Published: October 17th, 2013 Written by: Brian Michael Bendis Art by: Alex Maleev
Marvel Comics, 450 Pages
This is the final installment of the Ultimate Collection releases of Brian Michael Bendis’ run on Daredevil. Each of these three beefy collections forms a pretty solid trilogy that actually exceeded my expectations and reminded me of how good Bendis was when he cared, which he hasn’t for a very long time.
This is my least favorite of the three volumes and that’s mainly because it felt like it lost some steam. And it didn’t give us any sort of closure to some of Bendis’ more batty experiments with the character.
The first half of this book is made up of two different stories that are self-contained and don’t really move forward the larger arc that Bendis had been working on for a few years by this point. The second half of this book then picks up those more important major plot threads but then doesn’t do much with them and leaves things even more unresolved by the end.
In fact, this has a time jump at the end that kind of just further fucked up Daredevil’s life and didn’t resolve anything that Bendis brought into the character’s story. It was some weak ass J. J. Abrams shit that tainted the entire run and not just this final book.
That’s not to say there wasn’t good stuff in this, there was. But had I been reading this run in real time, watching Daredevil struggle with the world possibly knowing his identity and seeing that dragged on for fucking years, I would’ve quit reading this.
That whole plot about people finding out Matt Murdock is Daredevil and then just seeing that life altering reveal kicked around like a goddamned hacky sack was enraging as hell. You, as the reader, were never sure what anyone actually thought about the reveal, as Bendis couldn’t commit to the story and deal with it in any sort of clear way. It was lazy and fucking dumb. It lacked finality, stakes and real consequences. Honestly, by the end, it didn’t really matter and the book was then handed off to another creative team to either resolve the issue or ignore it.
One thing that was noticeably better this time around was Alex Maleev’s art. Yes, I liked it previously but in my review of the last book in this series, I pointed out some of the issues I had with it. In this volume, those problems seemed to be fixed or a lot less apparent.
Overall, there’s a whole hell of a lot that I liked about Bendis’ Daredevil run but his finale left me annoyed and scratching my head like everything J. J. Abrams has ever started and not truly finished.
Rating: 6.75/10 Pairs well with: the other Daredevil comics from his Marvel Knights run.
Published: June 23rd, 2010 Written by: Brian Michael Bendis Art by: Alex Maleev
Marvel Comics, 411 Pages
Following the Guardian Devil and Parts of a Hole storylines, Brian Michael Bendis began his Daredevil run. While I had read much of this twenty or so years ago, I had forgotten just how good it was and that Bendis was once an exceptional comic book writer when he still obviously had the passion burning inside of himself.
This big collection of multiple story arcs didn’t have any weak parts to it.
The first story dealt with a young kid going through some serious trauma after witnessing a fight between his father and Daredevil, which left his father dead. While Daredevil was a minor character in his own story, something I tend to hate, I excused it here, as the four issue arc was so solid and brought a lot of emotion into the series to kickoff Bendis’ run. Plus, it featured Ben Urich as the main character and I’ve always loved that guy.
Following that, we get a few arcs that are really connected as one larger narrative. We see the Kingpin get taken out by a new guy in his organization’s ranks. This new guy tries to take Kingpin’s spot but ultimately pays a price for it courtesy of Vanessa Fisk, Kingpin’s wife, who has been absent for years.
Additionally, this wannabe Kingpin discovers Daredevil’s identity and with that, the world soon finds out. Matt Murdock with several of his allies has to try and fix this problem, convincing the world, somehow, that Murdock is not the masked vigilante.
All in all, this beefy volume is packed full of absolute greatness. Add in Alex Maleev’s incredible art and you’ve got one of the best Daredevil collections ever printed: a near perfect masterpiece.
Rating: 9.5/10 Pairs well with: the other Daredevil comics from his Marvel Knights run.
Release Date: January 8th, 2005 (Las Vegas premiere) Directed by: Rob Bowman Written by: Zak Penn, Stuart Zicherman, Raven Metzner Based on:Elektra by Frank Miller Music by: Christophe Beck Cast: Jennifer Garner, Goran Visnjic, Will Yun Lee, Cary-Hiroyuki Tagawa, Terence Stamp, Bob Sapp, Jason Issacs (uncredited), Ben Affleck (cameo, scene cut)
“I like your bracelet, by the way. Do you know what those are? Here. They’re warrior beads. They’re from Indonesia. Centuries ago, you had to be the best fighter in your village to earn them.” – Elektra, “Wow. I bought’em off eBay.” – Abby Miller
I never wanted to see this because the trailer was a complete turnoff that made this film look like absolute schlock of the highest and worst caliber. Not good, cheesy schlock but the kind that’s so drab and pointless that it’s shocking it even got a theatrical release and wasn’t used to torture terrorists.
Having finally seen this, I wasn’t wrong. This is definitely a terrible movie, littered with atrocious special effects, generic and lifeless characters, as well as wasting the talents of the few good actors in it.
What’s even worse is that this doesn’t feel like it belongs in the same universe as 2003’s Daredevil, which was a pretty decent movie if you watch the Director’s Cut instead of the theatrical version. Hell, even Ben Affleck filmed a cameo scene to tie them together and for whatever reason, it was cut from the final version of this film.
What this does feel like is a made-for-TV SyFy movie of the week. It’s duller than a plastic knife left too close to an open flame with about as much personality and charm as a lobotomized sloth.
The only real silver lining in this is that Jennifer Garner looks absolutely stunning. But she’s always pretty stunning and one shouldn’t have to suffer through this deplorable production just to see her kick the shit out of people while being super hot.
Elektra is bad, really bad. I mean, I guess it’s better than 2004’s Catwoman but at least that film had some memorable moments. Everything in this film is completely forgettable.
Rating: 1.75/10 Pairs well with: the 2003 Daredevil movie, as well as other superhero films from the mid-’90s through mid-’00s.
Also known as: Daredevil: A Daring New Vision (Director’s Cut title) Release Date: February 9th, 2003 (Los Angeles premiere) Directed by: Mark Steven Johnson Written by: Mark Steven Johnson Based on:Daredevil by Stan Lee, Bill Everett Music by: Graeme Revell Cast: Ben Affleck, Jennifer Garner, Michael Clarke Duncan, Colin Farrell, Joe Pantoliano, Jon Favreau, David Keith, Leland Orser, Erick Avari, Ellen Pompeo, Paul Ben-Victor, Robert Iler, Coolio (Director’s Cut only), Mark Margolis (uncredited), Kane Hodder (uncredited), Frank Miller (cameo), Kevin Smith (cameo)
Marvel Enterprises, Horseshoe Bay Productions, New Regency Pictures, 103 Minutes, 133 Minutes (Director’s Cut)
“[Director’s Cut version/Narrating] Violence doesn’t discriminate. It hits all of us… the rich, the poor, the healthy, the sick. It comes as cold and bracing as a winter breeze off the Hudson. Until it sinks into your bones… leaving you with a chill you can’t shake. They say there’s no rest for the wicked. But what about the good? The battle of Good vs. Evil is never-ending… because evil always survives… with the help of evil men. As for Daredevil, well… soon the world will know the truth. That this is a city born of heroes, that one man can make a difference.” – Matt Murdock
My review of this film is specifically for the Director’s Cut. It’s a far superior version of the movie and frankly, it’s the version that should have been released in theaters.
The theatrical version was kind of shit and a major disappointment. The Director’s Cut, however, showed that the director had made a much better film that was unfortunately butchered by the studio, probably due to its running time. In fact, the theatrical version chopped off thirty minutes from director Mark Steven Johnson’s preferred body of work.
If I’m being honest, though, Johnson is not a great director and this film, even in its superior Director’s Cut presentation, still has a lot of flaws and feels kind of dated, even for its year of release. Although, comic book movies hadn’t really found their proper groove yet, as Nolan’s first Batman movie was still two years away and the first MCU movie was still half of a decade out.
Daredevil also didn’t have the budget that other comic book movies would get just a few years later, as it was made by a smaller studio that had to offset the licensing fees they paid to acquire the character and his pocket of the Marvel Comics universe.
Still, the performances mostly make up for the weaker things in this film. I really liked Ben Affleck as Daredevil and Jennifer Garner did well as Elektra. Most importantly, the two had tremendous chemistry, which I guess was pretty natural and genuine, as they got married a few years later and stayed together for thirteen, which is a lifetime in Hollywood.
I also really liked Michael Clarke Duncan as Wilson Fisk and Jon Favreau was a great Foggy Nelson.
My only real issue with the cast for the larger roles was Bullseye. Colin Farrell is a good actor but this version of the character was baffling and if I’m being honest, stupid. Bullseye should have been a bit nutty but he also should’ve been in his proper costume and not looked like a guy selling codeine at a rap-metal concert. But I guess Marvel editor Joe Quesada suggested to the director that Bullseye shouldn’t wear his traditional outfit. I guess that’s just another reason to dislike Quesada on top of his large part in destroying his own industry because of politics, hiring unproven talent for diversity reasons and lashing out at customers on social media. But I digress.
The film has a decent enough story, even if it feels pretty bare bones and paint by numbers. The Director’s Cut actually expands on the story, adding in more context and nuance, as well as a side plot that makes the overall experience a much better one than the theatrical version.
I especially liked the origin stuff about Daredevil as a kid. The scenes between the kid actor and his dad, played by the always underappreciated David Keith, are damn good.
Another thing I don’t like, though, is the style of the fighting in the film. It’s fine when everything feels grounded and real but it gets ruined by relying too heavily on the Hong Kong style of martial arts filmmaking. There are too many moments where it is obvious that the characters are on wires and you see them move in ways that don’t make sense in regards to actual physics. That shit doesn’t work for this sort of film. But I get it, Crouching Tiger, Hidden Dragon was a massive hit a few years earlier and Hollywood tried to emulate the Hong Kong style but kept failing miserably outside of The Matrix movies.
Daredevil – Director’s Cut is still pretty enjoyable, though. Age didn’t really improve it or ruin it. It’s mistakes are pretty clear but they were also clear in 2003.
However, I still really like the cast, for the most part, and it would’ve been interesting seeing how this could’ve continued had sequels bee made. Instead, the studio stupidly opted out of that and went with an abominable Elektra spinoff, a film that I still haven’t been able to stomach in its entirety. But I guess I should review it soon, as I work my way through all of the Marvel movies ever made.
Rating: 7.5/10 Pairs well with: other Marvel comics films before the Marvel Cinematic Universe started in 2008.
Published: July 2nd, 2015 Written by: Frank Miller, Mike W. Barr Art by: John Buscema, Klaus Janson, Bill Sienkiewicz
Marvel Comics, 317 Pages
While this is the weakest of the three volumes that collect the Frank Miller run on Daredevil, it’s still a damn good book and it closes out the run, setting things up for a new creative team.
In the previous volume, we already dealt with the death of Elektra and the defeat of Bullseye. This one pretty much covers the fallout from that, emotionally, as well as how it effects the overall story and the primary characters within.
This collection also includes the graphic novel Love & War, which I will actually review as its own body of work at a later date.
The thing I really liked seeing in here was how Daredevil dealt with his grief, as well as how he and Black Widow sort of came back into each other’s lives after everything that happened to them previously, as well as the issues Daredevil is left to deal with after losing the love of his life.
The story also does a great job of fleshing out Foggy Nelson and giving him things to do, other than just being Matt Murdock’s best bud and business partner.
On top of that, we get a powerful moment between Daredevil and Bullseye, as well as some really interesting and character defining moments for The Kingpin.
This was definitely a worthy conclusion to the Frank Miller era, even if it wasn’t as exciting as the other two volumes. This is much more a story about human emotion and working through it than it is straight action and street level badassery. However, there’s enough of that stuff in here to keep the normie superhero comic book fan engaged.
Rating: 8.5/10 Pairs well with: the rest of Frank Miller’s run, as well as Ann Nocenti’s and the stories in-between.
Published: March 5th, 2015 Written by: Frank Miller, Roger McKenzie Art by: Frank Miller, Klaus Janson
Marvel Comics, 314 Pages
This is the second of the three large collections of the Frank Miller run on Daredevil, this is also the volume where the heaviest shit goes down. Primarily, the return of Bullseye, the death of Elektra and the first time Daredevil meets the Punisher.
I can’t speak on the third volume until I revisit it but I always remembered these string of issues as being the high point of Miller’s run and re-reading it now, I’d say that’s probably true.
This builds off of what Miller established already and it takes things to the next level, cementing Daredevil as one of the most intriguing heroes in Marvel’s lore. It also helps cement The Kingpin and Bullseye as real sons of bitches.
What’s really great about this, is that Miller, despite not yet having a lot of mileage under his belt, was able to write a really emotional and heartbreaking story. Binge reading through this, the overall Elektra arc goes by pretty fast. Still, you get emotionally invested in her and Daredevil’s relationship just as deeply as you would Spider-Man’s with Gwen Stacy or Mary Jane. It’s a tremendous feat to write something this captivating and heart-wrenching but Miller truly achieves greatness here.
For fans of The Gladiator, this is also where he redeems himself and it’s also a sad tale but really satisfactory despite his overall arc not being too big.
Beyond the story, the art is still fantastic and the work of Miller and Klaus Janson gets better with nearly every issue, as both men find their stride and put just as much care into the visuals of these stories, as Miller put into the writing.
If you are a fan of Daredevil and you haven’t read the Miller run, you’ve done yourself as real disservice.
Rating: 9.75/10 Pairs well with: the rest of Frank Miller’s run, as well as Ann Nocenti’s and the stories in-between.
Published: March 6th, 2014 Written by: Frank Miller, Bill Mantlo, Roger McKenzie, David Michelinie, Marv Wolfman Art by: Frank Miller, Klaus Janson
Marvel Comics, 326 Pages
I recently got to scratch off one of my comic book bucket list items. That item was the completion of the entire Frank Miller Daredevil run. I now own all the single issues and it feels good. So to celebrate, I thought that I’d re-read through them all, as they were collected in three beefy volumes that I also own.
This first collection starts with two issues of The Spectacular Spider-Man, which featured Daredevil and had art by Frank Miller. Getting into the start of his run on Daredevil itself, the first handful of issues aren’t written by Miller but he does do the art. But once Miller fully takes over and Klaus Janson comes in to do Miller’s inks, this book really takes off in a new and exciting way, as it becomes grittier and almost has a noir vibe to it.
In this collection, we see the Bullseye character evolve more into the lunatic he actually is. We are also introduced to Elektra, as she makes her first appearance here.
Now nothing is truly wrapped up in this volume and it mainly just lays the foundation for the rest of Miller’s tenure on the title. But it sets things up nicely, really changes the landscape of the title, as long-standing love interest Black Widow moves on with her life and Daredevil is pulled into two new romantic directions.
This also establishes the real tension between Daredevil and The Kingpin.
As the first of three collections covering this run, this book is damn stellar. It’s also a great jumping on point for fans that want to read some of the best years in Daredevil’s long history.
Frankly, I’d read all of Miller’s run and then follow it up with the Ann Nocenti era.
Rating: 9/10 Pairs well with: the rest of Frank Miller’s run, as well as Ann Nocenti’s and the stories in-between.
Published: 2008 Written by: Brian Michael Bendis Art by: Leinil Francis Yu, Gabriele Dell’Otto (cover)
Marvel Comics, 218 Pages
Secret Invasion came out after a series of good storylines from Marvel like Civil War, The Death of Captain America and the feud between the two Avengers teams that followed Civil War. I guess this was supposed to be a good payoff for sticking through that solid run of most of Marvel’s major titles. However, this was mostly a clusterfuck that created more problems than the Marvel continuity needed.
This was ambitious, damn ambitious.
Brian Michael Bendis’ ambition really overreached, though, and this mega event became a jumping off point for me back when it was coming out. After a few issues, I dropped it an never looked back.
Since years have passed and Marvel has gotten even worse, I thought that I might enjoy this a bit more and since I never actually finished it the first time, I wanted to give it another shot.
This is just one of those ideas that sounds good on paper but once you start really fleshing it out, you know it’s not going to work. Well, Bendis should have figured that out on his own, especially since the industry considers him a legend.
The biggest problem with this mega event is that it could have worked on a smaller scale. We could’ve seen that the Skrulls had infiltrated the superhero community, replacing some heroes with themselves in disguise. It didn’t need to be so damn grandiose where nearly half the heroes were just Skrulls in hiding. The conspiracy was too big and thus, came across as really fucking dumb.
In fact, this would’ve been much better had the Skrulls just replaced a few key people and there were still less than a handful in disguise. When you expect half the heroes to be impostors, the reveals of who is who loses its impact and you’re left with a half-assed handjob from a drunk instead of great sex from a pretty hot sexual partner.
In the end, when half the characters were impostors, it poses too many questions that just break continuity and it’s way too hard for editorial to keep track of, especially editorial from this era or any after.
Someone really should’ve grabbed Bendis by the shoulders and shouted, “Scale this the fuck down!”
Rating: 4.5/10 Pairs well with: other Marvel mega events.
Published: September 14th, 2016 Written by: Charles Soule, Roger McKenzie Art by: Matteo Buffagni, Vanesa R. Del Ray, Goran Sudzuka, Bill Sienkiewicz (cover)
Marvel Comics, 124 Pages
While I’ve praised Charles Soule’s run on Daredevil, this early stuff isn’t working for me.
I came into Soule’s run towards the end of it and I really liked the last few arcs. Here, though, he is bogged down by the writer before him, who made it so that no one knew Daredevil’s secret identity. It’s a weird plot device that comes up constantly in this volume and it’s pretty annoying.
This collection is made up of multiple short story arcs.
The first deals with Elektra showing up, looking for a daughter no one knew she had. Apparently, after about 50 pages, the daughter angle was a trick and the story ended up being completely pointless.
The second arc is all about Matt Murdock playing Texas Hold’em in Macao. You don’t know what his scheme is but it ends with him and Spider-Man hunting down a briefcase. It’s pretty dull and the dialogue was bad.
The third part of this scant 124 page collection is the Daredevil annual from that year, which has a short story revolving around Echo and another that pits Daredevil against the Gladiator.
Reading this felt like a complete waste of time. I’m sure that these stories were there to plant seeds for later plot developments but this feels like total filler.
Additionally, the art in the Elektra story was bad. And then in the Texas Hold’em tale, there is a scene where Spidey and Daredevil go parasailing behind a hydrofoil. Except they aren’t using parachutes. Um… you have to use a parachute, otherwise parasailing doesn’t work. Growing up in Florida, I understand the simple physics of parasailing. The human body is not a natural parachute no matter how fast the boat is going.
I wanted to read through the earlier Soule Daredevil stuff but man, this really destroyed my motivation.
Also, I hate the black Daredevil suit.
Rating: 5/10 Pairs well with: the other Charles Soule story arcs on Daredevil.
Published: November 7th, 2018 – January 30th, 2019 Written by: Donny Cates, Tini Howard, Vita Ayala, Matt Rosenberg Art by: various
Marvel Comics, 161 Pages
When the Marvel Knights line of comics were going strong, I wasn’t paying much attention. I was aware of them but it was the late ’90s and I wasn’t reading comic books as regularly, as I was entering my twenties and didn’t do much other than party hard and sleep little.
I have since gone back and read some of the stories from that alternate Marvel universe and I’ve liked a lot of them. So when I saw that this was coming out to commemorate the 20th anniversary, I had to check it out. Plus, one of the writers is Donny Cates, whose recent work I’ve loved and it heavily features Daredevil.
The premise was kind of cool and I did enjoy this overall. Although, it was problematic in regards to its pacing. This is due to there being too many writers chiming in over the six issues. Cates looked to be credited as the top writer for each chapter but he had different collaborators with each new installment of this miniseries.
The narrative flow was a bit off, as it took too long to get the action going. Once we get to where this needed to wrap up, it felt rushed and the twist finale seemed strange, out of place and too convenient.
There’s a MacGuffin device and all they have to do in the end is hit a button and fix everything. I love Cates but that’s just lazy, outdated 1960s comic book writing. It’s like a random wizard showing up at the end and casting a “fix it” spell, making everything that happened pretty pointless.
I was still glad that I read through this miniseries, as it featured a lot of characters I love. I can’t call it underwhelming but I did have expectations that I don’t feel were met.
Rating: 7.25/10 Pairs well with: old school Marvel Knights stuff and other recent works by Donny Cates.