Published: October 8th, 2013 Written by: Scott Snyder Art by: Jock
DC Comics, 295 Pages
So this takes place when Dick Grayson was still Batman. That whole era gets screwy in my head and even though I’m a massive Nightwing fan, it’s like my brain blocks out that he was ever Batman, until I come across one of those stories and it jars me back into that strange stretch of reality.
This was written by Scott Snyder for Detective Comics before he would go on to his solid run in the main Batman comic.
So this is pretty damn dark, even for a Batman comic but I liked it quite a bit, as Snyder gives us some new villains, very different situations and also links these multiple stories together quite well.
While “The Black Mirror” story is just about the first third of this collection, the other tales build off of it and maintain the same tone.
My favorite part of this was the story about Commissioner Gordon’s serial killer son and whether or not he was truly “cured”. I’ve always liked this character and how he fucks with the heads of Jim Gordon and Barbara Gordon, whether she’s Oracle or later on when she went back to being Batgirl.
The art in this was distracting at first but I adjusted to it pretty quickly and liked how well it added to the brooding atmosphere of these stories.
Batman: The Black Mirror is weird for me because it takes place during Dick Grayson’s Batman stint and I think this would’ve been better with Bruce Wayne in the story. However, it’s still a neat collection of really dark tales and it helped set Snyder on the right path for his career.
Published: July 18th, 2017 Written by: Chuck Dixon Art by: Greg Land, Kieron Dwyer, Patch Zircher
DC Comics, 256 Pages
This chapter in the long Chuck Dixon run on Nightwing was a bit laid back compared to the previous installment but that one swung for the fences and after its ending, you kind of needed a bit of a breather.
Like the other volumes, this includes multiple story arcs while still progressing the larger arc of the series forward.
The highlight of this stretch of issues, at least for me, is that we get to see Dick Grayson go into the field as a beat cop for the first time. Seeing him have to balance that life and its responsibilities while also being Nightwing was really interesting.
I actually kind of wish they kept him as a cop. Although, I won’t go to deeply into where the Nightwing comics went in the last year or two but it did completely wreck the series and had me remove it from my pull list after being on there for nearly fifteen years.
Anyway, this also features some stories with some really cool new villains. It also features a good story with Catwoman.
The artists do change a few times over this stretch but like the last volume, I think I most enjoyed the issues that were done by Greg Land, which was a real step up from the art of the series before he got the gig.
The other artists are also pretty good in this and overall, it’s a better looking comic series than it was over its first four volumes.
Ultimately, this is still leading towards an eventual showdown between Nightwing and Blockbuster. I’d have to assume it’s coming soon, as they’ve been planting the seeds since way back in volume one.
Published: November 1st, 2016 Written by: Chuck Dixon Art by: Greg Land, Scott McDaniel, Karl Story
DC Comics, 331 Pages
I took a bit of a break, as I had reached the middle of the collected editions of Chuck Dixon’s classic Nightwing run. But now I’m ready to jump back in with this installment, which I thought was pretty good and full of action and multiple story arcs, which were mostly entertaining.
The two best stories are the ones that are essentially the bookends of this volume.
The first is about Nightwing breaking into prison to take down the supervillains that have taken it over. It features a lot of villains and some of them actually help Nightwing, as they’re not happy with the conditions they’ve been provided with under the new tyrannical rule of Lockup and his right hand, KGBeast.
The last story is about Barbara Gordon a.k.a. Oracle and the former Batgirl, being abducted with Nightwing and his allies trying desperately to find her. I don’t want to spoil what happens, as there is a cliffhanger that sets up the next volume.
As for the art, the earlier issues here continued to have a very ’90s style, which hasn’t aged all that well, even though I liked it at the time. After the first third or so of this volume, Greg Land took over and the book looked more refined and polished.
Overall, this is a good chapter in the larger Dixon run. It also progressed the stories of Blockbuster and Nite-Wing, the ripoff wannabe sidekick, in ways that kept their stories interesting.
Release Date: August 4th, 2020 Directed by: Sung Jin Ahn Written by: J.M. DeMatteis Based on:Deathstroke by Marv Wolfman, George Perez Music by: Kevin Riepl Cast: Michael Chiklis, Chris Jai Alex, Sasha Alexander
Berlanti Productions, Blue Ribbon Content, DC Entertainment, 87 Minutes
I was a bit stoked when I saw that there was an animated Deathstroke film on HBO Max. It came out a year ago and I’m assuming it was initially on DC Universe before that got swallowed up and absorbed by the newly launched HBO Max, which is sort of a central hub of all the content Warner Bros. associated streaming services hosted before converging into one thing.
Anyway, I was pretty underwhelmed by this. That’s not surprising, as DC animated features are a mixed bag. Some are really meh but some are very, very good. Most of them meet somewhere in the middle but this one does fall closer to the meh side of that pendulum.
While I liked that Michael Chiklis voiced Slade Wilson a.k.a. Deathstroke, the film was kind of a bore. It featured a couple C-list villains for Deathstroke to tie-up with but it also leaned into his personal life and his family, which I feel like has been explored to death in comics and other mediums already.
Frankly, I just kind of wanted Deathstroke in his anti-hero role, going up against impossible odds to take down a serious baddie. I wanted some dark, black-ops shit. While I guess this does send him on shadow missions of some degree, it just never really grabbed me.
There’s a television series of Deathstroke: Knights & Dragons, so I’m not sure if this is a sequel to it or a prequel. Maybe this is just a condensed version of a larger story. Either way, it’s kind of sloppy and boring.