Film Review: Cruella (2021)

Also known as: Cruella de Vil (working title)
Release Date: May 18th, 2021 (Hollywood premiere)
Directed by: Craig Gillespie
Written by: Dana Fox, Tony McNamara, Aline Brosh McKenna, Kelly Marcel, Steve Zissis
Based on: The Hundred and One Dalmatians by Dodie Smith
Music by: Nicholas Britell
Cast: Emma Stone, Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, Mark Strong, John McCrea

Gunn Films, Marc Platt Productions, Walt Disney Pictures, 134 Minutes

Review:

“They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. We’ll I’d like to add one more… revenge.” – Cruella de Vil

Cruella is two movies trying to be one movie. Hell, maybe it’s even three movies.

That being said, I do like the film in spite of my better judgment but I’ll explain why while also pointing out the myriad of things wrong with it.

To start, this is just another soulless attempt at Disney trying to cash-in on an old, beloved franchise by making a live action adaptation of some part of it. In the case of this film, it’s a “prequel” of sorts to the 101 Dalmatians franchise. Like some other live action adaptations Disney has done, as of late, this tries to tell the origin story of one of the studio’s most famous villains. But really, this just shows how Disney is out of ideas and how it really keeps trying to inject identity politics into everything it touches now.

Additionally, this is basically trying to capitalize off of the success of 2019’s Joker by taking it’s general concept, switching genders, switching franchises, not going for an R rating and trying to pass it off as something fresh, cool and unique. Let’s also ignore that Warner Bros., who put out Joker, have also put out three movies with his psycho, villain, girlfriend Harley Quinn.

Also, this shows modern Disney’s problem with morality. In almost everything the studio puts out now, it gives audiences situations where it’s obvious that their writers don’t understand the basic concept of good versus evil. I’ve seen this in all the Disney+ Marvel shows and they also did it twice with Maleficent in her two live-action movies that try to justify her villainous behavior and make her the tragic victim.

Cruella is a mess and to be honest, I don’t know where to start with it and I’m not going to cover all of its problems other than to say that the biggest problem of all is that Disney very clearly wanted this to be a “girl power” movie and wanted it to work no matter what, so they forced it into existence without much thought in regards to story, character development, logic and again, morality.

So looking at the story, this movie just does things because it needs the story to work with the studio’s agenda remaining intact. It insults the intelligence of viewers with intelligence and hopes that they don’t start asking questions as the film tries to rush from point-to-point.

Like why does Estella/Cruella essentially have a dual personality? Why did the villain lady agree to see Estella’s mother during an opulent ball the poor mother had no business at? How did Estella get to the fountain in London on her own? Why is Estella as Cruella suddenly a complete bitch to her best friends? Why do the friends stick around? Why does villain lady not recognize Cruella’s posse when they’re front and center at every fucking public troll? Why did Cruella never actually hate the Dalmatians and basically adopts them? Why was her necklace a key to a box that revealed her secret identity that a stranger had and why was the adoptive mother given the secret key necklace when she knew the truth, anyway? There’s a lot more but I’ll leave it at that.

A lot of those questions tie directly to the problem with character development. But honestly, it’s like this movie completely ignores who Cruella de Vil was in the original animated films and even those Glenn Close live-action movies. Cruella is 100 percent evil. She’s a woman that wants to kidnap puppies, kill them and make clothes out of them.

In this movie, we just have a chick with a temper that discovers that the boss she idolizes is the same woman that had her dogs push her mother off of a cliff. Cruella never hates the dogs, though. She kidnaps them to upset her rival and she jokes about making a handbag out of them but by the end of the film, they’re part of her entourage like her own non-Dalmatian mutt.

Now I can suspend disbelief in Estella/Cruella having a dual personality without much explanation but Estella is a pretty kind person that loves her friends, who are essentially her adoptive family. So with that, it’s hard to believe that she would suddenly be a cold bitch to them and just treat them like low level henchmen. Additionally, why the fuck would these two guys, who grew up with her, take her shit? I’d ask if they’re that cucked but I know the answer is “yes” when this is a modern Disney movie.

Moving on to the logic problem, I’ve already kind of hit on that point with the other issues but it is a problem for this film when a viewer isn’t the type of person to just take what’s being spoon-fed to them from sequence-to-sequence. This movie moves at a pace too quick for the casual viewer to really think too deeply about the details and that’s deliberate. It’s similar to how the Disney Star Wars movies are, in that they just quickly move from one thing to the next thing without allowing you to take in the details and ask questions. Again, Disney just needs the story to work to make their point, even if it’s not logical and a bit of a mess.

As far as morality goes, this wants you to cheer this woman, who is doing bad things because the story’s villain is worse. But what you really have is two villains. Still, Disney doesn’t fully commit to the bit because in 2021, you can’t have this woman killing puppies or even implying as such, other than her throwaway joke that immediately draws the ire of her two best friends.

What we end up with is a character that shows the audience that it’s okay to be a vengeful, selfish bitch, as long as you don’t go completely bad. What completely bad is, I don’t know, but neither does Disney. And at the end of the film, you’re left with a character that still really isn’t Cruella de Vil, she’s just some stylish punk rock chick that destroyed her rival and took her empire because the story needed to end, I guess.

Now after all that, if you’re still here, you’re probably assuming that I hate this movie. Well, I don’t. I still liked it in spite of all its problems, which shows me that this could have been a great film on its own, apart from being tied to the 101 Dalmatians franchise and carrying Disney’s woke message.

Had this not been forcibly tied to the Cruella character and just been a movie about a woman who discovers her idol murdered her mother, we could’ve had a really good movie about two feuding fashion industry rivals.

Emma Stone and Emma Thompson are absolutely superb in this and without them, this movie probably would’ve been total shit. But damn are they good, especially in the scenes they’re in together. Additionally, all the other key actors are great and it kind of makes me sad that they didn’t have a script or story that could’ve maximized their talents even better.

I also loved the style of this movie. It primarily takes place in 1970s London, has a punk rock edge to it, but it also takes from 1920s-1940s fashion and architecture, mixes that in, giving the film an unique, somewhat otherworldly, but “lived in” feel. It’s a visual feast and I got lost trying to absorb the details of it all.

In the end, I wish this was just it’s own movie, not tied to a preexisting franchise. I wish it tried to make more logical sense and developed its characters better. It had all these things working for it but Disney’s soulless overproduction of everything it puts out derailed what could’ve been the best film they’ve produced in years.

At this point, though, Disney doesn’t care about quality. They only care about their agenda and the bottom line. But we’re now getting to the point where their agenda will start diminishing that bottom line, regardless of what the Disney owned media wants you to believe with their puff pieces and excuses.

Rating: 6.5/10

TV Review: Loki (2021- )

Original Run: June 9th, 2021 – current
Created by: Michael Waldron
Directed by: Kate Herron
Written by: various
Based on: Marvel Comics
Music by: Natalie Holt
Cast: Tom Hiddleston, Owen Wilson, Sophia Di Martino, Sasha Lane, Gugu Mbatha-Raw, Wunmi Mosaku, Eugene Cordero, Tara Strong (voice), Jack Veal, DeObia Oparei, Richard E. Grant, Jonathan Majors, Jaimie Alexander (cameo), Chris Hemsworth (cameo, voice)

Marvel Studios, Disney Platform Distribution, Disney+, 6 Episodes (so far), 42-54 Minutes (per episode)

Review:

I’ll start this by saying that I mostly liked Loki but it was really a very mixed bag with a lot of wasted time on unimportant shit but it also established a kind of cool and interesting new pocket of the Marvel Cinematic Universe that will have much larger implications on the rest of the franchise going forward.

With that, Loki seems like it actually effected the larger MCU in a way that other Disney+ shows like WandaVision and The Falcon and the Winter Solider tried to do but failed at. Or I should say that they did make some changes but they seem a lot less meaningful in regards to what fans will actually care about in the future.

Loki‘s changes to the larger landscape appear to be pretty f’n major. Plus, it looks like we’re getting Kang the Conqueror and have already met a version of him in the finale. Considering that Kang is one of my all-time favorite Marvel villains, I’m glad that he is now being introduced and in a way that doesn’t just waste him like other major baddies such as Red Skull and The Mandarin.

I do have to point out one major flaw, though, and that’s the fact that Loki often times felt like a side character in his own show. Maybe calling the show “Loki” was a mistake and they could’ve used a more creative title while letting it be known that he was heavily featured in it. But marketing is marketing, I guess.

For the most part, I enjoyed the cast in this. I loved the chemistry between Tom Hiddleston and Owen Wilson, which had to carry the first two episodes. Additionally, I enjoyed Sophia Di Martino as the female variant of Loki. Granted, this show felt much more about establishing her going forward, as Disney (no surprise) is pushing really hard for diversity in the future of the MCU, regardless of the source material they’re pulling from.

While it’s true that there have been female Lokis in the comics, those stories are very different, as are those characters. However, the way that they introduced this change in this show, works for this universe and honestly, I’m not opposed to it and in the end, I like this variant of Loki. I also like that she choses to be referred to as Sylvie, as she wants to distance herself from her past.

The biggest issue I have with this show is that it wasted a lot of time and had way too much filler. If all that stuff was whittled down and condensed, this could’ve just been a movie and maybe it should have been and I think Hiddleston’s Loki probably deserved his own film by this point.

Still, I liked some of the concepts and ideas explored in this. The biggest high point for me was the fifth of the six episodes, which showed a bunch of Loki variants, one of which featured veteran actor Richard E. Grant in the original comic book costume from the ’60s. As a true Florida Man, I also enjoyed the alligator Loki.

The final episode was too drawn out, like the show, but I like how things ended, how the future of the MCU is sort of a clean slate and the fact that Kang has been pulling some major strings throughout its history. It’s sort of the reset the franchise needs following Avengers: Endgame.

However, even with a clean slate, I’m pretty sure that the future of the MCU is going to be massively disappointing. But honestly, Endgame is sort of where my brain jumped off of the train. I’m going to take everything with a grain of salt in this phase and beyond.

Rating: 7.25/10

Vids I Dig 700: The Critical Drinker: Marvel Phase 4 – Who Cares?

TV Review: The Falcon and the Winter Soldier (2021)

Original Run: March 19th, 2021 – April 23rd, 2021
Created by: Kevin Feige, Louis D’Esposito, Victoria Alonso, Nate Moore, Kari Skogland, Malcolm Spellman
Directed by: Kari Skogland
Written by: various
Based on: Falcon by Stan Lee, Gene Colan; Bucky Barnes by Joe Simon, Jack Kirby; Winter Soldier by Ed Brubaker, Steve Epting
Music by: Henry Jackman
Cast: Sebastian Stan, Anthony Mackie, Wyatt Russell, Erin Kellyman, Danny Ramirez, Georges St-Pierre, Adepero Oduye, Don Cheadle, Daniel Brühl, Emily VanCamp, Florence Kasumba, Julia Louis-Dreyfus

Marvel Studios, Disney+, 6 Episodes, 49-60 Minutes (per episode)

Review:

Out of all the Marvel television shows that were originally announced for the Disney+ streaming service, this was the one I was most excited for.

That being said, I was severely disappointed and it kind of made me not really care about three of my favorite characters from the Marvel Cinematic Universe.

I don’t even know where to start with this awful mess but here I go.

I guess the biggest thing is that this show is woke as fuck, which I was pretty sure the MCU was gearing up to do with their entire franchise once Avengers: Endgame was over and they had the obvious intention of making Captain Marvel, an unlikable cunt, the focal point of the universe going forward. Now they’ve potentially switched gears due to immense backlash of the Brie Larson character and its lack of charisma or any real purpose other than trying to be a Mary Sue boss bitch. However, the suits at Disney want identity politics injected into Marvel even more so than what they’ve done with Star Wars.

Anyway, I guess the one big takeaway from this show is that I now know that Falcon is black. I never really noticed it before, so I guess it’s good that this show points it out to its audience about six times per episode.

The plot, which makes little sense, shows Falcon turn over Captain America’s shield to the US government even though Cap gave it to him because he earned it. But oh no! Falcon, who was given the endorsement from Cap himself, can’t be Captain America because he’s black. So the entire series deals with Falcon being mad that a black man can’t be Cap, even though he willingly gave that up when the torch was passed to him. So when another white dude gets named Captain America, suddenly Falcon is like, “Oh, hell no!” By the end, Falcon gets the shield back and is Captain America, so we’re right back where we started in the first place.

Additionally, whoever wrote this doesn’t understand these characters or understand actual morality. The reason I say this is because they have Falcon sympathize with the murdering terrorist girl over his own allies and against his actual mission. I get it, dude, she’s a confused teenager… but the fact of the matter is, despite whatever her fight is, she murders lots of people. But Falcon, he just wants to bring her over to the light.

Also, the terrorists have no real objective other than, “Shit’s fucked up! It’s America’s fault!” They have no plan, no actual goal, they just want to blow shit up and kill people.

Then when Falcon gives his big speech at the end, calling out politicians and leaders he blames for the terrorist girl’s tough life, he can only criticize and can’t give actual solutions. He’s just as stupid as the terrorists.

This show felt like it was written by a pissed off, rich, white teen girl that went down some social justice rabbit hole on TikTok.

Bucky had a good story when the show started but then it was dropped to deal with Falcon’s blackness. Then it was resolved at the end but you didn’t care about Bucky’s journey by that point.

Also, I was really looking forward to the return of Baron Zemo and finally seeing him in his mask. However, he only wears the mask in one episode for about five minutes.

Beyond that, Sharon Carter has a heel turn. It doesn’t make sense, it’s stupid and the only way to make it work is to reveal that she’s a Skrull. But then, the MCU fucked up the Skrulls too and made them babyfaces in Captain Marvel.

Sadly, this show is probably a clear sign of what’s to come from the MCU, which is hot garbage.

Like Disney’s Star Wars, I’m starting to lose interest with each new release. I guess I’ll have to see how bad things get with Loki when it debuts next month. 

Rating: 4/10
Pairs well with: white non-binary pineapple fembots on TikTok lecturing and shaming everyone, even though they’re not old enough to get a driver’s permit.

TV Review: WandaVision (2021)

Original Run: January 15th, 2021 – March 5th, 2021
Created by: Jac Schaeffer
Directed by: Matt Shakman
Written by: various
Based on: Scarlet Witch by Stan Lee, Jack Kirby; The Vision by Roy Thomas, John Buscema
Music by: Kristen Anderson-Lopez
Cast: Elizabeth Olsen, Paul Bettany, Kathryn Hahn, Teyonah Parris, Randall Park, Kat Dennings, Evan Peters, Debra Jo Rupp, Fred Melamed

Disney Platform Distribution, Marvel Studios, Disney+, 9 Episodes, 29-47 Minutes (per episode)

Review:

There’s been some criticism over the last few years that movies set within the Marvel Cinematic Universe have become too formulaic and predictable. Well, with the announcement that there would now be MCU television series streamed exclusively on Disney+, the possibility of breaking the mold and doing something very different had apparently arrived.

WandaVision is pretty ambitious and it doesn’t fit into any mold that came before it, MCU or otherwise. Because of its originality, I at least found it refreshing, interesting and intriguing, as it was initially hard to figure out where it could go.

However, its attempts at being so different also kind of bogged it down in the first half of the season.

The show recreates the world of sitcom television through multiple eras. As each episode progresses, we see WandaVision through a new decade’s lens. It starts with two episodes that take place in what appears to be late ’50s/early ’60s sitcoms then moves on to the ’70s, ’80s, ’90s and ’00s. It was a cool concept but it started to get tiresome by episode three. Thankfully, the show evolved beyond just the sitcom format at the end of episode three and started to allow the regular Marvel Cinematic Universe to creep in, as it began to show the real world outside of the sitcom setting.

By episode four, we’re introduced to new characters for the show, many of which we’ve seen before in the films. This is where things started to be revealed and the mystery behind what was going on got really interesting. While there were some Easter eggs and clues in the first three episodes, the fourth one is where everything took shape and got the viewer grounded in the concept.

For the most part, I really liked this show. It has its hiccups and faults but the chemistry between Elizabeth Olsen and Paul Bettany was so damn good that it kind of overshadows everything else that one might find faulty or annoying.

I also really liked Kathryn Hahn in this but then I like her in everything. It was really cool seeing her get to do something so large beyond just comedy, though. She obviously does the comedy parts well but when she has to get serious and more dramatic, she proves she can hang with actors on the same level as Olsen and Bettany.

Additionally, I really liked Teyonah Parris, as the adult version of Monica Rambeau, who becomes another version of Captain Marvel in the comics. She’s pretty solid in this show and really carries the production on her back in the real world scenes. Also, this show serves as her superhero origin story, as we see how she gets her powers towards the end of the series.

WandaVision was a pretty cool concept and it was mostly executed well. While I’m familiar with the comics well enough to kind of know what was happening from the get go, the show still had some good surprises that kept my interest till the end.

Rating: 7/10
Pairs well with: other films and television series that take place in the MCU.