Film Review: Scandal Sheet (1952)

Also known as: The Dark Page (working title)
Release Date: January 16th, 1952 (New York City premiere)
Directed by: Phil Karlson
Written by: Eugene Lind, James Poe, Ted Sherdeman
Based on: The Dark Page by Samuel Fuller
Music by: George Duning
Cast: Broderick Crawford, Donna Reed, John Derek, Rosemary DeCamp, Strother Martin (uncredited)

Edward Small Productions, Motion Picture Investors, Columbia Pictures, 82 Minutes

Review:

“Very rare items. Pictures of a dame with her mouth shut.” – Steve McCleary

Scandal Sheet is a lesser known film-noir from the classic era but that doesn’t mean that it isn’t quality.

The film does start out a bit slow and I didn’t know anything about the story. But once the plot really starts to unfold, it is hard to turn away.

The story is about a newspaper man that has converted a paper into a popular tabloid. But you soon find out that this man has a past when his ex-wife shows up to confront him. This confrontation leads to the woman’s murder. The reporter that the newspaper man is mentoring decides to crack the case. As the film progresses and clues turn into evidence, the vile newspaper man has to decide between his freedom and the life of the reporter he cares for.

While the film doesn’t have the most famous cast. it does have Donna Reed. She is the shining beacon of talent amongst the group. That’s not to say that the other players aren’t capable, they certainly are, but Reed’s charisma and charm really shine through. Her presence is almost distracting looking at this through a modern lens. In 1952, however, she was in good company with veteran Broderick Crawford and John Derek, even though his career wasn’t as prolific.

This is pretty well shot and executed. However, there’s not a whole lot of visual allure that makes this stand out like some of the more famous noir pictures. It’s still a fine movie that was shot and captured pretty competently, though.

I’d say that this is definitely a better than average film-noir but it’s nowhere near the upper echelon.

Rating: 6.5/10
Pairs well with: other lesser known but good film-noirs: Shockproof, D.O.A., Side Street and The Prowler.