Comic Review: Spider-Man: Maximum Carnage

Published: July 11th, 2007
Written by: Tom DeFalco, J.M. DeMatteis, Terry Kavanagh, David Michelinie
Art by: Mark Bagley, Sal Buscema, Ron Lim, Tom Lyle, Alex Saviuk

Marvel Comics, 335 Pages

Review:

This big crossover event started right around the time that I was mentally checking out on comics, as I had moved, gotten older and was more concerned about high school girls and trying to woo them with my heart-melting charm.

I’ve read some of the issues within the larger arc but I never sat down and read the whole thing in its fourteen issue entirety. That being said, this was kind of tough to get through.

Maximum Carnage truly embodies that old adage about there being too many chefs in the kitchen. With this, that saying doesn’t just apply to having too many writers but it also applies to this being overloaded with characters that no one cares about.

Carnage returns and with that he forms his own supervillain group. It’s kind of like the Sinister Six but it’s made up of new and D-list level villains like Shriek, Doppelganger, Carrion and Demogoblin. Apart from Carnage, all these villains suck and frankly, after reading this, they had such an adverse effect on the coolness of Carnage that I don’t really have the same opinion of him. This made him lose his luster. Granted, Marvel also fucks him over, after this, by introducing a bunch of symbiote Carnage babies.

Spider-Man is pretty much in over his head but he re-teams with Venom in an effort to stop Carnage and they also get help from Black Cat, Cloak & Dagger and a slew of other heroes that pop in and out. Morbius even shows up just to remind you that in the ’90s he was batshit crazy. We also get an appearance from Nightwatch, who was a ’90s Marvel character that blatantly ripped off Spawn just to piss off Todd McFarlane for becoming a self-made millionaire after leaving the company. They showed him!

Anyway, this is a clunky story without a real clear point to it other than Carnage is bad and he does terrible shit. This didn’t need to be fourteen issues long but Marvel was trying to bank on Carnage’s popularity. I’m sure it made money for them, at the time, but the story didn’t do much to help the Spider-Man mythos in any sort of long-term way. In fact, when people bring up Maximum Carnage nowadays, it is in reference to the old 16-bit video game and not the comic book story it was tied to.

This story featured good writers and good artists but it felt sloppily put together and like all the creative parties just kind of rushed it out or phoned it in. Some of the art, surprisingly, is actually hard on the eyes but I think that’s more to do with the colors than the illustrations. Also, I read this digitally and sometimes that can really fuck up the color of older comics.

I had some high hopes for this because I really felt like I missed out on it years ago. However, comics shouldn’t feel like doing chores. I didn’t really want to finish this but I did in order to review it, as it is considered an iconic story by many.

Rating: 4.5/10
Pairs well with: other mid-’90s Spider-Man comics and Marvel crossover events.

Comic Review: Uncanny X-Force, Vol. 6 & 7: Final Execution – Books I & II

Published: April 10th, 2013, August 29th, 2013
Written by: Rick Remender
Art by: Mike McKone, Phil Noto, Julian Totino Tedesco, Jerome Opena, David Williams

Marvel Comics, 271 Pages

Review:

Well, I have finally reached the end of Rick Remender’s highly respected Uncanny X-Force run.

I’ve got to say that this end was fairly satisfying and that the series, as a whole, was good. However, I don’t quite feel the same about it as many of the others who hyped it up for me. I mean, I’ve only heard great things about it. But I wouldn’t call it great, I’d just call it good, sometimes solid but sometimes aimless. Or, at least, sometimes it felt aimless.

And I guess that some of what seemed aimless wasn’t but not all of those things were resolved and some of them didn’t really seem to have much of a point when looking at the whole picture.

The series, I thought, ended up putting so much emphasis on Psylocke that this didn’t feel like a team book. It felt like a Psylocke book with recurring side characters. That’s not to say that Wolverine, Archangel, Nightcrawler, Fantomex, Deadpool, etc. weren’t pretty involved in the proceedings but it’s to say that sometimes I forgot they were involved unless I was reminded by them showing up in a panel.

Ultimately, this is a neat series with an ending that tied up the important bits but I don’t feel like it adds much to the X-Men mythos and that it spent more time trying to be edgy and cool than actually trying to better the X-franchise.

Rating: 7.75/10
Pairs well with: the earlier volumes in Rick Remender’s Uncanny X-Force run.

Comic Review: Uncanny X-Force, Vol. 3 & 4: The Dark Angel Saga – Books I & II

Published: May 23rd, 2012 (Vol. 3), August 15th, 2012 (Vol. 4)
Written by: Rick Remender
Art by: Rich Elson, Billy Tan, Mark Brooks, Scot Eaton, Andrew Currie, Andrew Hennessy, Jerome Opena, Robbi Rodriguez, Dean White

Marvel Comics, 274 Pages (total)

Review:

This is the big story arc where this highly regarded comic series really came together for me. I was patient, I liked the build of the two volumes before this and I was happy to discover that this was going somewhere solid.

The Dark Angel Saga is broken out into two volumes but I’m reviewing it as one body of work because that’s the best way to talk about it and because these Uncanny X-Force TPBs are too short.

Overall, the story reminds me of the late ’80s/early ’90s X-Men crossover events. This is actually smaller in scale and didn’t crossover with multiple books but it just had that feel, as the story itself is pretty grandiose. And frankly, I’m surprised it was contained in just one comic.

Rick Remender had a vision for this title and this is where that truly becomes clear.

This is a team made up of several characters I love, as well as Fantomex, who I didn’t know before this but have grown to like over the course of this comic.

The focus of the story is on the continued inner turmoil of Angel/Archangel. Now that Apocalypse is dead, his body and mind are slipping into darkness, as he is supposed to evolve into the next Apocalypse.

The story also takes us into the dimension from the Age of Apocalypse epic. Our X-Force team finds allies in the X-Men team of that dimension, which adds some really cool subplots to the story, as characters are reunited and some are very different than their regular versions.

The Dark Angel Saga is well choreographed and written, balancing a ton of characters, introducing new ones but still giving us something pretty focused that tells its story well and isn’t bogged down by a large ensemble and the problems that come with that.

Rating: 8.5/10
Pairs well with: the rest of Rick Remender’s Uncanny X-Force run.

Comic Review: Uncanny X-Force, Vol. 2: Deathlok Nation

Published: February 15th, 2012
Written by: Rick Remender
Art by: Rafael Albuquerque, Esad Ribic

Marvel Comics, 103 Pages

Review:

I have a problem with this series, at least how it is collected. The trade paperbacks are just too short and they don’t give you enough story. But I’m sticking with this because I’ve heard great things about Rick Remender’s run on X-Force from several sources.

And I do like this book, as it advances the plot a bit, brings in Deathlok and a new threat associated with him. But I just wanted there to be more and this ends pretty abruptly.

What I’ve read within this run has intrigued me so far. This feels like something fresh and new for both the X-Force and X-Men titles. Plus, I really like the art.

I think that if you are going to give this series a shot, you’d be better off reading the thicker omnibus collections, as opposed to the seven thinner volumes.

Rating: 7.5/10
Pairs well with: the rest of Rick Remender’s Uncanny X-Force run.

Comic Review: Spider-Man: The Revenge of the Sinister Six

Published: 1991-1992
Written by: Erik Larsen, Terry Kavanagh
Art by: Erik Larsen, Scott McDaniel

Marvel Comics, 165 Pages

Review:

I was really digging re-reading all the earliest Sinister Six storylines. But then I got to this one, the third of the three I wanted to re-experience and it really took the wind out of my sails.

This was a complete clusterfuck, narratively speaking.

I guess there is a big difference between the skill level of David Michelinie and Erik Larsen when it comes to writing. The two teamed up for the storyline, The Return of the Sinister Six, a year earlier in The Amazing Spider-Man. In this arc, Larsen took the reigns pretty much solo, as he had been moved to the Spider-Man title while Michelinie was still working on The Amazing Spider-Man with artist Mark Bagley. While that great duo were introducing us to Carnage, Larsen gave us this mess.

The biggest problem with this miniseries, is that it seemed like Larsen was using it as a way to feature and draw all the characters he wasn’t able to touch before this. This is a cameo bonanza in the worst way and many of these characters enter the story just for the hell of it and don’t serve much purpose to the overall narrative. It’s like Larsen just wanted to draw splash pages of the Hulk, Ghost Rider, the Fantastic Four, and a billion different villains. We also get a small and incredibly pointless cameo from Sleepwalker, one of my favorite ’90s characters.

Larsen’s art here was pretty damn solid, I have to give him that. He has a very distinct style and people either love it or hate it, similar to the style of Rob Liefeld. I have mostly liked Larsen’s style and this was interesting to see, as he did this right before jumping ship to Image Comics and his own creation, The Savage Dragon.

I do have to say that Larsen’s writing improves once he goes to Image and I’m thinking that he knew he was leaving when he took on this project and he felt that it was the only chance he would get to draw a lot of these characters.

To put it bluntly though, this story is ’90s as fuck and I don’t mean that complimentary. It’s trying really damn hard to be edgy. In fact, in the final battle all the villains are shooting machine guns like common street thugs while Spider-Man is wearing all this expensive, over the top, ’90s style tech. Hell, Spidey even gets a cyborg arm in this.

Also, the Sinister Six isn’t really even fully formed. Sandman is not on the team and is trying to get the other villains to stop Doctor Octopus. So really, this is the Sinister Five but then they bring in the giant beast Gog. So is he the sixth member now? It’s not really clear and it’s just one of many things that makes this story total chaos.

This was bad, dreadfully bad. I remembered liking it when it originally came out but I was also thirteen years-old and way more into the visual side of comics over having a coherent plot.

Rating: 4.75/10
Pairs well with: Stan Lee and Steve Ditko’s original Sinister Six story, as well as the prequel to this one, The Return of the Sinister Six. Also, anything from the Michelinie and Larsen run on The Amazing Spider-Man.