Comic Review: Uncanny X-Force, Vol. 2: Deathlok Nation

Published: February 15th, 2012
Written by: Rick Remender
Art by: Rafael Albuquerque, Esad Ribic

Marvel Comics, 103 Pages

Review:

I have a problem with this series, at least how it is collected. The trade paperbacks are just too short and they don’t give you enough story. But I’m sticking with this because I’ve heard great things about Rick Remender’s run on X-Force from several sources.

And I do like this book, as it advances the plot a bit, brings in Deathlok and a new threat associated with him. But I just wanted there to be more and this ends pretty abruptly.

What I’ve read within this run has intrigued me so far. This feels like something fresh and new for both the X-Force and X-Men titles. Plus, I really like the art.

I think that if you are going to give this series a shot, you’d be better off reading the thicker omnibus collections, as opposed to the seven thinner volumes.

Rating: 7.5/10
Pairs well with: the rest of Rick Remender’s Uncanny X-Force run.

Comic Review: Uncanny X-Force, Vol. 1: The Apocalypse Solution

Published: September 28th, 2011
Written by: Rick Remender
Art by: Leonardo Manco, Jerome Opena

Marvel Comics, 108 Pages

Review:

I’ve wanted to pick up Rick Remender’s run on X-Force for a long time. But there are so many comics I want to read that the mountain is always growing. I finally got around to this one though, the first of seven volumes and a good setup for the series.

If you’ve read the X-Force series where the team becomes a black ops squad for Cyclops, handling the really dark shit that the X-Men can’t, then you should know what you’re getting into here. This picks up after that run but Remender shuffles the group’s members and makes things more interesting.

Where I’ve been critical of Deadpool in the past, these are the types of stories that he tends to flourish in. He is still comedic and has his quips but it works better having him lighten the dark mood than just starring in his own comic and giving us straight comedy or superhero parody.

I really like the duality that is explored here with Warren Worthington, as he phases between his Angel and Archangel personas and because of that, has real trust issues in his relationship with Psylocke.

This team also features Wolverine in a leadership role, as well as Fantomex, who I honestly don’t know. But he seems like an interesting enough character and I’m looking forward to learning more about him.

The threat in this story sees the emergence of a new Four Horsemen of the Apoclypse, as X-Men baddie Apocalypse has returned in an interesting form.

Where this is going is hard to tell and this volume doesn’t work as its own story. It reads like the first chapter to a much larger book. And while that may irritate some people that want a resolution within the covers of their trade paperbacks, I’m committed to seeing this whole series through.

That being said, this lays the groundwork without giving you too much of an idea as to what’s on the horizon. I hope the surprise is a pleasant one.

Rating: 7.5/10
Pairs well with: the rest of Rick Remender’s Uncanny X-Force run.

Comic Review: X-Men ’92

Published: 2016-2017
Written by: Chad Bowers, Chris Sims
Art by: Mirati Firmansyah, Coby Hamscher, David Nakayama (cover)
Based on: the X-Men animated series by Fox Kids

Marvel Comics, 240 Pages

Review:

If you were a kid in the ’90s, you probably watched the X-Men cartoon that used to be on Fox on Saturday mornings. It was solid, did a pretty good job of adapting some of the comic book’s big storylines and introduced a lot of non-comic reading kids to the X-Men franchise.

It ended after a few seasons and never really had a proper follow up. Well, that is until recently, as the show moved into the medium it was born out of: comic books.

Maybe this took its cues from DC Comics and how they came out with Batman ’66, a comic book series that revisited the 1960s Adam West Batman TV series. But one can’t deny that Batman ’66 was a cool comic, a great idea and with that, should have inspired other comic books that continued the stories of comic book characters as they were presented in other mediums. Hell, I’m still waiting for that Batman ’89 comic that was once teased and then had those teases retracted.

But this is about X-Men ’92, which was a decent follow up to the animated series.

Overall, this was a fun read but it didn’t wow me in the same way that Batman ’66 did. Where that Batman comic felt tonally right and as if it was a true continuation of the series, X-Men ’92 throws some weird curveballs and also tries to force in way too many characters just for the sake of the creators trying to give you the animated series’ versions of these characters.

Maybe they knew this series would be short lived and therefore, they wanted to wedge in every character they could but it really becomes too much to process in the second half of this series. Also, I wasn’t a fan of devoting so much time to a Dracula/vampire story. None of that was central to the core of the cartoon and it shouldn’t have been central to the core of this comic.

Also, this feels like it is just borrowing the visual style of the TV show but it doesn’t seem to understand the tone or the spirit of it.

It’s still entertaining for fans of the source material but I wouldn’t call it a must read or all that necessary. Die hards should check it out but I can see why this didn’t make it a year where Batman ’66 has still been hanging on for quite awhile with a long running series and several crossovers.

Rating: 6.75/10
Pairs well with: the animated series it’s based on, as well as ’90s X-Men comics and various spinoffs.

Comic Review: X-Force/Cable: Messiah War

Published: 2009
Written by: various
Art by: various

Marvel Comics, 243 Pages

Review:

This takes place between the major X-Men events Messiah Complex and Second Coming. And like those two events, I liked this story quite a bit. However, this is also a mixed bag as far as art and some of the writing.

Most of the story was well written but this story also crossed over multiple titles with different creative teams. Sometimes that works, sometimes it makes things disjointed and uneven. Now while I thought the overall narrative was good, some of the dialogue was cringy in parts. But this only happens in a low percentage of the issues collected here.

Like that cringe dialogue, some of the art in a few of the issues is also distracting. I think that this book has mostly good art but there is a strong variance in styles and going from one chapter to the next can be kind of jarring in this book. Additionally, the first few chapters looked the worst and things actually improved as the book went on.

The story follows Cable and young child Hope Summers as they keep jumping further and further into the future. In pursuit is former X-Men member Bishop, who is trying to kill Hope in order to save the future. Or is it the past, at this point?

The story also adds in X-Force, the version of the team that Cyclops used to do black ops. Here, it consists of Domino, Wolverine, Archangel, X-23, Warpath and a few characters that are pretty unknown and don’t matter much to this plot. Then Deadpool shows up and we also get very important appearances by Stryfe and Apocalypse.

Like the stories that sandwich this one, Hope Summers is pretty much the MacGuffin of this tale. Half the people want to protect her and the other half want to use her or kill her.

This is a good, dark, balls to the wall X-story. I love that it adds more context to the bigger X-Men stories about Hope Summers, as well as strengthening the rivalries between Cable and Stryfe, as well as Archangel and Apocalypse.

Despite issues with some of the dialogue and art, this was a really good read. It was certainly my cup of X-tea.

Rating: 7.5/10
Pairs well with: the stories that sandwich it: Messiah Complex and Second Coming.

Comic Review: X-Men: Second Coming

Published: June 22nd, 2011
Written by: Craig Kyle, Christopher Yost, Matt Fraction, Zeb Wells, Mike Carey
Art by: David Finch, Terry Dodson, Ibraim Roberson, Greg Land, Mike Choi, Rachel Dodson, Sonia Oback

Marvel Comics, 360 Pages

Review:

I went into this thinking that I would like it for the most part. The events that precede it were pretty good reads. What I didn’t expect was to be blown away. But in the end, I have to say, this was one of the absolute best X-Men crossover events that I have ever experienced. Seriously, this was nothing short of superb.

More than anything, this story made me love Cable more than ever and it got me to love Hope Summers, who I would say is one of the best characters to come out of the last decade, even though she previously appeared as a baby before this in Messiah Complex.

This had a lot going on in the story but there was room for it all. Plus, all the key players were well balanced throughout and it gave most of the top characters a real purpose and mission.

There are real consequences in this story, as some key X-Men figures die. Granted, one could argue that those consequences are never real because no one truly dies in comics and the two biggest victims of this story are already alive and well, once again. But despite that, it felt like a real blow within this narrative. It didn’t lose its impact knowing that they’d eventually be back.

Second Coming carries all the doom and gloom of Messiah Complex over and it brings more doom and gloom but it ends in a way that finally sees a glimmer of “hope” appear in the darkest time of the X-Men franchise. I don’t want to spoil too much because I’d rather people give this a read.

Being that this is a crossover event, there is a mix of art styles. All of it works for me though, even if there are noticeable style shifts from chapter to chapter. Ultimately, the tone stays about the same from beginning to end.

This is a fairly long read but none of it is boring or filler. It moves at a brisk pace, keeps you engaged and makes you cheer for these heroes in a way that you haven’t since the early ’90s.

Rating: 10/10
Pairs well with: the stories that precede it: Avengers Disassembled, House of M and X-Men: The Messiah Complex, as well as the one this leads up to: Avengers Vs. X-Men.

TV Review: The Comic Book Greats: Episode 6 – How to Create a Comic Book (1992)

Released: 1992
Created by: Stan Lee
Directed by: Rick Stawinski
Music by: Rick Stawinski, Rob Stawinski
Cast: Stan Lee (host), Todd McFarlane, Rob Liefeld, Whilce Portacio, Jim Lee

Excelsior Productions, Stabur Home Video, 47 Minutes

Review:

Well, being that this came out in the second year of this home video series, a lot had changed since the first time we saw Todd McFarlane and Rob Liefeld in the first two episodes. By 1992, the two (and five others) had left Marvel and formed Image Comics. If you weren’t aware of the then new imprint, McFarlane mentions Image almost every five minutes in this video.

But it was cool to see these guys still come together with Stan Lee, the father of Marvel Comics. Granted, Stan Lee is barely in this episode as he is just there to kick it off and then pass it over to Todd and Rob. He also comes back to close out the show once other Image Comics founders Jim Lee and Whilce Portacio show up for short cameos.

When this video series was actually something new, this was the first one that I bought. At the time, I was making my own comics with friends, we had our own little imprint and were selling comics to kids at school and around South Florida. In fact, we were featured in the newspaper at the time for the buzz we created.

The reason I mention to above story is because my friends and I were inspired by Image and specifically the guys featured in this video. So when they all came together to teach aspiring comic book creators on how they actually create their own comics, this was something I had to own.

Even though times and methods have changed, Todd and Rob are pretty good teachers and a lot of what they teach here isn’t outdated and is still useful knowledge for this artistic medium.

This is one of the top episodes of the series because it goes beyond interviews and sketching and gets down to the nitty gritty. It gives real insight into the craft. Plus, in 1992, these were the best guys to use for a video like this.

This episode has aged well. Most of it is still relevant. My only complaint is this shouldn’t have been one 47 minute episode, it should have branched out into its own series where the Image guys actually go on to teach more than just the basics. It felt rushed and incomplete and more time and context would have been fantastic.

This is still worth a watch though, whether you want tips on how to make better comics or if you are just a fan of these creators.

Rating: 8.25/10
Pairs well with: other episodes in The Comic Book Greats video series.

TV Review: The Comic Book Greats: Episode 2 – Spotlight on Rob Liefeld (1991)

Released: 1991
Created by: Stan Lee
Directed by: Rick Stawinski
Music by: Rick Stawinski, Rob Stawinski
Cast: Stan Lee (host), Rob Liefeld

Excelsior Productions, Stabur Home Video, 40 Minutes

Review:

Since I really liked revisiting the first episode in this series, which featured Todd McFarlane, I definitely felt the urge to revisit this one with Rob Liefeld. Besides, I’m trying to work my way through all of these, as there were many I hadn’t seen back in the early ’90s and the ones I own, haven’t been played in years because PlayStations doesn’t play VHS tapes.

This one is like the previous one in that it is hosted by Stan Lee and he interviews a single comic book pro: Rob Liefeld.

Liefeld talks about what inspired him to get into comics and the really unorthodox story at how he got his foot in the door, which seemed really easy compared to the stories of other pros.

This also gives a good rundown of his art style, his creations and also his earliest work on DC Comics’ Hawk & Dove, as well as Marvel’s The New Mutants and X-Force titles.

While Rob would go on to help found Image Comics a year later, along with McFarlane and others, there isn’t any mention or allusion to that here. Well, other than Rob drawing Diehard, who would become a character in Youngblood. I think that more Image stuff does come up in later videos, however, as Stan Lee has a few of the other Image creators in later episodes and Liefeld and McFarlane also return in one of the 1992 video releases.

I love revisiting these, thus far. I hope the other installments continue to be as engaging. Especially, since some of the later episodes feature some old school legends.

Rating: 7.75/10
Pairs well with: other episodes in The Comic Book Greats video series.