Published: August 15th, 2017 Written by: Tim Seeley Art by: Scott Godlewski Based on:The Lost Boys by Janice Fischer, James Jeremias
Vertigo Comics, 143 Pages
I was kind of excited to give this a read, as it was released under DC’s Vertigo imprint and because it was written by Tim Seeley whose teen horror series Hack/Slash was something that I was a huge fan of for years. Plus, I also enjoy the hell out of the original Lost Boys movie, which this serves as a direct sequel to, taking place in the ’80s and shortly after the first movie.
While I was initially into this, as it rolled on, I sadly became underwhelmed and then disappointed by it.
All the surviving core characters are back but it was a bit jarring seeing the grandpa killed off in the first issue. It came across as sort of dismissive of the character and even though it set up the battle between the heroes and the vampires in the story, it still felt cheap, pointless and disrespectful.
I also found it odd that this takes place in the late ’80s but one of the vampire chicks had the go-to androgynous SJW mental patient hairstyle.
Additionally, the Frog brothers pretty much fuck up and get captured right off the bat, making them essentially damsels-in-distress for the majority of the story.
One thing I did like, though, was that the iconic, buff saxophone player, who we only saw for a few seconds in the movie, is revealed to be a vampire hunter in training and the oil he wears all over his body serves a dual purpose, as it is a repellent for vampires.
Other than that, this was just a waste of my time. I wanted this to be, at the very least, mindless, fun escapism. It was just a half-assed attempt at capitalizing off of a thirty year-old movie and that’s probably why there wasn’t a volume two.
Rating: 5/10 Pairs well with: the film series it’s based on and other horror comics by Tim Seeley.
Release Date: March 18th, 2021 Directed by: Zack Snyder Written by: Chris Terrio, Zack Snyder, Will Beall Based on: Characters from DC Comics Music by: Tom Holkenborg Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Diane Lane, Jeremy Irons, Ezra Miller, Jason Momoa, Ray Fisher, Connie Nielsen, J.K. Simmons, Jesse Eisenberg, Joe Manganiello (uncredited), Willem Dafoe, Amber Heard, Joe Morton, Jared Leto, Robin Wright, David Thewlis, Russell Crowe, Marc McClure, Carla Gugino (voice), Billy Crudup (uncredited)
DC Entertainment, The Stone Quarry, Atlas Entertainment, Warner Bros., HBO Max, 242 Minutes
“How do you know your team’s strong enough? If you can’t bring down the charging bull, then don’t wave the red cape at it.” – Alfred Pennyworth
For years, fans of Zack Snyder demanded that Warner Bros. release The Snyder Cut of 2017’s Justice League movie. For those who have read my review of it, you already know about how much I disliked that terrible film, which was taken over and finished by Joss Whedon after Snyder left the production due to a family emergency.
Needless to say, I never wanted this movie. However, it’s release seems like a real victory for fans in a time when they’re being labeled “toxic” by Hollywood and the media outlets that suck the shit straight out of the big studios’ assholes. So despite my feelings on the theatrical version of this movie, I am happy for the fans that demanded this version of it.
That being said, this is, indeed, a much better version of the film. Granted, it’s four fucking hours long, which is way too long. This probably should’ve been cut into two parts or released as an episodic miniseries. There’s just so much material but honestly, a lot of what’s here is also unnecessary. There are so many slow motion scenes that those parts really put an exclamation point on how dragged out this movie is.
It’s also got its fair share of cringe.
The biggest instance of cringe that pops into my mind is the scene that introduces Wonder Woman. She fights some terrorists with hostages but they do this weird thing where they speed up and slow down the film for dramatic effect. It’s weird, hokey and shitty. Also, she blocks every bullet fired from a machine gun with her bracelets like she has the speed and accuracy of the Flash. They’ve basically made her a female Superman with bracelets and a lasso and it’s just sort of confusing. I get that she fits this mold in the comics but in this already established film canon, it’s like her powers have increased to that of a literal god in a very short span of time compared to the length of her life. But I can also look beyond it and sort of accept it within the framework of this movie, which wasn’t supposed to exist.
Regarding other cringe, there’s the dialogue, which often times is horrendous.
There’s also Ezra Miller, who brings down the entire production every time he shows up on screen and tries to be cute and funny but just comes off like that asshole millennial barista that thinks he’s smarter than you but you can see the cat food stains on his shirt from last night’s dinner. Ezra Miller as The Flash may be the worst casting decision in the history of mainstream superhero films.
There is some good with this picture, though.
For one, every time I see Ben Affleck as Batman, he grows on me. Affleck deserves his own Batman movie but he never got one and was instead wasted in multiple shitty DCEU movies. He could be three solo Batman pictures deep now but we’ve got to see him parade around with Ezra Miller and other superheroes that appear lame in his really cool orbit.
I also thought that Steppenwolf, the film’s primary villain was much, much better in this. He feels like a real character with a real story arc. In the theatrical version, he came across as some generic miniboss whose dungeon you could skip in Skyrim. Plus, he looks so much fucking cooler in this version.
Additionally, this film gives me what I’ve always wanted to see and that’s Darkseid on the big screen. Granted, this wasn’t released in theaters so the “big screen” was a combination of a 50 inch television and my tablet screen.
There are also some great new action sequences. I kind of liked the big battle between Steppenwolf and the Amazons, as well as the big war between Darkseid, his minions and the armies of Greek gods, Amazons and Atlanteans. It was a flashback scene but it was still damn cool. Especially, the Green Lantern stuff they added in. In a lot of ways, it reminded me of the intro to The Lord of the Rings trilogy.
I also liked that Cyborg was much more developed and didn’t just seem like a last minute addition added in to pad out the team.
The first act of the film is the worst and I felt like it moved too slow and didn’t really make me care about the movie too much. The second act, however, switched into high gear and that’s where it grabbed me as well as it could and I started to feel like I was finally getting a better, more fleshed out and worthwhile movie.
I also generally liked the third act but I thought a lot of the epilogue was unnecessary and didn’t need to be in the film. It also spends a lot of time establishing future storylines but it’s very damn likely that this will never get a sequel, as Warner Bros. were really determined not to allow this version of the film to be completed in the first place, as they want Zack Snyder to just go away now.
For those who don’t know, it was their parent company, AT&T, that forced their hand, as they needed something huge to help drive potential subscribers to their new HBO Max streaming service. This is also why this probably didn’t get a proper theatrical release.
In the end, this was still far from great and it was too damn long. However, I’d say that it’s the best DC Comics related film that Snyder has done apart from Watchmen.
Rating: 6.5/10 Pairs well with: Zack Snyder’s other DCEU films.
Published: March 3rd, 2009 Written by: Robin Snyder Art by: Dave Gibbons
DC Comics, 157 Pages
I always thought that the Hal Jordan Green Lantern was cool. However, I never really started reading his stories until the Geoff Johns era and a lot of that had to do with the art by Ethan Van Sciver, which popped off of the shelves when I walked into a comic book shop for the first time in a decade in the mid-’00s.
Through that era of Green Lantern titles, I grew to love several characters and the rich mythos of that pocket of the larger DC Comics universe.
In the years since, I like going way back and reading some of the earlier stuff to get a grasp on the more classic stories. This collection is one of those, as it features stories originally published in the early ’80s.
This collection has one primary story that takes up about the first half of the book. It features Hal Jordan and other Green Lanterns as they face off against villains Krona and Nekron. In fact, this story is the first appearance of Nekron, who would grow into a fairly prominent villain over the years.
The second half of the book features short stories of what appears to be random Lanterns. It’s a collection of both origin stories and quick adventures for a plethora of Lanterns. Some of it is cool and really imaginative but not all of them really connected for me.
Still, as a more modern Green Lantern fan, this was cool to read. Plus, it features tremendous art by the great Dave Gibbons, one of my favorite comic book artists of all-time.
Rating: 6.25/10 Pairs well with: other old school Green Lantern stories.
Published: January 22nd, 2019 Written by: Marv Wolfman Art by: Steve Erwin
DC Comics, 237 Pages
Man, I really love this series outside of the weird third volume. I’m glad that it recovered from that chapter and this one is actually a bit better than the previous one.
Marv Wolfman really knows Slade Wilson a.k.a. Deathstroke but then he should, as he created the character a decade before this series.
I love this in the same way I love the earliest G.I. Joe stories by Larry Hama. It has that same sort of gravitas and machismo while also featuring badass characters outside of just the main one.
With this series, I’ve become a much bigger fan of the Pat Trayce version of Vigilante than the original version. She looks great in the costume, is a complex, solid character and it’s extremely hard not to like her, even if she sometimes acts too reactionary and doesn’t trust Deathstroke, the man she unfortunately loves but who is also, in this era, trying to do good things and atone for his sins.
I love Deathstroke and Vigilante’s relationship, though, as they are usually allies but often times in each other’s crosshairs. Wolfman writes these characters and these stories so well, however, that it just works and makes sense.
Like most of the previous volumes I also really enjoy the art in this.
I guess this volume is probably the most important one in the series, thus far, as it shows a bridge finally being built between Slade and his ex-wife, who still wants him dead due to his part in their sons’ deaths.
This volume also takes Deathstroke around the globe and just about every single issue collected here has him somewhere else. That reminded me a lot of G.I. Joe, as well.
I really dug the hell out of this volume and that should come as no surprise if you’ve read my other reviews of this series.
Sadly, there isn’t a volume six but the series continued on beyond this. I’m not sure how I will review the rest of the run but I may just read everything that’s left and review it as one big batch of issues.
Rating: 8.75/10 Pairs well with: the other volumes in the original Deathstroke: The Terminator series from 1991 to 1996.