Documentary Review: They’ll Love Me When I’m Dead (2018)

Release Date: August 30th, 2018 (Venice premiere)
Directed by: Morgan Neville
Music by: Daniel Wohl
Cast: Orson Welles (archive footage), Alan Cumming (host, narrator), Peter Bogdanovich, Oja Kodar, Peter Jason, Cybill Shepherd, Frank Marshall, Beatrice Welles, John Huston (archive footage), Dennis Hopper (archive footage) 

Tremolo Productions, Royal Road Entertainment, Netflix, 98 Minutes

Review:

They’ll Love Me When I’m Dead is a pretty fascinating documentary but then Orson Welles, the film’s subject, is an immensely fascinating guy.

This tells the story of Welles’ attempt at trying to complete what would have been his final film: The Other Side of the Wind. However, the picture, despite Welles’ best efforts and years spent filming footage, would not see the light of day.

Beyond that, this explores why it never materialized into a final, complete form. It looks at Welles’ rocky relationship with the Hollywood elite but also shows how passionate he was about the project, which seemed to be ever evolving and not something that had any sort of definitive framework.

More than anything, this was a great documentary simply because it showed us an intimate look into Welles’ life and career at its final stages. He was a lovable, charismatic guy that remained somewhat enigmatic till the end.

It’s also worth seeing for any Welles’ fan, as it does show a lot of the footage that was filmed for The Other Side of the Wind. And even if you don’t get a clear understanding of what the film was to be, you do at least come to understand, as much as a mortal can, Welles’ creative process and motivation in making it.

This is a stupendous documentary film on the man and his brand of filmmaking. And since it is on Netflix, those with the streaming service should probably check it out.

Rating: 9/10
Pairs well with: other documentaries on Orson Welles and filmmaking from his era.

Film Review: Taxi Driver (1976)

Release Date: February 8th, 1976
Directed by: Martin Scorsese
Written by: Paul Schrader
Music by: Bernard Herrmann
Cast: Robert De Niro, Jodie Foster, Albert Brooks, Harvey Keitel, Leonard Harris, Peter Boyle, Cybill Shepherd, Joe Spinell, Martin Scorsese, Harry Northup

Bill/Phillips, Italo/Judeo Productions, Columbia Pictures, 113 Minutes

taxi_driverReview:

Martin Scorsese is one of my favorite directors. I was thinking about his work and then it dawned on me that I haven’t yet reviewed a Scorsese film for Cinespiria. Since I hadn’t seen Taxi Driver in a really long time, I decided to revisit it.

As great as Robert De Niro is, this is the film I most remember when thinking about his acting prowess. It is hard for me to envision how this film played for theatergoing audiences when it was released almost three years before I was born but when I discovered it as a teenager in the 90s, I was enchanted by De Niro’s Travis Bickle.

Taxi Driver is a film that is incredibly well-acted, and not just by De Niro, but by the entire cast all the way down to the smallest part. Even Scorsese’s small cameo in the film, as a taxi passenger admitting that he is going to kill his wife violently, is so chilling that it made me want to see more of Scorsese as an actor.

Martin Scorsese, as director, created a fabulous work of art and social commentary with Taxi Driver. Despite being modern for the mid 1970s, when it was released, the film doesn’t feel dated or ineffective. The picture is still very compelling and unsettling due to the harsh reality of its subject matter. No matter how many times I see this film, I will never be comfortable with Jodie Foster’s portrayal of a 12 year-old prostitute or Harvey Keitel’s sick obsession with her. But that’s the point, really.

Taxi Driver shows us the worst parts of American society and it deliberately makes us uneasy and angry at the world around us. Travis Bickle is our eyes, ears and an extension of how we feel. His fall into what some may deem is madness, isn’t completely implausible. There are reasons why the Bickle character is considered an anti-hero and why we, the American people, cheer for characters like this. He is a person with some emotional and social issues but isn’t that most people, to some degree? And don’t we accept him because he does what we all wish we could do in similar circumstances? He is a character that encapsulates justice in a world where none seems to exist. He takes the bull by the horns and runs with it.

Granted, I can’t get behind his attempt at assassinating a powerful political figure, which he fails to carry out, mind you. However, I can understand his reasoning, even if he has slipped into the realm of the mad and extreme.

Scorsese created a violent and dark world but it is really a reflection of our culture. He created an instrument of justice that was fitting for that world. The real magic, is looking back at it over 40 years later and seeing how it still reflects aspect of our current society and how it is still a film that works today.

Now there are things I didn’t like about the movie but they don’t detract from the overall package or the legacy of this being one of the greatest American movies ever made.

For one, I wasn’t a fan of the ending. Although, I understand that it shows America’s obsession with celebrity and that Old West mentality that will probably never go away. To be more specific, Bickle survives, he isn’t arrested and he is deemed a hero by the public, despite the violent way he took justice into his own hands. In a way, it seems to reward Bickle for what he did. But I also don’t think that such a situation is implausible.

Any other issue I have is just sort of nitpicky and isn’t that important to the overall experience.

Taxi Driver is a fine film. It is still an effective film. In the sea of great motion pictures that Martin Scorsese has directed, this is in the upper echelon and possibly his greatest.

Rating: 9.25/10