or a road map and that Marvel at least has some plans to expand on this story in the future. If that’s the case, I really hope it is brought to us by Zdarsky and Bagley, once again.
If not, well… this was still one of the best comic book miniseries to come out this year.
Rating: 8.5/10 Pairs well with: the recent Symbiote Spider-Man miniseries by Peter David and Greg Land.
So I was debating comic book stuff with a friend of mine yesterday and afterwards, reflecting on the debate, Thor and Asgard kept popping into my thoughts.
Then I started over analyzing the sometimes ally but mostly villainous Enchantress. I always liked her character and style and thought that she was a good balance against the cookie cutter “good vs. evil” formula of Thor vs. Loki.
It got me wondering as to when or if she would be in one of the upcoming Marvel movies or, at the very least, in the new S.H.I.E.L.D. TV show that I never watch. Sorry, I’m not a Joss Whedon fanboy but I can admit that he does well working with complex female characters – except for the Black Widow apparently.
Anyway, I really thought about the Enchantress’ power and it is a bit useless really, all things considered. You see, she has the magical ability to seduce men and in many cases Asgardian “gods”. I’m calling bullshit on that power though. I mean, has it ever been tested, really?
The reason why I must call bullshit is because of how the Enchantress looks, acts and carries herself. She is a tall athletic blonde with large yet perfectly proportioned breasts who dresses like a slut on Halloween: every single day. Her looks are considered to be so naturally stunning and mesmerizing that she makes Victoria’s Secret models look like Janice Dickinson does now. This is why I call bullshit on her power. And even if she does have her “seduction” power, she doesn’t really need it.
I’m a pretty strong willed guy and can see through a woman’s bullshit quite well. Men’s bullshit too, let’s be fair, as gay dudes think I’m some sort of magical bear even though I’m not down for peen vaulting.
So yes, I can see through the games and cock foolery. Maybe not as good as Thor, but I’m still pretty astute. Regardless of that, if the Enchantress straddled me like a stripper looking for a Washington, I’d probably be quite powerless. If she was wearing her spandex emerald catsuit with her tippies falling out, I’d probably be a blob of Silly Putty in her sultry hand.
Respectfully, Thor would probably be right behind me. Loki would be the only one who probably wouldn’t give a shit because he could easily lock himself in his own bedroom, shapeshift into the Enchantress and then flick his shapeshifted Asgardian bean all day. I’m not trying to be lewd, that’s just the facts. I’d probably do it too. So would you.
On a side note, maybe Loki should just walk around looking like the Enchantress thus getting everyone to do his bidding with a lot less effort on his part. He could’ve gotten Odin’s throne, considering he wouldn’t mind letting his dad nibble on his faux lady bits while spanking his bare butt. Granted, I may have crossed a line there but I really wouldn’t put that passed Loki. That dude’s got drive and follow through like no other Asgardian, ever.
Okay, those were some weird tangents.
Anyway, in the end, giving the Enchantress the magical ability to seduce is like giving a combat boot the magical ability to crush a snail.
Published: January 9th, 2018 Written by: Cullen Bunn Art by: Iban Coello
Marvel Comics, 128 Pages
In preparation for the new Venom series that recently started, I wanted to check out some of the more modern Venom stories out there. Venomverse came highly recommended from a guy at one of my comic book shops. I figured that I’d give it a read, as the premise sounded interesting.
In a nutshell, after stomping a mudhole in Jack O’Lantern’s bum, Venom is zapped away to a different dimension where all the Marvel characters have symbiotes. So what you get is Venomized versions of Captain America, Doctor Strange, Wolverine, Deadpool, Mary Jane Watson, Black Panther, Rocket Raccoon and everyone else in-between. They are fighting a war against the Poisons, who are tiny aliens that absorb the symbiote heroes and villains into their own bodies and become perfect killing machines: the apex predators of the universe. Doctor Strange has been pulling all symbiote heroes and villains into the “Venomverse” dimension in an effort to turn the tide in the war.
Man, if you are a fan of Venom, this is just a really cool and fun book to read. Seriously, I absolutely loved this. I mean, Rocket Raccoon with a Venom symbiote? C’mon, man! All this thing needed was Spider-Ham and Howard the Duck in it too.
The story is really good but I barely even cared about the setup because any reason to have a Marvel Universe full of Venoms is just an awesome time. These stories don’t work so well in the regular Marvel dimension but in this Venomverse pocket of existence, things just seem to flow naturally. Plus, the Poisons were just a really cool idea and added something more to the story than just having a symbiote war for the sake of having a symbiote war.
Granted, I felt that this ended a bit anticlimactically but you also get a post credits scene just like the Marvel movies, which I thought was a neat twist. And that ending sets up the potential for the Poisons to expand into other universes and dimensions.
This was just a damn good book and pretty refreshing and entertaining, as Marvel has produced a lot of duds lately.
Rating: 9.75/10 Pairs well with: Any of the great Eddie Brock Venom stories. But for more recent stuff, the new Venom series and the Venom, Inc. story arc from recent issues of The Amazing Spider-Man.