Comic Review: Spider-Man: Life Story

Published: March 20th, 2019 – August 28th, 2019
Written by: Chip Zdarsky
Art by: Mark Bagley

Marvel Comics, 200 Pages

Review:

When I first heard about this miniseries, I was pretty stoked for it.

The concept is that it starts in the ’60s when Spider-Man debuted and it follows him over the six decades he’s existed but it does that in real time. Basically, instead of Spider-Man only aging fifteen years (or so) since his debut, this story covers his entire life span, as he ages accordingly from decade to decade.

Each of the six issues represents a decade. But that is also kind of a problem with the story too.

You see, you can’t wedge a whole decade into twenty or thirty pages of a comic. So each issue just focuses on some sort of event in Spider-Man’s life from that era.

The total package of this series is really cool and interesting but it almost feels as if each decade could’ve been a miniseries of its own and that this is a comic that could have lived on for several years. And with the team of Chip Zdarsky and Mark Bagley, it could’ve been like a Spider-Man renaissance.

But ultimately, each chapter was pretty damn good. I only thought that the last one was a bit weak but I wasn’t too keen on how it ended. I felt like Spider-Man’s fate was kind of predictable, as this was his “life story”.

The thing is, it was hard investing into the weight of the finale, when you haven’t lived through the emergence of the massive threat that they face to end the series. And that just gets back to my feeling about there needing to be more time devoted to each decade than just single issues.

However, I’m hoping that this is just a framework or a road map and that Marvel at least has some plans to expand on this story in the future. If that’s the case, I really hope it is brought to us by Zdarsky and Bagley, once again.

If not, well… this was still one of the best comic book miniseries to come out this year.

Rating: 8.5/10
Pairs well with: the recent Symbiote Spider-Man miniseries by Peter David and Greg Land.

Comic Review: Avengers: Emperor Doom

Published: 1987
Written by: David Michelinie
Art by: Bob Hall, Bill Oakley, Ken Lopez

Marvel Comics, 64 Pages

Review:

I used to own this and I need to round up another copy. It was one of my favorite “big” stories of its time. But all of the Marvel graphic novels of the ’80s that I owned, all have a special place in my heart.

Reading it now, it was still a really engaging story that featured my favorite Avengers of the ’80s, the West Coast Avengers. It also throws in Captain America and Namor. However, Namor is initially one of the villains of the story due to his allegiance to Atlantis and his willingness to do anything to secure his homeland’s safety.

The main villain is Doctor Doom, if the title wasn’t enough of a hint. This is also one of his grandest schemes and he actually pulls it off and succeeds at becoming the Emperor of Earth. However, the Avengers do end up coming to their senses and stop Doom.

This story also features the usually underutilized Purple Man. It’s his power that Doom steals and then harnesses on a global scale, giving him control of humanity’s minds.

Under Doom, the Earth finds peace and some of its major problems are solved. However, those pesky Avengers have to muck it all up because humans should be free to make their own decisions and not be mentally enslaved by some global puppet master. I don’t think that modern Marvel writers would agree with that but hey, they’re also killing their own company.

Emperor Doom is a solid story. However, it may have benefited from more space than a 64 page graphic novel could allow. This could have been a major crossover event and maybe have been better than it was.

Still, it is a good use of its 64 pages and it was a hell of a lot of fun to revisit.

Rating: 7.5/10
Pairs well with: other Marvel graphic novels from the era.

Comic Review: Fantastic Four – Masterworks, Vol. 1

Published: February 25th, 2009
Written by: Stan Lee
Art by: Jack Kirby, various

Marvel Comics, 265 Pages

Review:

I’ve really wanted to go back and read the earliest collaborations between Stan Lee and Jack Kirby. So since I noticed that a lot of the Marvel Masterworks stuff is free for Comixology Unlimited subscribers, I decided to start with the oldest comic, the Fantastic Four.

Man, this was a really cool comic to read. In the past, I had read the first Namor issue and the first appearance of Doctor Doom but reading these early stories, complete and in sequence was a real treat.

Marvel was very different in the very beginning. While the company had existed under different names before this, this was their first attempt at doing superheroes. And Stan Lee took the bull by the horns and just wrote the comic he wanted, thinking he was soon to be fired.

Luckily, this was a hit. Reading the first issue now, I can see why. I mean, there were superhero comics before Stan Lee wrote this but this was very different than what people were familiar with in the forms of Batman, Superman, Captain America and Wonder Woman.

This comic was about a team and not just a team, a team that is pretty much family. It also gave us characters with bizarre and refreshing powers. Sure, the Human Torch existed in another form in the 1940s but this team, as a complete unit, had a lot of unique tools.

These earliest issues are also interesting as you can see Stan Lee and Jack Kirby trying out things and modifying them as they go, as they hadn’t quite figured what this was. But as the series rolls on and as they released other superhero titles, things just came together like they never had with superhero comics before this.

It is these ten issues here that are the real genesis of what Marvel would become.

I love that this was way over the top and often times hokey. It showed two of the greatest creators in the history of the medium trying to develop a solid formula for visual storytelling. Plus, this has so much heart in it that it’s hard to not grin from ear to ear while reading it.

Rating: 8.5/10
Pairs well with: other Marvel Masterworks collections.

Comic Review: X-Men ’92

Published: 2016-2017
Written by: Chad Bowers, Chris Sims
Art by: Mirati Firmansyah, Coby Hamscher, David Nakayama (cover)
Based on: the X-Men animated series by Fox Kids

Marvel Comics, 240 Pages

Review:

If you were a kid in the ’90s, you probably watched the X-Men cartoon that used to be on Fox on Saturday mornings. It was solid, did a pretty good job of adapting some of the comic book’s big storylines and introduced a lot of non-comic reading kids to the X-Men franchise.

It ended after a few seasons and never really had a proper follow up. Well, that is until recently, as the show moved into the medium it was born out of: comic books.

Maybe this took its cues from DC Comics and how they came out with Batman ’66, a comic book series that revisited the 1960s Adam West Batman TV series. But one can’t deny that Batman ’66 was a cool comic, a great idea and with that, should have inspired other comic books that continued the stories of comic book characters as they were presented in other mediums. Hell, I’m still waiting for that Batman ’89 comic that was once teased and then had those teases retracted.

But this is about X-Men ’92, which was a decent follow up to the animated series.

Overall, this was a fun read but it didn’t wow me in the same way that Batman ’66 did. Where that Batman comic felt tonally right and as if it was a true continuation of the series, X-Men ’92 throws some weird curveballs and also tries to force in way too many characters just for the sake of the creators trying to give you the animated series’ versions of these characters.

Maybe they knew this series would be short lived and therefore, they wanted to wedge in every character they could but it really becomes too much to process in the second half of this series. Also, I wasn’t a fan of devoting so much time to a Dracula/vampire story. None of that was central to the core of the cartoon and it shouldn’t have been central to the core of this comic.

Also, this feels like it is just borrowing the visual style of the TV show but it doesn’t seem to understand the tone or the spirit of it.

It’s still entertaining for fans of the source material but I wouldn’t call it a must read or all that necessary. Die hards should check it out but I can see why this didn’t make it a year where Batman ’66 has still been hanging on for quite awhile with a long running series and several crossovers.

Rating: 6.75/10
Pairs well with: the animated series it’s based on, as well as ’90s X-Men comics and various spinoffs.

Comic Review: Old Man Logan, Vol. 0: Warzones!

Published: November 25th, 2015
Written by: Brian Michael Bendis
Art by: Andrea Sorrentino

Marvel Comics, 115 Pages

Review:

Man, oh, man… this was absolute dog shit!

I’ve loved just about every story arc under the Old Man Logan banner but leave it to Brian Michael Bendis to write a clusterfuck of biblical proportions that makes no sense whatsoever and pretty much takes a shit on the stellar work of Old Man Logan writers Mark Millar and Ed Brisson.

However, the art is pretty damn good but Andrea Sorrentino has a unique and dynamic style that makes even the worst stories look good. Without Sorrentino’s art, I would have given this bag of crap a 1 out of 10.

This whole story is some sort of hallucinatory mind fuck, which can work but just doesn’t here. Bendis is trying to be too ambitious for his own limitations and it shows.

There is no reason to read this. It adds nothing to the Old Man Logan story or mythos and just serves to confuse the reader.

Don’t buy this, don’t read it for free and in fact, just stay away from it. If someone gives you a free copy, roll joints with it.

Full disclosure, I quit reading about halfway through and then just thumbed through it to admire Sorrentino’s art.

Rating: 2.5/10
Pairs well with: a bad LSD trip while touring an asylum during art day.

Comic Review: Marvel Knights 20th

Published: November 7th, 2018 – January 30th, 2019
Written by: Donny Cates, Tini Howard, Vita Ayala, Matt Rosenberg
Art by: various

Marvel Comics, 161 Pages

Review:

When the Marvel Knights line of comics were going strong, I wasn’t paying much attention. I was aware of them but it was the late ’90s and I wasn’t reading comic books as regularly, as I was entering my twenties and didn’t do much other than party hard and sleep little.

I have since gone back and read some of the stories from that alternate Marvel universe and I’ve liked a lot of them. So when I saw that this was coming out to commemorate the 20th anniversary, I had to check it out. Plus, one of the writers is Donny Cates, whose recent work I’ve loved and it heavily features Daredevil.

The premise was kind of cool and I did enjoy this overall. Although, it was problematic in regards to its pacing. This is due to there being too many writers chiming in over the six issues. Cates looked to be credited as the top writer for each chapter but he had different collaborators with each new installment of this miniseries.

The narrative flow was a bit off, as it took too long to get the action going. Once we get to where this needed to wrap up, it felt rushed and the twist finale seemed strange, out of place and too convenient.

There’s a MacGuffin device and all they have to do in the end is hit a button and fix everything. I love Cates but that’s just lazy, outdated 1960s comic book writing. It’s like a random wizard showing up at the end and casting a “fix it” spell, making everything that happened pretty pointless.

I was still glad that I read through this miniseries, as it featured a lot of characters I love. I can’t call it underwhelming but I did have expectations that I don’t feel were met.

Rating: 7.25/10
Pairs well with: old school Marvel Knights stuff and other recent works by Donny Cates.

Comic Review: Miles Morales: The Ultimate Spider-Man, Vol. 2: Revelations

Published: June 10th, 2015
Written by: Brian Michael Bendis
Art by: Dave Marquez

Marvel Comics, 145 Pages

Review:

This picked up right where the previous volume left off, which was good as volume one ended on a cliffhanger and didn’t closeout the story arc of Miles Morales and Peter Parker against the Green Goblin.

However, that arc does actually end in the first third of this collection and then we go right into two smaller arcs, which makes this volume less cohesive and consistent than the previous one.

This is still really good, however, it just felt like it wrapped up the Goblin stuff pretty abruptly and then the other two stories felt rushed due to how drawn out the Goblin plot was.

Miles finds himself in some serious trouble here, as his girlfriend is not who she seems. Also, his father returns with secrets that redefine Miles’ world.

Overall, this is a great collection of issues that develop Miles’ character and give him a lot more drama to contend with. This is where he really has to start growing up in an effort to become a man and a true hero.

That being said, it’s not the most entertaining chapter in Miles’ long story but it is maybe the most important.

Ultimately, this is still a good, fun read and I’m still on board with Miles’ journey.

Rating: 8/10
Pairs well with: The other early Mile Morales Spider-Man stories. Also, Spider-Men I and II and Spider-Verse.