Film Review: Planes, Trains and Automobiles (1987)

Release Date: November 25th, 1987
Directed by: John Hughes
Written by: John Hughes
Music by: Ira Newborn
Cast: Steve Martin, John Candy, Laila Robins, Michael McKean, Kevin Bacon, Dylan Baker, Larry Hankin, Richard Herd, Edie McClurg, Bill Erwin, Ben Stein, Martin Ferrero, Lyman Ward

Hughes Entertainment, Paramount Pictures, 93 Minutes

Review:

“You wanna hurt me? Go right ahead if it makes you feel any better. I’m an easy target. Yeah, you’re right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you… but I don’t like to hurt people’s feelings. Well, you think what you want about me; I’m not changing. I like… I like me. My wife likes me. My customers like me. ‘Cause I’m the real article. What you see is what you get.” – Del

While I don’t love this movie as much as most people, it’s still something I watch leading up to Thanksgiving almost every year. The main reason, is it focuses on what’s important in life while also reminding its audience to open up to other people, even those who may seem difficult, because human beings are human beings and we’re all in this ride together.

Plus, I love buddy comedies and the pairing of legends Steve Martin and John Candy was a great one.

The film benefits from John Hughes’ masterful skill in blending comedy and drama, tackling tough subjects while also remaining lighthearted and hopeful. I miss good, positive films like this and even if it’s a “very ’80s thing” on the surface, it’s still sort of timeless and has a real charm about it that most modern films can’t replicate even when they really try.

This is why John Hughes was so great, though, because even though other filmmakers were able to make similar, feel good movies in the ’80s, Hughes’ films just had an extra sprinkle of something special that not only transcended the screen but also the time in which they were made.

Planes, Trains and Automobiles isn’t even the best of Hughes’ comedies (or even his holiday themed ones) but it captures that magic exceptionally well and it’s hard not to smile while watching these guys bumble through one crappy situation after another, seemingly attached at the hip all the way till the end.

That being said, I also don’t know how well this would’ve worked with other actors. Martin and Candy were reaching legendary status with each passing film and the merging of their talents in this took this picture to a level that it otherwise probably wouldn’t have reached, even with Hughes behind the camera and the typewriter.

Rating: 7.5/10
Pairs well with: other John Hughes holiday comedies, as well as comedies starring Steve Martin and John Candy.

Film Review: Trick ‘r Treat (2007)

Also known as: Trick or Treat (alternative spelling)
Release Date: December 9th, 2007 (Butt-Numb-A-Thon Film Festival)
Directed by: Michael Dougherty
Written by: Michael Dougherty
Music by: Douglas Pipes
Cast: Dylan Baker, Rochelle Aytes, Anna Paquin, Brian Cox, Quinn Lord, Lauren Lee Smith, Britt McKillip, Jean-Luc Bilodeau, Samm Todd, Leslie Bibb, Tahmoh Penikett, Brett Kelly

Bad Hat Harry Productions, Legendary Entertainment, Warner Bros., 82 Minutes

Review:

“Werewolves, zombies and demons of every variety. They’ve all descended on the normally sleepy town of Warren Valley, OH. Where the holiday and all of its strange traditions are taken very seriously. It’s only 8:00 and the streets are already packed with costumed visitors. Some to show off, others to blend in, but all to celebrate the magical night of Halloween. The one night a year where we can pretend to be the scariest thing we think of.” – Reporter

It’s been a hell of a long time since I last watched Trick ‘r Treat and I was a bit surprised that I hadn’t reviewed it yet, as this is already the fourth Halloween season since Talking Pulp started. Not to mention all my other blogs that predate this one where reviewing movies was part of the regular output.

I like this movie quite a bit, especially because it truly is a love letter to Halloween and while we have a lot of horror movies in the universe, we don’t have enough that feel like they’re Halloween specific.

This is an anthology but all the stories are connected and happen in the same town on the same night. The plots overlap a bit and the movie is shown out of order ala Pulp Fiction but it isn’t hard to put the pieces together and it keeps you guessing as the multiple plot threads develop.

My only real complaint about the film is that it felt like it needed one more story thrown in to help pad out the running time and to take the picture to the next level. It’s short, moves really quick and the flick ends before you’re really ready to say goodbye to it. But I guess that’s also a testament to how entertaining it is.

I had always hoped that this would’ve kicked off a franchise of annual or semi-annual Halloween anthologies that exist in this same universe. Michael Dougherty, the film’s writer and director, has said he’s wanted to make more but it’s been thirteen years since this was originally shown and not much has happened since.

Well, Dougherty did do another holiday themed horror movie with 2015’s Krampus and I did enjoy that as well. But still, this deserves more love, more chapters and with that, I feel like it could evolve into a franchise strong enough to rival John Carpenter’s Halloween series.

Rating: 7.5/10
Pairs well with: other horror anthologies, as well as movies about Halloween.

Film Review: Spider-Man 3 (2007)

Also known as: 3 (trailer title)
Release Date: April 3rd, 2007 (Uruguay)
Directed by: Sam Raimi
Written by: Sam Raimi, Ivan Raimi, Alvin Sargent
Based on: Spider-Man by Stan Lee, Steve Ditko
Music by: Christopher Young
Cast: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Thomas Haden Church, Topher Grace, Bryce Dallas Howard, J.K. Simmons, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Dylan Baker, Elya Baskin, James Cromwell, Willem Dafoe (cameo), Cliff Robertson (cameo), Joe Manganiello (cameo)

Marvel Entertainment, Laura Ziskin Productions, Columbia Pictures, 139 Minutes, 137 Minutes (Editor’s Cut)

Review:

“Whatever comes our way, whatever battle we have raging inside us, we always have a choice. My friend Harry taught me that. He chose to be the best of himself. It’s the choices that make us who we are, and we can always choose to do what’s right.” – Peter Parker

While this wasn’t as bad as I remembered, there are still some things that are very off about this picture.

Starting with a positive, I do like the visual tone of this film the best out of the trilogy. It abandoned that overly copper, sunset look the other ones had and most of the film takes place at night or in normal daylight.

However, the improvements in the visual look are overshadowed by the film’s very shoddy CGI effects. It’s kind of baffling but this is the worst looking film of the three when it comes to digital effects. I’m not sure if the studio cut some corners or were rushed but most action heavy CGI sequences looked like a video game. It was distracting and pulled you out of the magic.

I think it’s possible that they overextended themselves in trying to include both Venom and The Sandman, as it’s damn near impossible to create those characters, in all their glory, without the use of CGI. In fact, their battles in the film needed to be larger than life spectacles.

Now the problem isn’t the use of either villain but it’s the use of both of them at the same time. Plus, Harry Osborn also becomes the new Green Goblin.

This picture suffers across the board because trying to wedge in three villains just didn’t work from a narrative standpoint and it forced the effects artists to focus their efforts into multiple effects heavy characters.

Now the film did a superb job with The Sandman’s story and if this movie just focused on him, it could’ve actually been incredible. The Sandman gets thrown to the side at multiple points throughout the movie though, as they then have to rush through Venom’s origin in the most half-assed way possible. Then they have to deal with Harry and his Goblin thing, Peter and Mary Jane’s relationship issues, introducing Gwen Stacy and even having Peter turn into an emo douche because I guess that’s what the Venom symbiote does in the movie universe.

The narrative is disjointed as hell but where it’s good, it’s great. But every time you really get into a portion of the story, it shifts gears or throws something stupid at you. The misfires and shifts are pretty maddening, especially when there are things in the film that work and come across as spectacular. It’s like you can see the real love for these characters rise up like cream to the top but then the filmmakers stir the coffee again. By the third act, they just keep throwing hot coffee in your face.

In a nutshell, this is a clusterfuck but it’s a clusterfuck that has greatness in it. I still like the movie despite its massive flaws and for fans of Harry Osborn, his journey comes to a beautiful end. With it, the film hits you right in the feels, as you feel the pain that Peter and Mary Jane share over the loss of their dear friend and how wrecked their own relationship has become.

The film does leave you with some hope but the ending is still kind of a downer. Granted, they planned a followup (or three) to this film but those movies never happened.

In the end, this movie was a weird end to the film series. I know it wasn’t intended to be the send off for these characters but it left the film series in a strange, uncertain place. I would’ve liked to have seen this cast get to make at least one more picture but that ship has sailed.

Maybe a comic book sequel could work but with the comic industry being in the shitter, waiting to be flushed, that’s probably wishful thinking. Plus, they’ve already rebooted the film series twice since this came out.

Rating: 7.5/10
Pairs well with: the other two films in this mostly great series.

Film Review: Spider-Man 2 (2004)

Also known as: Spider-Man: No More, Spider-Man 2: Lives, The Amazing Spider-Man (working title), Spider-Man 2.1 (recut version)
Release Date: June 25th, 2004 (Lithuania)
Directed by: Sam Raimi
Written by: Alvin Sargent, Alfred Gough, Miles Millar, Michael Chabon
Based on: Spider-Man by Stan Lee, Steve Ditko
Music by: Danny Elfman
Cast: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Alfred Molina, Donna Murphy, J.K. Simmons, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Dylan Baker, Daniel Gillies, Vanessa Ferlito, Elya Baskin, Hal Sparks, Joel McHale, Emily Deschanel, Joey Diaz, Chloe Dykstra, John Landis (cameo), Willem Dafoe (cameo), Cliff Robertson (cameo), Phil LaMarr (uncredited), Peyton List (uncredited)

Marvel Entertainment, Laura Ziskin Productions, Columbia Pictures, 127 Minutes, 135 Minutes (extended cut)

Review:

“We need a hero, couragous sacrificing people, setting examples for all of us. Everybody loves a hero, people line up for ’em, cheer for them, scream their names, and years later tell how they stood in the rain for hours just to get a glimpse of the one who told them to HOLD ON a second longer. I believe theres a hero in all of us, that keeps us honest, gives us strength, makes us noble. And finally gets us to die with pride. Even though sometimes we have to be steady and give up the thing we want most, even our dreams.” – May Parker

I always thought of Spider-Man 2 as the superior film between the first two. However, having revisited them for the first time in over a decade, I think they break even. And that’s a good thing, as the first was a wee bit better than I remembered and this one was just about the same.

I like the story and the stakes in the first one better but this film has what I consider to be one of the greatest moments in superhero film history, if not the greatest.

That moment comes at the end of the train battle where Spider-Man exposes himself to the people on the train while he is risking his own life to save them from a horrible death. Those people, in a very powerful moment, stand up for Spidey and vow to protect his identity. Shit gets me misty… every fucking time.

The rest of the film is pretty great too and while I get bored with there being a lot of romance in superhero films, Sam Raimi did a stupendous job with these pictures, as he truly captures the emotions and the heartbreak of the characters, showing both sides of the equation equally and fairly.

A lot of the credit also has to go to Tobey Maguire and Kirsten Dunst, who played these roles greatly while also having incredible chemistry. Sure, their story gets a bit fucked up in the third film but I’ll review that one in about a week.

Another thing I like about the film is how Raimi foreshadows things to come. Spider-Man is exposed to the public, which sort of foreshadows his identity becoming known to his love Mary Jane and his best friend Harry Osborn, who has vowed to get revenge on Spider-Man for the accidental death of his father.

It also foreshadows stories to come after this film by including Dr. Curt Connors, the man who would become The Lizard, as well as J. Jonah Jameson’s son, who would become Man-Wolf. Granted, Raimi never got to explore these characters more, as Spider-Man 4 and the films following it were eventually cancelled after the third movie misfired pretty hard.

It also felt like the groundwork was being laid for a Sinister Six story, which would become a focal point of The Amazing Spider-Man films that followed but that series was also cancelled in favor of another reboot that brought Spidey into Disney’s Marvel Cinematic Universe via Captain America: Civil War and his own solo films and guest appearances that followed.

Anyway, getting back on the topic of this film, my only real criticisms of it are the same as the previous one and that’s the visual style of it and how it looks overly copper. Granted, that feels like it is less of a problem here and the visual aesthetic was a bit more fine tuned and natural looking.

Apart from that, I just don’t like Dr. Octopus as much as I liked the Green Goblin. Both characters had weird designs and outfits in these movies but with the films being so good, you quickly look passed that. But Octopus feels kind of generic and uninspiring. While I like Alfred Molina in the role, I felt like he needed more meat to chew on and a much better look. In the end, however, you do really sympathize with him when he realizes what he’s done and decides to undo his work in an effort to save New York City and redeem himself in the eyes of Peter Parker, a kid he likes and respects.

Wrapping up two movies, this picture has an absolutely perfect ending. If the series ended here, it probably would’ve been remembered even more fondly but we did get that third film that derailed everything and it sort of left a stink on top of the series. Plus, after this, it would’ve felt almost criminal not to continue on.

Rating: 9/10
Pairs well with: the other two films in this mostly great series.