Written by: Grant Morrison
Art by: Richard Case, John Nyberg
Vertigo Comics, 228 Pages
I’m really digging the Grant Morrision run on Doom Patrol.
While the first volume was better overall, the first half of this collection was probably the high point for me, thus far. The second half of this is mostly filler and comes off at a slower pace but there are still some things of importance within it.
The first half is the story arc that gives this volume its name: The Painting That Ate Paris. And while the name may sound metaphorical, it isn’t. This is Grant Morrision’s Doom Patrol and a painting literally eats Paris. And with that, the Doom Patrol has to find a way into the painting in an effort to save the city. All the while, the Justice League shows up and stands idly by, staring at the painting, confused by the whole ordeal.
I feel like the Justice League here represents the more casual comic book reader, who would probably be baffled by the insanity, absurdity and surrealism of Morrison fully and creatively unleashed.
Richard Case’s art is some of my favorite from the era and man, it just lures you in and is a perfect compliment to Morrison’s writing. Case’s art is clean, crisp, colorful and fluid. I love his character design and the life his style gives every person in these stories.
This was just a really exciting comic to read. It loses steam with the second half but it is still entertaining and serves to setup what’s to come after this.
If you’ve never given Grant Morrison’s run on Doom Patrol a shot, you really should. It’s a superhero team book but it is so unique that you really should experience it.
Pairs well with: the rest of Grant Morrison’s run on Doom Patrol.