Published: August 18th, 2009 Written by: Roy Thomas, Doug Moench, various Art by: various Based on: characters by Robert E. Howard, characters by Bram Stoker
Marvel Comics (original printing), Dark Horse (reprinted), 416 Pages
Man, this was one hell of a buy! A great value in fact! I was surprised that I found one in pretty pristine condition on eBay for about twenty bucks.
This collection is pretty special, as it is magazine sized and all in black and white. It’s also over 400 glorious pages! It reprints all of the Solomon Kane magazine format stories from the original Marvel era when they had all the Robert E. Howard publishing rights from the ’70s into the early ’90s.
I’ve read probably half of these stories before, as I own a lot of the issues these tales appeared in but it’s been a really long time and about 50-60 percent of this was new to me.
It seems like this is mostly in chronological order and it allowed for it to read much better as a broader body of work, covering the large passage of time over Kane’s many adventures.
Being that this was made by Marvel, it features some great crossovers with the Marvel version of Dracula, as well as another Robert E. Howard character, Conan. There’s even a story in here that features Frankenstein’s castle.
A lot of the stories here are adapted from Howard’s literary Solomon Kane tales. Having recently read the definitive collection of the literary work, it was really cool seeing some of the same tales brought to life with great art.
All in all, this is now one of my favorite things in my graphic novel collection. It’s a beast of a collection but it’s also something I know I’ll go back to and revisit again and again for the rest of my life.
Rating: 10/10 Pairs well with: other comic stories that were featured within the pages of the original Savage Sword of Conan magazine.
Published: October 3rd, 2018 Written by: Gerry Conway, Chris Claremont, Gary Friedrich, Tony Isabella, Roy Thomas, Len Wein, Marv Wolfman Art by: Gene Colan, Ross Andru, John Buscema, Dick Giordano, Don Heck, Mike Ploog, Gil Kane (cover) Based on:Dracula by Bram Stoker, Frankenstein by Mary Shelley
Marvel Comics, 512 Pages
Over the last few months, I’ve been reading a lot of the ’70s Marvel Comics stuff. I dabbled in some of these stories when I was a kid but they were before my time and weren’t as easy to get when I really started collecting comics circa 1990. Plus, my attention, at that time, was focused on superhero stuff, as well as G.I. Joe.
I enjoyed the first volume in this massive collections of The Tomb of Dracula, so naturally I wanted to check out this one too. In the end, I liked this one even more. I think a lot of that has to do with this taking place more in the modern world, which allowed Marvel’s incarnation of Dracula to interact with some of Marvel’s famous superheroes.
In this collection we get to see Dracula meet Spider-Man, Werewolf by Night and Marvel’s version of Frankenstein’s Monster. We also get a small cameo by the Human Torch, as well as the debut of Dracula’s daughter, Lilith. This even had a swashbuckling tale in it.
Now this had a ton of different writers and artists, as it bounces around to different titles that featured Dracula, at the time. Despite this, the book feels consistent, which is a testament to how great Marvel’s editorial was in the ’70s. As far as that company has fallen in recent years, they wouldn’t be able to pull this feat off in 2020.
Most of the stories here were good, it was an energetic read with great art by several legends and it is a fantastic example of ’70s Marvel horror at its finest.
Rating: 7.5/10 Pairs well with: the other Marvel Dracula stories, as well as other ’70s Marvel horror titles.
Published: 1973-1974 Written by: Gary Friedrich, Bill Mantlo, Doug Moench Art by: Bob Brown, John Buscema, Val Mayerik, Don Perlin, Mike Ploog Based on:Frankenstein by Mary Shelley
Marvel Comics, 533 Pages
After reading the first big collection of Marvel Comics’ The Tomb of Dracula, I wanted to check out some of their other horror titles that are based off of classic monsters. So naturally, their ’70s Frankenstein series seemed like the next one I should read.
From the start, this was a pretty cool series. It initially starts way back in the original era of Frankenstein’s Monster but it moves through time with each story arc, bringing the lovable brute into more modern times by the end.
My favorite arc within the series was near the middle and it featured the Monster meeting Dracula. Now I wasn’t 100 percent clear as to whether I was supposed to interpret the character as Marvel’s Dracula or not. I’d assume so, despite the ending making me question it. But the reason why I see him as the same character is because Frankenstein’s Monster also crosses over with the Marvel superhero universe, which links the characters and puts both of them in Marvel canon, officially.
The only real down side to this series was that it switched artists and writers a lot. Now most of the stories were good and the art was always cool but it felt like it lacked cohesion and fluidity because of this. Three writers and five main artists over just eighteen issues is a lot.
Still, if ’70s Marvel horror is your thing and you haven’t read these comics yet, you might want to pick them up at some point.
Rating: 7/10 Pairs well with: Marvel’s Tomb of Dracula series, as well as Werewolf by Night and The Living Mummy comics.
Published: October 4th, 2017 Written by: Gerry Conway, Archie Goodwin Art by: Gene Colan, Alan Weiss, Gil Kane (cover) Based on:Dracula by Bram Stoker
Marvel Comics, 518 Pages
This was an interesting collection, as it not only featured the first few story arcs of The Tomb of Dracula comic book series but it also featured issues of the black and white comics magazine Dracula Lives!
Additionally, this features the first appearance and first story of Blade, the character made most famous by Wesley Snipes in the film trilogy that kicked off in 1998. It also has a story that pits Robert E. Howard’s Solomon Kane against Dracula, capitalizing off of the popular sword and sorcery trend in comics at the time.
Overall, this is a pretty neat comic and since I love the Dracula character in many of his incarnations, it’s cool seeing Marvel’s take on him. I also like that Dracula exists within Marvel canon, as well as Robert E. Howard’s canon, because it opens up a lot of possibilities. Sadly, I don’t think we ever got a Dracula and Godzilla crossover even though both of them existed at Marvel at the same time.
I absolutely love the art in this whether its the stuff from the Tomb stories or the Lives! ones. But I do kind of wish that they would’ve made this a beefier collection of just The Tomb of Dracula while also making a collection just for Dracula Lives!
Both series are great but they’re also very different in that the Dracula Lives! comics didn’t have to adhere to the Comics Code Authority and therefore, were a lot darker, more violent and much sexier.
Anyway, I enjoyed both halves of this huge collection and I look forward to delving into the second volume in the near future.
Rating: 7.25/10 Pairs well with: the later Marvel Dracula stories, as well as other ’70s Marvel horror titles.
Published: 2016-2017 Written by: Chad Bowers, Chris Sims Art by: Mirati Firmansyah, Coby Hamscher, David Nakayama (cover) Based on: the X-Men animated series by Fox Kids
Marvel Comics, 240 Pages
If you were a kid in the ’90s, you probably watched the X-Men cartoon that used to be on Fox on Saturday mornings. It was solid, did a pretty good job of adapting some of the comic book’s big storylines and introduced a lot of non-comic reading kids to the X-Men franchise.
It ended after a few seasons and never really had a proper follow up. Well, that is until recently, as the show moved into the medium it was born out of: comic books.
Maybe this took its cues from DC Comics and how they came out with Batman ’66, a comic book series that revisited the 1960s Adam West Batman TV series. But one can’t deny that Batman ’66 was a cool comic, a great idea and with that, should have inspired other comic books that continued the stories of comic book characters as they were presented in other mediums. Hell, I’m still waiting for that Batman ’89 comic that was once teased and then had those teases retracted.
But this is about X-Men ’92, which was a decent follow up to the animated series.
Overall, this was a fun read but it didn’t wow me in the same way that Batman ’66 did. Where that Batman comic felt tonally right and as if it was a true continuation of the series, X-Men ’92 throws some weird curveballs and also tries to force in way too many characters just for the sake of the creators trying to give you the animated series’ versions of these characters.
Maybe they knew this series would be short lived and therefore, they wanted to wedge in every character they could but it really becomes too much to process in the second half of this series. Also, I wasn’t a fan of devoting so much time to a Dracula/vampire story. None of that was central to the core of the cartoon and it shouldn’t have been central to the core of this comic.
Also, this feels like it is just borrowing the visual style of the TV show but it doesn’t seem to understand the tone or the spirit of it.
It’s still entertaining for fans of the source material but I wouldn’t call it a must read or all that necessary. Die hards should check it out but I can see why this didn’t make it a year where Batman ’66 has still been hanging on for quite awhile with a long running series and several crossovers.
Rating: 6.75/10 Pairs well with: the animated series it’s based on, as well as ’90s X-Men comics and various spinoffs.
Also known as: Blade III (working title) Release Date: December 7th, 2004 (Hollywood premiere) Directed by: David S. Goyer Written by: David S. Goyer Based on:Blade by Marv Wolfman, Gene Colan Music by: Ramin Djawadi, Rza Cast: Wesley Snipes, Kris Kristofferson, Jessica Biel, Ryan Reynolds, Parker Posey, Dominic Purcell, Triple H, Natasha Lyonne, John Michael Higgins, James Remar, Patton Oswalt, Christopher Heyerdahl
Marvel Enterprises, Shawn Danielle Productions Ltd., Amen Ra Films, Imaginary Forces, New Line Cinema, 112 Minutes
“[licking one of Hannibal’s wounds] You’re tasting a little bland, lover. Are you getting enough fatty acids in your diet? Have you tried lake trout? Mackerel?” – Danica Talos, “How about you take a sugar-frosted fuck off the end of my dick?” – Hannibal King, “And how about everyone here not saying the word “dick” anymore? It provokes my envy.” – Danica Talos
Well, revisiting Blade II wasn’t fun but at least this one was a bit better, in my opinion, even if the consensus doesn’t agree with me.
But let’s be honest, this is also pretty much a total turkey unworthy of being a sequel to the first film.
What’s kind of baffling is that this installment has the best cast out of all three films. I mean, there is a lot of talent on the roster but what we got was a movie that has given most of these actors something to scrub off of their resume.
For instance, Parker Posey is a dynamite actress. In fact, she may be mostly known as an indie darling but she’s one of the best actresses of the past twenty-five years. She has range, she delivers and it’s hard to think of anything else that sees her performance be anywhere near as cringe as it is here. But I don’t blame Posey, I blame the atrocious script and poor direction of David S. Goyer.
So speaking on that, I have to point out how bad the dialogue is in this picture. It’s heinously bad. So bad, in fact, that it almost makes the dialogue in the first Blade come off as Shakespearean. It’s worse than the dialogue in Blade II, which was also shit. But I guess it’s kind of surprising, considering that Goyer wrote all three films. But maybe it’s worse here because he took over the directing duties and thus, didn’t have a more talented director that was able to work around terribly written lines and find a way to salvage them. Maybe Goyer kept a tighter leash on his actors than Guillermo del Toro or Stephen Norrington.
I mean, even Ryan Reynolds who is one of the most charming and funny actors of his generation, stumbled through his clunky and unfunny lines, trying to make them work but failing at delivering anything other than unfunny edgy boi humor that sounds like it was written by a middle schooler trying so hard to impress his older brother’s high school friends.
Don’t even get me started on Triple H’s performance but regardless of how convincing he is as a wrestler, his heel game is weak as hell here and I actually had to subtract some cool points from him when I saw this in 2004.
This chapter also lacks a real story and it isn’t even sure which character it wants to make the big bad of the movie. Dominic Purcell plays Drake, who is really just Dracula, but he comes off as the lamest Dracula in the last twenty years of film history. But Purcell is another guy that’s cool and pretty capable of putting in a good performance if given the right direction.
Ultimately, this is a film entirely bogged down by poor performances, bad writing and sloppy direction.
However, the story is better and more clever than the previous film. This had elements that could have saved it and turned this into something great. The opening in the desert and then the first action sequence were all well done and set the stage for what could have been a really solid picture but everything becomes a mess after that.
I also liked the idea of Blade finding a team to work with but the film fucks all that up by having Limp Bizkit Dracula killing just about all of them off except for Ryan Reynolds and Jessica Biel.
Now I really liked Biel in this, even if fighting vampires while jiving to your iPod seems incredibly careless. She gives a better performance than this weak script should have allowed and maybe Goyer was more lenient on letting her alter her performance, as she’s pretty hot and this was only the second time he directed.
Other great performers were all pretty much wasted and were forgettable. In fact, I forgot that James Remar, John Michael Higgins, Christopher Heyerdahl, Patton Oswalt and Natasha Lyonne were even in this.
In the end, this had the ability to be something much better but it suffered for all the reasons I’ve already bitched about. I liked that this wasn’t over stylized like del Toro’s Blade II and that it had a more interesting story that put Blade up against Dracula but the film’s execution snuffed out the possibility of something solid.
And while it seems as if I’m bashing Goyer, he would improve. But his best work has always come when he’s worked under a much more talented director than himself. Christopher Nolan, for instance. But he’s still put out some shitty scripts and unfortunately, the shit outweighs the gold.
Rating: 6/10 Pairs well with: the other Blade movies.