Release Date: December 19th, 1971 (New York City premiere)
Directed by: Stanley Kubrick
Written by: Stanley Kubrick
Based on: A Clockwork Orange by Anthony Burgess
Music by: Wendy Carlos
Cast: Malcolm McDowell, Patrick Magee, Adrienne Corri, Miriam Karlin, Michael Bates, Warren Clark, Clive Francis, Michael Gover, James Marcus, Aubrey Morris, Godfrey Quigley, Sheila Raynor, Philip Stone, Madge Ryan, Anthony Sharp, Michael Tarn, David Prowse, Steven Berkoff, Paul Farrell
Polaris Productions, Hawk Films, Warner Bros., 136 Minutes
“It’s funny how the colors of the real world only seem really real when you viddy them on the screen.” – Alex
As of this review, Stanley Kubrick is the one director that I have awarded four 10 out of 10 ratings to. He is my favorite director of all-time, as he’s just able to captivate me like no one else. Granted, Orson Welles, Sergio Leone and Akira Kurosawa are pretty damn close too and I often times debate which director truly takes the cake but I always come back to Kubrick. But hey, at least I know who’s on my Mount Rushmore of film directors.
Similar to my mental debate over directors, I often times ponder which of Kubrick’s films between this one, 2001 and The Shining are my favorite. The answer is usually the most recent one that I’ve watched but it seems like A Clockwork Orange tends to rise to the top more often than the other two.
While all three films are masterpieces, as is Kubrick’s Dr. Strangelove, this one seems to resonate with me the most.
This may be the most perfectly cast film from top-to-bottom, as there isn’t a single person, regardless of the size of their role, that hinders this film in any way. Additionally, every actor feels exactly as they should and despite recognizing many faces, you still get lost in the film and aren’t necessarily distracted by who’s in it.
As fantastical as this film’s world may seem, you are still drawn into it’s gritty, harsh realness while also admiring its surreal and sometimes opulent environment. It’s a film with a lot of visual and narrative contrast but in both regards these things feel like perfect marriages and perfectly balanced.
Beyond that, this is, by far, one of the most mesmerizing and impressive films ever shot. Kubrick uses a lot of his stylistic tropes to great effect.
Furthermore, out of all the novels and stories that Kubrick has adapted, this one is the closest to its source material. In fact, nothing has really changed and there are just a few things omitted, probably due to running time and also because Kubrick was given the American version of the novel, which, at the time, was missing the book’s epilogue.
Comparing the book to the movie, I like both just about equally. However, for the film, I feel that the ending is perfect and that the epilogue might have taken some of the cinematic magic away, as it would have made the film’s climax less open for interpretation. For fans of this picture, I would most definitely suggest that you read the original Anthony Burgess novel if you haven’t already.
A Clockwork Orange is a terrifying, emotional and amusing film. It’s also perfect, as far as I’m concerned. They don’t make movies like this anymore and they probably never will with how the film industry has evolved, especially as of late.
Stanley Kubrick was a fucking legend. This is just one of several motion pictures that cements that.
Pairs well with: Stanley Kubrick’s other films and other great movies that feature a sort of dystopian, bleak future.