Film Review: Planes, Trains and Automobiles (1987)

Release Date: November 25th, 1987
Directed by: John Hughes
Written by: John Hughes
Music by: Ira Newborn
Cast: Steve Martin, John Candy, Laila Robins, Michael McKean, Kevin Bacon, Dylan Baker, Larry Hankin, Richard Herd, Edie McClurg, Bill Erwin, Ben Stein, Martin Ferrero, Lyman Ward

Hughes Entertainment, Paramount Pictures, 93 Minutes

Review:

“You wanna hurt me? Go right ahead if it makes you feel any better. I’m an easy target. Yeah, you’re right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you… but I don’t like to hurt people’s feelings. Well, you think what you want about me; I’m not changing. I like… I like me. My wife likes me. My customers like me. ‘Cause I’m the real article. What you see is what you get.” – Del

While I don’t love this movie as much as most people, it’s still something I watch leading up to Thanksgiving almost every year. The main reason, is it focuses on what’s important in life while also reminding its audience to open up to other people, even those who may seem difficult, because human beings are human beings and we’re all in this ride together.

Plus, I love buddy comedies and the pairing of legends Steve Martin and John Candy was a great one.

The film benefits from John Hughes’ masterful skill in blending comedy and drama, tackling tough subjects while also remaining lighthearted and hopeful. I miss good, positive films like this and even if it’s a “very ’80s thing” on the surface, it’s still sort of timeless and has a real charm about it that most modern films can’t replicate even when they really try.

This is why John Hughes was so great, though, because even though other filmmakers were able to make similar, feel good movies in the ’80s, Hughes’ films just had an extra sprinkle of something special that not only transcended the screen but also the time in which they were made.

Planes, Trains and Automobiles isn’t even the best of Hughes’ comedies (or even his holiday themed ones) but it captures that magic exceptionally well and it’s hard not to smile while watching these guys bumble through one crappy situation after another, seemingly attached at the hip all the way till the end.

That being said, I also don’t know how well this would’ve worked with other actors. Martin and Candy were reaching legendary status with each passing film and the merging of their talents in this took this picture to a level that it otherwise probably wouldn’t have reached, even with Hughes behind the camera and the typewriter.

Rating: 7.5/10
Pairs well with: other John Hughes holiday comedies, as well as comedies starring Steve Martin and John Candy.

Film Review: Back to School (1986)

Release Date: June 13th, 1986
Directed by: Alan Metter
Written by: Steven Kampmann, Will Porter, Peter Torokvei, Harold Ramis, Rodney Dangerfield, Greg Fields, Dennis Snee
Music by: Danny Elfman
Cast: Rodney Dangerfield, Sally Kellerman, Burt Young, Keith Gordon, Adrienne Barbeau, Robert Downey Jr., Sam Kinison, Ned Beatty, Paxton Whitehead, Terry Farrell, M. Emmet Walsh, William Zabka, Robert Picardo, Jason Hervey, Edie McClurg, Kurt Vonnegut (cameo), Oingo Boingo (cameo)

Paper Clip Productions, Orion Pictures, 96 Minutes

Review:

“Bring us a pitcher of beer every seven minutes until somebody passes out. And then bring one every ten minutes.” – Thornton Melon

I guess I completely forgot how many stars were in this film because it’s been a long time since I’ve seen it. I obviously remembered Rodney Dangerfield but I also recalled Keith Gordon, Robert Downey Jr., William Zabka and Sam Kinison because of that one iconic scene.

But throw in Burt Young, M. Emmet Walsh, Adrienne Barbeau, Sally Kellerman, Ned Beatty, Edie McClurg, Jason Hervey, Robert Picardo, Terry Farrell and Oingo friggin’ Boingo and you’ve got an all-star ensemble! Plus, Harold Ramis was one of the writers. Granted, this had seven writers, so one of them other than Dangerfield probably had to be a big name.

While this is a pretty dated comedy, as are most comedies of the ’80s, it’s still entertaining and in 2019 it’s refreshing, as comedy is dead due to political correct nutsos who spend every waking moment searching high and low for shit to be offended about.

Point being, you couldn’t make this movie today because every joke is (insert label here)-shaming and insensitive.

You see, we didn’t care too much about political correctness in the ’80s. Hell, we didn’t even care about it until like five years ago. And this film goes to show how talented all these people were as they weren’t bogged down by Hollywood wokeness and crybaby pussies on Twitter.

Now this isn’t a superb motion picture by any stretch of the imagination but it is really solid escapism that is amusing and charming in a way that film’s aren’t anymore. And honestly, I think that’s a big reason as to why so many people are nostalgic for ’80s and ’90s shit now. Even the slightly above mediocre stuff is cherished more than it was when it was current.

The plot of Back to School follows a sextagenerian as he goes to college, surprising his twenty-something son, the school professors and his friends. In short time, he takes over, turns the campus into one big party and even saves the day for the college diving team in a ridiculous but satisfactory way that may be goofy but works in a comedy from this era.

Back to School isn’t perfect and it isn’t even close to being the best comedy of its day. However, it’s a lot of fun if you just want to mindlessly escape into something for an hour and a half while having a laugh.

Rating: 6.75/10
Pairs well with: other Rodney Dangerfield comedies, as well as college comedies like PCU, Old School, Animal House, Van Wilder, etc.

Film Review: Elvira: Mistress of the Dark (1988)

Also known as: Elvira (Philippines English title)
Release Date: September 30th, 1988
Directed by: James Signorelli
Written by: Sam Egan, John Paragon, Cassandra Peterson
Music by: James B. Campbell
Cast: Elvira (Cassandra Peterson), W. Morgan Sheppard, Daniel Greene, Jeff Conaway, Susan Kellerman, Edie McClurg, Kurt Fuller, Frank Welker (voice)

NBC Productions, New World Pictures, 96 Minutes

Review:

“Please, I don’t think we need to resort to name calling. I think what Calvin is trying to say is that this Elvira is a person of easy virtue, a purveyor of pulchritude, a one-woman Sodom and Gomorrah, if you will. A slimy, slithering succubus, a concubine, a street walker, a tramp, a slut, a cheap whore!” – Chastity Pariah

This film hasn’t aged well. But I used to love it as a kid. And really, I think this only works if you’re already a pretty big fan of Elvira. If that’s the case, you should definitely give this a watch.

It kind of has a similar vibe to the Pee-Wee and Ernest movies from the ’80s. It’s a cheaply made comedy based on a fictional character that was super popular at the time. I liked the trend of these types of pop icons getting to try out film as a new vehicle for their careers, even if Ernest was the only one that achieved real cinematic longevity.

Lumping this in with those other films, it’s the best of them all after the original Pee-Wee movie, 1985’s Pee-Wee’s Big Adventure. But that was also directed by Tim Burton in a time when the guy could do no wrong.

Elvira: Mistress of the Dark does a good job with the pieces it had though. Cassandra Peterson is truly a comedy master. She owns the Elvira character, delivers her lines like a champ and is willing to really put herself out there to let Elvira flourish. I’ve always had a lot of respect for Peterson and how she performs her craft. She absolutely was the best horror host of all-time and could perform at a level that other horror hosts couldn’t. That may be a controversial statement to some but I stick by it.

This movie was a great vehicle for her because she got to spend 90 minutes, hamming it up in her unique style, uninterrupted by bad movies and commercial breaks. I wouldn’t call this the highpoint of her career, as she has continued on for decades, but it is the one body of work that best showcases her talent in the most complete way.

I thought the story was decent, the acting didn’t really matter and you just sort of have to roll with this and enjoy it for what it is.

Edie McClurg was perfect as the small town busybody trying to make Elvira’s life hell. I’ve loved McClurg in so many different things but I liked that she wasn’t just a small character in this.

This film is goofy, funny as hell and it’s hard to feel down if this is on the TV. But it won’t be for everyone, not that it needs to be. Elvira fans should be pretty satisfied with it, though.

Rating: 6.25/10
Pairs well with: other oddball comedies of unique people stranded in podunk communities: To Wong Foo, Thanks for Everything! Julie Newmar and Son In Law.

Film Review: Eating Raoul (1982)

Release Date: March 24th, 1982
Directed by: Paul Bartel
Written by: Paul Bartel, Richard Blackburn
Music by: Arlon Ober
Cast: Paul Bartel, Mary Woronov, Robert Beltran, Susan Saiger, Ed Begley Jr., Buck Henry, Edie McClurg, Don Steele

Bartel Films Incorporated, Quartet, 20th Century Fox, 83 Minutes

Review:

“Why don’t you go to bed, honey? I’ll bag the Nazi and straighten up.” – Paul Bland

Eating Raoul is the film where the team of Paul Bartel and Mary Woronov really cemented itself. While Bartel had directed before, this is his first real effort without the involvement of Roger Corman.

The film is, more or less, a black comedy that pokes fun at a lot of the cultural things that made up the 1980s. The free love movement has run its course, greed is everywhere and everyone is pretty much self-absorbed and blinded by their own desires.

The film follows the prudish Blands (played by Paul Bartel and Mary Woronov). They are in serious financial trouble and are also continually harassed and repulsed by the swingers that seem to be everywhere in their Hollywood apartment complex. After murdering a swinger who was trying to rape Mrs. Bland, the two discover he is loaded. They then devise a scheme to knock off swingers and to take their cash. This gets them mixed up with Raoul (Robert Beltran), a shady locksmith. Raoul gives the Blands money for the “cadavers” and they all three scheme to get rich, as Raoul has his eyes on Mrs. Bland. We get a whole lot of hilarious insanity, a love triangle and a high society swingers party that makes up a fantastic finale.

Eating Raoul is a film that is a lot smarter than it initially appears to be. Bartel and Richard Blackburn wrote a stupendous script, which was only enhanced by the talents of Bartel, Woronov and Beltran on the screen. While the stars aren’t comic veterans, at this point, they have the timing and the presence of more experienced players.

Eating Raoul is a film that is greater than what one would assume is the sum of its parts in 1982. It was a small comedy that would’ve normally just come and gone and disappeared forever but somehow, the true talent of Bartel and Woronov comes through and this thing was a surprising hit and has thus achieved cult classic status. There is even a Criterion Collection version of the film.

Rating: 8/10