Published: March 3rd, 2009 Written by: Robin Snyder Art by: Dave Gibbons
DC Comics, 157 Pages
I always thought that the Hal Jordan Green Lantern was cool. However, I never really started reading his stories until the Geoff Johns era and a lot of that had to do with the art by Ethan Van Sciver, which popped off of the shelves when I walked into a comic book shop for the first time in a decade in the mid-’00s.
Through that era of Green Lantern titles, I grew to love several characters and the rich mythos of that pocket of the larger DC Comics universe.
In the years since, I like going way back and reading some of the earlier stuff to get a grasp on the more classic stories. This collection is one of those, as it features stories originally published in the early ’80s.
This collection has one primary story that takes up about the first half of the book. It features Hal Jordan and other Green Lanterns as they face off against villains Krona and Nekron. In fact, this story is the first appearance of Nekron, who would grow into a fairly prominent villain over the years.
The second half of the book features short stories of what appears to be random Lanterns. It’s a collection of both origin stories and quick adventures for a plethora of Lanterns. Some of it is cool and really imaginative but not all of them really connected for me.
Still, as a more modern Green Lantern fan, this was cool to read. Plus, it features tremendous art by the great Dave Gibbons, one of my favorite comic book artists of all-time.
Rating: 6.25/10 Pairs well with: other old school Green Lantern stories.
From For the Love of Comics’ YouTube description: A look at, and inside, Watchmen Noir – DC Comics’ special hardcover, enlarged, and black-and-white edition of Alan Moore and Dave Gibbons’ classic comic. Comprising a look at the physical copy, as well as some analysis and opinions on the edition.
Published: September, 1986 – October, 1987 Written by: Alan Moore Art by: Dave Gibbons
DC Comics, 415 Pages
After recently reading through all of the Before Watchmen stuff, I thought that I should give the original comic a re-read. It’s been a long time and even if I know the story inside and out, it’s always a good comic to revisit every couple of years.
Plus, I wanted it to be fresh in my mind before delving into the Doomsday Clock maxiseries that is finally close to finishing. Additionally, there is that HBO Watchmen TV series that starts pretty soon and even though I’m highly skeptical of it, I want to give it a fair shot.
While I do think that Watchmen is pretty close to being a masterpiece, it isn’t a perfect comic book despite what the hype says.
I love the story, the art, the characters and it really is close to being a perfect marriage between the writing of Alan Moore and the astounding art by Dave Gibbons. It is a neo-noir fan’s dream come true on paper.
However, sometimes I feel like it gets bogged down by its wordiness. Plus, even though the narrative flows along at a good pace and multiple character arcs are well balanced, it doesn’t do a great job of keeping your mind on the mystery that opens the big story. Sure, you reach a resolution and all becomes clear but what starts out as the main narrative, takes a back seat in most of the comic’s twelve issues.
I guess it works absolutely fine if that’s not your primary reason for reading the book. I’m also fine with nontraditional forms of storytelling but the opening is so good, presents a good mystery and then sort of just touches on it from time to time. My main issue with it is that by the time the pieces fall into place, the big reveal doesn’t have much impact.
This is an ensemble piece though and with that the book does each and every character justice. So Watchmen‘s pros certainly outshine it’s very few cons. Plus, Moore does a superb job at creating such a rich and lived in world in only twelve issues. By the time one is done with this book, you have a very intimate understanding of this universe. And its overall effect has been so strong that this book maintained its legions of loyal fans over several decades without any sort of follow up.
Granted, there have now been prequels, sequels, a movie and a television show. But for a very long time, this was all that existed under the Watchmen brand.
Watchmen‘s legacy can’t be denied. This is a piece of stellar work that will still touch people years after we’re all dead. It is a comic book but it is also one of the greatest pieces of literature from the 1980s.
Rating: 9.25/10 Pairs well with: Alan Moore’s V for Vendetta and Mike W. Barr’s Camelot 3000, as well as the Before Watchmen stuff and Doomsday Clock.
Release Date: July 21st, 2009 Directed by: Eric Matthies Cast: Malin Åkerman, Billy Crudup, Carla Gugino, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Zack Snyder, Gerard Way, Dave Gibbons, Len Wein
Eric Matthies Productions, Warner Bros., 29 Minutes
I believe that this was originally included on the DVD release of Watchmen back in 2009 but I never owned the original DVD so I’m not sure.
This documentary is very tied to the movie, however, as most of the interviews are with the actors from the film, as well as its director, Zack Snyder. But we also get to hear from some comic book personalities, such as Watchmen artist Dave Gibbons, as well as Len Wein and Gerard Way.
Cast aside, this is not a documentary about the film adaptation, it is about the original comic book, which many consider to be one of the all-time masterpieces in comic book history. Carla Gugino even refers to this as the Citizen Kane of the comic book medium. She might not be wrong there and frankly, I’ve found few people that weren’t moved by Watchmen in some way.
This is a shorter documentary than it should be, as this great work deserves to be explored for more than 29 minutes. But still, it is informative and really gets into the messages within it, its philosophy, its style, the art and its cultural impact.
I’m not sure if there is a longer and more comprehensive documentary on the Watchmen comic but this is fairly satisfactory until one eventually gets made. Maybe HBO will do it, as they are now coming out with a Watchmen TV show.
If you love the comic, which you should, this is definitely worth a watch.
Rating: 7.25/10 Pairs well with: the 2009 Watchmen movie and other recent comic book documentaries.
Release Date: February 23rd, 2009 (London premiere) Directed by: Zack Snyder Written by: David Hayter, Alex Tse Based on:Watchmen by Dave Gibbons, Alan Moore (uncredited) Music by: Tyler Bates Cast: Malin Åkerman, Billy Crudup, Matthew Goode, Carla Gugino, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Stephen McHattie, Matt Frewer
Warner Bros. Pictures, Paramount Pictures, Legendary Pictures, Lawrence Gordon Productions, 162 Minutes, 186 Minutes (Director’s Cut), 215 Minutes (Ultimate Cut)
“None of you seem to understand. I’m not locked in here with you. You’re locked in here with me!” – Rorschach
When Watchmen first came out, I was super excited just based off of the trailer alone and having just come off the greatness that was Christopher Nolan’s The Dark Knight. However, once seeing the film, I was pretty disappointed. Because of that, I never watched it again until now, ten years later, shy of two months.
I really wanted to give this another shot but if I was going to watch it, it had to be the Ultimate Cut. I needed to see the director’s complete vision and adaptation of the comic, which I have loved since first picking it up in the early ’90s.
I don’t know if it’s because I finally watched the Ultimate Cut or because all those years ago, I saw this three hour epic at a midnight showing and grew dead tired but this was not the same experience. This was something much greater and even closer to what Alan Moore and Dave Gibbons’ great comic was supposed to be. I’ve been hard on Zack Snyder before and while this isn’t perfection, it’s still a stupendous adaptation that hits the right notes narrative wise and tonally.
I think that one major issue I had with it initially, is that it is almost a panel to shot recreation of the comic. I thought that it should have taken a bit more creative license but seeing the complete version, I’m glad that they didn’t and my initial assessment was wrong.
It’s been so long since I saw the theatrical version, so it’s hard for me to tell what wasn’t in that one and what was added to this version but the most notable addition is the inclusion of the animated bits, which tell the story of The Black Freighter, which had its story sprinkled throughout the original comic. The movie felt like it was missing that in the original version and the way that they use it here is really cool. Also, the animation was incredible and also matched the tone of the comic quite well.
The only big difference between this and the comic is the omission of the giant kaiju monster that wrecked New York City. It’s replaced here with a more realistic threat but I felt like the kaiju thing was always really cool and I feel like it would have worked in the film. But it’s exclusion doesn’t really hurt the movie. I’m just baffled as to why it was changed when everything else is so damn close to the source material. Plus, kaiju make everything better.
I thought that the acting in the film was exceptional and as great as it is, there are two people who really stole the show: Jackie Earle Haley as Rorschach and Jeffrey Dean Morgan as the Comedian. These two guys had an incredible presence when they were on the screen. This was also the first time I noticed Morgan and I’m glad to see him carve out a fine career since this picture.
Malin Åkerman and Patrick Wilson carry the bulk of the acting duties, as the story seems to feature them the most, even though it balances all these characters very well. I thought both of them put in solid performances. But I can’t really knock anyone in the movie for not carrying their weight and doing the source material justice.
This was and still is the greatest thing that Zack Snyder has ever directed. I’m not trying to knock his more recent work but I feel like he’s always trying to recapture the lightning in a bottle that he had here and it just isn’t working on the same level for him.
The Ultimate Cut is very long, almost four hours. However, it moves swiftly and a lot of ground is covered in that time. As I get older, I don’t have the attention span to sit and watch long movies like this in one sitting but the length didn’t bother me here. I was glued to the screen and sucked into this universe.
I’m glad that I finally got to revisit Watchmen and that I went with the Ultimate Cut. This should be the version that everyone watches and the only one that exists.
Rating: 9.5/10 Pairs well with: it’s pretty damn unique but I guess if you needed to pair it with something, Blade Runner or The Dark Knight.
Release Date: September 21st, 2014 (Fantastic Fest) Directed by: Paul Goodwin Cast: Neil Gaiman, Grant Morrison, Dan Abnett, Brian Bolland, Carlos Ezquerra, Alex Garland, Dave Gibbons, Scott Ian, Karl Urban, Nacho Vigalondo, various
Deviant Films, 110 Minutes
I don’t know if I’m just burnt out on these type of documentaries but this one didn’t keep my attention.
Reason being, it didn’t tell a story, really. It did go through the history of 2000 A.D. but everything was done in a heavily edited interview format. There was no narration and this felt kind of disorganized.
Being an American and not as familiar with this comic as someone from the UK, I was hoping for a good, comprehensive history on this. It probably works well for UK fans but Stateside I felt like it missed the mark.
Granted, it was cool seeing a bunch of creators, whose work I love, talking about 2000 A.D. with a lot of passion. I liked seeing the bits on Judge Dread and the stufff involving Neil Gaiman and Grant Morrison. Their two cents are always worth the price of admission when it comes to talking about comics of the past.
Still, even though this was full of people I wanted to hear from, it was quite long for what this needed to be and for how it was presented.
Maybe get some narration, organize the sections a bit better and tell a more cohesive story.
Rating: 5.75/10 Pairs well with: other comic book documentaries of the last few years.