Also known as: Nana’s Boy (working title) Release Date: January 6th, 2006 Directed by: Nicholaus Goossen Written by: Barry Wernick, Allen Covert, Nick Swardson Music by: Waddy Wachtel Cast: Linda Cardellini, Allen Covert, Peter Dante, Shirley Jones, Shirley Knight, Joel David Moore, Kevin Nealon, Doris Roberts, Nick Swardson, Jonah Hill, David Spade, Rob Schneider, Kevin Nash
Happy Madison Productions, Level 1 Entertainment, Twentieth Century Fox, 94 Minutes
“This chick’s pussy smelled like the great depression.” – Jeff
Grandma’s Boy is a movie I slept on when it came out. I’m not a massive Adam Sandler fan and seeing a movie that was essentially an Adam Sandler movie without Adam Sandler wasn’t what I considered a top priority. However, several friends would reference it all the time, so I gave in and checked it out after a few years.
Since then, it’s become one of my favorite comedy movies of its era. It’s just solid, mindless escapism, which is something I love. Add in the fact that it’s fucking hilarious and it’s become one of those sweet guilty pleasures that I tend to watch once or twice per year.
It stars Allen Covert, who has been in just about all of Adam Sandler’s comedies. The film was co-written by him, Barry Wernick and Nick Swardson, a comedic actor that I like in just about everything… yes, even Bucky Larson. You also get another Sandler “best bud” with Peter Dante.
Beyond those guys, you’ve got Linda Cardellini, Joel David Moore, Kevin Nealon, David Spade, Jonah Hill, Shirley Jones, Shirley Knight, Rob Schneider and former professional wrestler Kevin Nash. Needless to say, this low budget movie that nearly everyone slept on in the theater, has a stacked cast.
The story is about some stoners that develop and test video games. There’s the underachieving loser who doesn’t realize his own potential, the lovable sidekick, lesser sidekicks, the douchebag work rival and the hot chick that’s out of everyone’s league but she’s cool, so whatever.
However, there’s also the extra added element of the loser’s grandma and her two roommates, who the loser has to live with while dealing with his hectic work life and douchebag work rival.
It’s a fairly simple story and the movie sort of just works because you like the characters, their camaraderie and their shenanigans.
This is just a lighthearted, stoner flick with lots of gags and jokes that would set off Twitter weirdos in the current year “civilization”. So if you don’t like it, you’re probably some fluorescent-haired land whale, feminist, “fuck the white patriarchy”, hater of fun, regardless of what gender you see yourself as.
Rating: 7.5/10 Pairs well with: other comedy films starring Adam Sandler’s best buds, which are mostly films with Adam Sandler.
Release Date: January, 1994 (Sundance) Directed by: Ben Stiller Written by: Helen Childress Music by: Karl Wallinger Cast: Winona Ryder, Ethan Hawke, Ben Stiller, Janeane Garofalo, Steve Zahn, Swoosie Kurtz, Joe Don Baker, John Mahoney, Renee Zellweger, Andy Dick, Keith David, David Spade (uncredited), Anthony Robbins (uncredited), Jeanne Tripplehorn (uncredited)
Jersey Films, Universal Pictures, 99 Minutes
“You can’t navigate me. I may do mean things, and I may hurt you, and I may run away without your permission, and you may hate me forever, and I know that scares the living shit outta you ’cause you know I’m the only real thing you got.” – Troy Dyer
This was a coming of age movie that I loved when it came out back in 1994. Watching it nearly a quarter of a century later, I hate most of these characters and just see them as the typical “I’m such a cool counterculture ’90s slacker” type. But the reality is, I watched this film about struggling twentysomethings before I was even twenty. Now, being in my thirties and having survived my twenties, it has a very different effect on me now.
All the philosophical rantings are just nonsense. However, what I may have thought were good points when I was an angsty teenager (but I laugh at now) can’t simply be dismissed as shitty dialogue. If anything, this film is a product of ’90s Generation X culture. It certainly isn’t an inaccurate portrayal of it. These ideas, these philosophies and the living hypocrisy of those who espoused it was real. It’s what a big portion of that generation felt and how they saw the world, as they entered it as adults with a very different point-of-view than their Baby Boomer parents.
If anything, this film serves as a real time capsule to the ’90s. And really, are these young people different than those of other generations?
Everything I’m saying isn’t really criticism, it’s just my understanding of these things now. Sure, every young person thought Ethan Hawke was cool in this movie and Winona Ryder was sort of this elven looking ’90s girl next door that everyone was crushing on hard. However, seen outside of twentysomething eyes, they’re not likable characters. They’re selfish, narcissistic, egotistical and complete hypocrites. I couldn’t find myself cheering for them to make it as a couple. In my thirties, I found that I was more interested in Janeane Garofalo and Steve Zahn’s characters, as they actually had more interesting stories, seemed more grounded and were infinitely more likable. I knew that they would turn out okay.
Going back and seeing the things I wrote or put on social media when I was in my twenties is always a cringe worthy experience. So I can’t imagine what these characters would think now, looking back at the documentary Ryder’s Lelaina was creating out of their lives. I hope they all evolved well beyond where they were at this point in their lives.
Primarily, the point of this film is to show what it is like for Gen Xers to be leaving college and trying to make it in the real world. Yeah, it’s tough out there, we all get that if we’ve lived through it without uber rich parents. But that is where I can relate to the film. And also because these were people that weren’t too dissimilar from my friends at the same age. Those who I am still friends with evolved and grew into better people. Those I am no longer friends with stayed the same and still rant on about the same crap that neither makes them cool anymore and just makes them come off as poorly aged turds.
But I still like this movie. I like it because it actually is accurate… scarily accurate. Ben Stiller did a good job behind the camera, especially since he had to split his time with acting duties in this as well. But it is kind of sad to relive life through the experiences of these fictitious characters, now realizing that we were all full of shit.
We had high hopes, all this optimism, we thought we’d change the world and fix the wrongs of our parents generation. However, our parents thought the same thing and so did their parents. “Down with consumerism!” “Hey, let’s order Domino’s!” “Don’t be a fucking sellout, man!” “Hey, some major network wants to buy my show!” And in the end, the world is the same. Maybe a bit worse, actually.
This is definitely more of an analysis of this film’s philosophies and characters and less of an actual review but whatever. I can write what I want because I’m not selling my soul to some corporate sponsored publisher that murders whales and dumps crude oil on the heads of Third World infants, maaan!
Someone pointed out to me that the script was written by a 19 year-old girl. Of course it was. Granted, props to her 19 year-old self (who would be in her forties now) for accomplishing such a feat. Seriously. It’s a film that felt truly authentic. It sadly just shows you that young people mostly suck because life hasn’t made them better yet.
I kind of think Troy just stayed a total starving artist douchebag though. And despite the “happy” ending, he probably still sneaked out the next morning.
Rating: 6.5/10 Pairs well with:Singles, SubUrbia, Empire Records, S.F.W. and Clerks.
As a kid, no comedies brought me as much replayable joy as the Police Academy films. Yes, they are cheesy and the humor is crude and low brow with slapstick thrown in but to a kid in the 1980s, that is what I liked. And it may have been the first film where I saw boobs.
Still to this day, I enjoy it. And even though this comedy method is generally used poorly in most modern films, it worked in these movies and for the time they were current.
This series spawned a new movie every spring from 1984 through 1989 and then gave us an unwatchable seventh film in 1994. Up until the end though, this was a great series. I’m not sure how new audiences would take to them today but from 1984 to 1989, the Police Academy franchise was adored by fans even if it was generally panned by critics.
Police Academy (1984):
Release Date: March 23rd, 1984 Directed by: Hugh Wilson Written by: Neal Israel, Pat Proft, Hugh Wilson Music by: Robert Folk Cast: Steve Guttenberg, Kim Cattrall, Bubba Smith, George Gaynes, Donovan Scott, Michael Winslow, Andrew Rubin, David Graf, Bruce Mahler, Marion Ramsey, Brant von Hoffman, Scott Thomson, G.W. Bailey, Leslie Easterbrook, George R. Robertson, Debralee Scott, Doug Lennox, Georgina Spelvin, Ted Ross
The Ladd Company, Warner Bros. Pictures, 96 Minutes
“Good speech.” – Carey Mahoney
The first film in the series introduces us to many of the characters we will see over the course of several films. Most importantly, this movie gave the world the comedic talents of Steve Guttenberg. Guttenberg’s Sgt. Carey Mahoney would be the central character of these films over the first four installments.
We also got to meet Michael Winslow’s Larvell Jones, Bubba Smith’s Moses Hightower, David Graf’s Eugene Tackleberry, Leslie Easterbrook’s Sgt. Callahan, Marion Ramsey’s Sgt. Hooks, G.W. Bailey’s Lt. Harris and George Gaynes’ iconic Commandant Eric Lassard. Other major characters would come in other films but these characters lasted over most of the series and each one of them are memorable and lovable in their own way. The Police Academy series is an example of large ensemble comedies done right.
This film in the series had the most overall narrative and is considered by most to be the best film. Later films in the series were full of long-running jokes chaining back to this film, as well as being structured by a series of gags and funny bits that were only lightly threaded together by an actual plot. This one was an adult comedy, full of a large cast of kooky characters – in many ways it was similar in style to Slap Shot, Caddyshack and in some regards, MASH. The great use of this formula in Police Academy also inspired a slew of knock-off films throughout the mid 80s.
The plot is about a bunch of screw ups who join the Police Academy after the mayor declares that anyone can join the academy and be given a fair shot. It concludes with a sequence that sees these screw ups go into the field with minimal training and finding themselves in the middle of a downtown riot.
As stupid and absurd as this film can be, it does create a solid sense of camaraderie among the characters. You care about them, their relationships with one another and the crazy situations they find themselves in. This is why this movie became a hit and why this series lasted for seven pictures. You wanted to see more of these people and their antics.
Police Academy was a huge hit at the time and deservedly so. Each subsequent film dropped of a bit in success but they all still did pretty well through the 80s.
Police Academy 2: Their First Assignment (1985):
Release Date: March 29th, 1985 Directed by: Jerry Paris Written by: Barry W. Blaustein, David Sheffield Music by: Robert Folk Cast: Steve Guttenberg, Bubba Smith, David Graf, Michael Winslow, Bruce Mahler, Colleen Camp, Art Metrano, Marion Ramsey, Howard Hesseman, George Gaynes, Lance Kinsey, George R. Robertson, Tim Kazurinsky, Bobcat Goldthwait, Rich Hall
The Ladd Company, Warner Bros. Pictures, 87 Minutes
“Don’t make me flare my nostrils!” – Zed
The first sequel quickly followed the original film.
In this one, we see our beloved officers take their first job at a precinct ran by Howard Hesseman’s Pete Lassard, younger brother to Commandant Lassard. Also, Lt. Harris is replaced as the main antagonist by Art Metrano’s Lt. Mauser. This creates a lot of debate between Police Academy fans as to who was the better series antagonist: Harris or Mauser. I will say that they are both awesome.
We are also introduced to Lance Kinsey’s Lt. Proctor, who went on to become one of the funniest and most iconic idiots in cinema history. This is also the first of three films featuring Bobcat Goldthwait as Zed and Tim Kazurinsky as Sweetchuck. Zed is the big villain of the film and he is fantastic. He is also Goldthwait’s most recognizable character and plays much better as a goofy bad guy in this film than as a cop in the later ones.
This movie is still a great continuation of the Police Academy series and expands on the characters enough to where you enjoy seeing them growing up and taking on new roles.
Also, the big finale at the abandoned zoo was really cool. It was an awesome location for the gang’s hideout.
Police Academy 3: Back In Training (1986):
Release Date: March 21st, 1986 Directed by: Jerry Paris Written by: Gene Quintano Music by: Robert Folk Cast: Steve Guttenberg, Bubba Smith, David Graf, Michael Winslow, Marion Ramsey, Leslie Easterbrook, Art Metrano, Tim Kazurinsky, Bobcat Goldthwait, George Gaynes, Bruce Mahler, Lance Kinsey, Scott Thomson, Brant von Hoffman, Debralee Scott, Brian Tochi, George R. Robertson, Ed Nelson
Warner Bros. Pictures, 83 Minutes
“Mahoney must think he’s as dumb as we are.” – Captain Proctor
The third film rehashes the formula of the first Police Academy but doesn’t do it as well.
Here we have a new class of cadets joining the academy but now the cadets from the original film are there to train them. It is a passing of the torch to a new generation but the new generation didn’t give us many new characters to sink our teeth into. Zed and Sweetchuck return and become cops in this one but they are the brightest spot by far of the new cast of recruits.
The film is still funny, it employs a lot of the same gags and it ends with a pretty decent water action sequence for a film that is a low budget 80s comedy.
The main plot focuses on two academies going head-to-head in a competition, as the worst of the two is going to be shutdown due to budget cuts. The evil academy is ran by Mauser from the previous film. Mauser and Proctor, when together, are comedy gold.
Police Academy 4: Citizens On Patrol (1987):
Release Date: April 3rd, 1987 Directed by: Jim Drake Written by: Gene Quintano Music by: Robert Folk Cast: Steve Guttenberg, Bubba Smith, David Graf, Michael Winslow, Marion Ramsey, Leslie Easterbrook, Sharon Stone, Colleen Camp, Tim Kazurinsky, Bobcat Goldthwait, George Gaynes, G.W. Bailey, Lance Kinsey, George R. Robertson, Brian Tochi, Scott Thomson, Billie Bird, David Spade, Brian Backer, Tab Thacker, Corinne Bohrer, Tony Hawk, Randall “Tex” Cobb
Warner Bros. Pictures, 88 Minutes
“Don’t touch those! Don’t you ever touch my balls without asking!” – Captain Harris
In an effort to not completely redo the plots of the first and third movie, this film sees Commandant Lassard start a new program that allows citizens to train at the academy with real police officers in an effort to build up a better relationship with the community. Essentially, it is a rehash of the first and third films but the little twist makes it a bit more interesting.
Billie Bird steals the show here as the elderly Mrs. Feldman. She is a tough as nails, take no shit, bad ass old lady that is the perfect compliment to the big gun-toting maniac that is Sgt. Tackleberry.
Sharon Stone is in this film too but you’ll barely notice. You can also enjoy the small roles played by a young David Spade, Brian Backer and a “blink and you’ll miss it” cameo by Tony Hawk.
Also, due to a bad back injury that Art Metrano suffered, Mauser was out of the picture and G.W. Bailey’s Capt. Harris was brought back as the antagonist of the series. Harris and Proctor together were even better than Mauser and Proctor in the two previous films.
The gags are great, the pranks are awesome and this film embodies the spirit of the installments before it. Unfortunately, it is the last film to star Steve Guttenberg and a drop off in quality over the course of the next three films was a result. We also lost Goldthwait and Kazurinsky after this chapter in the series and they were definitely missed.
The highlight of this movie is the big action sequence at the end, which featured biplanes, hot air balloons and a whole lot of mayhem.