After the Attitude Era, WWE gave us the Ruthless Aggression Era. It’s never been considered as popular but it seems like some people have gotten nostalgic about it in recent years. Maybe that’s because the WWE has evolved into a pretty shitty product since the advent of the PG Era and has never really recovered. I’d say that has more to do with lack of real competition and Vince McMahon losing touch with pop culture, as he gets older, but still won’t give some control to other people who might steer the ship better.
That being said, I’m honestly not a big fan of the Ruthless Aggression Era, as it really started to be where my interest in WWE began its decline. That’s not a knock against guys like John Cena, Randy Orton, Brock Lesnar or Dave Bautista, it just is what it is because even if these guys are great, they just didn’t have the same sort of electricity as The Rock, Steve Austin, Mick Foley, Shawn Michaels, Chris Jericho or even Triple H.
I still wanted to check out this weekly documentary series, however, because I typically dig stuff like this regardless of the era it features. Mainly, I like the wrestling business and industry, which is why I can actually stomach things like Total Divas in small doses.
For the most part, this is entertaining television but it does the same crap that most WWE produced pieces about WWE do: it tells a revisionist history because McMahon is always trying to control whatever narrative comes out of his company and he underestimates the intelligence of his longtime viewers and thinks that they don’t remember certain details.
I guess for modern fans who didn’t live through this era, this might come across as compelling, solid, documentary television. It’s certainly well produced, well edited and presented like a top notch production on par with some of the stuff ESPN puts out but it feels like WWE is trying to write a more colorful and interesting history than what reality actually is.
The Ruthless Aggression Era was a step down from the Attitude Era but it appears as if WWE wants to convince its modern audience that it saved a company in decline.
Rating: 6.75/10 Pairs well with: other WWE documentary television series.
Release Date: April 22nd, 2019 (Los Angeles premiere) Directed by: Anthony Russo, Joe Russo Written by: Christopher Markus, Stephen McFeely Based on:The Avengers by Stan Lee, Jack Kirby Music by: Alan Silvestri Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown
Marvel Studios, Walt Disney Studios, 181 Minutes
“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos
*There be spoilers here! But I kept it as minimal as possible.
Here we are… the end.
Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.
But anyway, how was this film? The big, badass finale to a 22 movie franchise?
It was good but it wasn’t anything close to stellar.
My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.
Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.
The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.
I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.
Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.
Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.
Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.
Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.
Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.
Rating: 7.75/10 Pairs well with: Everything in the MCU before this film, as it all leads up to this one.
Release Date: April 23rd, 2018 (Los Angeles premiere) Directed by: Anthony Russo, Joe Russo Written by: Christopher Markus, Stephen McFeely Based on:The Avengers by Stan Lee, Jack Kirby Music by: Alan Silvestri Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Idris Elba, Peter Dinklage, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio del Toro, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand
Marvel Studios, Walt Disney Studios, 149 Minutes
“In time, you will know what it’s like to lose. To feel so desperately that you’re right. Yet to fail all the same. Dread it. Run from it. Destiny still arrives. ” – Thanos
*There be spoilers here! But I kept it as minimal as possible.
Well, this film has been ten years in the making, as it is the culmination of everything that has happened in the Marvel Cinematic Universe since Iron Man hit theaters in May of 2008. Ten years and eighteen films later, all the carefully crafted moving parts come together to create a unified front against the greatest cinematic Marvel villain of them all, Thanos.
So cramming in all these characters is a tremendous feat. And really, I think everyone’s biggest concern was how that would work. Despite my concerns and fears, I haven’t anxiously anticipated the release of a film as strongly as this one since 2008’s The Dark Knight.
But having now seen it, I finally know whether or not the Russos succeeded in successfully conquering such a tremendous feat. So did they succeed?
To quote Stone Cold Steve Austin, “Oh… Hell… Yeaaah!!!”
The way that the Russos balanced everything was incredible. It’s as if they read a ton of major comic book crossover events in preparation for this incredible task and they sort of took their cue from them.
What I mean by that is that this film handles itself like a well written crossover mega event in the comics. It segments the heroes into different groups on different missions, all fighting for the same endgame. It’s like when a crossover is spread over four different comic titles and when you read them in a collected format, you get a story where each chapter is an issue from a different comic. Like X-Cutioner’s Song from the early ’90s was spread over Uncanny X-Men, X-Factor, X-Men (vol. 2) and X-Force. When you read them in chronological order (or in a collected trade paperback) each issue/title focused on a specific group that was different from the previous chapter but all the stories were part of a bigger tapestry that saw everything come together. That’s exactly how Avengers: Infinity War works, which is really cool to experience in a live action format.
So you have multiple groups here: one led by Captain America that goes to Wakanda, one lead by Iron Man that goes into space, the Guardians of the Galaxy split into two groups with one of them being led by Thor and then there is Thanos’ story and he does get a lot of time to shine. In fact, he was handled better than every Marvel Cinematic Universe villain that isn’t Loki. But who knows, Thanos may still eclipse Loki when it’s all said and done.
This was a pretty long movie but it needed to be and unlike other Marvel movies that seem to run on for too long, there wasn’t a single moment where I looked at my watch or felt antsy like I needed them to wrap it up. In fact, when I got to the end, I felt like I had finally exhaled and I couldn’t get up out of my seat, there was a lot of amazing stuff to process and I sat there with a smile, completely and utterly impressed with how this turned out.
It’s obvious that the special effects are good and some of the most impressive ever created. Marvel never disappoints in that regard.
One thing that really stood out for me much more than it ever has in any other Marvel picture was the score. This film has a very good and memorable smorgasbord of booming orchestral tunes and the Avengers theme was re-imagined in some creative ways. Alan Silvestri really came up with an incredible score that serviced not just this film but served the entire franchise well. There aren’t scores like there were through the ’70s, ’80s and ’90s but this one felt like a throwback to that superior era for movie music.
If I had to compare this to anything, it’s like if someone took the best parts of both The Lord of the Rings and the original Star Wars movies and then mixed them together and replaced those films heroes and villains with Marvel characters. It truly was incredible and I can be a snobby dick that’s hard to impress sometimes. I just wish the modern comic writers at Marvel would take their cue from these movies and write comics worthy of these characters once again. But as superheroes are dying in print, they are thriving on celluloid.
Simply for the fact that I haven’t felt like this after seeing a movie in the theater since The Dark Knight, ten years ago, I have to give this film a perfect score. Sure, it’s not the greatest movie ever made but it is a f’n clinic on how to do a massive team up movie and a film that is presented on a massive scale that doesn’t lose itself and keeps you very engaged. Granted, this film also benefits from having 18 movies before it, where all of these key characters, minus Thanos, were able to be developed in preparation for this Royal Rumble of a superhero movie.
Rating: 10/10 Pairs well with: Everything in the MCU before this film, as it all leads up to this one.
Release Date: October 3rd, 2017 (Dolby Theatre premiere) Directed by: Denis Villeneuve Written by: Hampton Fancher, Michael Green Based on:Do Androids Dream of Electric Sheep? by Philip K. Dick Music by: Hans Zimmer, Benjamin Wallfisch Cast: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista, Jared Leto, David Dastmalchian, Edward James Olmos, Sean Young
Alcon Entertainment, Columbia Pictures, Scott Free Productions, Torridon Films, 16:14 Entertainment, Thunderbird Entertainment, Warner Bros., 163 Minutes
“Replicants are like any other machine – they are either a benefit or a hazard. If they are a benefit, it’s not my problem.” – Rick Deckard
Here we go, I’ve been waiting for this movie since Ridley Scott first mentioned that he had an idea for a followup. This is the film I have most anticipated in 2017. So how did this sequel, thirty-five years after the original, pan out?
Well, it is mostly pretty damn good. It is also a very different film than its predecessor.
While Ridley Scott produced and was originally set to direct this, he gave the job to Denis Villeneuve, a guy who is really making a name for himself as one of the best directors in Hollywood. Between Arrival, Sicario and now this, the 50 year-old director has found his stride and may be blossoming into an auteur for the current generation.
From a visual standpoint, while Villeneuve had a hand in it, the credit really has to go to cinematographer Roger Deakins. He’s a veteran of cinema that has worked on some true classics, including twelve collaborations with the Coen brothers, three with Sam Mendes and now three with Villeneuve. Blade Runner 2049 is something Deakins should truly be proud of and it may be his magnum opus as a cinematographer. His work and vision is a clear homage to the original Blade Runner while updating it and moving it into the future. It is still a neo-noir dreamscape with a cyberpunk aesthetic. It employs the same lighting techniques as classic film-noir, as did the 1982 Blade Runner, and it brings in vibrant and breathtaking colors. This is one of the best looking films to come out of Hollywood in quite some time.
The screenplay was handled by Hampton Fancher and Michael Green. Fancher co-wrote the original movie and was partly responsible for giving life to these characters and their world. While the original Blade Runner conveys emotion in a more subtle way, by the time you see the character of Deckard in this film, thirty years later in the story, he clearly wears his emotions on his sleeve, which is a pretty welcome and refreshing change.
We also get little cameos by Edward James Olmos and Sean Young. With Olmos, we see how he has evolved and he gives insight into Deckard. Sean Young appears in order to get a reaction out of Deckard from a narrative standpoint.
Now the star of the picture is Ryan Gosling. Harrison Ford doesn’t really show up until the third act of the film. Regardless, Gosling really knocks it out of the park in this. He is one of the best actors working today and he gives a performance that is very well-balanced. Where Ford gave a pretty understated performance in the 1982 film, Gosling feels more like a real person, which is funny, considering that you know he is actually a Replicant in the beginning of the film.
The cast is rounded out by three great females: Robin Wright, Ana de Armas and Sylvia Hoeks. Wright plays Gosling’s tough as nails commanding officer. De Armas plays Gosling’s right hand, a digital maid, companion and quite possibly the real love of his life. Hoeks plays the villainous Replicant who works for the story’s main villain and is sent into the field to fulfill his hidden agenda.
The film also features small but pivotal parts for Jared Leto and Dave Bautista. Leto plays the villain of the story and is the man who bought out the Tyrell Corporation and has made an even larger company that makes a ton of products but primarily focuses on further developing Replicant technology. Bautista plays the Replicant that Gosling is looking for in the very beginning; he has major ties to the film’s overarching plot.
One thing that makes the film so alluring, apart from the visuals, is the score by Hans Zimmer and Benjamin Wallfisch. It is a departure from the style Zimmer usually employs. While it still has his touch, it is a score that is truly an artistic extension of Vangelis’ work on the original Blade Runner. It has those Zimmer flourishes in it but very much matches up with the audible essence of the first picture.
Everything about this film is pretty close to perfect, except for one thing: the pacing. While there isn’t really a dull moment in the film, it does seem to drag on longer than it needs to. Some of the details could have been whittled down. The thing I love about the first film is that it just sort of moves. While a lot doesn’t happen in it overall, it still flows, things happen and it isn’t over saturated with lots of details or plot developments. Compared to the first, this film feels over complicated. Plus, it is just so long. Maybe I’m getting old but I just don’t want to sit in a theater for three hours, unless it’s some grindhouse double feature. But I also sat through the first Blade Runner before this, as I caught this on a special double feature bill. I could have just been antsy after being in my seat for over five hours with just a quick intermission.
Blade Runner 2049 is very much its own film. It works as a sequel but it also works as a sole body of work. The fact that it doesn’t simply retread the same story as the first and instead expands on it quite a bit, is what makes this a picture that can justify its own existence. Was this sequel necessary? We were fine for thirty-five years without it. But it proved that it is more than just a Hollywood cash grab because of its brand recognition.
Few films these days are truly art; at least films from the major studios. Blade Runner 2049 is a solid piece of cinematic art. While not perfect, it’s about as close as modern Hollywood gets these days.
Release Date: April 10th, 2017 (Tokyo premiere) Directed by: James Gunn Written by: James Gunn Based on:Guardians of the Galaxy by Dan Abnett, Andy Lanning Music by: Tyler Bates Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Sean Gunn, Sylvester Stallone, Kurt Russell, David Hasselhoff, Ving Rhames, Michelle Yeoh, Michael Rosenbaum, Seth Green, Miley Cyrus (uncredited)
Marvel Studios, Walt Disney Studios, 136 Minutes
I’ve been greatly anticipating this since the first one came out three years ago. I’ve wanted to see this more than any other Marvel movie.
Unexpectedly, the first Guardians of the Galaxy gave me the experience I had hoped to get with The Phantom Menace in 1999 but found myself gravely disappointed. Guardians truly felt like the real spiritual successor to the original Star Wars trilogy.
With the sequel, a lot of critics and fans seem to be knocking it already. Some have said its “more of the same”. Well, when the first one came out it was really unique. Should the sequel not follow the same formula and style? Was the formula and style only good for one picture? Of course it is going to be similar in style and tone. All the other Marvel movies are a lot more similar to each other than the Guardians films are to the rest of them.
I’ve seen people say that this one isn’t as good as the first. Well, the first film took everyone off guard and surprised audiences. That leaves any film to follow at a disadvantage. One, you can’t surprise them in the same way twice. Two, because of lacking the ability to surprise twice, audiences won’t leave the theater feeling the same sort of awe they did the first time.
To be honest, I like Guardians of the Galaxy Vol. 2 more than its predecessor. No, it didn’t leave me in awe in the same way but I didn’t expect it to. It just enriched the mythos and built on the characters that I loved in the first movie. It gave me more meat to sink my teeth into. It also greatly expands Marvel’s cosmic universe, introducing new aliens, new threats, new worlds, new characters and new ideas.
Comic book movies are supposed to be fun, at the end of the day. Even the dark and brooding characters need to put a smile on your face. Got that DC?
Point being, Guardians of the Galaxy Vol. 2 puts a big smile on your face. I feel it does this better than the first. The first was the introduction to the universe of Guardians. This gives us something familiar and lived in but the camaraderie of the characters, their family dynamic, their comedic timing, it all just works and flows better in this movie. Plus, the group expands and everyone that comes into the fold is a pretty great and unique character, one of them new, two of them already being in the first picture.
James Gunn’s work on this feels a lot more refined. Marvel probably gave him a lot more freedom this time and he was obviously a lot more comfortable, already having one of these films under his belt.
As good as the art direction and cinematography were in the first film, in Vol. 2 they really up the ante. Visually, this thing is stunning and beautiful. While the first film is amazing to look at, everything in this one is more pristine.
The cast additions, mainly Kurt Russell and Sylvester Stallone, were brilliant.
Russell was perfect as Quill’s father Ego, the Celestial being that is literally a living planet. When I saw that Russell was cast as Ego, I wondered if he would be Ego, The Living Planet from the comics but I was not disappointed.
Stallone plays Stakar, who is Starhawk in the comics. His role is more of a slightly extended cameo but it is to set up something bigger in the future, as Marvel and James Gunn have big plans for the cosmic side of the Marvel universe.
Another cast addition was Pom Klementieff as Mantis. She was great in the role and is a welcomed new character. There seems to be a link (possibly romantic) between her and Dave Bautista’s Drax, which will probably develop into something more in the third film.
Speaking of which, Drax was just on point in this film from beginning to end. I’d love to see Bautista get more work, as he is the only professional wrestler, other than The Rock, to enter into the acting world and be successful at it.
The relationship between sisters Gamora and Nebula evolves in this chapter and we get to see some closure to their rivalry and a reminder of their hatred for their father Thanos.
Rocket and Groot are even more fantastic in this. Rocket gets more lines and gets to be a lot more bad ass. I thought the Baby Groot thing would become tiresome but Gunn doesn’t hit the audience over the head with it too much. This version of the character was well-balanced between cute and still being cool. Let Baby Groot forever be the template for characters studios think they need to appeal to kids without driving adults friggin’ bonkers.
Star-Lord’s story is focused on his relationship with Ego, his biological father, and Yondu, the man who actually raised him. There’s some serious emotional stuff here, especially in how Yondu has an interesting story arc and he feels the need to save his surrogate son from his real father. In fact, Yondu is the best thing about the movie and he actually gets an amazing sequence that sees him take on his entire mutinous gang of thugs.
The Sovereign, a major threat that is introduced in this film but meant to carry over into the next, were well designed and looked gorgeous on screen. Their world was cool, their style and personalities were quite unique and they end their story in this chapter, on the verge of unleashing a really famous and powerful Marvel cosmic character on the Guardians. We’ll have to wait till part three for that.
We also get a look at another famous cosmic race in the part where Stan Lee has his cameo. If you were a fan of the What If…? comics, you’ll probably be smiling from ear-to-ear.
In regards to characters, I did miss Glenn Close, John C. Reilly and Peter Serafinowicz of the Nova Corps. I also missed Lee Pace, even though Ronan died in the first. But that just adds to the ongoing Marvel villain problem, where they are just all one-shot throwaway baddies. I also would have liked to have seen Benecio del Toro’s The Collector. But hey, we do get a Howard the Duck cameo again. And Pac-Man is in the film… just wait and see.
Guardians of the Galaxy Vol. 2 takes all the good stuff from the first and improves and builds upon it. I would have liked more space-faring than what we got but the story and the building of relationships and making characters richer, was probably a better use of time. Regardless, there isn’t a moment where the picture isn’t exciting and doesn’t have you on your toes.
It’ll be interesting to see how this strong branch of the Marvel tree meshes with the Avengers when the two groups come together in the third Avengers film next summer. There were several Earth scenes in this film to keep audiences grounded in that reality, reminding them that this isn’t in a galaxy far away and long ago.
Personally, I’d rather just watch Guardians movies all day over the Avengers stuff but that’s because James Gunn keeps pumping out cinematic comic book masterpieces and those Avengers people just aren’t James Gunn.
Release Date: July 21st, 2014 (Dolby Theatre premiere) Directed by: James Gunn Written by: James Gunn, Nicole Perlman Based on:Guardians of the Galaxy by Dan Abnett, Andy Lanning Music by: Tyler Bates Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly, Glenn Close, Benicio del Toro, Peter Serafinowicz, Seth Green
Marvel Studios, Walt Disney Studios, 122 Minutes
*Written in 2014.
I’ve been anticipating Guardians of the Galaxy since it was announced, as I knew it would be incredibly unique and very different from all the Marvel Avengers-related films. I was right.
Out of everything that Marvel has done, this right here, is the cream of the crop. Yes, that is a bold statement and yes, I raved about Captain America: The Winter Solider but this is the magnum opus out of all their films, which started with the first Iron Man in 2008.
Director James Gunn (Slither, Super) did an insanely amazing job with this film. I’d actually like to see him direct every Marvel picture going forward but that would probably drive anyone mad as we get two-to-three of these things per year now. Also, as great as this film is, that doesn’t mean that it can be replicated over and over again. And frankly, that’s probably why this is so good, because it stands above everything Marvel has done to this point and I don’t just mean Disney’s Marvel franchise, I am including Sony – who has Spider-Man, Fox – who has X-Men and the Fantastic Four, as well as Lion’s Gate – who had Daredevil and The Punisher.
The cast in this film is pretty great and they really feel like a solid unit. Chris Pratt (Parks & Recreation, Zero Dark Thirty) is bad ass and charismatic as the group’s leader Peter Quill a.k.a. Star Lord. Then you have the girl who seems to be in every sci-fi franchise now, Zoe Saldana (Star Trek, Avatar) as Gamora. The only other human actor on the team is Drax the Destroyer, who is played by the wrestler Batista (The Man With the Iron Fists, Riddick) and contrary to what people think about wrestlers acting, Batista owns this role, is tough as shit, menacing and more often than not, hilarious. I’d rather watch a string of Drax movies than another one of those horrible Riddick films.
Bradley Cooper (Silver Linings Playbook, The Hangover) voices the coolest character, Rocket. Rocket is a talking, fighting raccoon that was created in a lab. His sidekick is a humanoid tree named Groot, who is voiced by Vin Diesel (Fast & Furious, Riddick). Both of these characters came off extraordinarily well on screen. Truthfully, when first hearing about this film, I was most concerned with how they were going to pull of a talking raccoon and a humanoid tree. What they gave us was nothing short of exceptional. If you don’t fall in love with these two characters, you have no soul.
The cast also includes Lee Pace (Halt & Catch Fire, Pushing Daisies) as Ronan the Accuser, the film’s main antagonist. Pace had a very strong and powerful presence in this film. There is also Michael Rooker (The Walking Dead, Cliffhanger) who plays Yondu, a pirate and father figure to Peter Quill. Karen Gillan (Doctor Who, Selfie) plays Nebula – Ronan’s right hand. Benecio Del Toro (Traffic, The Usual Suspects) plays the Collector, who we first saw in Thor: The Dark World. Josh Brolin (Goonies, No Country For Old Men) provided the voice and motion capture for the character of Thanos, who will become the biggest villain in Marvel’s film franchise; he was first glimpsed at in The Avengers. You also have Glenn Close, John C. Reilly, Djimon Hounsou and an actor who doesn’t get as much recognition as he should, Peter Serafinowicz. There are also cameos from Lloyd Kaufman – the top dog at Troma, Stan Lee and Nathan Fillion. Rob Zombie even voices a computer.
Moving on, the visual style of this film was mesmerizing. It was colorful yet dark and each location our heroes visited felt entirely different and unique. The action was superb, the CGI effects were beautiful and well-developed and everything just flowed pretty seamlessly. The most powerful x-factor with this film however, was how it maintained a balance between lightheartedness and seriousness. Chris Pratt, with his experience on Parks & Recreation, was the perfect guy to pull this off and he exceeded my expectations. If he doesn’t become a huge star after this, something is wrong with the world. Luckily for us, we get to see him star in Jurassic World next summer, as well as the next Guardians of the Galaxy film in 2017 (one could also assume Avengers 3 in 2018).
I’ll be honest, I haven’t had this much fun at the movies in a long time. I’ve seen better films, sure. However, this picture is a big overflowing barrel of fun and awesomeness. It is the space adventure I have always wanted since being let down again and again since Return of the Jedi blew my 4 year-old little mind. In fact, Guardians of the Galaxy is what I wanted out of The Phantom Menace 15 years ago but never got.
Oh, and if you want to see the reboot of the title character of a little Marvel related movie that George Lucas produced in 1986, stay until the end of the credits.
Release Date: October 26th, 2015 (UK) Directed by: Sam Mendes Written by: John Logan, Neal Purvis, Robert Wade, Jez Butterworth Based on: the James Bond novels by Ian Fleming Music by: Thomas Newman Cast: Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear
Metro-Goldwyn-Mayer Pictures, Columbia Pictures, 148 Minutes
*written in 2015
Well, I finally got to see Spectre. Yes, I saw it on opening night, here in the U.S., but this was one of my most anticipated films.
I really liked the previous Bond chapter Skyfall and with the same cast and director returning, I was excited. I was even more stoked for this film with the inclusion of the criminal organization SPECTRE, their first appearance since 1971s Diamonds Are Forever and a brief appearance by Ernst Stavro Blofeld in 1981s For Your Eyes Only.
Even though there were great James Bond movies after SPECTRE disappeared from film canon, none of the other great villains ever felt as dangerous without being aligned with the organization.
The reason for SPECTRE not appearing for so long was due to a battle over the rights to the copyright. That battle waged on for years. So when it was announced that “Spectre” was the name of this film, it was clear that the rights finally belonged to the studio and that the antagonist side of this franchise’s coin was getting a much needed boost of adrenaline.
Spectre picks up after the events of Skyfall. It isn’t clear how much time has passed but you can assume it isn’t much, as James Bond goes off on a rogue mission given to him by the deceased M, the Judy Dench version, on a video he received after her death.
Entering into Skyfall territory, the film fleshes out more of James Bond’s past. It takes more of the mystery away from who he was in the past. While this is something we never knew in any of the previous twenty-two films before Skyfall, I like how it helps you understand Bond better as a character. He isn’t a caricature, as he became in the older films, he is much more human since Sam Mendes started directing the series.
The backstory, as with the previous film, comes back to haunt him. Someone knows about Bond’s childhood life and is doing their damnedest to hurt him. You come to find out that everything bad that has happened to the Daniel Craig incarnation of Bond has been orchestrated by one man and his sinister organization: SPECTRE. All the films have been tied together but until now, the dots weren’t fully connected.
While the villain has the name of Oberhauser, if you know your Bond lore and understand that he is the leader of SPECTRE, it isn’t hard to figure out who he really is. Hell, his jacket when he is giving Bond a tour of his facility is a dead giveaway. And if you haven’t figured it out by that point, the furry white cat that jumps in Bond’s lap is too blatant for it not to be obvious. But I think most of the fans knew who Oberhauser was going to be before even seeing the film. And Christopher Waltz is perfect in this role.
The supporting cast of Bond’s MI-6 crew has never been better. Ralph Fiennes is perfect as M, Naomie Harris takes Moneypenny out from behind the desk and Ben Whishaw’s Q is a refreshing take on the character. I like how they are more active characters than before and how they, like Bond, had to defy orders and go off the grid, in order to save the world.
Andrew Scott, known for playing the evil Moriarty in Sherlock, does a great job as M’s foil by playing his new boss with ties to SPECTRE. Léa Seydoux was lovely as the new Bond girl, Dr. Swann. Monica Bellucci is also in the film but it is nothing more than a two scene cameo. Former WWE wrestler and Drax in Guardians of the Galaxy, Dave Bautista shows up as this film’s evil henchman, Mr. Hinx. I’m hoping he isn’t dead. He probably isn’t. He’s the first henchman in a long time that was really cool.
The thing I like most about this film, is that it is really left open ended. Bond saves the day but evil isn’t vanquished. While that is the trend in these movies, you don’t really understand why until this film’s plot unfolds. With the villain living, you know that it will come back to haunt James and his allies.
I like this film the same way I like Skyfall. It has its flaws but it is still a fun and intense Bond flick. I don’t necessarily expect Bond movies to be masterpieces, I expect them to be fun, beautiful, action-packed and sexy. This film was all that and more. While most critics seem to like this less than Skyfall, I think it is a perfect companion to it. Both films are my favorite of the Daniel Craig era.
I hope that Daniel Craig does come back for at least one more picture, even though he seems to be exhausted with playing Bond. I also hope that Mendes directs again and that Waltz returns for payback. SPECTRE can’t just reveal itself in this film and disappear. SPECTRE needs to be a constant antagonist, at least for a little while.
My only complaint, is that SPECTRE should have felt massive. In the Connery era films, they felt immense. While they had a grip on the world in Spectre, they were more hidden and too reserved. I like in the old films how they had massive bases with their logo plastered all over the place. Maybe that would seem corny in today’s world but SPECTRE are proud of who they are and believe in what they do. They are kind of like Cobra in G.I. Joe or Hydra in Marvel Comics.