Comic Review: Wolverine Vs. Blade – One-Shot

Published: July 10th, 2019
Written by: Marc Guggenheim
Art by: Dave Wilkins

Marvel Comics, 40 Pages

Review:

This was a comic book that I didn’t know I wanted until I saw it hit the shelves. It came home with me immediately and I gave it a read, twice.

Now it’s not a classic and probably won’t be heralded for years to come but for a Marvel comic in 2019, this was some solid f’n stuff! But maybe it would’ve worked better as an annual. Granted, I don’t think Wolverine or Blade have regular titles, right now. Wolverine has just been in a lot of recent miniseries, as Marvel just resurrected him after being on the shelf for a few years.

Anyway, this is a badass comic. Marc Guggenheim, now mostly known as the guy behind all the CW superhero shows, penned a cool story that understood its characters and gave them real life. The banter between Blade and Wolverine was entertaining and they made a formidable pair.

Now calling this Wolverine Vs. Blade might have been a bit of a stretch. The two fight but it’s pretty short and they realize that they need to team up to stop a vampire threat.

The big twist as to who the big villain is, is pretty neat. I don’t want to spoil it but it makes sense for the story and for being a good match for the combined powers and skills of the heroes.

Also, there is a Doctor Strange cameo in this.

But apart from my satisfaction regarding the story, I also loved the art. Dave Wilkins created a beautiful looking comic.

In fact, I’d like to see Guggenheim and Wilkins work together again. Marvel should just greenlight a sequel to this or let these two work on some sort of team up miniseries.

Rating: 8/10
Pairs well with: other Blade stories, as well as mid-’00s X-Force featuring Wolverine leading the team as a black ops group.

Comic Review: X-Men ’92

Published: 2016-2017
Written by: Chad Bowers, Chris Sims
Art by: Mirati Firmansyah, Coby Hamscher, David Nakayama (cover)
Based on: the X-Men animated series by Fox Kids

Marvel Comics, 240 Pages

Review:

If you were a kid in the ’90s, you probably watched the X-Men cartoon that used to be on Fox on Saturday mornings. It was solid, did a pretty good job of adapting some of the comic book’s big storylines and introduced a lot of non-comic reading kids to the X-Men franchise.

It ended after a few seasons and never really had a proper follow up. Well, that is until recently, as the show moved into the medium it was born out of: comic books.

Maybe this took its cues from DC Comics and how they came out with Batman ’66, a comic book series that revisited the 1960s Adam West Batman TV series. But one can’t deny that Batman ’66 was a cool comic, a great idea and with that, should have inspired other comic books that continued the stories of comic book characters as they were presented in other mediums. Hell, I’m still waiting for that Batman ’89 comic that was once teased and then had those teases retracted.

But this is about X-Men ’92, which was a decent follow up to the animated series.

Overall, this was a fun read but it didn’t wow me in the same way that Batman ’66 did. Where that Batman comic felt tonally right and as if it was a true continuation of the series, X-Men ’92 throws some weird curveballs and also tries to force in way too many characters just for the sake of the creators trying to give you the animated series’ versions of these characters.

Maybe they knew this series would be short lived and therefore, they wanted to wedge in every character they could but it really becomes too much to process in the second half of this series. Also, I wasn’t a fan of devoting so much time to a Dracula/vampire story. None of that was central to the core of the cartoon and it shouldn’t have been central to the core of this comic.

Also, this feels like it is just borrowing the visual style of the TV show but it doesn’t seem to understand the tone or the spirit of it.

It’s still entertaining for fans of the source material but I wouldn’t call it a must read or all that necessary. Die hards should check it out but I can see why this didn’t make it a year where Batman ’66 has still been hanging on for quite awhile with a long running series and several crossovers.

Rating: 6.75/10
Pairs well with: the animated series it’s based on, as well as ’90s X-Men comics and various spinoffs.

Comic Review: World War Hulk

Published: May 7th, 2008
Written by: Greg Pak
Art by: John Romita Jr.

Marvel Comics, 197 Pages

Review:

Planet Hulk is one of my favorite story arcs of the ’00s. I never read the followup, World War Hulk until now though. I think the reason behind that is because Planet Hulk was so perfect, I didn’t want to diminish its impact on me by jumping right into the next big chapter in the Hulk’s life.

That being said, I’m glad that I did finally read this as it was a lot of fun. Sure, it doesn’t live up to what Planet Hulk was but those were big shoes to fill and this is still a worthwhile followup that shows the Hulk finally make it home with a serious chip on his shoulder.

At its core, this is a revenge tale. But there are a lot of layers and a dark secret that comes out at the end that really shakes the foundation of what this era’s Hulk stands for.

You see, the Hulk is not only mad that his friends (Mr. Fantastic, Iron Man, Doctor Strange and Black Bolt) sent him away against his will, marooning him on a terribly violent planet, but now he wants revenge because his wife and unborn child were killed by what he believes was the fault of these same former friends. So the Hulk returns to Earth with his allies from Planet Hulk ready for a showdown with his old teammates in the heart of New York City.

This story is full of epic destruction and incredible action. It’s also nice seeing John Romita Jr. do the art for this, as I’ve been an avid fan of his work since I first discovered him in the pages of Daredevil in the late ’80s.

World War Hulk is full of a ton of Marvel superheroes, all trying to stop the Hulk’s war against Earth’s mightiest. While it isn’t on Planet Hulk‘s level, it’s still a worthy sequel and changes the Marvel landscape going forward.

Rating: 7.75/10
Pairs well with: the story that precedes this one, the near perfect Planet Hulk.

Comic Review: Planet Hulk

Published: April 2nd, 2008
Written by: Greg Pak
Art by: Gary Frank, Aaron Lopresti, Takeshi Miyazawa, Carlo Pagulayan

Marvel Comics, 401 Pages

Review:

I read The Incredible Hulk comics as a kid. But I wasn’t really a Hulk fan until Planet Hulk came into my hands in 2008. By the time I got to the end of it, I realized that I had just experienced one of the absolute best comic book stories of that decade.

A lot of the story would go on to be used in the film Thor: Ragnarok because a live action adaptation of the story wasn’t possible with all the issues regarding which studio owns the controlling rights over the character. But I loved what they did use in that Thor film between Hulk being a gladiator and the inclusion of Korg, as well as some other minor details.

It had been awhile since I read this story though and I thought that I needed to see how it has held up.

Well, this is still absolutely incredible. It is, most definitely, my favorite Hulk story of all-time. But I also probably enjoy it for the fact that it has some sword and sorcery elements to it and really just feels like Hulk the Barbarian.

Greg Pak did a stupendous job writing this though. For something so lengthy and beefy, the whole thing is engaging, there aren’t any dull moments and each issue builds off of the ones before them. This is what comic book writing should be. This has perfect pacing, every panel matters and it hits you right in the feels just when it needs to.

Planet Hulk had multiple artists work on it, which is common when a story arc is this long. But what’s great about it was that the style was consistent and you don’t immediately notice that it’s different. It all just fits together very cohesively. Sometimes different artists have styles that can conflict and be almost jarring when reading a collection. This does not suffer from that at all.

After jumping back into this 11 years later, I really want to read the followup World War Hulk now, which I missed back in 2008.

Rating: 10/10
Pairs well with: World War Hulk and the Peter David run on The Incredible Hulk.

Comic Review: Doctor Strange, Vol. 1: The Way of the Weird

Published: April 27th, 2016
Written by: Jason Aaron
Art by: Chris Bachalo

Marvel Comics, 115 Pages

Review:

It’s been awhile since I’ve read Doctor Strange. I used to love picking up back issues of stuff from the ’70s and ’80s when I was a kid. But I didn’t like much of the late ’90s or ’00s stuff. But I heard good things about Jason Aaron’s run, so I figured I’d start at the beginning and give it a shot.

This was a pretty fun read and it’s creative, as well as interesting. I also really liked the art style.

My only real complaint is that this Doctor Strange doesn’t seem like the same character I enjoyed in his classic stories. He’s lacking the sense of authority one got from him in the ’70s and ’80s and here he is just kind of quirky and goofy.

Despite that, it’s not a big distraction, it’s just that the character feels off. It’s also very salvageable moving forward and it doesn’t deter me from reading more from Aaron. Hopefully, he finds his footing a bit more after this first story arc.

The threat here also doesn’t feel as big as the story makes it out to be. I guess I’ll have to see what’s next but knowing what Doctor Strange has faced before, this threat seemed lame and unconvincing. Sure, all other Sorcerer Supremes from other realms and worlds are gone but the story still feels thin and is missing the weight of that.

I’ll give the second volume a shot in the very near future, so I hope that sort of rights the ship.

Rating: 6.75/10
Pairs well with: Jason Aaron’s other Doctor Strange stories.

Film Review: Avengers: Endgame (2019)

Release Date: April 22nd, 2019 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown

Marvel Studios, Walt Disney Studios, 181 Minutes

Review:

“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Here we are… the end.

Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.

But anyway, how was this film? The big, badass finale to a 22 movie franchise?

It was good but it wasn’t anything close to stellar.

My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.

Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.

The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.

I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.

Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.

Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.

Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.

Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.

Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.

Rating: 7.75/10
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.

Comic Review: X-Men: Days of Future Past

Published: 1980-1981
Written by: Chris Claremont
Art by: John Byrne

Marvel Comics, 176 Pages

Review:

I read the collected trade paperback of this famous story but I was surprised to find that Days of Future Past is only a two issue story arc. The majority of this collection is padded out with a few different stories around that saga. However, everything in this collection directly follows The Dark Phoenix Saga.

Days of Future Past is a story I have never read, until now, but it’s been heralded as on of the best in the decades since it came out. But if I’m being honest, I didn’t think it was a real classic of a story. At least, not in how it has been sold to me over the years.

It’s a good, fun story but I think it’s severely over hyped. I think that it’s fondly remembered because it introduced the idea of possible dark futures to the X-Men mythos and that’s a storytelling device that never really went away after this tale. We’ve had time travelling characters showing up in X-Men stories all the time ever since Days of Future Past.

That being said, one can’t deny the impact that this story had and anything with lasting power like that is going to always be a pivotal point for fans to go back and reference. But looking at it objectively, without any actual nostalgia for it, allows me to rate the story on its own merit, detached from decades of nostalgia and hype.

Also, maybe I’m a bit less impressed than I should be because I read this just after The Dark Phoenix Saga and that story is legitimately a real classic, in my eyes. But that’s not to say that Days of Future Past isn’t a milestone, it is.

Ultimately, this is still a solid collection of stories where the two issue Days of Future Past story arc is the high point. But I was surprised to discover that it wasn’t a long, massive epic like I always thought that it was.

Rating: 7.5/10
Pairs well with: other X-Men stories from the Chris Claremont/John Byrne era.