Film Review: Dick Tracy (1990)

Release Date: June 15th, 1990
Directed by: Warren Beatty
Written by: Jim Cash, Jack Epps Jr.
Based on: Dick Tracy created by Chester Gould
Music by: Danny Elfman
Cast: Warren Beatty, Al Pacino, Madonna, Glenne Headly, Charlie Korsmo, James Keane, Seymour Cassel, Michael J. Pollard, Charles Durning, Dick Van Dyke, Frank Campanella, Kathy Bates, Dustin Hoffman, William Forsythe, Ed O’Ross, James Tolkan, Mandy Patinkin, R. G. Armstrong, Henry Silva, Paul Sorvino, James Caan, Catherine O’Hara, Estelle Parsons

Touchstone Pictures, Silver Screen Partners IV, Mulholland Productions, Walt Disney, Buena Vista Pictures, 105 Minutes

Review:

“You get behind me, we all profit; you challenge me, we all go down! There was one Napoleon, one Washington, one me!” – Big Boy Caprice

I guess, from a critical standpoint, this film didn’t get the sort of respect that it should have. I’m not really sure why or how it didn’t resonate with some critics but Roger Ebert adored it, as do I.

In fact, Dick Tracy is almost a perfect film for what it is and I’m not sure what else anyone would want from this near masterpiece. Warren Beatty directed and starred in this and he gave us something magical and marvelous. It fit the classic comic strip to a t and truly breathed live action life into it. As great as the comic strip was, I feel like this film is an improvement on the story, the characters and the ideas of Chester Gould’s beloved creation.

Unfortunately, this great launching pad for what should have been a franchise, never got to have a sequel due to copyright disputes between Warren Beatty and Tribune Media Services. The courts eventually settled in favor of Beatty but that wasn’t until 2011. He has since talked of a sequel but there hasn’t been much movement and so much time has passed. Also, Disney had hoped that this would achieve 1989 Batman numbers but it didn’t hit that mark, even though it was financially successful.

And at least this film has its fans and, at the time of its release, the public supported the picture. Some of this could be due to the film’s immense star power, boasting a cast of superstars, or because of the awesome marketing campaign this film had – one of the best of all-time, in my opinion. Especially, the tie-in stuff they did with McDonald’s. Plus, there was that great Batman picture the previous year, which finally proved that comic book movies could be something that can be taken seriously.

The film has held up tremendously well and may actually be more visually alluring today. The use of vibrant giallo-like colors and tremendous matte paintings gave the film a real pulp comic feel that felt lived in and lively. Today, the picture truly feels like a work of art and has a visual uniqueness that stands on its own.

The picture was also enhanced by the incredible score by Danny Elfman. This is one of the greatest scores of Elfman’s long career and is very reminiscent of his work on Batman, the previous year, and 1990’s short lived The Flash television show. The score is powerful and blends well with the old timey tunes and the performances by Madonna.

Being a poppy 1930s style gangster story, Beatty tapped the Bonnie and Clyde well and cast Estelle Parsons and Michael J. Pollard in small roles. The film was only missing Faye Dunaway and Gene Hackman in reuniting the gang from that classic 1967 film.

Beatty was a fantastic lead and perfect Dick Tracy. Additionally, the rest of the cast was magnificent. Al Pacino got to be a hammy mob boss and foil to Tracy. Pacino’s Big Boy Caprice is also one of my favorite Pacino characters ever put to celluloid. Both Madonna and Glenne Headly are stellar as the leading ladies and this is just one of many roles where I became a huge fan of Headly.

The cast is rounded out by so many other great actors in smaller roles. Dick Van Dyke plays a crooked mayoral candidate, Dustin Hoffman plays the gangster Mumbles and R. G. Armstrong is the sinister mob boss Pruneface. You’ve also got cameos by James Caan, Catherine O’Hara, Kathy Bates and Paul Sorvino. William Forsythe and Ed O’Ross play Big Boy’s top henchmen Flattop and Itchy. You also have the always great Seymour Cassel as one of Tracy’s cop buddies. Plus, Charlie Korsmo was cool as The Kid.

Dick Tracy is action packed and stylish but it doesn’t put that style over its substance. The narrative works, the plot moves swiftly and there is never a dull moment. Plus, who the hell doesn’t love Tommy gun shootouts in the street?

It is also worth mentioning that the character of The Blank is one of the coolest film characters to come out of this era, even if used sparingly and in the dark. Had this gone on to be a film series, it would’ve been cool seeing someone else take up that mantle or The Blank living on in some way. The character also added an interesting twist to a film that, on its surface, looks like just a straight up cops and gangsters, good versus evil, cookie cutter type scenario. The Blank added a third, unpredictable element and a noir vibe.

Dick Tracy is one of the greatest summer blockbusters ever made and it deserves more recognition today than it receives. It took some creative risks that paid off and it brought together a literal who’s who of great bad ass actors.

My initial viewing of this motion picture on the big screen is one of my fondest childhood memories. It stands alongside Batman, 1990’s Teenage Mutant Ninja Turtles, the original animated Transformers movie and Star Trek IV: The Voyage Home as one of my favorite theatrical experiences of my early life.

Film Review: Lt. Robin Crusoe, U.S.N. (1966)

Release Date: July 29th, 1966
Directed by: Byron Paul
Written by: Walt Disney, Don DaGradi, Bill Walsh
Based on: Robinson Crusoe by Daniel Defoe
Music by: Robert F. Brunner
Cast: Dick Van Dyke, Nancy Kwan

Walt Disney Productions, Buena Vista Distribution, 110 Minutes

lt-_robin_crusoe_u-s-nReview:

While looking for films that fit a Tiki vibe, I came across Lt. Robin Crusoe, U.S.N. It was recommended in a few places, so I figured I’d check it out. Plus, it is a lesser-known Disney film starring Dick Van Dyke in my favorite era of live-action Disney productions. On the surface, what’s not to like?

The film is a very loose adaptation of the Robinson Crusoe tale. While that is a story that has been adapted to death and beyond, this version is really unique and pretty different. The only real thing that it has in common is that the main character, in this case Lt. Robin Crusoe, is marooned and must survive.

Van Dyke’s Crusoe ejects from his jet fighter and is stuck at sea for days until he washes up on an Island in the South Pacific. Once there, he finds a Japanese submarine, a former Navy astronaut that happens to be a chimp and they soon discover the large idol of a Tiki god and a native woman named Wednesday. Crusoe survives multiple attacks by Wednesday and eventually befriends her and learns that she is on the island because she was banished after rejecting an arranged marriage her father, the tribal chief, set up. What was a fun family adventure comedy on a tropical island quickly turns into a movie about women’s rights and feminism. I kind of dug it, actually.

The beginning of the picture was the weakest part. The sequence of Crusoe stuck at sea was really drawn out, especially the confrontation with the shark, which was a one note gag that went on much longer than it should have. Although, the cinematography in some of the ocean scenes is fantastic. Honestly, the cinematography throughout the entire film was strong.

Dick Van Dyke was his typical self, Nancy Kwan was enjoyable and amusing as Wednesday but it was Dinky, who played Floyd the astro-chimp, that stole the show. Crusoe also had another small sidekick in an animatronic tropical bird that looked very much like one of the birds used in Walt Disney World’s Enchanted Tiki Room.

Lt. Robin Crusoe, U.S.N. is a fun film with a lot of charm. Van Dyke is just a likable guy and he was really good in this. The movie is beautiful to look at and the humor still works and isn’t overly hokey like a lot of the stuff from its time. Sure, the scene where Van Dyke rides a hose is pretty goofy but it works.

I’m glad I stumbled across this film, as it seems lost in the vast Disney catalog and pretty much forgotten.