Published: November 17th, 2016 Written by: Chris Claremont Art by: Bret Blevins, Sal Buscema, Alan Davis, Jackson Guice, Rick Leonardi, Kevin Nowlan
Marvel Comics, 229 Pages
This collection of New Mutants stories was kind of all over the place. Also, none of them really grabbed me like most of the previous arcs leading up to this point.
I guess, by now, the series had been running for quite awhile and where it once felt like it was always building towards something and had an idea of where it wanted and needed to go, most of this felt like aimless filler.
I can clearly see the series running out of steam and I guess this is why everything got reinvented and soft rebooted not too long after this and the massive Inferno crossover event, which completely changed the dynamic of the team and its mission.
Now this isn’t bad by any means, it’s just that each story feels somewhat random and they don’t support each other and the progression of a larger arc as well as previous volumes have.
I guess the highlight for me was where this focused on Magik, her power struggle with S’ym and how things were changing in the realm of Limbo. This sort of sets up things that would happen in the big Inferno story.
Apart from that, everything else was entertaining enough but none of it seemed to matter, based off of where these characters’ lives were going to go. I guess, none of this really sticks or is all that memorable.
The art in this volume was also a mixed bag. A lot of different artists contributed to this stretch of issues and honestly, that just sort of adds to none of this really being memorable or sticking.
Published: November 3rd, 2016 Written by: Chris Claremont Art by: Arthur Adams, Alan Davis, Jackson Guice, Steve Purcell, Barry Windsor-Smith (cover)
Marvel Comics, 265 Pages
Man, this comic series is so damn good. I had a few reservations about revisiting it since my childhood (and in its entirety) but it hasn’t disappointed and for being Marvel’s “teen” comic in the ’80s, it still deals with some really heavy and adult subject matter.
This volume is no different and it keeps things moving forward swiftly, collects a few different story arcs and further develops these characters and their relationships quite superbly.
I think the thing that I liked most in this volume was the story with the Hellions, as you now see them more clearly, especially Thunderbird, who would later become Warpath on the X-Force and X-Men teams of the ’90s and beyond.
In that Hellions story, we really get to understand that only one of the kids is truly bad and the others are just teens going through their own growing pains. Teens that have more in common with the New Mutants team than differences. In the end, they’re all just kids, dealing with their own issues that just happen to belong to different schools of thought, figuratively and literally.
This collection also features another X-Men crossover story. This time it sees them have to outwit the villain, Mojo. We also have the second Legion story, where he goes off the rails and has to be reeled back in for the safety of himself and the others around him.
Chris Claremont truly put as much time and care into these characters and stories as he did the X-Men. This is just another solid string of stories, as all the X-Men books build towards the big Inferno crossover event, which happens immediately after the next volume of New Mutants comics.
Rating: 8.75/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: September 8th, 2016 Written by: Chris Claremont Art by: Arthur Adams, Jackson Guice, Rick Leonardi, Keith Pollard, Mary Wilshire
Marvel Comics, 269 Pages
This follows the Demon Bear Saga, the first Legion story and the short arc just after that.
This volume in The New Mutants starts with a two-part annual issues crossover with The Uncanny X-Men. The story sees the two mutant teams swept away to Asgard for some trickery and shenanigans involving Loki, the Enchantress and Hela. Frog-Thor, the Warriors Three and Surtur also make appearances.
I really dug the Asgard story, though, and I finally know how Dani Moonstar became a Valkyrie because it was always a bit of a mystery to me, as one day she wasn’t and then one day she was. I had never read these annuals, so I wasn’t sure how it all went down and why.
After that, we get a story that involves The Beyonder, as well as one that sees Magneto take over the team in place of Professor X. That is the more interesting plot thread, as it sees Emma Frost with help from one of her Hellions, convince Magneto to let her take over the New Mutants training, essentially merging them with the Hellions.
While with the Hellions, the New Mutants form some bonds with the teens they’re used to fighting. For those who have read X-Force, it’s pretty apparent which Hellions member will eventually align with the New Mutants once Cable comes in to lead them into adulthood.
Overall, this is a damn good collection and the Asgard and Hellion stories are two of the best arcs I’ve read thus far in the series.
Rating: 9/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: 1985 Written by: Chris Claremont Art by: Steve Leialoha, Glynis Wein
Marvel Comics, 69 Pages
I’m reviewing these three issues on their own, as they are wedged between two different collected editions of classic New Mutants stories. This happens immediately after the Demon Bear Saga and the Legion stuff, which I previously reviewed. The collected volume after this one will be reviewed in the near future.
This is a pretty cool trio of issues, though, and it splits the team up a bit, which gives us a really cool story centered around Magik and Dani, as they travel to the past and meet a descendant of Storm.
There’s just some cool Magik related occult stuff, which was always a highlight of the New Mutants for me, as she is my favorite character and a lot of that has to do with the dark shit that surrounds her.
The art style in this changed, as Bill Sienkiewicz left the series and Steve Leialoha took over. While I prefer Sienkiewicz, Leialoha was able to keep the aesthetic and vibe pretty close to what I had come to love over the Demon Bear and Legion stories.
Overall, this was an energetic and cool story that moves on from the New Mutants toughest challenges and opens the door to an uncertain future. This stretch of three issues wasn’t what I’d call filler but it was a bit of a breather and still a cool, fun, worthwhile story.
Rating: 8.5/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: July 10th, 2019 Written by: Chris Claremont Art by: Bill Sienkiewicz, Sal Buscema, Bob McLeod
Marvel Comics, 504 Pages
Man, oh man… I forgot how great the Demon Bear story was! It was one of my favorite New Mutants stories when I first discovered this comic series, as a young kid. But I hadn’t actually read it for probably thirty years now.
This beefy Epic Collection release doesn’t just cover that story, though, as it features the events leading up to it and the story after, which is the debut of Legion.
Every story arc in this collection is pretty damn cool. There really wasn’t a dull moment and you get to see these great characters develop even more while also seeing their bond strengthen quite immensely.
This stretch of issues also feature the art of Bill Sienkiewicz, a comic book artist that truly had a unique style that I’ve always thought was one of the most impressive, expressive and coolest. It’s this series that introduced me to Sienkiewicz’s work, which I couldn’t get enough of. In fact, I bought all of his Elektra and Moon Knight stuff that I could find at my local comic shop circa 1990.
This stretch of issues was always one of my favorite runs on any comic book series. Revisiting it for the first time in eons, I still feel that way.
Rating: 9.5/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Published: March 8th, 2017 Written by: Chris Claremont, Bill Mantlo Art by: John Buscema, Sal Buscema, Ron Frenz, Bob McLeod, Frank Miller, Paul Smith
Marvel Comics, 520 Pages
As big of a fan of The New Mutants as I am, it’s been a damn long time since I’ve read the original graphic novel and their earliest stories. I got into the series around it’s midpoint and because of that, didn’t have all of the earliest issues until more recently. This collects that first year of the regular comic books series, as well as the characters’ appearances before it started.
This was neat to revisit and it brought me back to where I was in the late’80s, as a young kid just discovering comics. Back then, I really liked the youth superhero teams like Teen Titans and New Mutants.
This collection had a few stories I hadn’t read before. It kicked off with Karma’s debut story, which happened in Marvel Team-Up and featured Spider-Man and the Fantastic Four.
Additionally, I had never read the story that served as the debut of the Hellfire Club’s Selene and New Mutants member Magma.
Everything else here I’ve read but it was nice checking it out again and refreshing my memory, as my brain gets older and forgets more than it remembers now.
I loved the art style of this series, early on, and the Chris Claremont and Bill Mantlo stories were solid.
Now I do have to say that this isn’t as good as the series would become. This is early on and it hasn’t found its grove, here.
However, this is the foundation of this group and they would eventually be faced with some really intense, life-altering storylines that would take this from just being a “Junior X-Men” comic to something unique and very much its own series, standing on its own strong legs.
Rating: 7/10 Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.
Also known as: Growing Pains (working titles), X-Men: The New Mutants (alternative title) Release Date: August 26th, 2020 (Belgium, Spain, France, Poland, Portugal) Directed by: Josh Boone Written by: Josh Boone, Knate Lee Based on:New Mutants by Chris Claremont, Bob McLeod Music by: Mark Snow Cast: Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Blu Hunt, Henry Zaga, Alice Braga, Adam Beach, Happy Anderson, Marilyn Manson (voice)
“Demon Bear! Let’s play a game!” – Illyana Rasputin
With two-to-three years worth of delays, Fox selling to Disney and everything else crazy that has been going on in the world, The New Mutants finally got released. I’m just glad it came out, after all this time, and that I got to see it in the theaters. Thankfully, it wasn’t simply dumped onto a streaming service, where it would’ve been treated as a complete afterthought.
Still, it’s hard to tell which version of the film we got. There were supposed to be re-shoots but they never happened, due to the Fox-Disney deal. Also, this was rumored to be pushing for an R-rating but it came out as PG-13. That probably has more to do with Disney now owning it, as opposed to representing the ideal vision of the director and the original studio.
With everything working against it, the finished product isn’t as big of a mess as I thought it would be. The editor definitely got a coherent film out of the material but it does feel light and a bit skeletal.
From what I understand, the re-shoots were intended to flesh out the story a bit more and to add more emphasis on the horror elements, as the success of the Deadpool movies led Fox to believe that R-rated comic book films could work.
As a massive fan of Illyana Rasputin a.k.a. Magik, it was incredible seeing her come to life in a live-action picture. It was even cooler seeing her face-off with the Demon Bear. It took something from my eleven year-old mind and brought it to life. And frankly, that moment alone made this film feel special to an old school New Mutants fan like myself. Plus, Anya Taylor-Joy was perfect as Illyana. I really hope this isn’t the only time she plays the character but I don’t have my hopes up.
It was also great seeing these other characters come to life in the flesh. I thought that Cannonball was a little weak but the other four characters came across pretty well. I wish that they actually expanded on their origins a bit more but we did get enough to start to understand them. Unfortunately, a sequel is doubtful even though two more films were planned before Fox was sold.
Overall, though, the movie is just okay. It feels more like a two-part pilot episode for a show that could be solid. It doesn’t feel like a film able to stand on its own though and the quality of it feels more like high budget television than something that is a part of the X-Men film universe. While that’s not necessarily a bad thing, the movie just looks noticeably cheaper and visually smaller than the series of films it is supposed to connect to.
However, this is all presented in a way where it could redirect itself and connect to the already well established Marvel Cinematic Universe. I highly doubt that will happen, though, as it wasn’t made by Disney and it has a much darker tone than their MCU films.
While it sucks that this didn’t come out in the final form it was intended to with the long-term plans kept intact, it’s still an interesting movie for the superhero genre. It’s vastly different than other films in the genre and it proves that you can dabble with other genres like horror and make it work.
I was really looking forward to the followups, as the plot outlines for the second and third chapters seemed really interesting and made way for much larger stories in scope. Plus, this film hints at the eventual appearance of Mister Sinister, who is long overdue in the X-Men film universe. However, that universe now belongs to another studio and will probably be completely rebooted to fit within their own plans going forward.
The New Mutants should have been an R-rated picture that upped the ante more than the finished product did but I guess we’ll never know what that was or could have been. Still, it’s worth a watch for those who liked the comic book series in the pre-Rob Liefeld era.
Rating: 6.25/10 Pairs well with: the other Fox era X-Men films, as well as dark, coming of age superhero films like Brightburn and Chronicle.
Also known as: X2 (original title), X-Men II (working title), X² (alternative spelling) Release Date: April 24th, 2003 (UK premiere) Directed by: Bryan Singer Written by: Michael Dougherty, Dan Harris, David Hayter, Zak Penn, Bryan Singer Based on:X-Men by Stan Lee, Jack Kirby Music by: John Ottman Cast: Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Bruce Davison, Rebecca Romijn-Stamos, Anna Paquin, Shawn Ashmore, Alan Cumming, Brian Cox, Aaron Stanford, Kelly Hu, Daniel Cudmore
Marvel Enterprises, Donners’ Company, Twentieth Century Fox, 134 Minutes
“You know, outside the circus, most people were afraid of me. But I didn’t hate them. I pitied them. Do you know why? Because most people will never know anything beyond what they see with their own two eyes.” – Nightcrawler
When this came out, I was pretty much blown away by it. Seeing it seventeen years later, not so much.
X2 is a film riddled with problems but it’s still good for what it is and for its era. It’s slightly better than its predecessor but after having just watched the Sam Raimi Spider-Man trilogy, it pales in comparison to the first two films in that series. In fact, I like the wonky Spider-Man 3 a hair bit more than this.
That being said, this does still have one of the greatest sequences in comic book movie history and that’s the part where the military squad attacks the X-Mansion, abducting the children and sending Wolverine and a few of the younger mutants fleeing into the night. I especially liked the inclusion of Colossus in this scene but that also made me wonder why he didn’t come back into the picture because he would’ve been helpful during the final battle. But I guess someone’s got to protect the kids hiding out who knows where.
Anyway, this is a film that is too driven by plot convenience and poor execution of those conveniences.
For instance, Storm can unleash dozens of tornadoes on military fighter jets but no one is worried about the innocent people living on the ground? And she does this while flying a high tech jet. Where was this immense wind power when the jet was going to be hit by raging water?
Which brings me to another poor plot convenience moment that saw Jean Grey have to push back a raging river while trying to lift the parked jet in an effort to save her friends. She’s powerful as fuck, why couldn’t she have just lifted the jet? An hour earlier, she stopped a missile with her mind. And getting back to Storm, where’s that wind power in this scene? Did you not pick up your power-ups in the final level?
I know I’m being pretty nitpicky here but these moments could’ve been shot better, explained better and just not been as stupid and devoid of logic. It seems like really lazy writing and if you needed to kill off Jean for the story, there are better ways to do it and they still could’ve had her sacrifice herself for those she loves. It just felt cheap and baffling.
This also must’ve been made in the era where they didn’t sign actors to multi-film deals because they spent so much time developing Nightcrawler but then he’s nowhere to be seen in the third film. His arc from the original X-Men trilogy is left incomplete. That just adds to the overall sloppiness of this film franchise. And it sucks because Alan Cumming was great as Nightcrawler and he was one of the high points in this trilogy.
The overall story in the film is pretty good though. I thought that the big finale was too long and could’ve been whittled down somewhat but it moves at a good, brisk pace.
Also, the set design, cinematography and overall look of the picture was a big step up from the previous one.
Patrick Stewart, Ian McKellan and Hugh Jackman kill it in just about every scene but Jackman really is the scene stealer, which is impressive when you think about where he was at in his film career in 2003 versus Stewart and McKellan.
In the end, this is still a decent way to waste a few hours but it’s not the great, epic film I saw it as when I was young and didn’t have such refined taste. Also, its since been overshadowed by the Raimi Spider-Man pictures, Nolan’s Batman movies and the Marvel Cinematic Universe.
Rating: 7.25/10 Pairs well with: the other films in the original X-Men trilogy.
Published: December 10th, 2014 Written by: Chris Claremont, Peter David Art by: John Buscema, Gene Colan
Marvel Comics, 495 Pages
As big of a Wolverine fan as I am, I have never read his earliest solo stories that revolved around his time in Madripoor when he was going by the name of “Patch”. I knew enough about this era but nothing is ever as good as reading it for yourself.
I read this on Comixology after buying it pretty cheap during a Wolverine sale. Normally, it’s like $30 but I know I got it for less than $10 and it was well worth that price tag.
This is a beefy collection that covers the first 16 issues of his solo comic, as well as the story that came out just before it and another comic that takes place within the same time frame. It makes for one nice long epic of Logan’s life in Madripoor. I’m not sure if he sticks around there after this collection and for how long but this really gives you the important stuff from that era.
I also knew that Jessica Drew a.k.a. Spider-Woman was around for some of this but I didn’t realize that she wasn’t Spider-Woman here and that she was pretty much just herself, as a ninja badass. I also didn’t realize that she was actually a big part of the Wolverine Madripoor stuff.
We also get a cool plot that teams Wolverine up with the Gray Hulk a.k.a. Mr. Joe Fix-It for the first time. It’s a pretty cool tale and it also fits well within the larger tapestry that sees Logan trying to fight the criminal underworld in this fictitious Asian island nation.
Almost everything here is written by the great Chris Claremont, who probably knows Wolverine the best. Some of this is also written by Peter David but he’s a legend too and he knows how to write a story with great energy.
Ultimately, this wasn’t close to being my favorite Wolverine story, and it may actually be a bit underwhelming because of that, but it is still damn entertaining and really reflects a truly unique time in the character’s mythos.
Rating: 7.5/10 Pairs well with: other Wolverine solo stories from the late ’80s into the early ’90s.