Comic Review: Man Without Fear

Published: January 2nd, 2019 – January 30th, 2019
Written by: Jed MacKay
Art by: various, Kyle Hotz (covers)

Marvel Comics, 123 Pages

Review:

I was a bit depressed when Charles Soule’s run on Daredevil came to an end but there was a silver lining as Chip Zdarsky would be taking over. Zdarsky has been on his A-game lately and I think that he’ll be a good fit on the title.

However, between the two runs, there was this miniseries, which is a bridge between them.

I wasn’t sure what to expect from this five issue series but even though it started out a bit slow, each issue built off of the one before it and I was pleasantly surprised by the end result.

This starts with Matt Murdock a.k.a. Daredevil in a coma. Each issue sees a character or a group of characters from his past come into his hospital room to visit but to also add some good emotional context to what Matt is going through. By the end of it, he is ready to put the mask back on and get to work.

The story was a slow build but man, it worked really well and it did it’s primary job very effectively. That job was to bridge the gap and generate real interest in the next chapter of Daredevil‘s long legacy.

Several artists worked on the book but the art was all done pretty consistently. The covers by Kyle Hotz really made these books look superb and I picked them all up because sometimes I buy comics just for the art on the cover. But I’m glad that this wasn’t just a collection of nice covers and that the contents within entertained me.

There isn’t a whole lot of action here due to Daredevil’s physical status but the story does have real energy and we do get to see Matt subconsciously fight his demons in a physical sense.

Man Without Fear is definitely a Daredevil story worth reading for fans of the character and for those looking forward to what’s on the horizon.

Rating: 8.25/10
Pairs well with: the Charles Soule Daredevil run before this and the new Chip Zdarsky run after.

TV Review: The Comic Book Greats: Episode 8 – Spotlight on the Romitas (1992)

Released: 1992
Created by: Stan Lee
Directed by: Rick Stawinski
Music by: Rick Stawinski, Rob Stawinski
Cast: Stan Lee (host), John Romita Sr., John Romita Jr.

Excelsior Productions, Stabur Home Video, 50 Minutes

Review:

The eighth episode of The Comic Book Greats was really cool as it focused on the great father and son duo, John Romita Sr. and John Romita Jr.

Both men are favorite artists of mine and what’s intriguing about them other than being father and son, is that both have very different art styles.

I loved Romita Sr. when he was doing a lot of classic Marvel titles, especially his run on The Amazing Spider-Man and early Daredevil.

Romita Jr. was one of the first artists that I admired back when I was too young to care about comic credits and artist’s names. His work during the Ann Nocenti run on Daredevil is still, to this day, some of my favorite work. I still go back and revisit the Nocenti/Romita Jr. era because it really contributed to my love of comic books as a creative medium.

This was just a really fun episode and Stan Lee showed that he had a lot of love for the Romita boys.

Like other episodes featuring artists, this one went to the drawing table and we got to see both Romitas work on some really good pieces.

This is an entertaining chapter in The Comic Book Greats and it was really cool seeing two different generations sit down and work their creative magic together.

Rating: 7.75/10
Pairs well with: other episodes in The Comic Book Greats video series.

Comic Review: Marvel Knights 20th

Published: November 7th, 2018 – January 30th, 2019
Written by: Donny Cates, Tini Howard, Vita Ayala, Matt Rosenberg
Art by: various

Marvel Comics, 161 Pages

Review:

When the Marvel Knights line of comics were going strong, I wasn’t paying much attention. I was aware of them but it was the late ’90s and I wasn’t reading comic books as regularly, as I was entering my twenties and didn’t do much other than party hard and sleep little.

I have since gone back and read some of the stories from that alternate Marvel universe and I’ve liked a lot of them. So when I saw that this was coming out to commemorate the 20th anniversary, I had to check it out. Plus, one of the writers is Donny Cates, whose recent work I’ve loved and it heavily features Daredevil.

The premise was kind of cool and I did enjoy this overall. Although, it was problematic in regards to its pacing. This is due to there being too many writers chiming in over the six issues. Cates looked to be credited as the top writer for each chapter but he had different collaborators with each new installment of this miniseries.

The narrative flow was a bit off, as it took too long to get the action going. Once we get to where this needed to wrap up, it felt rushed and the twist finale seemed strange, out of place and too convenient.

There’s a MacGuffin device and all they have to do in the end is hit a button and fix everything. I love Cates but that’s just lazy, outdated 1960s comic book writing. It’s like a random wizard showing up at the end and casting a “fix it” spell, making everything that happened pretty pointless.

I was still glad that I read through this miniseries, as it featured a lot of characters I love. I can’t call it underwhelming but I did have expectations that I don’t feel were met.

Rating: 7.25/10
Pairs well with: old school Marvel Knights stuff and other recent works by Donny Cates.

Comic Review: Spider-Gwen, Vol. 6: Life of Gwen Stacy

Published: September 19th, 2018
Written by: Jason Latour
Art by: Robbi Rodriguez

Marvel Comics, 111 Pages

Review:

I wasn’t too enthused going into this but I’ve gotten this far and this is the last chapter in the Spider-Gwen saga.

This series started out really good, I liked it, I was engaged by it and even if I didn’t like some of the alternate dimensional weirdness I really liked this Gwen Stacy and her story.

The fifth volume really took the wind out of the series’ sails though. This went for a Venom story because you can’t have a Spider-Person comic go on for too long and not have that obligatory Venom story. Well, that story didn’t end and it carries over into this final chapter.

But then there is even more alternate dimensional weirdness. And then things get so convoluted and reality skews so much that it’s hard to follow and a massive clusterfuck. This gave me a headache and it was really tough to get through even though it was fairly short at 111 pages.

I just finished reading this and I don’t even remember what happened other than timey wimey bullshit, multiple Gwens, Gwen going to prison, cameos out the ass and more confusion.

Also, I don’t know if Robbi Rodriguez stopped giving a shit but the art is worse than it was at the beginning of the series: significantly worse. I don’t know if he was rushed, trying to experiment or was just too busy sending pictures of his asshole out to people’s Twitter timelines.

I don’t know what this was. It ended this fun voyage like the iceberg that murdered the Titanic. And frankly, I don’t give a shit about this character anymore, even though I really dug her for the first three or four volumes.

Gwen has gone on to have a new series called Ghost Spider but I don’t even want to read it, even though its done by a new creative team.

Rating: 4.25/10
Pairs well with: Other Spider-Gwen collections.

Comic Review: The Punisher: World War Frank

Published: August 22nd, 2018 – December 19th, 2018
Written by: Matthew Rosenberg
Art by: Szymon Kudranski, Greg Smallwood (covers)

Marvel Comics, 129 Pages

Review:

It’s been a long time since I cared about the Punisher. So long in fact that even though I knew this new series was starting, I didn’t seek it out. It wasn’t until someone I trusted told me that I needed to check out the first issue, as it read like classic Punisher and was a no nonsense, balls out, action packed, political thriller.

They weren’t wrong. This thing was a high octane festival of testosterone overload. While that might not appeal to some people, to fans of the Punisher comics of the late ’80s to early ’90s, this comic is a true throwback to that style and tone. Although, it is modernized, it still feels like those old comics I read when I first fell in love with the character as a scrapping young comic reader and creator.

Now this story arc is full of cameos but no one distracts from Frank Castle being his best self and even when other people (heroes and villains) try to prevent his one man war, he is too driven to be deterred.

The main antagonist here is Baron Zemo, who is one of my all-time favorites and who has been underutilized outside of Thunderbolts comics. Zemo isn’t the only villain though. We also get the Mandarin, Jigsaw and some others.

The issue that sees Jigsaw confront the Punisher while he is in a jail cell is incredible. It was the biggest high point out of several. But that’s what this story arc is, it’s a lot of high points and it’s jam packed with action and even some mystery.

World War Frank is not just solid storytelling, it is one of the most solid Frank Castle stories in years.

Rating: 9.25/10
Pairs well with: old school late ’80s to early ’90s Punisher and the recent Marvel Knights 20th anniversary event.

Comic Review: Spider-Gwen, Vol. 5: Gwenom

Published: April 18th, 2018
Written by: Jason Latour
Art by: Robbi Rodriguez, Khary Randolph (covers)

Marvel Comics, 136 Pages

Review:

I think that I took too long of a break between reading volume 4 and volume 5 of Spider-Gwen. Reason being, this felt like the title had run out of steam. Maybe that’s because it did run out of steam by this point but it could be my own fault for lacking the enthusiasm I had for this series before I took a long break.

This just didn’t hit the right notes for me but that also probably has a lot to do with this being just another story of a Spidercharacter becoming Venom. Marvel has done this to death. Apart from the original Spider-Man titles, we got to see this with Miles Morales and Otto Octavius, both fairly recently.

I’m not saying that the Gwen Stacy version of Spider-Woman shouldn’t have a Venom story but this felt forced and like the writer was pushed into this by Marvel or because this series has now be rolling for a couple years and its hard to not become formulaic. It’s almost as if a Venom story was expected.

But just because something worked a few times, doesn’t mean that it will keep working. Also, it doesn’t mean that you can’t veer away from it and do your own thing. In fact, it’s much better to do your own thing and to explore new ideas with new characters, as opposed to rehashing some tired ass shit most Spider-fans have lived through multiple times.

I’m also just getting tired of this alternate universe. I kind of like the evil Daredevil thing but it’s also become a bit tiresome, as has this version of the Punisher and just about everyone else. It’s like the comic had some good ideas for twists on these characters but there wasn’t much else there beyond those twists.

This story arc also wedges in so many characters that it feels like a mess. I’m not even sure why some of them were there other than to have cameos galore in an effort to show how different this alternate reality is. But if you haven’t already done that by volume 5, hell, by volume 2, then maybe this series doesn’t deserve to continue.

I love Gwen Stacy and I really like this take on her character but she’s got to find a purpose for existing other than just being a cool idea and a really cool costume. And I feel like that’s all that she is now.

Rating: 5.75/10
Pairs well with: Other Spider-Gwen collections.

Comic Review: The Death of Daredevil

Published: October 17th, 2018 – November 28th, 2018
Written by: Charles Soule
Art by: Phil Noto

Marvel Comics, 112 Pages

Review:

This story takes place over Daredevil issues 609 through 612 and marks the end of Charles Soule’s run. And while I’m anticipating new blood taking over the writing duties for this series, I have mostly enjoyed Soule’s work.

So it’s hard to talk about this story without spoiling it. So if you want to go into it blind, why are you reading a review for it anyway? Just scroll down now and see the rating.

The title of this alludes to Daredevil meeting his demise. However, there is a twist to that, which I have to admit, I didn’t see coming even though their were some obvious pieces laid out in this arc and the one before it.

Wilson Fisk a.k.a. the Kingpin is still mayor of New York, Daredevil, as a hero and a lawyer, has tried to push back and expose Fisk for the criminal that everyone, even those who voted for him, already know he is.

That being said, this story is the end of an era for both Daredevil and Kingpin. I won’t say what happened but the seeds have been planted for great change going forward on all fronts.

This also had brief cameos from some of the key Avengers in a court room scene, as well as a run in with Bullseye and some other well-known villains along the way. We also get the debut of a new villain named Vigil, who looks cool as hell but as this story unfolds, leaves me wondering if he’d even show up again.

The story was pretty good but I’m just not a fan of the art style. I know it’s appealing to some but it just lacks energy. I hope Daredevil gets back to a grittier and almost pulpy neo-noir feel once the new team takes over.

Rating: 7.5/10
Pairs well with: the other Charles Soule story arcs on Daredevil that lead up to this finale.