Comic Review: Spider-Gwen, Vol. 5: Gwenom

Published: April 18th, 2018
Written by: Jason Latour
Art by: Robbi Rodriguez, Khary Randolph (covers)

Marvel Comics, 136 Pages

Review:

I think that I took too long of a break between reading volume 4 and volume 5 of Spider-Gwen. Reason being, this felt like the title had run out of steam. Maybe that’s because it did run out of steam by this point but it could be my own fault for lacking the enthusiasm I had for this series before I took a long break.

This just didn’t hit the right notes for me but that also probably has a lot to do with this being just another story of a Spidercharacter becoming Venom. Marvel has done this to death. Apart from the original Spider-Man titles, we got to see this with Miles Morales and Otto Octavius, both fairly recently.

I’m not saying that the Gwen Stacy version of Spider-Woman shouldn’t have a Venom story but this felt forced and like the writer was pushed into this by Marvel or because this series has now be rolling for a couple years and its hard to not become formulaic. It’s almost as if a Venom story was expected.

But just because something worked a few times, doesn’t mean that it will keep working. Also, it doesn’t mean that you can’t veer away from it and do your own thing. In fact, it’s much better to do your own thing and to explore new ideas with new characters, as opposed to rehashing some tired ass shit most Spider-fans have lived through multiple times.

I’m also just getting tired of this alternate universe. I kind of like the evil Daredevil thing but it’s also become a bit tiresome, as has this version of the Punisher and just about everyone else. It’s like the comic had some good ideas for twists on these characters but there wasn’t much else there beyond those twists.

This story arc also wedges in so many characters that it feels like a mess. I’m not even sure why some of them were there other than to have cameos galore in an effort to show how different this alternate reality is. But if you haven’t already done that by volume 5, hell, by volume 2, then maybe this series doesn’t deserve to continue.

I love Gwen Stacy and I really like this take on her character but she’s got to find a purpose for existing other than just being a cool idea and a really cool costume. And I feel like that’s all that she is now.

Rating: 5.75/10
Pairs well with: Other Spider-Gwen collections.

Comic Review: The Death of Daredevil

Published: October 17th, 2018 – November 28th, 2018
Written by: Charles Soule
Art by: Phil Noto

Marvel Comics, 112 Pages

Review:

This story takes place over Daredevil issues 609 through 612 and marks the end of Charles Soule’s run. And while I’m anticipating new blood taking over the writing duties for this series, I have mostly enjoyed Soule’s work.

So it’s hard to talk about this story without spoiling it. So if you want to go into it blind, why are you reading a review for it anyway? Just scroll down now and see the rating.

The title of this alludes to Daredevil meeting his demise. However, there is a twist to that, which I have to admit, I didn’t see coming even though their were some obvious pieces laid out in this arc and the one before it.

Wilson Fisk a.k.a. the Kingpin is still mayor of New York, Daredevil, as a hero and a lawyer, has tried to push back and expose Fisk for the criminal that everyone, even those who voted for him, already know he is.

That being said, this story is the end of an era for both Daredevil and Kingpin. I won’t say what happened but the seeds have been planted for great change going forward on all fronts.

This also had brief cameos from some of the key Avengers in a court room scene, as well as a run in with Bullseye and some other well-known villains along the way. We also get the debut of a new villain named Vigil, who looks cool as hell but as this story unfolds, leaves me wondering if he’d even show up again.

The story was pretty good but I’m just not a fan of the art style. I know it’s appealing to some but it just lacks energy. I hope Daredevil gets back to a grittier and almost pulpy neo-noir feel once the new team takes over.

Rating: 7.5/10
Pairs well with: the other Charles Soule story arcs on Daredevil that lead up to this finale.

Comic Review: Daredevil, Issues #254-256 – First Appearance of Typhoid Mary

Published: May, 1988 – July, 1988
Written by: Ann Nocenti
Art by: John Romita Jr., Al Williamson

Marvel Comics, 70 Pages

Review:

Everyone loves Frank Miller’s run on Daredevil. However, when I discovered the character, Miller had already moved on. It didn’t matter though, because I loved the stories so much that I picked this up nearly every month.

I came into this during the long Ann Nocenti run. I didn’t have the appreciation for it, at the time. I just liked Daredevil and everything that came with it.

Now, as a cultured adult, I understand what I love most about this era.

First, it’s Nocenti’s writing. She did some great things with all the key characters and really built off of what Frank Miller did before her. If I can be so bold, I think she improved upon it greatly and her run on the title is my favorite out of all the creators who have touched this character.

Second, the artwork of John Romita Jr. is incredible. I have always loved his style and he was the perfect artist for Nocenti’s Daredevil.

The three issues I’m reviewing here are pretty important, as this is the first appearance, origin and story arc for one of the best Daredevil villains, Typhoid Mary.

In recent years, I feel like Mary hasn’t been utilized well. Going back in time, reading this, and seeing how she was in the beginning was refreshing. I’ve always loved the character, more so than Elektra, and felt like she was a good foil with a romantic twist for the hero.

Here, she is just so sinister and the Romita art gives her so much life. She’s never looked cooler or more badass than she did when Romita was drawing her.

Overall, the story is also really good. I love how she comes into the plot, how the Kingpin brings her into the fold and how it all plays out, as she is on a mission to destroy Matt Murdock once and for all. And she doesn’t even want the money, she just thinks that ruining his life would be fun.

The story is dark, satisfying and a great example of how the team of Nocenti and Romita were one of the best in the late ’80s.

Once I start filling in some holes in my Daredevil collection, I’ll do more reviews of Nocenti stories.

Rating: 9.25/10
Pairs well with: anything from the great Ann Nocenti run on Daredevil.

Comic Review: Daredevil: Yellow

Published: June 15th, 2011
Written by: Jeph Loeb
Art by: Tim Sale

Marvel Comics, 137 Pages

Review:

I wasn’t super keen on Jeph Loeb and Tim Sale’s take on the Hulk, which I read before this. However, I was really impressed with this story, as it seemed much closer to what made me love this pair and that’s the Batman story The Long Halloween.

This just felt right, looked right and hit all the notes perfectly.

First off, I love that this takes Daredevil back to his early era with the yellow suit. It works really well with this story and it made for a beautiful use of colors throughout the book.

The narrative is told in the form of Daredevil writing a series of letters to the deceased Karen Page. Each issue of the six that make up this arc are fairly self-contained, even though they are all sewn together with a common thread.

In some ways, this goes through a summarized retelling of Daredevil’s early years. In that regard, this reminds me of the fantastic X-Men: Grand Design comics.

We also get all sorts of cameos in this, as it is a story told through flashback and recollection. We get to see Daredevil meet the Fantastic Four, as well as his first meetings with The Owl, the Purple Man and Electro. Plus, it is refreshing reading a Daredevil comic that isn’t centered around the ongoing war for Hell’s Kitchen between Matt Murdock and Wilson Fisk.

If you really loved The Long Halloween, then this is definitely something that you need to check out. This is also, I would assume, very much the type of story and style that Marvel wanted out of Loeb and Sale when they brought them on to do four projects: this, Hulk: GraySpider-Man: Blue and Captain America: White.

Rating: 9.5/10
Pairs well with: The other color themed books that Jeph Loeb and Tim Sale did for Marvel.

Comic Review: House of M

Published: February 1st, 2006
Written by: Brian Michael Bendis
Art by: Oliver Coipel

Marvel Comics, 280 Pages

Review:

This picks up after the events that happened in Avengers: Disassembled. This story also has effects that will go on to be felt in Marvel’s Civil War event, as well as X-Men: The Messiah Complex.

So following the tragic events of Avengers: Disassembled, the Avengers and the X-Men meet to discuss the fate of the Scarlet Witch. Wolverine leads the charge pretty much calling for her death, as the potential for what she can do with her powers is too great. Other Avengers and X-Men disagree but ultimately, you get the idea that this is going to go somewhere really friggin’ dark.

After that, Wolverine wakes up in an alternate reality and is aware that he’s not where he’s supposed to be, even though all of his allies are buying into the mystical charade. Wolverine has to go against his friends, search for answers and has to convince his allies that something happened that completely changed reality.

In the end, the Scarlet Witch only leaves like ten percent of the mutants in the world with their powers intact. So Wolverine saves the day, essentially, but the Scarlet Witch with her insane powers is still a crazy bitch.

This story was a cool idea but it didn’t really move forward in a way that excited me. Granted, I wasn’t too fond of Avengers: Disassemble, which lead to this.

This is one of the big Marvel stories of the ’00s and it is certainly better than the schlock they are synonymous with now but it still pales in comparison to the great epics that came before this. Don’t get me wrong, Marvel has some events that were duds in the old days too but this book just missed the mark and frankly, it could have been longer and probably needed to be, as the pace was insanely quick.

I really enjoyed Oliver Coipel’s art, though.

Rating: 6.25/10
Pairs well with: Avengers: DisassembledThe Messiah Complex, also it has ramifications that carry over into the Civil War event.

Comic Review: Avengers: Disassembled

Published: January 26th, 2005
Written by: Brian Michael Bendis
Art by: David Finch

Marvel Comics, 133 Pages

Review:

This is one of those iconic stories that you hear about all the time in comic book circles. However, I thought that the whole thing was pretty damn underwhelming for what it has been built up as.

The Avengers team gets ripped apart. It is due to the betrayal of one of their own. They don’t know that at first and when confronted with the idea, reject it.

However, the Scarlet Witch has basically gone batshit and blames all of her friends for killing her children that were never actually real to begin with but a psychotic projection of the Scarlet Witch’s will.

Yeah, does this story sound stupid to you? Because it definitely felt stupid to me. I thought Bendis was a big deal but everything I read by him is just as batshit as the Scarlet Witch, Wanda’s fucked up brain in this story. I’ve just never been too keen on Bendis, other than his earliest work on the Miles Morales Spider-Man stuff. His Superman stories, his current job, are also just some weird ass shit.

I don’t know, this book hurt my head. It’s only saving grace was superb art from David Finch and awesome action sequences.

Also, this leads into the big Civil War event that effected all Marvel titles, as well as the major X-Men events: The House of M and The Messiah Complex.

Avengers Disassembled has been talked about fondly for years by many. I’m just glad that this was only 133 pages.

Rating: 5.5/10
Pairs well with: This leads into the massive X-Men stories The House of M and The Messiah Complex, also it has ramifications that carry over on the Avengers side of things and into the Civil War event.

Comic Review: Daredevil: Guardian Devil

Published: November, 1998 – June, 1999
Written by: Kevin Smith
Art by: Joe Quesada

Marvel Comics, 180 Pages

Review:

I loved this Kevin Smith run on Daredevil back in the day when it was new. But it is shockingly twenty years old now, which makes me feel old as shit and even though it is still a pretty good story, it doesn’t resonate with me as profoundly as it did back in the day.

I guess I just don’t care about religion or mysticism anymore because I grew up and moved away from the heavy handed religious influence that stifled me in my youth. Also, decades later, I’m kind of over Kevin Smith’s commentary on Catholicism. And while Matt Murdock a.k.a. Daredevil is bound by his Catholic beliefs, it just doesn’t make for an interesting story for me anymore.

I’m going to get into major plot spoiler territory here. So turn away if you want to read this.

The religious mumbo jumbo in this is just a big illusion created by Mysterio, who is mostly a Spider-Man villain. He gives his reasoning as to why he wants to screw around with Daredevil but it’s pretty fucking meh. Apparently, Daredevil has been drugged the whole time. I’m not sure how a drug can last for days on end but I guess this explains why he found it necessary to throw a baby off of a fucking roof. Sorry, but I wanted to throw this book when that happened… way before we got an explanation to Daredevil’s bat shit behavior several issues later.

Additionally, none of the characters really act rational in anyway. I guess, again, this is due to Daredevil being high as fuck but if I have to read six or seven issues before the explanation, I’m just going to assume that the writer doesn’t understand or know these characters. Had I been reading this as a new comic now, I would’ve quit on issue no. 1 or 2.

I’m not even really sure why I liked this story in 1999 or so, other than I thought Kevin Smith was a genius back then, I was still under the influence of religion and I thought that Dogma was Generation X’s Ben fucking Hur.

On to the positives.

I liked the art, I liked the villain lineup and I was really happy with the confrontation between Daredevil and Bullseye. Back in the early ’90s when I was hardcore into Daredevil, a big reason for that was Bullseye. I loved him just as much as Daredevil and maybe even a little bit more. He’s a complete fucking badass and underutilized by Marvel. Hell, he was completely shitted on in the 2003 Daredevil film. So when I can get some solid Bullseye shit, I’m a fan. So kudos to Smith for giving me the Bullseye I love.

Anyway, this was once a beloved book in my collection. Now I just stare at it wedged between the Frank Miller and Ann Nocenti Daredevil books on my shelf and feel like this doesn’t belong.

Rating: 5/10
Pairs well with: The Daredevil stories that followed, as well as Kevin Smith’s run on Green Arrow. I hope I don’t hate his Green Arrow story now too. I need to revisit it really soon.