Also known as: Nick Fury (Argentina, France, Italy, Poland) Release Date: May 26th, 1998 (TV) Directed by: Rod Hardy Written by: David Goyer Based on: Nick Fury by Stan Lee, Jack Kirby Music by: Kevin Kiner Cast: David Hasselhoff, Lisa Rinna, Sandra Hess, Neil Roberts, Garry Chalk, Tracy Waterhouse, Tom McBeath, Ron Canada
Fury Productions Limited Partnership, National Studios Inc., 20th Century Fox Television, 90 Minutes
“Contessa Valentina de Allegro Fontaine. Quite a mouthful when you try and wrap your tongue around it. Don’t let the blue blood fool ya, Pierce. Val’s an old hand at the sexpionage game, aren’t ya?” – Nick Fury
I remember seeing the ads for this on television back in 1998 and thinking, “Yeeeeeeeesh…” Because of that, I never watched this but I have seen some scenes and clips over the years.
If I’m being completely honest, though, there probably wasn’t better casting at the time than David Hasselhoff to play the classic Nick Fury in a low budget, TV movie that was, more or less, a failed pilot for a series.
Watching this now, I really like Hasselhoff and I think that he nails the look and chutzpah of the comic book Nick Fury pretty well. It just sucks that the rest of the production around him is really terrible and it actually brings down his performance.
If someone came up to six year-old me in 1985, handed me a Jim Steranko Nick Fury comic and said that the dude from Knight Rider would play him one day, I probably would’ve been beyond ecstatic. But alas, we got a picture that failed from top-to-bottom.
The plot is fucking terrible and makes little to no sense. For most of the movie, Fury has been exposed to a deadly toxin but it doesn’t even start to effect him till like the end of the movie, when he’s hunting down the chick that poisoned him but can also cure him. I guess the toxin isn’t all that bad if this dude can fight like nothing is wrong with him for half the movie. And if anyone knows the character Viper, once she poisons you, you’re pretty much immediately fucked.
This could’ve been pretty damn great and led to a decent Marvel Comics television show in an era where people would’ve really ate it up. Instead, we got a poorly written, awfully directed piece of crap, starring a guy that could’ve brought great things to the table if someone behind the scenes gave half a shit.
Rating: 3/10 Pairs well with: other Marvel films before the 2000s changed everything.
Also known as: Superman: Man of Steel (working title), Autumn Frost (fake working title) Release Date: June 10th, 2013 (New York City premiere) Directed by: Zack Snyder Written by: David S. Goyer Based on:Superman by Jerry Siegel, Joe Shuster Music by: Hans Zimmer Cast: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni, Russell Crowe, Carla Gugino (voice)
Syncopy, Legendary Entertainment, Warner Bros., 143 Minutes
“You will give the people of Earth an ideal to strive towards. They will race behind you, they will stumble, they will fall. But in time, they will join you in the sun, Kal. In time, you will help them accomplish wonders.” – Jor-El
I was pretty disappointed with this film when it came out and honestly, I’m still pretty disappointed in it, watching it seven years later.
My biggest takeaway from the movie is how good Henry Cavill is as Superman. It just kind of sucks that this is the script and the film that he was given to play that role.
Sadly, the movies with him in them didn’t get any better and this whole DCEU is like a wet fart when compared to Marvel’s MCU, which this was designed to compete with.
Zack Snyder seems like a nice enough guy but his films just never really seem to speak to me. He has his fans, he has his critics and while I want to like the guy’s movies, I can’t give them a free pass because he’s a great guy that does come into his projects with actual passion for the material.
The big issue with this film more than anything is the writing. It’s just a drab yet exhausting story where it feels like a lot happens but nothing happens. It also features so much over-the-top mass destruction that it breaks the movie from top-to-bottom.
General Zod, a human-sized alien dictator comes to Earth and causes more destruction to a major city than all of the Godzilla movies combined yet Superman won’t kill him until Zod’s just about to laser eye a few people to death?
One, this guy already killed hundreds of thousands, if not millions.
Two, why the fuck didn’t these people run while Superman had Zod mostly subdued in a read choke?
Three, couldn’t Superman have just poked Zod’s eyes out Three Stooges style?
When you think about it, this is a really dumb movie.
Hell, you don’t need to think about it. I watched this the first time in the theater baffled by half of it and annoyed by the other half. And man, I really wanted to like it because I loved Cavill, as well as Russell Crowe and Michael Shannon. I also liked seeing Laurence Fishburne play Perry White. Although, Amy Adams was just another actress that didn’t feel like Lois Lane.
Ultimately, this wasn’t the worst DCEU movie but like most of them, it was still a wet fart.
Rating: 5/10 Pairs well with: the other Zack Snyder DCEU films.
Also known as: Ghost Rider 2 (working title) Release Date: December 11th, 2011 (Austin Butt-Numb-A-Thon) Directed by: Neveldine/Taylor Written by: Scott M. Gimple, Seth Hoffman, David S. Goyer Based on: Johnny Blaze by Roy Thomas, Gary Friedrich, Mike Ploog Music by: David Sardy Cast: Nicolas Cage, Ciaran Hinds, Violante Placido, Johnny Whitworth, Christopher Lambert, Idris Elba
Imagenation Abu Dhabi FZ, Hyde Park Entertainment, Columbia Pictures, 96 Minutes
“[voiceover] Why does the devil walk on human form anyway? I have no idea. Maybe he doesn’t know either. Maybe he passes on from body to body, down through history, waiting for the perfect fit. But I know one thing, on Earth, he’s weak. His powers are limited. He needs emissaries to do his dirty work, so he finds them or makes them, using his greatest power, the power of the deal.” – Johnny Blaze
I dreaded going into this, as there was no way it could be better than its predecessor, which was a pretty big pile of cinematic shit.
However, I was wrong.
Granted, I may be alone in my assessment of this picture but I found it to be more palatable than the first Ghost Rider film because it just went batshit crazy from the get go and Nicolas Cage was fully unchained and allowed to be the insane madman he can be when he turns his performance up to eleven.
This is still a terrible film and I doubt I’ll ever watch it more than once but I didn’t find myself wanting to fast-forward like I did with the previous one.
I think it also helped the movie that Idris Elba was in it, even though he should never have to be a part of a production this atrocious. He was a bright spot in this turd, however.
Elba couldn’t save the movie, though, as it had a bafflingly bad script, not a very good story to begin with and then was littered with horrendous CGI special effects and awful acting.
Honestly, based off of the first film, this one should’ve never been made and I think that it was only greenlit, at the time, in order for the studio to try and hang on to the intellectual property rights. I mean, it’s obvious that no one associated with this film gave a shit about it.
Well, except maybe Nicolas Cage, who dedicated himself to the insanity so much that it’s only worth seeing because the level that Cage performs at here, must be seen to be believed.
At the end of the day, the movie feels like cocaine that somehow became sentient and then sniffed itself.
Rating: 4.25/10 Pairs well with: the Ghost Rider film before it.
Also known as: Arkham, Gotham, Batman 3 (working titles), Magnus Rex (fake working title), TDKR (informal short title) Release Date: July 16th, 2012 (New York City premiere) Directed by: Christopher Nolan Written by: Jonathan Nolan, Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Matthew Modine, Ben Mendelsohn, Burn Gorman, Juno Temple, Cillian Murphy, Liam Neeson, Nestor Carbonell, Desmond Harrington, Thomas Lennon, William Devane
DC Entertainment, Legendary Entertainment, Warner Bros., 164 Minutes
“There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you’re all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.” – Selina Kyle
Where I’ve seen the first two films in this trilogy at least a dozen times each, I’ve only seen this one once: in the theater. If I’m being honest, I didn’t have much urge to see it again after my initial experience. But I’ll explain why as I roll on and review it.
I was pretty excited for this film but I also knew that it would be damn hard to top The Dark Knight or to try and replicate its greatness. Well, I wasn’t wrong. And while this isn’t a bad movie, it’s certainly the weakest of the trilogy and just falls flat when compared to the other two pictures.
To start, I was a bit perplexed when I first heard that Bane was going to be the big bad of the movie. I don’t necessarily have a problem with Bane but after following The Joker and Two-Face, I felt like the third film should’ve featured more of the old school villains, as opposed to bringing in a more modern one that is kind of boring by comparison. I mean, a Christopher Nolan movie featuring The Riddler, The Penguin or hell, even The Mad Hatter, could’ve been really intriguing.
What we got instead was pretty much a rehash of the threat and the plot of the first movie: Batman Begins. In fact, in this film, Bane is even tied to the same villainous organization of that film. We also get a curveball where we find out he really isn’t the big bad but that just kind of makes the overall story even more redundant.
I guess I understand why Nolan chose Bane, as he wanted to try and keep his Batman films grounded in reality as much as one can with a comic book property but seeing a secret Illuminati-type group descend upon Gotham City with the hopes of using a superweapon to destroy it is derivative of the director’s own work.
Now we do get Catwoman in the film but she is written to be the most sterile and boring version of the character I’ve ever seen. Sure, Anne Hathaway is stunning but for whatever reason, Catwoman just doesn’t feel sexy or believable as someone that can ensnare Bruce Wayne/Batman. She just isn’t interesting and it’s hard to imagine her as someone that could pull Bruce’s heart out of the pain it still feels, eight years after the death of Rachel.
Hell, Bruce’s little romantic moments with Miranda/Talia seem more genuine and their relationship isn’t supposed to be the one the audience is pulling for even before the big plot twist reveals itself.
The film’s overall story is trying to be as good of a thriller as the previous two. It just isn’t and that’s the real issue with it. While I do want to see the heroes beat the baddies and win out in the end, the film just comes off as repetitive and dull. It feels like a weak copy of the first two pictures with a much slower pace and a broken back side quest that slows the movie to a halt. I just can’t get as into it as I did the other movies.
Now I get that “breaking the Bat” and dropping him into a hole was about building him back up to make him stronger and that we needed to get him out of Gotham so that Bane could grow his power but it’s a half-assed recreation of the Knightfall plot. This story also only seems to borrow from it because it was Bane’s most iconic moment and biggest temporary victory in the comics. And with Batman overcoming his incredible injury and then climbing out of a hole deemed “impossible” to escape, it all kind of wrecks Nolan’s strive for realism. You can’t simply punch a popped disc back into someone’s spine.
I also hated the film’s ending but I think I’m done harping on the negatives, as I probably sound like I dislike this quite a bit, when I actually don’t.
The film is well-acted and that’s what really makes this work where it does.
I really dug Tom Hardy as Bane, even if his voice has become a social meme. I also just loved seeing the regular cast get back together for one more adventure. Bale, Caine, Freeman and Oldman are all so great in these roles and I loved the final act of the film where we get to see Oldman’s Commissioner Gordon get very involved. My only complaint about Caine’s Alfred is I didn’t like how Bruce pushed him away and left him without much to do in the second half of the film.
Additionally, I really enjoyed Marion Cotillard as the character who would reveal herself as Talia al Ghul. I only wish that we would have gotten to see her be more of a badass but her big reveal comes at the end of the movie and she’s not around much longer after that. Not having a Talia versus Selina fight was a missed opportunity.
The film also boasts great cinematography but why would anyone expect any less from Nolan at this point? I liked the brighter look of the town, especially in the third act, and how a lot of the film happens in daylight.
The final act, which sees Batman and the GCPD bring the fight to the League of Shadows in the streets was superb and chilling. Watching Batman and the cops take it to the villainous terrorists head-on was incredible and the best moment in the film. Watching Batman and Bane fight in a sea of people was also damn spectacular.
All in all, this is still one of the greatest superhero movies ever made. It just happens to be the worst of its trilogy and if I’m being honest, it felt like Christopher Nolan and the writers were just tired and wanted to move on to the next phase of their lives.
However, even if someone else would have to step in and do it, I’d rather see this film series continue, as opposed to seeing Warner Bros. keep trying to reboot Batman. Just let Nolan produce and pick the best creative team to help build off of his vision. I mean, a Joseph Gordon-Levitt Nightwing movie in this cinematic universe would certainly get my money.
Rating: 8.25/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Also known as: Batman Begins 2 (working title), Rory’s First Kiss, Winter Green (fake working titles) Release Date: July 14th, 2008 (Buenos Aires & New York City premieres) Directed by: Christopher Nolan Written by: Jonathan Nolan, Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer, James Newton Howard Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Heath Ledger, Aaron Eckhart, Maggie Gyllenhaal, Cillian Murphy, Nestor Carbonell, Eric Roberts, Anthony Michael Hall, Ritchie Coster, Michael Jai White, Colin McFarlane, Tom “Tiny” Lister, William Fichtner, David Dastmalchian
DC Comics, Syncopy, Legendary Entertainment, Warner Bros., 152 Minutes
“Don’t talk like one of them. You’re not! Even if you’d like to be. To them, you’re just a freak, like me! They need you right now, but when they don’t, they’ll cast you out, like a leper! You see, their morals, their code, it’s a bad joke. Dropped at the first sign of trouble. They’re only as good as the world allows them to be. I’ll show you. When the chips are down, these… these civilized people, they’ll eat each other. See, I’m not a monster. I’m just ahead of the curve.” – The Joker
I was a bit apprehensive about revisiting this for the first time in a long time. The reason being, is that I remembered it as being perfect and it was the movie I saw in the theater more times than any other. But with so much time passing, I had worried that my take on it now could have soured a bit.
I’m glad to say that it didn’t, as this is still a masterpiece of crime fiction and social commentary.
As far as superhero films go, I still think that this is the greatest one ever made. I think a lot of that has to do with the realistic approach of the film and just how real and plausible it comes across even though it features a man in a bat costume and a criminal in clown makeup. Not to mention a guy with half his face burnt off and some wonky sci-fi gadgets like the incredibly high-tech sonar surveillance computer.
This is a film where just about everything went right. It was a perfect storm of great writing, great direction, great acting, stellar cinematography and an incredible musical score.
It was well balanced between action and drama and even with its somewhat lengthy running time, there isn’t a wasted moment in the film. Every scene has meaning and every scene does exactly what it needs to without dilly dallying and slowing the pacing down. At the same time, the timing is impeccable and this film perfectly creates tension when it needs to. The whole film is about escalation and the final product is a perfectly curated example of that.
It’s sad and tragic that Heath Ledger died before this was released. It would’ve been cool for him to have seen the final product and to have enjoyed the fanfare and praise his performance as The Joker got. It’s hands down one of the best performances of that decade and even though his death gave the role an added level of mystique and importance, it stands on its own as one of the greatest villain portrayals in motion picture history.
Additionally, I also really liked Ledger’s version of The Joker, as he kind of did his own thing with the character and it forced Nolan to kind of portray the character differently than what was originally intended. And while it might not be a perfect adaptation of the comic book Joker, which no film has done thus far, it kind of exists as its own, great thing and it added so much to this already stellar trilogy.
My only real complaint about the film was how growl-y Bale’s Batman voice was. I much preferred his voice in Batman Begins and I think most people did, as well. I’m not the only person to point this out and in fact, it sort of became a social meme after the movie’s release.
That being said, the Batman voice doesn’t wreck the film and I still think it’s a damn near perfect movie that transcended the superhero genre, forever changed it and hasn’t yet been eclipsed regardless of some of the superb comic book movies that have been released since.
Rating: 10/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Also known as: Batman 5 (working title), Batman: Intimidation (script title), The Intimidation Game (fake working title) Release Date: May 31st, 2005 (Tokyo premiere) Directed by: Christopher Nolan Written by: Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer, James Newton Howard Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Liam Neeson, Katie Holmes, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe, Mark Boone Junior, Jack Gleeson
DC Comics, Syncopy, Warner Bros., 140 Minutes
“But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just… poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.” – Henri Ducard
When this first came out on DVD, I watched it almost weekly for a few years. I loved this film and to me, at least at the time, it was the greatest Batman film ever made. Hell, before the DVD release, I think I saw this at least three times in the theater.
I would end up liking The Dark Knight even more but the Nolan trilogy started with this film and it was a great introduction to his more serious and realistic Batman film series.
In retrospect now, I like the 1989 Batman slightly better but it’s magic was undone by the later films that followed and even though it took eight years, Batman Begins was the cinematic reboot that we needed after the Schumacher Batman pictures.
This film is so good, as are the ones that follow, that I’ve kind of accepted that no one will ever make a Batman film series as great. Frankly, these are the best films that Christopher Nolan has made and while the first film in a trilogy can often times feel like a practice run, this one is fairly close to perfect.
My only real gripe about it is that the pacing feels a bit disjointed at times. But there is also a lot of story and a lot of characters to balance here. I think that Nolan got much better with that in the next film. These aren’t things that break the film in any way but if I can’t give this a perfect score, I feel that I should explain why.
This is still energetic and every scene feels necessary. But it also feels like so much was wedged into it that it could’ve actually benefited from an extra 20-30 minutes. And that’s not something I’m usually a fan of, as I love 90 minute running times and this picture is already well over two hours. But when a film is this good, I never seem to mind that it requires more of my time.
Nolan got the best possible performances out of all of the actors involved and everyone in this is absolutely perfect. This was well cast and even Katie Holmes, who was replaced in the sequel, pulled off the best performance of her career. Normally, I wouldn’t put her at the same level as everyone else in this movie but she held her own and I was disappointed that she was recast in The Dark Knight.
In closing, this is a stellar motion picture where everything just works in the right way from the direction, cinematography, acting, the musical score by Hans Zimmer and the great character development.
Rating: 9.5/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Also known as: Terminator 6, T6 (informal alternative titles) Release Date: October 23rd, 2019 (Belgium, Switzerland, France, UK, Ireland) Directed by: Tim Miller Written by: David Goyer, Justin Rhodes, Billy Ray, James Cameron, Charles H. Eglee, Josh Friedman Music by: Tom Holkenborg Cast: Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta, Edward Furlong, Earl Boen (archive footage)
Skydance Media, Paramount Pictures, Twentieth Century Fox, 128 Minutes
“I won’t be back.” – T-800
I hope the above quote from the T-800 actually rings true because this franchise has exhausted itself beyond repair.
Granted, it could go away for a few decades and try and reboot itself but chances are, Schwarzenegger won’t be around and he’ll be way, waaay too old. And frankly, without him, I don’t care about this franchise. Although, I did like the television show and if something came along and built off of that, we may have something. But I just don’t think that’s remotely possible anymore.
Like all the other sequels after Terminator 2: Judgment Day, fans wanted a nice hot, lobster bisque from a top notch restaurant but instead, were served a cold can of Campbell’s pea soup with a fork instead of a spoon.
This movie was a waste of the talent it had in it. Linda Hamilton came back for this bathtub fart, Schwarzenegger looked bored and Mackenzie Davis is capable of so much more than being a dry, boring, nearly lifeless half human/half machine. I think they totally forgot that she was half human and just told her to be a robot.
The film also shits on the legacy of the first two movies more than any other film in the franchise. It just straight up murders a young John Connor in the opening scene and if that doesn’t infuriate you, you’re not a fan.
That being said, if that had happened and was done to provide the viewer with something unique, compelling and with a real purpose, I could’ve lived with it. Instead, we got a soulless romp full of “girl power” nonsense that completely didn’t work because in the very end, the girls still needed the man to finish the job. I’m not trying to be a dick, here, but it’s hard not to be when the filmmakers do something so heavy handed yet so passé and just fuck it up in the end, anyway.
Linda Hamilton is one of the O.G. female badasses and it’s like the filmmakers forgot that shit and thought that they were giving us something knew and refreshing having female leads shoot guns and blow crap up.
As for the positives, I did like how Schwarzenegger’s Terminator character evolved and lived a normal life, developing human characteristics.
I also thought that some of the action was decent. Not great, but certainly passable by late 2010s standards. Unfortunately, those standards are grossly below the bar set by the first two movies in this franchise, three and four decades ago.
I also liked the villain Terminator and thought that he was a natural next step in killer robot evolution, unlike the robot from T3, which was overpowered beyond belief.
But that’s really about it for stuff I liked. I mean, it was neat seeing Hamilton and Schwarzenegger together again but unfortunately, that long overdue reunion was overshadowed by a movie without heart, soul or a point.
Rating: 5/10 Pairs well with: the other underwhelming Terminator sequels after T2.
Release Date: October 26th, 2007 Directed by: Barry Gray Written by: Barry Gray Music by: Don MacDonald Cast: Uwe Boll, John Carpenter, David S. Goyer, Corey Haim, John Landis, Kristanna Loken, Leonard Maltin, Cheech Marin, Greg Nicotero, Joel Schumacher, Stephen Sommers, Stuart Townsend, Stan Winston, Len Wiseman, Marv Wolfman
Insight Film Studios, Vamp Productions, 56 Minutes
This has been in my Starz queue for a long ass time, so I figured I’d give it a watch to clear out some of the stuff that’s been there for too long.
Overall, this was a pretty boring documentary with a lot of talking head interviews edited together pretty sloppily.
There didn’t seem to be a clear direction or objective about this short documentary other than having a bunch of actors and directors talking about vampire films they’ve been apart of.
Frankly, this felt random as hell and features a slew of films that no one cared about when they came out and certainly don’t care about now. While they talk about some solid films like Lost Boys, From Dusk Till Dawn and Vampires, they also spend a lot of time talking about shit movies like Van Helsing, BloodRayne and Queen of the Damned.
I wouldn’t call this informative or entertaining. It’s a pointless, shitty production that only barely scratches the surface on the history of vampire cinema and would rather showcase Uwe Boll and Stephen Sommers rambling about their atrocious movies.
Rating: 3.5/10 Pairs well with: sniffing hobo farts.
Also known as: Blade III (working title) Release Date: December 7th, 2004 (Hollywood premiere) Directed by: David S. Goyer Written by: David S. Goyer Based on:Blade by Marv Wolfman, Gene Colan Music by: Ramin Djawadi, Rza Cast: Wesley Snipes, Kris Kristofferson, Jessica Biel, Ryan Reynolds, Parker Posey, Dominic Purcell, Triple H, Natasha Lyonne, John Michael Higgins, James Remar, Patton Oswalt, Christopher Heyerdahl
Marvel Enterprises, Shawn Danielle Productions Ltd., Amen Ra Films, Imaginary Forces, New Line Cinema, 112 Minutes
“[licking one of Hannibal’s wounds] You’re tasting a little bland, lover. Are you getting enough fatty acids in your diet? Have you tried lake trout? Mackerel?” – Danica Talos, “How about you take a sugar-frosted fuck off the end of my dick?” – Hannibal King, “And how about everyone here not saying the word “dick” anymore? It provokes my envy.” – Danica Talos
Well, revisiting Blade II wasn’t fun but at least this one was a bit better, in my opinion, even if the consensus doesn’t agree with me.
But let’s be honest, this is also pretty much a total turkey unworthy of being a sequel to the first film.
What’s kind of baffling is that this installment has the best cast out of all three films. I mean, there is a lot of talent on the roster but what we got was a movie that has given most of these actors something to scrub off of their resume.
For instance, Parker Posey is a dynamite actress. In fact, she may be mostly known as an indie darling but she’s one of the best actresses of the past twenty-five years. She has range, she delivers and it’s hard to think of anything else that sees her performance be anywhere near as cringe as it is here. But I don’t blame Posey, I blame the atrocious script and poor direction of David S. Goyer.
So speaking on that, I have to point out how bad the dialogue is in this picture. It’s heinously bad. So bad, in fact, that it almost makes the dialogue in the first Blade come off as Shakespearean. It’s worse than the dialogue in Blade II, which was also shit. But I guess it’s kind of surprising, considering that Goyer wrote all three films. But maybe it’s worse here because he took over the directing duties and thus, didn’t have a more talented director that was able to work around terribly written lines and find a way to salvage them. Maybe Goyer kept a tighter leash on his actors than Guillermo del Toro or Stephen Norrington.
I mean, even Ryan Reynolds who is one of the most charming and funny actors of his generation, stumbled through his clunky and unfunny lines, trying to make them work but failing at delivering anything other than unfunny edgy boi humor that sounds like it was written by a middle schooler trying so hard to impress his older brother’s high school friends.
Don’t even get me started on Triple H’s performance but regardless of how convincing he is as a wrestler, his heel game is weak as hell here and I actually had to subtract some cool points from him when I saw this in 2004.
This chapter also lacks a real story and it isn’t even sure which character it wants to make the big bad of the movie. Dominic Purcell plays Drake, who is really just Dracula, but he comes off as the lamest Dracula in the last twenty years of film history. But Purcell is another guy that’s cool and pretty capable of putting in a good performance if given the right direction.
Ultimately, this is a film entirely bogged down by poor performances, bad writing and sloppy direction.
However, the story is better and more clever than the previous film. This had elements that could have saved it and turned this into something great. The opening in the desert and then the first action sequence were all well done and set the stage for what could have been a really solid picture but everything becomes a mess after that.
I also liked the idea of Blade finding a team to work with but the film fucks all that up by having Limp Bizkit Dracula killing just about all of them off except for Ryan Reynolds and Jessica Biel.
Now I really liked Biel in this, even if fighting vampires while jiving to your iPod seems incredibly careless. She gives a better performance than this weak script should have allowed and maybe Goyer was more lenient on letting her alter her performance, as she’s pretty hot and this was only the second time he directed.
Other great performers were all pretty much wasted and were forgettable. In fact, I forgot that James Remar, John Michael Higgins, Christopher Heyerdahl, Patton Oswalt and Natasha Lyonne were even in this.
In the end, this had the ability to be something much better but it suffered for all the reasons I’ve already bitched about. I liked that this wasn’t over stylized like del Toro’s Blade II and that it had a more interesting story that put Blade up against Dracula but the film’s execution snuffed out the possibility of something solid.
And while it seems as if I’m bashing Goyer, he would improve. But his best work has always come when he’s worked under a much more talented director than himself. Christopher Nolan, for instance. But he’s still put out some shitty scripts and unfortunately, the shit outweighs the gold.
Rating: 6/10 Pairs well with: the other Blade movies.
Also known as: Blade 2: Bloodlust (working title) Release Date: March 21st, 2002 (premiere) Directed by: Guillermo del Toro Written by: David S. Goyer Based on:Blade by Marv Wolfman, Gene Colan Music by: Marco Beltrami Cast: Wesley Snipes, Kris Kristofferson, Ron Perlman, Leonor Varela, Norman Reedus, Luke Goss, Danny John-Jules, Donnie Yen, Matt Schulze
Marvel Enterprises, Amen Ra Films, Imaginary Forces, New Line Cinema, 117 Minutes
“They tortured me almost to death, and then let me heal in a vat of blood so they could go at it again. Sorry sons of bitches could’ve at least fixed my damn leg while they were at it.” – Whistler
I think I liked Blade II when I saw it in theaters, which was the last time I saw it. However, seeing it with 2019 eyes, this thing is a total failure when compared to the solidness of the first picture.
Guillermo del Toro directed this, which means something to a lot of people, but if I’m being honest, del Toro rarely wows me. I don’t know why. I like his style to a point but I think he’s a severely over hyped filmmaker and his faults are really apparent in this movie.
The first movie in this franchise had superb character development and world building. This just takes all of that and makes it darker for the sake of making it darker and it adds in so much of del Toro’s narrative and visual tropes that its a flat movie with flat, predictable characters that act more like caricatures than real people. Blade II is a perfect example of style over substance.
This also has a new vampire threat that is very del Toro-esque and while these new, more dangerous vampires should be scary, they’re just kind of weird and go so far outside of what a typical vampire is that they feel like a different type of monster altogether. That’s not necessarily a bad thing but I just don’t like these creatures and they seem pretty generic and lame. Plus, they all basically look the same, which is just shirtless, bald and pale things. If I’m being honest, it’s as if del Toro is trying to channel some of the visual cues from Dark City‘s baddies while adding in a bit more fright factor with their jaws splitting open and revealing vampire vagina faces like the aliens from the Predator franchise.
While there are several actors I like in this beyond Snipes and Kristofferson, all of them are poorly used. Ron Perlman is underwhelming, Norman Reedus is annoying, Donnie Yen is wasted and Danny John-Jules feels like a watered down and less fabulous version of his most famous character, the Cat from Red Dwarf.
I didn’t like the bad guys, I didn’t like the plot twists that one can see from ten miles away and there was nothing here that justifies the need for a sequel.
I’m trying to think of one scene or sequence that stands out in the movie and I’ve got nothing. This is just an almost two-hour music video full of late ’90s techno and industrial scene cliches. And the whole shebang is derivative as fuck.
Rating: 5.25/10 Pairs well with: the other Blade movies.