Published: October 17th, 2013 Written by: Brian Michael Bendis Art by: Alex Maleev
Marvel Comics, 450 Pages
This is the final installment of the Ultimate Collection releases of Brian Michael Bendis’ run on Daredevil. Each of these three beefy collections forms a pretty solid trilogy that actually exceeded my expectations and reminded me of how good Bendis was when he cared, which he hasn’t for a very long time.
This is my least favorite of the three volumes and that’s mainly because it felt like it lost some steam. And it didn’t give us any sort of closure to some of Bendis’ more batty experiments with the character.
The first half of this book is made up of two different stories that are self-contained and don’t really move forward the larger arc that Bendis had been working on for a few years by this point. The second half of this book then picks up those more important major plot threads but then doesn’t do much with them and leaves things even more unresolved by the end.
In fact, this has a time jump at the end that kind of just further fucked up Daredevil’s life and didn’t resolve anything that Bendis brought into the character’s story. It was some weak ass J. J. Abrams shit that tainted the entire run and not just this final book.
That’s not to say there wasn’t good stuff in this, there was. But had I been reading this run in real time, watching Daredevil struggle with the world possibly knowing his identity and seeing that dragged on for fucking years, I would’ve quit reading this.
That whole plot about people finding out Matt Murdock is Daredevil and then just seeing that life altering reveal kicked around like a goddamned hacky sack was enraging as hell. You, as the reader, were never sure what anyone actually thought about the reveal, as Bendis couldn’t commit to the story and deal with it in any sort of clear way. It was lazy and fucking dumb. It lacked finality, stakes and real consequences. Honestly, by the end, it didn’t really matter and the book was then handed off to another creative team to either resolve the issue or ignore it.
One thing that was noticeably better this time around was Alex Maleev’s art. Yes, I liked it previously but in my review of the last book in this series, I pointed out some of the issues I had with it. In this volume, those problems seemed to be fixed or a lot less apparent.
Overall, there’s a whole hell of a lot that I liked about Bendis’ Daredevil run but his finale left me annoyed and scratching my head like everything J. J. Abrams has ever started and not truly finished.
Rating: 6.75/10 Pairs well with: the other Daredevil comics from his Marvel Knights run.
Published: September 15th, 2010 Written by: Brian Michael Bendis Art by: Alex Maleev
Marvel Comics, 461 Pages
This long stretch of Daredevil issues should’ve actually been better than the ones in the first volume, as shit got real dark, things were more action packed and this went to places I didn’t expect.
The reason why I can’t rate it as high as the previous one is because of the awful romantic subplot that actually sees Daredevil get married for a short time.
I hated this plot, the new love interest and thought that it detracted from a much better story about the shifting power in the New York City criminal structure and Daredevil dealing with that while also trying to work around the public knowing his identity.
The romance plot was just too much added into an already very layered and rich story. Plus, that stuff was poorly written and I don’t want to be that guy but I don’t think that Brian Michael Bendis understands romantic interaction above a college aged level.
That being said, Bendis’ writing is great outside of the romantic shit.
Also, I love Alex Maleev’s style and tone in regards to Bendis’ story. They come together rather nicely, even if it appears as if Maleev is tracing some characters and doing digital tricks. This was originally made at the turn of the millennium and artists were experimenting with a lot of new technology at the time. Frankly, I know he used Photoshop filters because I recognize them. Still, the end result works and I’m just a traditionalist that likes things done the old school way. This is why I also don’t like Pixar movies or that style of animation.
Out of all the different story arcs collected here, I think I like the one that features The Owl the best. I liked seeing him truly unhinged and trying to wedge himself into The Kingpin’s spot as crime boss. After that, I really loved the section with Typhoid Mary, as she’s one of my favorite Daredevil villains and doesn’t get enough love, in my opinion. She also looked great in this run, even if I still prefer her original look, as drawn by John Romita Jr. back in the late ’80s.
I love the hell out of Bendis’ run on this series and it truly rivals the great runs by Frank Miller and Ann Nocenti, who still takes the cake for me.
Remove the romantic, juvenile love shit in this story and this would’ve been a perfect Daredevil collection.
Rating: 9.25/10 Pairs well with: the other Daredevil comics from his Marvel Knights run.
Published: June 23rd, 2010 Written by: Brian Michael Bendis Art by: Alex Maleev
Marvel Comics, 411 Pages
Following the Guardian Devil and Parts of a Hole storylines, Brian Michael Bendis began his Daredevil run. While I had read much of this twenty or so years ago, I had forgotten just how good it was and that Bendis was once an exceptional comic book writer when he still obviously had the passion burning inside of himself.
This big collection of multiple story arcs didn’t have any weak parts to it.
The first story dealt with a young kid going through some serious trauma after witnessing a fight between his father and Daredevil, which left his father dead. While Daredevil was a minor character in his own story, something I tend to hate, I excused it here, as the four issue arc was so solid and brought a lot of emotion into the series to kickoff Bendis’ run. Plus, it featured Ben Urich as the main character and I’ve always loved that guy.
Following that, we get a few arcs that are really connected as one larger narrative. We see the Kingpin get taken out by a new guy in his organization’s ranks. This new guy tries to take Kingpin’s spot but ultimately pays a price for it courtesy of Vanessa Fisk, Kingpin’s wife, who has been absent for years.
Additionally, this wannabe Kingpin discovers Daredevil’s identity and with that, the world soon finds out. Matt Murdock with several of his allies has to try and fix this problem, convincing the world, somehow, that Murdock is not the masked vigilante.
All in all, this beefy volume is packed full of absolute greatness. Add in Alex Maleev’s incredible art and you’ve got one of the best Daredevil collections ever printed: a near perfect masterpiece.
Rating: 9.5/10 Pairs well with: the other Daredevil comics from his Marvel Knights run.
Published: June 25th, 2015 Written by: David Mack Art by: Joe Quesada, David Mack (covers)
Marvel Comics, 161 Pages
This is the story that directly follows the Kevin Smith penned Guardian Devil arc. Even though I’m a massive Daredevil fan, I had never read this.
This also features the debut of Echo, who starts out as a villain hellbent on making Daredevil pay for the death of her father but ultimately learns that she has been duped by The Kingpin. All the while, her regular identity falls in love with Daredevil’s, creating romantic tension and an interesting dynamic between the characters.
However, Echo’s origin feels like it’s ripped from the origin of Typhoid Mary, a more interesting and better character that’s made a much larger impact to the overall Daredevil mythos.
Still, this was a pretty enjoyable story and Echo was original enough as a character to not feel like a complete rehash of Typhoid Mary.
I liked this better than Kevin Smith’s highly beloved Guardian Devil story. In fact, I find Smith’s story to be really overrated but I reviewed it already.
I mostly liked the art in this, which was primarily done by Joe Quesada. My only real complaint with it was the writing, as this comic story was wordy as fuck. There was just too much text and it took twice as long than normal to read this thing.
Still, it felt like it built off of Guardian Devil well, improved upon its foundation and helped drive Daredevil forward in its new and exciting Marvel Knights R-rated era.
Rating: 6.5/10 Pairs well with: the Guardian Devil storyline, as well as the Brian Michael Bendis run that follows.
Published: March 2nd, 2017 Written by: Stan Lee Art by: Jack Kirby
Marvel Comics, 270 Pages
I’m now eight volumes deep into the original Stan Lee and Jack Kirby run on the Fantastic Four series and it still hasn’t lost steam!
I loved this collection of issues and it even had a story that featured the Fantastic Four alongside Daredevil, Spider-Man and Thor!
Beyond that, it gave us the debut of my second favorite Fantastic Four villain (after Doctor Doom) and that’s Annihilus.
We also see Sue leave the team due to being pregnant. With that we get the Inhumans’ Crystal taking her place as the fourth member. I’ve read some issues with this team and I always really liked Crystal being added to the mix, as her and Johnny Storm’s relationship was one of my favorites from the early era of Marvel.
Additionally, we get stories with the Silver Surfer, Psycho-Man, The Mad Thinker, The Wizard and Galactus’ big return.
I love seeing what this series has grown into and how it’s evolved over this long, storied run by Lee and Kirby. Frankly, it just keeps getting better and what happened in this series really shaped what happened in the larger Marvel universe.
The stories were enjoyable, the writing was fun and as always, Kirby’s art was simply amazing.
Rating: 9/10 Pairs well with: the other Marvel Masterworks collections.
Release Date: January 8th, 2005 (Las Vegas premiere) Directed by: Rob Bowman Written by: Zak Penn, Stuart Zicherman, Raven Metzner Based on:Elektra by Frank Miller Music by: Christophe Beck Cast: Jennifer Garner, Goran Visnjic, Will Yun Lee, Cary-Hiroyuki Tagawa, Terence Stamp, Bob Sapp, Jason Issacs (uncredited), Ben Affleck (cameo, scene cut)
“I like your bracelet, by the way. Do you know what those are? Here. They’re warrior beads. They’re from Indonesia. Centuries ago, you had to be the best fighter in your village to earn them.” – Elektra, “Wow. I bought’em off eBay.” – Abby Miller
I never wanted to see this because the trailer was a complete turnoff that made this film look like absolute schlock of the highest and worst caliber. Not good, cheesy schlock but the kind that’s so drab and pointless that it’s shocking it even got a theatrical release and wasn’t used to torture terrorists.
Having finally seen this, I wasn’t wrong. This is definitely a terrible movie, littered with atrocious special effects, generic and lifeless characters, as well as wasting the talents of the few good actors in it.
What’s even worse is that this doesn’t feel like it belongs in the same universe as 2003’s Daredevil, which was a pretty decent movie if you watch the Director’s Cut instead of the theatrical version. Hell, even Ben Affleck filmed a cameo scene to tie them together and for whatever reason, it was cut from the final version of this film.
What this does feel like is a made-for-TV SyFy movie of the week. It’s duller than a plastic knife left too close to an open flame with about as much personality and charm as a lobotomized sloth.
The only real silver lining in this is that Jennifer Garner looks absolutely stunning. But she’s always pretty stunning and one shouldn’t have to suffer through this deplorable production just to see her kick the shit out of people while being super hot.
Elektra is bad, really bad. I mean, I guess it’s better than 2004’s Catwoman but at least that film had some memorable moments. Everything in this film is completely forgettable.
Rating: 1.75/10 Pairs well with: the 2003 Daredevil movie, as well as other superhero films from the mid-’90s through mid-’00s.
Also known as: Daredevil: A Daring New Vision (Director’s Cut title) Release Date: February 9th, 2003 (Los Angeles premiere) Directed by: Mark Steven Johnson Written by: Mark Steven Johnson Based on:Daredevil by Stan Lee, Bill Everett Music by: Graeme Revell Cast: Ben Affleck, Jennifer Garner, Michael Clarke Duncan, Colin Farrell, Joe Pantoliano, Jon Favreau, David Keith, Leland Orser, Erick Avari, Ellen Pompeo, Paul Ben-Victor, Robert Iler, Coolio (Director’s Cut only), Mark Margolis (uncredited), Kane Hodder (uncredited), Frank Miller (cameo), Kevin Smith (cameo)
Marvel Enterprises, Horseshoe Bay Productions, New Regency Pictures, 103 Minutes, 133 Minutes (Director’s Cut)
“[Director’s Cut version/Narrating] Violence doesn’t discriminate. It hits all of us… the rich, the poor, the healthy, the sick. It comes as cold and bracing as a winter breeze off the Hudson. Until it sinks into your bones… leaving you with a chill you can’t shake. They say there’s no rest for the wicked. But what about the good? The battle of Good vs. Evil is never-ending… because evil always survives… with the help of evil men. As for Daredevil, well… soon the world will know the truth. That this is a city born of heroes, that one man can make a difference.” – Matt Murdock
My review of this film is specifically for the Director’s Cut. It’s a far superior version of the movie and frankly, it’s the version that should have been released in theaters.
The theatrical version was kind of shit and a major disappointment. The Director’s Cut, however, showed that the director had made a much better film that was unfortunately butchered by the studio, probably due to its running time. In fact, the theatrical version chopped off thirty minutes from director Mark Steven Johnson’s preferred body of work.
If I’m being honest, though, Johnson is not a great director and this film, even in its superior Director’s Cut presentation, still has a lot of flaws and feels kind of dated, even for its year of release. Although, comic book movies hadn’t really found their proper groove yet, as Nolan’s first Batman movie was still two years away and the first MCU movie was still half of a decade out.
Daredevil also didn’t have the budget that other comic book movies would get just a few years later, as it was made by a smaller studio that had to offset the licensing fees they paid to acquire the character and his pocket of the Marvel Comics universe.
Still, the performances mostly make up for the weaker things in this film. I really liked Ben Affleck as Daredevil and Jennifer Garner did well as Elektra. Most importantly, the two had tremendous chemistry, which I guess was pretty natural and genuine, as they got married a few years later and stayed together for thirteen, which is a lifetime in Hollywood.
I also really liked Michael Clarke Duncan as Wilson Fisk and Jon Favreau was a great Foggy Nelson.
My only real issue with the cast for the larger roles was Bullseye. Colin Farrell is a good actor but this version of the character was baffling and if I’m being honest, stupid. Bullseye should have been a bit nutty but he also should’ve been in his proper costume and not looked like a guy selling codeine at a rap-metal concert. But I guess Marvel editor Joe Quesada suggested to the director that Bullseye shouldn’t wear his traditional outfit. I guess that’s just another reason to dislike Quesada on top of his large part in destroying his own industry because of politics, hiring unproven talent for diversity reasons and lashing out at customers on social media. But I digress.
The film has a decent enough story, even if it feels pretty bare bones and paint by numbers. The Director’s Cut actually expands on the story, adding in more context and nuance, as well as a side plot that makes the overall experience a much better one than the theatrical version.
I especially liked the origin stuff about Daredevil as a kid. The scenes between the kid actor and his dad, played by the always underappreciated David Keith, are damn good.
Another thing I don’t like, though, is the style of the fighting in the film. It’s fine when everything feels grounded and real but it gets ruined by relying too heavily on the Hong Kong style of martial arts filmmaking. There are too many moments where it is obvious that the characters are on wires and you see them move in ways that don’t make sense in regards to actual physics. That shit doesn’t work for this sort of film. But I get it, Crouching Tiger, Hidden Dragon was a massive hit a few years earlier and Hollywood tried to emulate the Hong Kong style but kept failing miserably outside of The Matrix movies.
Daredevil – Director’s Cut is still pretty enjoyable, though. Age didn’t really improve it or ruin it. It’s mistakes are pretty clear but they were also clear in 2003.
However, I still really like the cast, for the most part, and it would’ve been interesting seeing how this could’ve continued had sequels bee made. Instead, the studio stupidly opted out of that and went with an abominable Elektra spinoff, a film that I still haven’t been able to stomach in its entirety. But I guess I should review it soon, as I work my way through all of the Marvel movies ever made.
Rating: 7.5/10 Pairs well with: other Marvel comics films before the Marvel Cinematic Universe started in 2008.
Published: February 1st, 2017 Written by: Brian Michael Bendis Art by: Jim Cheung, Oliver Coipel, David Marquez, Marko Djurdjevic (cover)
Marvel Comics, 317 Pages
Man, this was bewilderingly bad.
Historically, I’ve been pretty 50/50 on Brian Michael Bendis’ writing but man, it’s like when he did this, he already knew he was leaving Marvel. It also reads like he was given orders to use certain characters and he was begrudgingly forced to work them in. Granted, he’s also created some of the terrible modern characters.
While I’ve been well aware of the criticism that the Captain Marvel character gets in modern times, I always liked her when she was Ms. Marvel. But this new, short-haired, suddenly pushed into a leadership role Carol Danvers is not even the same character, remotely.
Based off of how she’s written here, as a self-righteous, fascist, tyrant bitch, I totally see why fans can’t stand her. If this story is an accurate portrayal of how she is post-2015 or so, I have no interest in following her character unless she’s actually made into a permanent villain. But even then, there are so many better villains I’d rather read about.
And I’m not really sure how I’m supposed to interpret her character. Is she supposed to be psychotic, god-powered, tyrannical piece of shit? Or am I supposed to empathize with her point-of-view?
What made the first Civil War so great was that you could emphasize and relate to both points-of-view and it made for a compelling read. Civil War II just made me hate Carol and every character that so easily sided with her. These characters aren’t heroes, as their actions in this story crossed the line into villainy.
Whatever. Fuck this comic. Fuck Bendis. Fuck post-2015 Marvel. But at least the art was really good.
Rating: 4/10 Pairs well with: all the other Civil War II crossover tie-in trade paperbacks.
Published: March 27th, 2014 Written by: Frank Miller Art by: David Mazzucchelli
Marvel Comics, 231 Pages
After Frank Miller’s historic Daredevil run, he returned to do the graphic novel Love & War. A few years later, he returned to the regular Daredevil title for this story arc, which really was the exclamation point on Miller’s Daredevil work before Ann Nocenti then started her awesome run for several years.
This story starts with The Kingpin finding out Daredevil’s identity. He then uses this knowledge to try and destroy Matt Murdock’s personal life and thus, crush the Daredevil persona that has been a thorn in his side for years.
This is probably the darkest moment in Daredevil’s life, as he hits rock bottom, his former love Karen Page also hits rock bottom and the guy has to build himself back up after legitimately losing his mind for awhile.
I like this story, quite a bit. However, the breaking of Daredevil seemed a bit forced and it got somewhat over the top. I get it, though, Miller only had so many issues to work with and the pacing of comic book stories was much different in this era, as they weren’t writing for the trade paperback market and just told single issue chapters from month-to-month. But this did have the plot elements that should’ve been used and fleshed out to make this more of a lengthy epic than it was.
Still, this is a solid piece of work by Miller. I can’t say that it’s better than his lengthy, original run but it still feels married to it and it brings the character to new depths before handing the reins over to another fantastic writer.
Rating: 8.5/10 Pairs well with: Frank Miller’s run on Daredevil.